Painted Wall Decorations

A superb example of American allegorical painting celebrating the nation's trade and commerce, this gorgeous, high energy view of a major port, bustling with sailing ships, steam shi...

Painted by Eugene Savage -- arguably, America's most successful and prolific muralist in the Art Deco style, with important surviving paintings dating from the 1920s to the 1950s -- this study was made for a Zodiac-themed ceiling mural. The round painting features a night sky jeweled with bands of stars, and featuring several mythological figures such as Helios with his chariot and Cornucopia. Savage is best known for a spectacular set of murals illustrating the history and lore of Hawaii commissioned by Matson Shipping Line for the S. S. Lurline, executed in the 1940s but not installed until the 1950s. The artist also painted other series of murals and paintings, include an enormous mural...

Impressionist Washington D.C., a snowy winter day on the hill. The capital is covered in a blanket of soft snow as pedestrians head out for evening festivities and sightseeing. Light...

Framed fine quality Iznik style Turkish ceramic tile with flower motif. Handcrafted Turkish Iznik style ceramic tile framed. Turkish traditional ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. 20th...

Emil Betzler German Expressionist tempera painting on ingrain 'Harlequins 1', 1962 ('Harlekins 1') Outstanding piece of Expressionist art. Not signed, but clearly attributable to Emi...

English Victorian style gilt framed oil painting of brown and white greyhound dog.

1950s Oil Painting on Canvas Of Abstract Cityscape Wood frame under stretched canvas Skyscrapers against cloudy sky

Decorate an office or study with this beautiful antique pastoral painting. Hand painted in Italy circa 1870, the painting depicts a tranquil ...

19th C French Drawing of a Handsome Monarchie de Juillet Cadet, Paris, 1833 Apparently Unsigned, Not examined out of the frame. A well drawn oval portrait of a handsome French c...

American Impressionist style oil painting on board of a still life with flowers next to a jug with gilt frame. (dated 1903)

A superbly detailed mid-18th-century Indian miniature court painting, executed in gouache heightened with gold on handmade paper. Originating from Rajasthan circa 1760, this exquisite artwork captures a serene palace scene featuring the Hindu deity Krishna with Radha and accompanying Gopis in a lush, architectural setting. The composition is rich in symbolism, narrative depth, and emotional subtlety, hallmarks of classical Rajput painting. The figures are adorned with traditional garments, rendered in delicate pastel tones with intricate patterns and gilt accents. The architectural elements, marble pavilions, domes, carved screens, and floral gardens, are meticulously executed, offering a vivid impression of royal leisure and divine romance. Set against a tree-lined courtyard with peacocks and floral motifs, the visual rhythm is both vibrant and harmonious. The painting is professionally mounted in a deep tan linen mat and presented in an elegant gold-gilt frame with black detailing, complementing the composition's refined warmth and historic gravitas. A rare and captivating example of classical Indian court painting...

oil on canvas landscape by Philip Erskine (South African 1933- ) Philip Erskine is a South African Postwar & Contemporary painter who was born in 1933, South Africa, 2006 signed and...

Art Deco floral painting motif huge field flower bunch in a vessel by Emil Fiala 1933, Vienna,. A stunning painting by Emil Fiala created 1933 Vienna with a charming motif in huge si...

This late nineteenth-century oil-on-mahogany board by German painter Heinrich Maria Staakmann (1852-1940) depicts two Bedouin men suited for combat on horseback against a trampled de...

Abstract modernist oil painting on canvas female nude ( his wife Thelma ) signed lower left corner Zoute '40. A great example of his earliest work. Zoute' - born Leon Salter 1903-197...

