Painted Wall Decorations

Decorate a study, living room or den with this beautiful and colorful antique painting! Painted in France circa 1890, the artwork painted on canvas is set in a carved gilt wood frame...

Each panel with chinoiserie decoration in the western fashion.

Early 18th Century Spanish Colonial Oil on Canvas – The Descent from the Cross This large and moving Spanish Colonial oil on canvas, dating to the early 18th century, depicts the p...

John J. NAPIER - English School late 19th century This paintings illustrates the Parable of the Wise and Foolish Virgins or the Parable of the ten bridesmaids, is one of the parables...

Rare set of portraits of Napoleon with his wife Marie Louise of Austria. Hand painted and framed in ebony. ref. O/7439/2.

Large oil on canvas painting by M J MYERS... depicting bar scene,, Amazing use of color ,space and texture,,, Born in Buffalo, NY and raised in the city of Tonawanda, MJ Myers attended the State University at New Paltz where he received a Bachelors of Fine Arts with a concentration in Drawing and Painting and a minor in Art History. Deeply embedded in the Buffalo art world, Myers works as an art handler for the Albright-Knox Art Gallery, UB Anderson Gallery, and Frank Lloyd Wright's Darwin D.Martin house. His work has been shown at multiple galleries as well as in many performances by the Buffalo, NY performance troupe Torn Space Theater. In 2014, MJ performed his first wedding painting...

Unique and sculptural butterfly form presents as an abstract geometric diptych. Can be hung horizontally or vertically. See image 8 & 9 for artis...

Oil on mahogany panel representing genre scene occurring in the XVIIIth century. but painted around 1870-80, signed lower left P. van Wijngaerdt. A waitress is removing a dish cont...

«Midnight Sky» ist ein reversibles Wandobjekt aus schwarzer Jute, dessen Rückseite mit goldfarbenen Metallblättern veredelt wurde. Bemalt wurde sowohl die Vorder- als auch die Rückse...

This is a Snow Scene painted by Daniel Van der Putten of Ireland and is a wonderful serene rural Winter scene in Kerry near Killarney at the world famous national park. Van der Putte...

A magnificent pair of Scottish cattle highland scenes by Henry Garland in modern gilt frames... Artist: Henry Garland (1834-1913), British Title: "Grazing Ground In The Highlands" Medium: Oil On Canvas Signed: Both Paintings (Lower Left) Dimension: Canvas: H: 29 in / 73.7 cm ; W: 49 in / 124.5 cm Framed: H: 38 1/4 in / 97 cm W: 58 in / 147.5 cm ; D: 3 1/4 in / 8.5 cm Artists Biography: Born in Hadlow, Kent in 1834, he died at Leatherhead, Surrey in 1913, aged 78. He was trained at the Royal Academy of Arts during 1853 -57 where he won the medal for 'The best drawing from the Life' in both 1854 and 1857. He actively exhibited between 1854 and 1890. He had 30 paintings exhibited at the Royal Academy and specialised in Highland Cattle and general genre paintings. He was also an accomplished portrait painter. He has paintings in the permanent exhibitions at Sunderland, York and Leicester Art Galleries and also in the Long Room at Lords Cricket...

Ronald D. "Ron" Moody studied under noted artist, Roger Winter at Southern Methodist University (SMU), receiving his BFA in 1973. Two years later, he received his MA from the Univer...

Antique set of three early 19th century watercolors of Austrian military uniforms depicted in a stark landscape in a matter of fact technique with han...

18th century, large Italian neoclassical oil on canvas four panels screen with Trompe L’œil These large screen is composed of four panels in oil on canvas painted. Neoclassical, dating to the second half of the 18th century. Each panel represents a trompe l'oeil, with a classical architecture with square section marble columns and large clogging. Inside the pink space of the first and third panels are painted, as inserted in a niche with bronze frame, ancient busts...

Still life with realistic expression in warm rose and brown tones. Professional black painted shadow gap framing with white gold decor Stilllive Painting in Oil on Canvas Signed by ...

