Antique Sampler, 1801, by Sarah Banes

Antique Sampler, 1821, by Susanna Farrow. The sampler is worked in silk on a linen ground, mainly in cross stitch. Meandering strawberry border. Colour...

Regency Sampler, 1825, by Mary Walter. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours green, dark brown, white...

Victorian Sampler, 1840, By Elizabeth Ann Fox. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours green, dark brow...

Regency period Sampler, 1827, by Maria Thurgood. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering floral border. Colours silver, light brow...

19th Century sampler with stitched religious inscription and floral decoration. Dated to 1840.

By S. Norman. With a now brown toned background and overall embroidery with birds, trees, flower baskets and architecture. With an English newspaper on the back. sight 14 3/4 x 12"...

1833 Sampler made by Ann Crehlow(?) in antique pine frame, English. A huge, William IV period pictoral sampler with a hymn of praise called: The Beauties of Nature, Gratitude to the Supreme Being, Nature's Call to Gratitude. It dates from the late 18th century, reading "How cheerful along the gay mead, the daisies and cowslips appear". The whole is filled with typical sampler iconography. Stains, small losses. Georgian stone townhouse at base. Doves with olive branches...

A finely worked in silk on linen ground, central panel embroidered in black with verses from a 17th century hymn by Joseph Addison. The identity of the maker, now partly unreadable, “F.... M.... work.. aged 12 1814” All text surrounded by stylized birds, flowers in a basket, crosses, vases and trees. Jardinière with flowers at the heading, flanked on each side with large butteflies and cherubs carrying the crowns. In fair condition, some thread deterioration, holes, fading. Mahogany frame...