Hand-Crafted Wall Decorations

Striking double backed African resist dye raffia textile made into a pillow. Geometric design in shades of brown, orange and natural. Concealed zipper and inserts included. Andriann...

This is a Silk-Screen Print of the Luquillo Beach in Puerto Rico by Torres De la Haba. It depicts a typical scene of a sunny day in an area of the beach where there is a fishing boat...

England, London 18th Century pair of sterling silver sugar nips put in wooden black frames with glass. The wooden frames are a contemporary...

American Modern Wall-Mounted Sunburst Sculpture, Curtis Jere, 1970s

Émile Deyrolle Anatomical poster A wonderfully rare and decorative curio medical French (Paris) original lithograph on board anatomical poster in ...

Abstract, geometric graphic in blue, red and black ink on paper by Arthur Luiz Piza. His style combines drawing and graphic techniques. Handcrafted wooden frame black patinated with ...

American dry point engraved landscape etching Italian House on Hill Side, Alfred H. Hutty, Early 20th century

This elegant Venetian item is a green blown glass totally hand made in 1960 circa by the master Murano craftmenships. It has an elegant shape and its color is a jade green. It is an...

Fabulous modernist Painting by Randy Harter New York Artist. Father with child in muted tones. Framed size is 30 x 42.

Ceramic BUTTERFLY with lace decoration cod. BU002 measures: 40.0 x 30.0 x H 11.0 cm.

This drawing it was one of the very few made by the artist at the Gagosian gallery in Beverly Hills ,Los Angeles. It was a private event and was done in the original flyer /invitatio...

Italian Neo-classic style framed print of map of Italy

Wall decoration mirror revolver infiny made with mirrored LED lights with glass and plexiglass creating an infiny mirrored effect. With a real exceptional hand carved colt 45...

American Country-style (19/20th Century) brass bed warmer with turned wood handle and filigree cover

A travel poster advertising the hot springs and baths in the spa town of Plombieres, Eastern France. The artist Adrien Senechal uses deep, rich colours in his work for the French ra...

"Nude #1", a rare figural wall sculpture incorporating a female nude motif in solid bronze by Philip & Kelvin LaVerne, American 1960's (signed on front “Philip Kelvin LaVerne”). The...

Mid 19th century "Aylesbury Grand Steeple Chase, Brook Scene" color engraving Fine old engraving with aquatint published by S&J Fuller in 1866 Measures: 20" wide x 14.5" high ...

Kimono, Paris, 2017, Tristan Govignon archival pigment print, edition 1 of 7

Anglo Raj hanging polished brass tray. Finely hand-chased, hand-cut and hand-hammered with floral repousse designs. The middle of the tray is a lar...

Vintage Arbruzzi Shepard Oil Painting Panel Signed by Harvey Dinnerstein Includes Book: Artist At Work Dimensions: 16.75"W X 1.25"D X 22.75"H

Continental Dutch (18th Century) blue and white decorated charger / plate with a centered scene of a person on a lake fishing surrounded by floral patterns

English Renaissance style (20th Century) painted tapestry of queen figure with attendant and unicorn & lion.

Elizabeth O'Neil Verner framed dry point etching of St. Phillips Church Steeple, Charleston, SC. Early 20th Century

F.W.W. - "Untitled" - Fine quality contemporary Expressionist oil pastel and graphite still life drawing on paper - signed in pencil and dated lower right - unframed - circa 2005. ...

This is a very interesting piece hand made in terracotta by the Italian artist Franz Sartori. This orange disk is an abstract artwork that was handmade in terracotta in 1972 by the a...

KIM HINXMAN BEDARD - 'Lilies & Birches' - Contemporary acrylic painting on canvas - signed and dated lower right - original frame - signed and titled verso - Canada - circa 2006. Ex...

sold individually polyester resin; hand-shaped polyurethane foam; digital print swallow tail: 78 h. x 20 x 2.5" each a limited edition of 12 plus 4 proofs Produced by Tim Bessell Surfboards...

These Christmas Stockings were made from mid 20th C. Perde Cover Fragments. Please note these were made from vintage Perde fragments.

