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1980 Eugenio Carmi Italian Abstract Art Silk Tapestry
$1,788.75
£1,324.50
€1,500
CA$2,470.69
A$2,646.11
CHF 1,422.53
MX$32,138.50
NOK 17,974.34
SEK 16,456.84
DKK 11,431.90
About the Item
Wall Tapestry
Eugenio Carmi
Italy, 1980
Embroidery Silk and Fabric
Some light stain (shown in the pictures)
Rare edition
Eugenio Carmi (Genoa 1920- Lugano 2016). He studied in Turin following the teachings of Felice Casorati and in the 1950s he dedicated himself to graphics, which would be useful to him in the creation of his artistic works. His work is characterized by a rigorous geometric structure and careful chromatic research. In the 1960s, he created cybernetic works, which he exhibited at the 1966 Venice Biennale. In 1976 he made a short film for Rai. In the Seventies he taught at the Art Academy of Macerata and Ravenna and illustrated some of Umberto Eco's fables. His works are exhibited in Italy and abroad.
- Creator:Eugenio Carmi (Artist)
- Dimensions:Height: 25.99 in (66 cm)Width: 25.99 in (66 cm)Depth: 0.4 in (1 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1980
- Condition:
- Seller Location:Brescia, IT
- Reference Number:1stDibs: LU3300143742282
Eugenio Carmi
Eugenio Carmi was born in 1920 in Genoa, Italy. At age fifteen he began painting lessons, which came to a halt during the Second World War during which he graduated with a degree in chemistry from Swiss Federal Institute of Technology. In 1946, Carmi was living in Italy and became a student of the painter Felice Casorati, whose work remained an inspiration for his own in the next decade. In the late 1950s, Carmi was tasked with promoting Cornigliano Steelworks and used steel and iron to create contemporary art to enhance the company’s image. This led to his first solo exhibition in 1958 at the Galleria Numero in Florence, where he presented enamel paintings on steel. During the 1960s and 1970s, Carmi focused on creating work inspired by the combination of industry and culture, leading to lithographs on tin plates and linking kinetic and audiovisual art. It was in the 1970s that he developed his signature geometric style, a contrast from the Art Informel style of the previous decades. He often used mathematical laws such as the Pythagoras theorem to create his precise geometric shapes, a nod to his training at the Swiss Federal Institute of Technology.
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