Untitled, Teal, Orange, Lilac by K era Morgan

Artist print by Los Angeles based artist, K'era Morgan. Splish Splash 11in x 14in fine art print K’era is a Los Angeles-based mixed media painter who’s had a long term love affair ...

A Modern Beacon of Style and Illumination, the Souda Signal Table Lamp - an embodiment of contemporary design and ambient lighting that adds a touch of so...

Set of 2 armchairs, Stainless Steel with Italian Leather Seat and Walnut wood designed by Sean Dix. 29" H x 24" W x 19" D Seat height 18” inches. This dining armchair will look gr...

Pair of Walnut Matthew Hilton chairs. Profile is simply shaped with splayed back legs and an angled backrest that’s curved for comfortable suppor...

Set of 2 dining chairs by Helmut Lübke, made in Germany circa 1960's. The chairs are in excellent, original condition, showing only light cosmetic wear, normal and consistent with ag...

A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

"Day's End," Oil on Panel, 24 x 24 Inches. Abstraction in pink, salmon, turquoise, orange, yellow ochre, black and red. On view in the artist's one-person exhibition in Boston from...

Gold leaf floater frame included. 11" x 9" Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and running...

An artwork on paper by New York artist Miranda Maher. Made with Reproductions of maps of the moon printed on Unryu Inkjet washi, mounted to Magnani cotton paper, Overlayed with Sumi ...