Salta e passa al contenuto principale
Caricamento del video
Vuoi altre immagini o video?
Richiedi altre immagini o video al venditore
1 di 13

Jerry Opper
Untitled Abstract Stone Lithograph, 1950s, Unsigned, 13.25x19.25

c.1950

323,43 €

Informazioni sull’articolo

From the estate of Jerry and Ruth Opper Untitled 1950s Stone Lithograph on paper 13 1/4"x19 1/4" unframed Unsigned This piece is unsigned and came from a collection of Jerry and Ruth Opper's work in the San Francisco Bay Area. Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and graduated in 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann whose works are well known. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. One of his preferred mediums was stone lithography, although at times he had to put this aside because of the hard labor associated with the weight of the stones. He eventually needed several back surgeries during his lifetime because of this. Opper’s prints have been included in several major shows throughout the country: Oakland Art Gallery, Sacramento State Fair, San Francisco Museum of Art, International Color Lithography Exhibition at Cincinnati, Ohio, Pennell Print Show at the Library of Congress, Washington D.C., Brooklyn Museum Print Show, Los Angeles County Fair, Pomona, City of Paris Rotunda Gallery, San Francisco. Around 1950, Opper had a one-man show at the Lucien Labaudt Gallery in San Francisco and at the Montalvo Estate in Saratoga, California. At the California State Fair in Sacramento, Opper won the second prize for prints for his lithograph “Aquarium” and this print became part of the Fair’s permanent collection. The print Opper exhibited at the Brooklyn Print Show was chosen for the traveling exhibit, which was circulated to ten major cities by the American Federation of Arts. The two prints he showed at the San Francisco Museum were also chosen for circulation and were shown to various schools in California. In 1951, an untitled abstract oil by Opper was included in the Seventeen Annual Exhibition of the San Francisco Art Association (held at the San Francisco Museum of Art). And in 1952, the San Francisco Art Commission purchased one of Opper's abstract lithographs. Bio from Lost Art Salon This piece is unsigned and came from a collection of Jerry and Ruth Opper's work in the San Francisco Bay Area. Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and graduated in 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann whose works are well known. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. One of his preferred mediums was stone lithography, although at times he had to put this aside because of the hard labor associated with the weight of the stones. He eventually needed several back surgeries during his lifetime because of this. Opper’s prints have been included in several major shows throughout the country: Oakland Art Gallery, Sacramento State Fair, San Francisco Museum of Art, International Color Lithography Exhibition at Cincinnati, Ohio, Pennell Print Show at the Library of Congress, Washington D.C., Brooklyn Museum Print Show, Los Angeles County Fair, Pomona, City of Paris Rotunda Gallery, San Francisco. Around 1950, Opper had a one-man show at the Lucien Labaudt Gallery in San Francisco and at the Montalvo Estate in Saratoga, California. At the California State Fair in Sacramento, Opper won the second prize for prints for his lithograph “Aquarium” and this print became part of the Fair’s permanent collection. The print Opper exhibited at the Brooklyn Print Show was chosen for the traveling exhibit, which was circulated to ten major cities by the American Federation of Arts. The two prints he showed at the San Francisco Museum were also chosen for circulation and were shown to various schools in California. In 1951, an untitled abstract oil by Opper was included in the Seventeen Annual Exhibition of the San Francisco Art Association (held at the San Francisco Museum of Art). And in 1952, the San Francisco Art Commission purchased one of Opper's abstract lithographs. Bio from Lost Art Salon
  • Creatore:
    Jerry Opper (1924 - 2014, Americano)
  • Anno di creazione:
    c.1950
  • Dimensioni:
    Altezza: 48,9 cm (19,25 in)Larghezza: 33,66 cm (13,25 in)Profondità: 2,54 cm (1 in)
  • Tecnica:
  • Movimento e stile:
  • Periodo:
  • Cornice:
    Opzioni disponibili per la cornice
  • Condizioni:
    Excellent Condition - Minor wear consistent with age and history.
  • Località della galleria:
    Arp, TX
  • Numero di riferimento:
    Venditore: ro6-11stDibs: LU1533217531932

Altro da questo venditore

Mostra tutto
A. Stone Litografia del 1950 in bianco e nero astratta dell artista di San Francisco
Di Jerry Opper
Dal patrimonio di Jerry e Ruth Opper JO 14-1 1950's Litografia su carta con pietra 12,5" x 19", senza cornice Provengono da un portfolio di lavori della sua proprietà. Jerry Opper (...
Categoria

