French Dangle Earrings

ISAKY Paris vintage gold toned dangling earrings (clip-on) featuring irregular 3-D resin cabochons in orange and brown colors. Embossed ISAKY Paris. Indi...

JEAN PAUL GAULTIER vintage massive antiqued silver tone ethnic inspired dangling earrings (clip-on) featuring a tubular drop form with bead pattern design. Embossed JPG. Indicative...

CHRISTIAN LACROIX vintage dangling earrings (clip-on) featuring a gold tone top, crystal ball and iridescent star. Marked CHRISTIAN LACROIX CL Made in France. Indicative measuremen...

YVES SAINT LAURENT massive antiqued gold tone dangling earrings (clip-on) featuring a fingerprint design in bold relief. YVES SAINT LAURENT 2011...

Clip-on earring form Robert Goossens Paris. Dimension: Length 7 cm x W 3,5 cm Feature. - Singed Goossens Paris, backside - On top 2 x 2 cm gold tone Resin - Dangling & cut rh...

Maison Gripoix Vintage Red and Green Flower Dangling Earrings Set in Gold Tone. These are some of the most stunning earrings in my collection. The colors, of course, and the way they are made. They are just exceptional. They will always be relevant. They are well-made and make a statement. They are just classy and chic. Clip On. Always In Style. Clip on. I also have them in blue. Acquired in Paris. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated, but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband who lacks any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and setting them in the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery, loss, or for unusual pieces to be used in their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous Byzantine style of Chanel jewelry was brought to life, featuring golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix . Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created exceptional, irregularly shaped pearls from glass for Chanel, imitating the baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls .. As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House continues to craft jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

JEAN PAUL GAULTIER vintage antiqued bronze toned dangling earrings (clip-on) featuring cursive signatures JEAN PAUL and GAULTIER. Marked GAULTIER. Indicative measurements : length ...

KENZO vintage gold tone floral dangling earrings (clip-on) featuring a resin flower top, gold tone flower and blossom. Embossed KENZO Paris Made in France. Indicative measurements ...

Chanel Vintage Gold Plated CC Heart Pearl Tear Drop Dangle Clip on Large Earrings *Marked 95 *Made in France -It is approximately 2.75" x 1.1". -Very pretty and classic -In a very ...

Attributed to JEAN PAUL GAULTIER antiqued silver tone dangling earrings (clip-on) embellished with crystals and featuring cursive signatures JEAN PAUL and GAULTIER. Unmarked. Indic...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Dangling Textured Earrings. Clip on. One of those that becomes magical when you see it on you. These are the types of earring...

CHRISTIAN LACROIX vintage dangling earrings (clip-on) featuring pearly grey resin abstract flower and heart with crystal embellishement. Marked CHRISTIAN L...

DOMINIQUE DENAIVE vintage textured silver toned necklace and dangling earrings (clip-on) set embellished with freeform shape yellow resin cabochons. Silver tone metal hardware. NEC...

JEAN PAUL GAULTIER vintage punk safety pin shoulder duster dangling earrings (clip-on) featuring JPG logo inlaid resin top, black resin cabochon, black an...

Discover these sumptuous Pavement earrings in 18-carat rose gold, beautifully encrusted with sparkling diamonds. Inspired by the Art Deco style, these modern creole earrings are a tr...

Chanel Vintage Gold Plated Ribbon Crystal Coral CC Dangle Lever Back Earrings *Marked 03 *Made in France *Comes with original box -Approximately 2.5″ x 1″ -Very unique and pretty d...

CHANTAL THOMASS vintage novelty dangling earrings (clip-on) featuring antiqued silver tone resin corsets. Embossed CHANTAL THOMASS. Indicativ...

CHRISTIAN LACROIX vintage dangling earrings (clip-on) featuring marbled pink resin abstract flower and heart with crystal embellishement. Marked CHRISTIAN LACROIX CL Made in France....

CHANTAL THOMASS vintage novelty dangling earrings (clip-on) featuring antiqued silver tone resin shoes. Embossed CHANTAL THOMASS. Indicative measurements : height approx. 7.5 cm (2...