These Christmas Stockings were made from mid 20th C. Perde Cover Fragments. Please note these were made from vintage Perde fragments

These Christmas Stockings were made from mid 20th C. Uzbek Suzani Fragments. Please note these were made from vintage suzani fragments.

Large wall object by Agnès Debizet with four black dots on a blue and white ceramic disc.

A sophisticated technique is used to transform highest quality kimono fabrics into exquisite antique pieces of kimono fabric to recreate a Genryoku kosode kimono . Tagasode is the wa...

“Bardot Paris,” Jonathan Bermudes, Pop Art, 2015 - France Technique on support: Color gelatin silver print mounted under Diasec Title of the work: “Bardo Paris” Author: Jonathan B...

Chinese screen. Beautifully and elaborately decorated on both sides. Raised detailing and mother-of-pearl inlays on one side and gold painted detail on reverse side.

Painting Stormtroopers, acrylic paint on canvas, unique piece painted by Olivia Fournier.

Italian Neo-classic style (20th Century) print of blue-toned cherubs gathering in a field and eating grapes with a horned animal, on MDF board. Some water damage, scuffing.

Part of Marcin Rusak’s signature Flora collection, the wall-hanging Flora Lens 40 constitutes a unique decorative piece that works well in a variety of settings. Based on discarded f...

An authentic, perfect and bright, originally hand-colored, illustration of four Parrots, on parchment paper (copper engraving). It has a fine shining because of the authenticly appli...

A perfect and bright, originally hand-colored, illustration of four Ducks, on parchment paper (copper engraving). It has a fine shining because of the authenticly applied egg-yolk as...

An authentic perfect and bright, originally hand-colored, illustration of four birds, on parchment paper (copper engraving). It has a fine shining because of the authenticly applied ...

An authentic perfect and bright, originally hand-colored, illustration of four birds, on parchment paper (copper engraving). It has a fine shining because of the authenticly applied ...

An authentic, perfect and bright, originally hand-colored, illustration of 4 Parrots on parchment paper (copper engraving). It has a fine shining because of the authenticly applied e...

An authentic, perfect and bright, originally hand-colored, illustration of 3 Ducks and an Avocet, on parchment paper (copper engraving). It has a fine shining because of the authenti...

Elegant hand-watercoloured Botanical "Gladiolus" printed on aged paper and accompanied by a beautiful frame made of carved bamboo style black wood. Dimensions without passpartout: 2...

Elegant hand-watercoloured Botanical "Lilium" printed on aged paper and accompanied by a beautiful frame made of carved bamboo style black wood. Dimensions without passpartout: 25 c...

Vintage Norwegian Oil Painting – Mid-20th Century Street Scene This captivating Scandinavian primitive-style oil painting on canvas depicts a charming historical street view featuri...

In the present work small handcut tiles of pure white Carrara marble are the background of this interesting contemporary mosaic which represents one of the most celebrated landmark in Florence. The facade of the church of Santo Spirito (Holy Spirit), designed and built by Brunelleschi, is created with precious beige-colored Botticino marble tiles and surrounded by a frame of small black glass glazed paste tiles. Carrara and Botticino are among the most famous Tuscan marbles that’s why the local mosaic artist and craftswoman- who creates this superb work of art- decided that the mosaic featuring the most important symbol of Florence should be made of these materials. To make the composition more interesting, two different types of Carrara marble were used: the statuary white marble is matte and the white Carrara marble called "zuccherino" (sugary) is more sparkling. The random alternation of these two marbles give a pleasant vivid and three-dimensional effect to the entire mosaic tile. Each small rectangular and squared tesserae are hand cutted and each one of these mosaic is one of a kind. The mosaic plaque has a wood panel as support and the tile is housed in hand painted giltwood frame. The tile on sale and immediately available now is 15x15 cm and reproduces the church of Santo Spirito (Holy Spirit)- as you can see in the main image- but many other mosaic with the most important symbols and monuments of Florence are available as the Old Bridge, Santa Maria Novella, Florence's Cathedral with the Brunelleschi's dome or the Lily symbol of the city and so on, as showed in the photos. These white and black marble mosaic tiles...

