Items Similar to Roman Relief Plaque Owned by Iris Apfel

Italian 19th Century Neoclassical St. Decorative Wall Plaque of a Roman Emperor

Old Panel in High Relief, Representing a Head of a Roman Emperor

Monumental Early 20th-C. Italian Carved Wood Neo-Classical Style Wall Plaque

Italian early 19th century Neo-Classical st. marble and Ormolu plaque

French 19th Century Neo-Classical St. Plaster Plaque

Italian marble dust Relief of Roman Emperor with Gilt Frame

Want more images or videos?

Request additional images or videos from the seller

1 of 6

Roman Relief Plaque Owned by Iris Apfel

$14,500

£11,038.13

€12,618.92

CA$20,401.70

A$22,316.10

CHF 11,750.03

MX$266,431.50

NOK 149,755.88

SEK 136,990.90

DKK 94,250.38

About the Item

Neoclassical Roman plaque depicting a man of honor, possibly a Senator, 19th/20th century, wood, gesso, and terracotta paint with giltwood elements, marked "VIII" on back, owned by legendary Iris Apfel. This piece is in its original condition, having a burgundy paint drip and some chipped terracotta paint. If desired, we can have it fully restored. Iris Apfel was a legendary curator of fashion and interior décor, a maximalist whose mantra was “More is more and less is a bore.” Most know her for her iconic oversized, black-rimmed glasses and eccentric wardrobe, but what most don’t know… Iris had a successful interior design business that catered to New York socialites like Estee Lauder, Greta Garbo, Faye Dunaway, and Joan Rivers. Naturally, her clients wanted things that nobody else had. She and her husband Carl, traveled to Europe twice a year, buying at auction, flea markets and estate sales, filling up 40 ft containers for her design projects. They bought rare antique furnishings and textiles when “midcentury modern” was all the rage. Unable to source antique fabrics on a large scale for her projects, Iris reached out to a girlfriend from college whose father was a great weaver in Europe. She brought him her fabrics, which he reproduced using old world techniques. Soon after, they realized there was a niche market for antique replicas and formed a business partnership. In 1950, they founded Old World Weavers with a showroom in Manhattan, it became one of the most esteemed textile companies in the industry, specializing in 17th, 18th, and 19th century fabrics. They received commissions to renovate the White House over the course of nine presidencies (Truman, Eisenhower, Kennedy, Johnson, Nixon, Ford, Carter, Reagan, and Clinton). In interviews she alluded to having discrepancies with America’s most fashionable icon of the time, First Lady Jacqueline Kennedy, because she also brought in French designers and textiles, which Iris removed thereafter. Carl and Iris ran Old World Weavers from 1950 to 1992, it’s now sold through Scalamandré. Their most icon cut velvet print “Tigre” remains highly sought after today.  A New York native, raised in Astoria, Iris grew up in a Jewish family that instilled in her an early appreciation for great design and craftsmanship. They were ideal role models, cultivating her taste and style through their lifestyle. Her grandfather, a tailor taught her the value of sewing and draping. Her mother, a fashion boutique owner, exposed her to the art of mixing different styles and eras, teaching Iris to shop in thrift stores and antique shops in Greenwich Village. These early experiences helped refine her eye for rare and unique pieces, she understood the value of a curated mix, and creating the unexpected. She was cutting edge, one of the 1st women to wear jeans in the 40’s, at a time when they were only made for men, she wore boys’ jeans. Her father, an artisan glass shop owner, crafted exquisite mirrors. He introduced her to the world of interior design when she accompanied him on a mirror installation at legendary Elsie de Wolfe’s Plaza Hotel apartment. It made an enormous impression on young Iris; she claimed it nearly made her eyes pop out of her head. Elsie was America’s very first Interior Decorator to receive a design commission, and in 1913 she published the first interior design book, “The House in Good Taste.” Iris went on to study art and fashion in college. She began her career as a junior copywriter for Women’s Wear Daily before transitioning into interior design working as an assistant to Eleanor Johnson. Equal part interior designer and fashionista, her home and wardrobe were the ultimate creative expressions of herself, and most of all…for herself. Iris was the quintessential essence of individual style, following her gut, buying things that spoke to her viscerally. The way she dressed was the way she lived, an eccentric, fun quirky mix of haute couture thrift store treasures. The MET Costume Institute premiered an exhibition about her wardrobe titled Rara Avis (meaning Rare Bird): The Irreverent Iris Apfel. It was an enormous success, their first show featuring someone who was still living and not a fashion designer, it exhibited her collection of costume jewelry styled with clothes on mannequins as she wore them. It was so successful, it became a touring exhibit, followed by two documentaries (“Iris” and “If You’re Not in the Obit, Eat Breakfast”), a book (“Iris Apfel, Accidental Icon”), a Barbie of her, and a modeling contract at age 97! The Museum of Lifestyle Fashion in Florida is currently creating a new building with a gallery to showcase her clothes, accessories, and furnishings. She had homes in Manhattan and Palm Beach, plus a huge Long Island storage loft full of her European treasures, which is where the piece we acquired came from. It’s featured in this storage loft, in the 2014 documentary “Iris,” by Albert Maysles. We know, it’s hard to find, one-of-a-kind pieces! Shop our listings for new inventory, curated from an Interior Architect and Designer’s POV. THE TASTEMAKER SHOPPE offers an exclusive mix of ‘new and old’ furnishings, founded solely on good taste, not limited by any style or era.

