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"Veduta Della Pirimide Di C. Cestio" Hand-Tinted Engraving by Luigi Rossini
$2,500
£1,888.66
€2,165.88
CA$3,488.27
A$3,796.31
CHF 2,012.42
MX$45,672.54
NOK 25,523.97
SEK 23,352.65
DKK 16,180.77
About the Item
Picturesque 1822 engraving of the pyramid built as a tomb for Gaius Cestius, circa 18 BC. Luigi Rossini (1790-1857) was an Italian artist celebrated for his views of ancient Roman architecture. This engraving is one of his most sought-after, from his Antichita Romane series. Hand-tinting later. Dimensions are framed. Elaborately matted and framed extensive wear to the frame's gilding.
- Creator:Luigi Rossini (Artist)
- Dimensions:Height: 24.75 in (62.87 cm)Width: 31 in (78.74 cm)Depth: 1 in (2.54 cm)
- Style:Neoclassical (Of the Period)
- Place of Origin:
- Period:
- Date of Manufacture:circa 1820
- Condition:Wear consistent with age and use. Losses to gilt frame.
- Seller Location:New York, NY
- Reference Number:1stDibs: 15050610758240
Luigi Rossini
Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory of ancient Rome reflected by its architecture, but were accurate enough to be used by practicing architects, as well as other serious students of classical antiquity. His art continues to influence and inspire architects, artists and those who love Rome. Rossini was born in Rome and trained at the Academy of Bologna. Upon graduation, he moved to Rome and attempted a career as an architect. As he was not economically successful as an architect, he became a full-time artist, initially producing souvenirs for local collectors, wealthy and aristocratic European tourists on the Grand Tour, as well as for architectural students and practitioners all over Europe. Many of his prints were published in several imperial folio sized collections, including Le Anchita Romane (The Rome of Antiquity).
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