Striking in its use of bold color -- black, white and sky blue -- and strong geometric shapes -- the circle, segmented circle and diagonal line -- this painting of a sailor and soldi...

Late 19th century Marine oil painting representing a fishing boat at sea with sailboats in the distance. Period by Paul Seignon (1820-1890).

Portrait of a Lady American Painter Wall Mount Art Decorative Painting Framed LA , SIGNED DATED by Robert Rylend (1873-1951) American Artist. Portrait of Irene Dobson , 1914 Robert Knight Ryland (American, 1873–1951). At the beginning of World war I , this painting piece of wall art was signed on the canvas 1914 , with a carved giltwood simple frame . pure elegance that goes with modern and traditional design alike . on the frame someone carved on it in 1948 , right after the end of world war II . Ryland American painter also worked for the Tiffany Studios . his painting “ Morning with Snow ” 25 X 20 inches Sold $12,500 in 2019 it's a stunning piece of Art to add to your special collection, add a touch of color and charm to your home. It is very decorative and versatile, it can go in a bedroom a living room , office , entry . or simply mounted on top of your fireplace as a focal point. The frame is beautiful with some cracks and losses as seen in the pictures over Decades of elements, overall good condition. Antique Dealer West Hollywood CA Melrose Ave La Cienega Blvd. This painting is timeless , it can be in a traditional décor as well as a farm, a winery , a modern house , midcentury. A great gift idea for a house warming, or to add to your collection of unique beautiful happy Artwork. Biography Robert Ryland...

The original work by established Rochester NY artist Carole Ann Battle features a winter landscape with a view of a river in calm, reserved palette. It was professionally framed wit...

18th Century Portrait Miniature Attributed to Christian Friedrich Zincke (1683 - 1767) A young girl, possibly a relative to Charlote Tilson, Lady Deane (b 1918), half length, her ha...

A Beautiful Late 19th century Berlin K.P.M. – Vienna style porcelain rectangular plaque of the five senses Signed Knoeller Finely painted after Hans Makart with the five vertical panels, each depicting a female nude against an exotic naturalistic background, emblematic of a senses, the reserves enriched with gilt stylized vine. Impressed K.P.M and scepter marks, painted blue Beehive mark, within a giltwood frame. Hans Makart, was an Austrian allegorical painter and designer (1840-1884) who trained at the Vienna Academy between 1850 and 1851 under Johann Fischbach. Makart rejected the established rules of classicism, preferring to embrace the sensual expression of color. He became one of the leading artistic figures of the period in Vienna and an important purveyor of fashionable taste. One of Makart’s greatest achievements was staging the vast costumed parades held to celebrate the silver wedding...

A finely executed pastel portrait of Louise Eleonore von Hohenlohe-Langenburg ( 1763-1837), a noblewoman whose life and status are beautifully captured in this artwork. Eleonore is p...

Oil on Board by Sandy Sutherland. this late 60's early 70's portrait of a woman, possibly a stewardess is a unique example of using oil paint and having the appearance of a watercolo...

Pair 18th Century South Staffordshire Enamel Plaques , oval shape, painted with pastoral views, circa 1760

Well carved with carved rocaille frame enclosing a crest comprised of three castles and a compass. At base has a carved face. Once hung on the yacht Paraffin and from the Michael Kit...

A captivating and finely executed 19th-century English still life painting, rendered in oil on wood panel, depicting an abundant bouquet of mixed flowers in a terracotta urn. This hi...

A museum worthy large painting depicting travellers before the falls of Tivoli outside of Rome, with the Temple of Vesta in the background, after the 18thC French artist Claude Joseph Vernet...

18th Century, Italian painting with Saint Nicholas and the miracle of the brick Oil on canvas; Frame cm H 136 x W 109 x D 10. Canvas cm H 100 x W 74 The oil on canvas painting, with...

Watercolor painting on paper of a tropical scene with houses, palm trees, and figures executed in a lush pallet. Signed by American artist Margaret Morrish in 1956 at Port Antonio Ja...