Old large hand painted ceramic tile with flowers: very interesting, wherever You want. Look to the otyher ones published. ref. nr. 2127/1

Robert Haviland & C. Parlon Limoges France Decorative Plate 1981 Limited Ed # 5. Limited Edition collectible plate "The Lady and the Unicorn" by Robert Haviland & Co and Limoges France. Haviland Limoges France Limited Edition Porcelain Collector Plate "La Dame a La Licorne". La Chasse a La Licorne Limoges Haviland C. Parlon Collectible Plate. French Limoges limited edition and 22-karat gold collectors plate by Haviland & Parlon. This coveted and rare collector plate display a scene from the famous late fifteenth century Renaissance Paris tapestries of unicorn hunting scene ," La Chasse A La Licorne". The plate is hand painted with an incredible amount of detail, bright and bold colors with a 22-karat gold rim. Made of porcelain with a glossy finish, this round plate features a stunning multicolor fairy tale design with a unicorn theme. The plate is handmade and painted, and is part of the Limoge product line. This vintage Haviland Limoges La Chasse a la Licorne Unicorn Plate...

A master-level painting surrounded by a thick and detailed gold leaf frame, this large oval oil on canvas has an impressive scale for a nature morte (still-life) painting. The painting, which dates to circa 1850, is by an unknown, yet extremely talented French artist. In stark contrast to the dark gray background, the subject of the painting is a brightly colored floral bouquet. The vibrant flowers (blue, red, yellow, pink, and white) reside in a brown woven basket that sits atop a stone baluster railing. A cluster of darkly colored grapes is strewn across the top of the railing, next to the basket, as two butterflies flutter above the bouquet. If you look closely, you will even see a third butterfly perched on one of the large green leaves that accompany the irises, carnations, and sunflowers. The equally impressive original frame is adorned with rings of beading, foliate rinceaux, and spiral fluting, with a deep convex molding carved with additional fluting. In 19th-century France, an entire school devoted to floral still-life paintings emerged, located in Lyon, which was the capital of floral design. Although originally still-life art was classified as unimportant, acceptance by art historians of the 20th century elevated the public opinion of nature mortes. A painting such as our large and striking oval floral...

Still Life with Fruits, oil painting on canvas, Germany 1950s An impressive Biedermeier style still life painting depicting diverse fruits like plums, grapes or peaches. Painted in ...

Add a noble touch to your study or library with this elegant 19th-century heraldic plaque. Crafted in France circa 1870, the antique wooden shield features a beautifully hand-painted...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Old French painting...

An English late 19th century portrait painting of a dog. Expressive detailed face, beautifully painted. Oil paint on a heavy wood panel. Shows some old craquelure to the varnish. ...

This atmospheric antique French oil on canvas painting, dating to circa 1870, presents a beautifully rendered forest clearing opening toward a shimmering lake and distant mountains, ...

Antique Trompe l'oeil Painting by Micheangelo Meucci, Florence 1867 A large Trompe l'oeil oil painting depicting hunted birds. A very detailled and colorful oil painting on board pa...

Dramatic and bold, this painting of a shirtless man restraining a bull -- his skin dark as night, and the bull's hide as pale as moonlight -- is a classic example of Art Deco design....

Copy of a painting titled "Reclining Nude" showing woman with dark hair sleeping on pillows in a classical setting

Antique charcoal on paper, a large-scale depiction of three intertwined figures rising from stylized waves, one figure with arm raised in a dramatic gesture. Below, fish and sea plan...

Wall Decoration Art Pair Silhouettes Black Framed Antique Los Angeles Gallery . Pair of silhouettes portrays the 19th century Lady and Gentleman With his Hat. This pair has been well taken care of and has minor wear consistent with the age. Wall art Silhouette of a Lady and a Gentleman framed in possible hand carved pine wood or fruitwood Frame. Charming elegant profile depicts high status man at ease with himself ensured his place in hierarchy looking sharp and same goes for the Lady holding what appears to be a document. The subjects are dapperly dressed with his top hat in his hand, trimmed haircut, leather boots and the lady with a nice Hairdo and an elaborate dress. An original continental French or British silhouette in a period fruitwood light color frames and are beveled. Antique dealer Los Angeles West Hollywood La Cienega Melrose Ave. The watercolor and paper cut silhouettes...

"Oil Painting on Panel, signed "Linda Le Kinff", Mathilde et les Echecs" Painting with the title "Mathilde et les Echecs", Beautiful Oil on panel, well framed, by Linda Le Kinff, ...

