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s face, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981).
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Giorgio RossiWoman
s face, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981).1930-40s
1930-40s
1000 €IVA inclusa
Informazioni sull’articolo
Woman's face, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor.
Terracotta modeled by hand by the artist. Unique piece.
Dimensions: Height 27 cm.
The choice of terracotta as a material, is part of the Tuscan artistic tradition that, from the Etruscan culture to the Renaissance, reflects the bond with the earth, with the clays in the Florentine and Sienese lands. This bond with the past is combined with the modernity of the form.
The sculpture is documented in the catalogues of Giorgio Rossi's collections.
Coming directly from the master's legacy to his family, the work has remained in the collection of his heirs, preserved as a testimony to Rossi's artistic maturity. The work reflects the taste for the balance between tradition and innovation typical of the late Art Deco period, underlining the artist's ability to blend expressive force and formal refinement.
Excellent state of conservation.
Exhibitions: This work belongs to the period in which Rossi participated in prestigious national exhibitions, such as the Venice Biennale (1930, 1936), where his works were praised for their technical quality and ability to interpret modernity without betraying tradition. Artist Biography Giorgio Rossi (1894-1981) was a Tuscan sculptor of great importance, capable of interpreting realism and figurative tradition with a modern sensibility. Born in Florence, he trained at the Academy of Fine Arts under the guidance of Antonio Bortone. His works, often made of terracotta and alabaster, are distinguished by a formal synthesis that celebrates the expressive power of the subject through a modern and refined language. He participated in prestigious exhibitions, including the Venice Biennale (1930, 1936), receiving praise for the technical quality and originality of his works. For over thirty years he taught at the Artistic and Industrial School of Volterra, influencing generations of artists and contributing to the artistic renewal of Tuscany. Rossi's works, often from the family legacy, testify to his contribution to twentieth-century Italian sculpture, with a vision that combines tradition and innovation, Etruscan roots and modern sensibility.
- Creatore:Giorgio Rossi (1894 - 1981, Italiano)
- Anno di creazione:1930-40s
- Dimensioni:Altezza: 27 cm (10,63 in)Larghezza: 15 cm (5,91 in)
- Tecnica:
- Movimento e stile:
- Periodo:
- Condizioni:
- Località della galleria:Firenze, IT
- Numero di riferimento:1stDibs: LU2464215904962
Enrico Reffo (1831-1917) – Biography Enrico Reffo was an Italian painter devoted to sacred art, active primarily in Turin during the second half of the 19th century. At a time when religious painting was losing favor in the artistic mainstream, Reffo remained committed to a deeply spiritual and meticulously executed style, producing altarpieces, frescoes, and devotional works for churches and religious institutions. Originally trained as a goldsmith, he later studied at the Accademia Albertina, where he developed a precise and academic approach to drawing and composition. Deeply influenced by his strong Catholic faith, he dedicated his career to religious art, often collaborating with the Collegio degli Artigianelli, where he also taught and mentored young artists, including his most trusted pupil and artistic heir, Luigi Guglielmino. His works can be found in numerous churches throughout Piedmont, including the Sanctuary of the Consolata, the Church of San Domenico, and several other notable sites in Turin, Varallo, Novara, and Pinerolo. His artistic legacy reflects a profound sense of devotion, blending refined draftsmanship with a contemplative and mystical atmosphere. Reffo worked in a period of political and social transformation, when the relationship between the Italian State and the Church was marked by tensions following the unification of Italy. Despite this, he remained dedicated to his art, leaving behind an extensive body of preparatory studies and large-scale religious compositions, making him one of the last great sacred painters of 19th-century Italy.
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- SpedizioneRecupero del preventivo…Spedizione da: Firenze, Italia
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