A 1960 oil on canvas by Mexican artist Carlos Orozco Romero depicting a violet human figure seated by a clear table with the Moon on her right. The painting is signed and dated on th...

A pair of domestic conversation pieces by John Grenville Fennell (1807- 1885), Both showing rivers and streams within a mountainous landscape, possibly fishing expeditions for the mi...

Daniel Nikolaus Chodowiecki (Danzig, 1726 - Berlin, 1801) Interior scene with concert Oil on canvas, 42 X 34 cm With frame 57 x 49 x 6 cm Already attributed to Pietro Longhi, the ...

19th century roll of wallpaper frieze in trompe-l'oeil ribbon on an 8-way roll. About 61 m/0.05 cm. useful. Second Empire era, polychrome printing. ...

African Ethiopian painting imported to Italy by a diplomat during the Italian occupation of Ethiopia, in the late 1930s. This tribal folk art painting depicts a battle scene and the canvas is mounted on a parallelogram-shaped frame. It is a large battle painting...

A fine and historical Palatial oil on Canvas by August Wolf. Entitled Venetian Festival . This large oil on canvas was commissioned by Count Adolf Friedrich Graf von Schack, a colle...

A Korean Folk Art painting watercolor on silk mounted with brocade border and framed. The watercolor was likely dated from late 19th century to the tur...

Charming set of four oil painting on board depicting chickens and roosters of the French city of Rennes. Presented in wood frames and signed ...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

French Riviera style pair of large artistic ceramic plates by the catalan ceramic artist Puigdemont, Spain, 1950s. Handmade in turned ceramic, with multicolored abstract art decorations, very typical of the 50s and 60s. Mid-Century and Atomic style. Very much in the style of the Catalan ceramic creations of brands such as La Bisbal, and other Catalan artists such as Jordi Serra...

Oil on Masonite, 19 ½” x 23 ½”. Signed and Dated Bennard Perlman, 1953 Perlman received his BFA from Carnegie-Mellon University and an MA from the University of Pittsburgh. For 3...

Marie Philips-Weber (German, 1845-1942) oil on canvas "Reading a Book" depicting a young maiden reading a book, within an ornate gilt and gesso frame. Signed: M. Weber Philips (l/r),...

We are so proud to offer this original work of art by legendary Palm Springs artist O. E. L. Graves. We discovered his work when we first purchased a second home here in 1997. His work was very difficult to come across, but stories about Mr. Graves were legendary, and the first art we saw of his were his extraordinary and very collectible cover art for vintage mid century Palm Springs villager magazines which we found at some thrift stores! We have since collected 8 original paintings. This is the Rolls-Royce of the collection. His artwork is now collected by a new generation of the Palm Springs younger rich and famous entertainment industry that have brought new life to the town with Coachella Music Festival and the endearing architecture Palm Springs is famous for! We purchased an amazing coffee table book by French photographer Robert Doisneau called “Palm Springs 1960” Mr Graves himself and his artwork is featured in wonderful 1960s vintage photographs. This spurred on more collectors looking for his paintings. This large painting was definitely owned by a Palm Springs/Beverly Hills client. His work was even sought out by Rockefeller that wanted to buy a painting of Mr. Graves that he refused to sell! The paintings were very expensive. Just the original painting’s framing alone shows how chic and special it was. The subject is a bird in its cage with a clock in the corner, In shades of silver, green, black and gold. There is a name on the painting, along side Mr. Graves signature we believe to be the title of the painting, “Orsi” It is such an extraordinary painting! Please check out the pictures to see the amazing color and details of this work. O. E. L. Graves (1897 - 1971) Graves was an American artist and painter/sculptor based in Palm Springs, California during Hollywood's golden years. His client list included many of the rich and famous of his era, from movie stars (Clark Gable, Bob Hope, Bing Crosby, Janet Gaynor) to business magnates (Raymond Loewys, George R. Hearst Sr.) to shady criminal kingpins. His own personal life was just as full of high intrigue and secrecy as the famous clients he cultivated. As a result, his need to maintain a relatively low profile in his private life has relegated him to near obscurity in death as an artist. Graves experimented constantly with new media and techniques for expressing his art. His works include delicate watercolors, fine detailed portraits, impressionistic oils, sculptures in metal, and some techniques of his own invention. Graves claims to have invented "sculpted oil painting", where multiple layers of thick oil paint are placed on masonite and then cut away to create the image. His sculpted oil paintings were displayed in some of the trendiest galleries and art museums, including the New York Metropolitan Museum of Art, which purchased some of his sculpted paintings after they had been shown there. Winthrop Rockefeller...