In this arresting wall sculpture, Katz Studio masterfully captures the essence of the female form, frozen in a moment of fluid movement. Crafted in resin using a proprietary techniqu...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

Antonio Asturi (1904-1996). Nuns. Vintage Asturi rendering in charcoal and gouache on paper of two nuns in habit from behind in vintage cream and gold bead frame. Italy, Mid-20th Cen...

Olive green Chinoiserie George III hanging corner cupboard dating to the late 18th century. In excellent condition. Original dark, olive green painted finish embellished with painted...

PAIR of American Country gilt framed oil paintings portraits of lady in lace and man with black collar (19th Cent)

Antique oriental ceramic tiles, hand painted under glaze, with flowers and birds: one with an inscription. Idea: walled each one on a door. If You want, there is another one similar,...

A large scale painted paper panel backed by board and with a plexiglass cover. The scene with a blue deity on horseback visiting court figures at a palace. Female figures are on a ba...

Portuguese 1944 Watercolor Sunday Morning Mass.  

Artwork from US born Italian artist Emanuele Laustino (Pittsburgh 1916-Asti 1988). Laustino was the son of immigrants from Asti´s countryside in Northern Italy, and moved to the Unit...

'Circle of Life' 2020, reflects the pull push tension as well as continuation of life using strong contrasting color. Using a spatula rather than a paint brush Wittig layers the pain...

PAIR of English Victorian gilt framed seascape oil paintings of sailboats by shore line.

Nakamura Daizaburo Turtledoves in a Peach Tree Taisho period, circa 1920 Framed painting. Mineral pigments, ink and gofun on silk Signed: Daizaburo Dimensions (framed)...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Magnificent! MID CENTURY ABSTRACT ORIGINAL OIL PAINTING STUNNING ORANGE & BLUE PALETTE! After Gio Ponti Offered is an absolutely superb original oil painting of huge proportion...

The Mastaba (Project for United Arab Emirates) by Christo Yavachev (1935 - 2020) Pencil and wax crayon Measures: 80 cm x 59 cm (31 x 23 1/4 inches) Signed and dated Christo 1979 E...

American Victorian oval mahogany framed oil painting portrait of Union soldier.

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Large and impressive 1950s abstract oil painting by Monte This really is a magnificent abstract painting. It's large size will make this the centerpiece of most interiors. Beau...

Impressive 19th century Italian hand fan, remarkably preserved with silvered metal sticks and guards depicting ancient gods, palm trees and classical emblemes. The paper leaves are h...

The Frameworks are created with the same technique as our wallcoverings and represent a unique artistic vision, which embellish the location where they are exhibited. This creation ...

Original Modern Abstract in Antique Frame by Shannon Weir, acrylic on panel

This is the Good Shepherd With Lamb Painting. It depicts an oil painting in canvas of the Christ Child seated in a large rock holding with his right hand the shepherd stick and the l...

A 19th C three quarter length portrait of an aristocratic gentleman with his personal valet shown behind him. The young man with flowing long hair is portrayed from the waist up and ...

A moving devotional work in the manner of 17th-century Italian Baroque painting, this 19th-century oil on canvas was created in Italy circa 1870 and depicts the Holy Family with the ...

Handcrafted Ken Edwards ceramic plate Tonala Mexico Folk Art Pottery. Vintage Ken Edwards Mexican ceramic birds and flowers from Tonala Pottery. ...

Copy of a Russian School painting of a Victorian couple being seated in an opulent restaurant

A Dutch delft Porceleyne Fles wall plate after Petrus van der Velden (1837-1915) A Dutch delft Porceleyne Fles wall plate after Petrus van der...

Stylized, yes, but sensuous and powerful, this transitional Art Nouveau-Art Deco painting depicts King Herod whispering into the ear of Salome, calling upon her to deliver the head o...

This small and charming oil on canvas depicts a young boy sitting on an older man’s knee, drinking from a beer stein. The scene takes place in a workshop or home, with fabric drapped...

Vintage Painting of a man on canvas by Carol Dan Offered for sale is a vintage painting of a man by Carol Dan (1934-2022). Carol Dan was a recognized Florida artist who was well-t...