Three 18th Century Hand Coloured Orientalist Views of Egypt, Circa 1740

A fine late18th century coloured copper mezzotint engraving printed on original handmade wove paper, after the original painting by George Morland. The bottom left margin references ...

A finely executed & extremely charming 19th century portrait of young Italian woman, probably that of Vittoria Caldoni. Vittoria Caldoni was an Italian woman from Albano most favoured as a sitter by several of the German artists working in Italy at this time. Oil on canvas, signed and dated 1827 bottom right, re-lined and set within a carved and ebonized frame. Canvas dimensions, 23.75” H x 18” W. Framed dimensions, 27.25" high x 21.75" wide x 2" deep. Artist Bio: Friedrich Moosbrugger (1804 - 1830) was a German genre...

A very good 19th century American Classical Period / Empire Period scissor-cut silhouette by Auguste Edouart, depicting the full length figure of a prominent New York gentleman with spectacles in hand, gazing out the window from a partially hand-coloured parlour interior. Set within its original & highly figured bird's eye maple frame & burnished gilt fillet. Signed & dated lower left, 'Aug. Edouart, fecit 1845, 369 Broadway, New York'. The reverse referencing a family provenance purportedly associated with a collection having once belonged to a Civil War officer by the name of Nathan Hale...

A very good 19th century watercolor depicting a pastoral landscape with haycarts, mounted with archival acid free materials and signed bottom left. Measures: 6.75” x 9.75” (sight). Framed dimensions, 10.75" high x 13.75" wide x .75" deep. John Atkinson (1863-1924) was a highly regarded British landscape artist working in watercolours, oil & tempera. He was born in Newcastle, he attended classes at the Newcastle School of Art where he is said to have briefly studied under Wilson Hepple...

19th Century pair of original hand coloured engravings of Egypt in gilt wood frames. After Cecile by Lienard & Reville. Titled “Thebes: Karnak. Vue de la Porte et des Temples du Sud”...

The two engravings displayed side by side depict monumental structures from ancient Egypt and are dated to the late 18th century. They are both examples of European interest in documenting and exploring Egyptian antiquities during the period of early exploration and fascination with the ancient world. ### Image 1: Profile View of the Remains of the Sphinx near the Pyramids of Egypt - Subject: The Sphinx, one of Egypt's most iconic monuments, is shown with its body largely buried in sand, as it was during this period before modern excavations. The figures atop and around the Sphinx provide scale and show the magnitude of the monument. The image also captures European explorers and researchers measuring the Sphinx, emphasizing the curiosity and study of ancient civilizations. - Age: This engraving likely dates from the late 18th century, during a time when European expeditions to Egypt were becoming more common, particularly following Napoleon's campaign in the late 1790s, which sparked Egyptomania across Europe. - Maker: The engraving is credited to Denon and Lege, both of whom were active artists and engravers during this time. Dominique Vivant Denon...

19th century pair of original hand coloured engravings of Egypt in gilt wood frames. After Cecile by Lienard & Reville. Included: Vue de la Porte et des Temples du Sud Deuxieme Parti...

This original print is titled "THE PYRAMIDS OF EGYPT." It depicts the famous Giza pyramid complex, with the three pyramids standing prominently in the background. In the foreground...