Mid-Century Italian carved wood wall applique in openwork scroll form, painted in an antiqued brown finish.

O/4738 - An idea for these three gilt and lacquered friezes : for wall light sconces: on the wall, hanging above three parchment fans that hide the electrical connections. The parch...

Lennart Lilja Oil on canvas Work signed by the artist Dimensions 62/77 Framed work Lennart Lilja (1924-2008). He was a Swedish artist. Student of Isaac Gründewald and Otte Sköld. In...

Saint Jerome Hears the Trumpet of Judgment, Neapolitan School, 17th Century This exquisite oil-on-canvas painting depicts Saint Jerome hearing the trumpet of the angel of the Last Ju...

E. La Fontaine (French, XIX) Hand-Painted Porcelain Charger, late 19th century, depicting a medieval archer and a maiden on a castle rampart, signed "E. La Fontaine", ebonized molded...

Decorate a living room wall or study with this elegant and colorful 18th-century Aubusson gouache painting. Created in the renowned tapestry-making city of Aubusson, France circa 176...

Mid Century Modern Cubist Figure on Canvas by John Ross (1921-2017) Purchased in Paris housed in a 19th Century gilt frame. John Ross, painter, printmaker, author, and educator, wa...

Roseline Koener mixed-media 2002 About the artist: My adventurous journey as an artist has been focused on accessing the magic pool of vibrant colors and life forces deep within me. I marvel at the infinite richness and divine beauty of colors, sounds, patterns, textures, and fragrances of Mother Nature. I am inspired and amazed by the powerful and dynamic cycles of life, which generate newness and oneness. The circular movements of planets and every cell, the miraculous growth of plants and mountains, the morning’s eclosion of roses, and the buoyancy of ocean waves fascinate me. Artists and musicians like Klee, Matisse, Tombly, Motherwell, Frankenthaler, Anatsui, Bach, Hafiz, Rumi, Hildegard von...

Beautifully painted and with an arresting subject, this piece -- with its male nude subject having removed his own fig leaf -- reveals the sly humor of its painter, Leon Dusso...

Philip Hermogenes Calderon (1833-1898) was one of the most renowned and brilliant British artists of the 19th century. He studied in Paris ...

Oil painting capturing a narrow street or alleyway in Brussels, adorned with houses and a small grocery stand featuring two ladies. The artwork is signed by F. Jorwitz, Ferdinand Jo...

A Classic romantic movement oil painting on wood panel depicting two lovers. They are dressed in Renaissance almost theatrical garments and they sit intimately close to one another on a bench. The atmospheric background is set in the middle of a wooded park in the early evening hours before dusk. Their faces are almost in shadow as the brilliant orange/red sun sets behind them. The painting is signed F. Heilbuth on the right hand bottom corner of the canvas and is dated ’76 in reference to 1876. It is set in a gold painted wood frame. Biography Ferdinand Heilbuth, (1826-1889), was a German-born French painter. He was born in Hamburg in 1826, and died in Paris in 1889 having become a French citizen in 1876, the same year he painted this work. He is buried in Père-Lachaise cemetery in Paris. This genre painter whose talent has the characteristics of nobility, liveliness of color and accent in expression, exhibited many times at the Royal Academy in London. His works were also shown in the Grosvenor Gallery...

Dramatically and vividly painted, this depiction of a seated Archer of Asian descent, holding his bow in one hand, is a Classic example of Depression-era portraiture. The contemplati...

17th century, The condemnation and martyrdom of the four crowned saints by Giuliano Dinarelli Mid-17th century, Italy, Bologna Oil on canvas, frame ...

