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Alexander Calder Jute Tapestry, 1974 Guatemala
$95,000
£72,410.66
€83,518.11
CA$134,928.41
A$144,994.76
CHF 77,798.10
MX$1,707,949.71
NOK 978,224.88
SEK 893,602.11
DKK 624,181.35
About the Item
Extremely rare Alexander Calder 'Swirl' jute tapestry. Swirl pattern. Made in Guatemala in 1974. Calder contributed 14 designs to be made in limited editions by weavers in Guatemala and Nicaragua from local fibers. There was an earthquake in 1972, in Nicaragua and Guatemala that killed hundreds of people and a group of artists formed a relief fund. Each artist contributed limited edition art which was sold, and the money gained was used for the earthquake victims. This piece is number 45 of 100 pieces made. This is one of those 14 designs he contributed. He adjusted the pattern to use the beige maguey fiber and local weaving styles. Many of the tapestries are in museums, universities and private collections today. Fantastic condition. Stunning coloring. CA 74 signature on bottom right. Single best example of a Calder tapestry on the market today.
Located in our Los Angeles Gallery.
- Creator:(after) Alexander Calder (Artist)
- Dimensions:Height: 57 in (144.78 cm)Width: 84 in (213.36 cm)Depth: 1 in (2.54 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1974
- Condition:Wear consistent with age and use.
- Seller Location:Los Angeles, CA
- Reference Number:1stDibs: LU1853348329192
(after) Alexander Calder
Combining abstract surrealism and biomorphic imagery into a distinctive style, Calder has become one of the 20th Century’s most iconic and important artists. Besides sculptures, Calder was also prolific in other art forms. He produced jewelry, tapestry and stage designs, as well as drawings, oil paintings, water colors, etchings, lithographs and serigraphs. Born in Philadelphia in 1898
Alexander Calder (1898 – 1976) was a monumental artist. He invented the mobile, and airy, hanging structure connected by wires that are set in motion by the wind. These mobiles tremendously influenced the art world. Calder’s versions celebrated form and color, with simplicity and profundity. As a trained engineer, began to practice as a freelance artist after attending New York’s Art Students League. Calder was strongly inspired circus spectacle, and thus constructed entertaining mobiles often accompanied by music. Producing dynamic yet playful mobile sculptures, Calder dismissed the formal structures of art and redefined its infinite possibilities.
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