Metà XX secolo, Astratto, Stampe astratte

Materiali

Pietra

Bay Area Abstract Stone Lithograph on Paper, 1950s, Unframed, 12.5x19 Inches
Di Jerry Opper
From the estate of Jerry and Ruth Opper JO 23-1 1950's Stone Lithograph on Paper 12.5" x 19", Unframed Came from a portfolio of his work from his estate. Jerry Opper (1924-2014) He...
Categoria

Metà XX secolo, Astratto, Stampe astratte

Materiali

Pietra

Mid-20th Century Abstract Fireworks Lithograph on Paper, Unframed
Di Jerry Opper
From the estate of Jerry and Ruth Opper Abstract Fireworks 1950's Stone Lithograph on Paper 12.5" x 19", Unframed Came from a portfolio of his work from his estate. Jerry Opper (192...
Categoria

Metà XX secolo, Astratto, Stampe astratte

Materiali

Pietra

1950 "Cave Drawings" Litografia astratta su pietra
Dal patrimonio di Jerry e Ruth Opper "Disegni di caverne" 1950 Litografia su carta con pietra 25 "x19.5" carta 21.25 "x14.75" sito Non incorniciato Titolato e datato in basso a sinis...
Categoria

Anni 1950, Astratto, Stampe astratte

Materiali

Pietra

1960s "Metaphor" Abstract Collagraph NY Artist Myril Adler
Myril Adler "Metaphor" c.1960s Collagraph ink on paper, A/P 1.75"x2.25 unframed Signed and dated in pencil Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belar...
Categoria

Anni 1960, Astratto, Stampe astratte

Materiali

Carta, Intaglio

1950 "Astratto #4" Pittura a inchiostro e guazzo Univ of Paris
Di Donald Stacy
Donald Stacy "Astratto #4" c.1950 Inchiostro e guazzo su carta 10,5x19,5" marrone, increspato, cornice in legno 11,5 "x1 "x20,75" Firmato a matita in basso a destra con etichetta sul...
Categoria

Inizio XX secolo, Astratto, Dipinti astratti

Materiali

Carta, Inchiostro, Gouache

Ti potrebbe interessare anche

Senza titolo - Litografia originale di Vasco Bendini - 1961
Di Vasco Bendini
Dimensioni dell'immagine: 49 x 38 cm. Interessante litografia in b/n che rappresenta una composizione astratta. Datato, numerato e firmato a mano a matita sul margine inferiore dall...
Categoria

Anni 1960, Stampe astratte

Materiali

Litografia

Senza titolo - Litografia originale di Vasco Bendini - 1961
Di Vasco Bendini
Dimensioni dell'immagine: 46 x 34 cm. Litografia che rappresenta una composizione astratta. Datato, numerato e firmato a mano a matita sul margine inferiore dall'artista italiano Va...
Categoria

Anni 1960, Stampe astratte

Materiali

Litografia

Senza titolo - litografia di Franco Garelli - 1960
Di Franco Garelli 1
Senza titolo è una litografia originale realizzata da Franco Garelli nel 1960. Firmato sul piatto. Numerato a mano. Edizione di 64 stampe. Condizion...
Categoria

Anni 1960, Astratto, Stampe astratte

Materiali

Litografia

Composizione astratta - Litografia di J. Mailhe - 1967
Abstract è una litografia originale su carta di Jean Mailhe (nato nel 1912), realizzata nel 1967 come copertina per l'invito al vernissage di Mailhe organizzato da "L'Association des...
Categoria

Anni 1960, Astratto, Stampe astratte

Materiali

Litografia

Dopo una domenica - Litografia originale di Le Oben - Anni 60
Di Le Oben
After a Sunday è una litografia originale realizzata dall'artista Le Oben negli anni Sessanta. Firmato a mano in basso a destra. Numerato in basso a sinistra. Edizione di 100 esem...
Categoria

Anni 1960, Astratto, Stampe astratte

Materiali

Litografia

Composizione - Litografia originale di Amerigo Tot - Anni 60
Composition è un'opera d'arte moderna originale realizzata dall'artista ungherese Amerigo Tot (Fehérvárcsurgó, 1909 - Roma, 1984) negli anni Sessanta. Litografia originale su carta...
Categoria

Anni 1960, Astratto, Stampe astratte

Materiali

Litografia