Dimensions:
Height: 24.75 in (62.87 cm)Width: 24.75 in (62.87 cm)Depth: 3 in (7.62 cm)
Style:
Neoclassical (In the Style Of)
Materials and Techniques:
Gesso,Wood,Painted
Period:
20th Century
Date of Manufacture:
unkown
Condition:
Wear consistent with age and use. Minor losses. In good condition. Has some scattered losses to the paint/finish and a red burgundy drip paint. This is same condition as it was when she owned it. See image screen grab from her Documentary.1.
Seller Location:
Scottsdale, AZ
Reference Number:
Seller: IAP-0011stDibs: LU8553247959262

More From This Seller

View All

Category

Early 2000s Unknown Grand Tour Figurative Sculptures

Materials

Marble

Italian marble dust Relief of Roman Emperor with Gilt Frame

$1,500

Roman Relief Plaque Owned by Iris Apfel

About the Item

More From This Seller

20th Century American Wall-mounted Sculptures

Glazed Terracotta Roman Wall Sculpture Plaque

20th Century Unknown Wall-mounted Sculptures

Pair of Bronze Iron Versace Style Medusa Corbels

20th Century Italian Neoclassical Wall Mirrors

A Beautiful, Large Neoclassical Italian Mirror

20th Century Unknown Contemporary Art

Leather Framed Art of Abstract Figures

20th Century Neoclassical Candle Sconces

Pair of Neoclassical Style Candle Sconces

20th Century Asian Platters and Serveware

Vintage Persian Charger Plate

You May Also Like

Antique 19th Century Italian Neoclassical Decorative Art

Italian 19th Century Neoclassical St. Decorative Wall Plaque of a Roman Emperor

Vintage 1930s French Art Deco Decorative Art

Old Panel in High Relief, Representing a Head of a Roman Emperor

Early 20th Century Italian Neoclassical Wall-mounted Sculptures

Monumental Early 20th-C. Italian Carved Wood Neo-Classical Style Wall Plaque

Antique 19th Century Italian Neoclassical Wall-mounted Sculptures

Italian early 19th century Neo-Classical st. marble and Ormolu plaque

Antique 19th Century Italian Neoclassical Decorative Art

French 19th Century Neo-Classical St. Plaster Plaque

Early 2000s Unknown Grand Tour Figurative Sculptures

Italian marble dust Relief of Roman Emperor with Gilt Frame