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Regency Woolwork Deer Embroidery, Mary Clark 1826

$3,151.98List Price

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FINE 1860 SiLK EMBROIDERY OF ANNIBALE CARRACCI 1598 THE THREE MARYS AT THE TOMB
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Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning 1860 Silk Embroidery based on the 1598 Annibale Carracci oil painting of "The Three Mary's Waiting At The Tomb" I will include the full history of the original art work below, this silk sampler can be see as displayed in the National Trust (Picture included) its is a super fine example of this type of work. The frame has exhibition glass which refracts the light, its the reason the colours have stayed so vibrant The condition is as you can see in the pictures which is sublime, it was complete by the hand of a master for sure, the frame has some small losses but otherwise its exquisite Just to confirm, the pictures included of the oil painting and print are not included in the sale, they are for reference only Dimensions Height:- 61.5cm Width:- 71.5cm Depth:- 5.5cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask DETAILS OF THE ORIGINALS WORKS The Three Marys at the Tomb, The Three Marys or The Pious Women at Christ's Tomb is a 1598 oil-on-canvas painting by the Italian Baroque artist Annibale Carracci, now in the Hermitage Museum in Saint Petersburg, which acquired it in 1836. The painting was commissioned by Lelio Pasqualini (1549–1611), a native of Bologna then resident in Rome, where he was a canon at Santa Maria Maggiore. Its unusual composition may be linked to Pasqualini's antiquarian interests – he owned one of the most notable collections of the time. It is one of the best examples of Annibale's synthesis of the artists then active in Rome, as also seen in The Loves of the Gods frescoes around 1600 In this work we specifically see the influence of classical sculpture and Raphael, particularly the latter's cartoons for the Vatican tapestries. It is typical of Annibale's style in Rome but still linked to his early style – Mary Magdalene's red and gold dress...
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