Antique Copper Engraving by Marcus Elieser Bloch – “Cyprinus Nasus (The Nase)”, 1790 A beautifully hand-colored copper engraving from the iconic natural history series “Ichthyolog...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Wood Framed Arts & Craft leather pyrography, carving, branding from the Cabeza Maya King of Palenque Art. Marked by Artist on the reverse. In good vintage condition with some minor...

The award nominated Franklin Shelf is a 90 degree corner shelf. This unique design allows for maximum storage space, while occupying a very small area. ...

Extraordinary hand crafted Japanese contemporary traditional oshie wall decorative art piece with a stunning three-dimensional effect. This is a centuries-old traditional Japanese handcrafted wall decorative art form using high quality silk and brocade fabrics, known as oshie (literally, “pressed pictures”) that goes back to the Edo period (1603-1868). It is said this art form was born of the reluctance of ladies of the court to discard the magnificent silk kimonos and brocaded obi they had donned for a lifetime. The solution was to recycle these opulent fabrics into stunning works of art. Oshie resembles a carefully crafted very intricate jigsaw puzzle comprising numerous intricate pieces of kimono fabric padded with slightly differing thicknesses of cotton and painstakingly glued and ironed individually. All those tiny pieces are then glued one by one on a custom-made board making sure each piece lands on the exact right place making sure that the right pieces overlap the lower pieces to create an undulating three-dimesional picture. Highly detailed oshie pieces contain hundreds of small pieces that are expertly aligned to recreate even the minutest details of the the painting In the final process. Facial features are painted in miniature-like exactitude. The end product is an awe-inspiring piece with a surprising three-dimensional effect. This magnificent piece depicts a fascinating scene of a lady of privilege wearing an exquisitely brocaded headdress and overcoat to protect herself from the cold. Each dainty step she takes exposes the folds of her multi-layered kimono in a scene reminiscent of the ladies of the ancient imperial court of Japan. The creator of this signed piece has prided herself in using exquisite antique and vintage kimono and obi...

Antique wall hanging Crucifix / Cross & Corpus of Christ from early 1900s, ca. 1900. Rustic metal with original painted decoration of Corpus of Christ mounted on Oak cross. Inscrip...

A wondrous collection of Florentine botanicals lovingly gathered between 1905 and 1907 and presented under glass in a weathered window frame with nine panels, dated, categorized and ...

Extraordinary Japanese Taisho period two panel byobu screen depicting Fujiwara Yasumasa playing the flute in the Ichihara Moor. Fujiwara Yasumasa (958 to 1036) was a famous Heian period...

Well known image based in a sculpture comes this color lithograph , hand made in paper in 1973 signed and dated 73, edition 14/75.. chicago .The image measures 11.1 X 14.1 .Has a te...

This lithograph was done by the well known Karel or Karl Appel of the Netherlands in 1973 in his Modernist style. The print is done in vivid colors and is pencil marked "EH" on the b...

"Dancer” – Artist’s Proof Serigraph by Bertha Vincent Walls (American, 1917–2010) Bertha Vincent Walls (American, 1917–2010). Edition: Artist’s Proof (A.P.), pencil signed lower right, edition notation lower left. A striking silkscreen print by noted American artist Bertha Vincent Walls, whose work explores dynamic human forms through bold color blocking and dramatic silhouette. In Dancer, a muscular male figure is caught mid-leap, arm raised with theatrical flair against an abstract red and ochre background. The visual tension between motion and stillness reflects Walls’ deep engagement with modern dance, movement, and the expressive human body. This vibrant Artist’s Proof exemplifies the artist’s command of color and form in mid-century printmaking. Attribution Note: Stylistically, Dancer aligns with the mid-20th-century figurative expression seen in the works of Charles Wilbert White...

This framed hooked rug or mat was done by the well known George Edouard Tremblay of Quebec Canada in approximately 1940 in his period Folk Art style. The rug or mat is done with wool...

France baroque black and white print Grand Carrousel mid-19th century. This beautiful antique print titled "Grand Carrousel sous Louis XIV" show the horses parade under the Louis XI...