Early 19th Century Portrait of the Marsh Family Twins, by Thomas Arrowsmith (English: 1772 - 1834), circa 1830, an oil on canvas group portrait of the celebrated five children of the Marsh family of Boston. The two pair of twin girls and their younger brother became well known on both sides of the Atlantic in their day, because sets of twins were pretty rare, and these children were so ridiculously cute. Apparently the greatest artists of their day were all clamoring to paint their portraits. The Magazine Antiques ran an article on the children and their popularity about 20 years ago. The short hair cuts sported by the girls are quite striking, and are actually not as odd and rare as many people assume. While longer hair enhanced with ringlets and other curls were very much the popular fashion, a good number of parents did boldly break away with these daring short bobs. Perhaps they were the "bohemians" of their day. The style grew in popularity, even among adults, following the French Revolution: dubbed "Guillotine Haircuts" they declared sympathy for the deposed royals. In this particular instance, I believe the short hair was chosen because it focused more attention on the beautiful faces, and lessened the variations in height and hair color to make them all look even more alike. A delightful painting, slightly Romantic School, a touch Folk Art, in excellent condition and signed on the reverse. Thomas Arrowsmith was a highly regarded artist who worked almost entirely in miniature. Such artists who created such amazingly detailed tiny portraits on ivory...

Georges Ferrato « Aspettando la Primavera » March 2011, Cherasco - Italie Acrylic and concrete on Canvas 114 x 146 cm

Italianate landscape, Manner of Claude Lorrain Very good Quality oil on relined canvas in the Manner of Claude Lorrain, cargo ships on the banks of the river Po Italy. 📜 Provenance – Italianate Landscape after Claude Lorrain, England or Italy, circa late 18th–early 19th century This finely executed oil on canvas is an accomplished historic copy after Claude Lorrain’s celebrated Italianate river landscapes, specifically related to his Landscape with Merchants (c. 1630s), held at the National Gallery of Art, Washington, D.C. The composition also bears a close resemblance to the 1769 engraving by Boydell and James Mason, after a painting once in the distinguished collection of Robert Trevor, 4th Baron Trevor, later 1st Viscount Hampden. The scene features cargo ships along the tranquil banks of the River Po, enveloped in the soft, atmospheric light for which Claude Lorrain (1600–1682) is universally revered. Executed in the idiom of the Grand Tour period, the painting exemplifies the classical Arcadian themes sought by aristocratic collectors travelling through Italy in the 18th and early 19th centuries. This work is a particularly elegant example of the period's taste for Claudean compositions, balancing architectural elements with expansive vistas and golden, diffused light. The canvas has been professionally relined and restored, housed in a contemporary frame that complements the work’s scale and palette. Minor craquelure and darkening to areas of the blue and green pigments remain consistent with age, enhancing its historic charm. Ideal for integration into neoclassical, traditional, or transitional interiors, this work represents an opportunity to acquire a piece of decorative art with a strong visual lineage and academic relevance — a testament to Lorrain’s enduring influence across centuries of landscape painting. Very similar to the Landscape with Merchants in the National Gallery of Art, Washington, D.C. Our version could be after the engraving by Boydell and James Mason on 1st January 1769. Interestingly, the source painting for the painting was once in the collection of Robert Trevor, 4th Baron Trevor (from 1764), and subsequently (from 1776) 1st Viscount Hampden. 18th-Century Italian Landscape in the Manner of Claude Lorrain This exquisite 18th-century Italian Landscape in the manner of Claude Lorrain captures the essence of Italian Baroque landscape painting, showcasing the serene beauty and harmony of the classical countryside. Drawing inspiration from the Golden Age landscape painting, it reflects the elegance and detail characteristic of Claude Lorrain-style artwork, featuring sweeping vistas, balanced compositions, and an idealised landscape scene that exudes timeless charm. A Classical Italian Countryside Painting...

This lovely depiction of the painter with his nude model provides an interesting variation on a Classic theme, in this instance placing the artist behind his model, allowing the fema...