Vintage Claire Deve Long Gold Tone Earrings. Baroque Looking Dangling Clip-on Earrings Circa 1980s Unsigned but confirmed to be Claire Deve! When you ...

YVES SAINT LAURENT vintage gold toned dangling earrings (clip-on) featuring textured hearts. Marked YSL. Made in France. Indicative measurements : height approx. 7.4 cm (2.91 inche...

Vintage Christian Lacroix Gold Tone Dangling Ball Earring with 2 Bars of Metal that can be Manipulated with Ball attached at the End. So Lacroix!...

CHANEL antiqued silver tone keeper earrings (for pierced ears) with CC logo featuring a cluster of faux pearls and a metal ball with CC logos and clear crystals. Fall 2004 Collectio...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic, and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery or loss or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

For pierced ears. Pair of earrings in 18 karat rose and green gold, eagle's head hallmark. Feminine and slender, these dangling earrings feature a fine pearly white orient pearl held...

CHANTAL THOMASS vintage massive dangling earrings (clip-on) featuring resin hats with flowers in silver tone with antiqued patina. Embossed CH...

YVES SAINT LAURENT vintage gold toned dangling earrings (clip-on) featuring an arabesque design domed top and a large baroque faux pearl drop embellished with clear crystal rondelles...

YVES SAINT LAURENT vintage massive dangling earrings (clip-on) featuring a textured gold toned top and blue resin disc. Embossed YSL Made in France. Indicative measurements : heigh...

Shields Sculpture Statement Earrings in satinated aluminium and polished outlines From the "Sous les Toits de Paris" collection, 2020 Unique Dimensions cm : L4 x W 2 x H 15 in : ...

Vintage Alexis Lahellec Gold Honeycomb Faux Pearl Dangling Earrings Circa 1980s. Each little piece of the honeycomb is at a different level ...

Designed by Eva Soussana, artist and founder of Hera-Jewellery, these elegant, refined and classic drop dangle earrings from the “Audrey” Collection were inspired by the famous "Dorm...

Vintage Gripoix Translucent Earrings with Pieces Of Gold. Dangling Earrings With Pieces of Gold and Stones. Long Necklace/Sautoir on Site to Match. So Gorgeous! Clip On. Guy de Maupassant wrote a famous story about a necklace. The story revolves around a young, attractive, and intelligent woman who struggles with the limitations of living with a husband who lacks exceptional qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began making replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses, and Princesses queued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

SATELLITE vintage textured vertdigris patina resin dangling earrings (clip-on) embellisehd with gold tone studs. Embossed SATELLITE. Indicative measurements : max. height 8.9 cm (3...

ROCHAS vintage antiqued gold tone heart shaped dangling earrings (clip-on) featuring a bamboo design with orange glass cabochons embellishement. Embossed ROCHAS PARIS Made in France...

JEAN PAUL GAULTIER vintage antiqued bronze tone shoulder duster dangling earrings (clip-on) featuring star inlaid resin top, cracked faux stone cabochons,...

Attributed to JEAN PAUL GAULTIER vintage antiqued silver toned dangling earrings (clip-on) featuring a large gear marked JUNIOR GAULTIER embellished with navy blue and red enamel. U...

CHRISTIAN DIOR antiqued silver toned dangling earrings (clip-on) featuring chains and a CHRISTIAN DIOR logo embellished with brown leather. Silver...

Chanel Silver Ribbon Row CC Crystal Piercing Earrings *Marked 22 *Made in France *Comes with the original box, pouch and booklet -It is approximately 0.75" x 0.75". -In a pristine ...

KARL LAGERFELD vintage iconic gold toned dangling earrings (clip-on) featuring a stylized fan design top embellished with black enamel and KL monogram, oval ring drop. Embossed KL. ...

CHRISTIAN DIOR BOUTIQUE vintage oversized gold toned hoop earrings (clip-on). Marked CHRISTIAN DIOR BOUTIQUE. Indicative measurements : height approx. 10 cm (3.94 inches) / max. d...

SONIA RYKIEL vintage gold toned jewelled dangling earrings (clip-on) feturing a lovely bow design embellished with sapphire and clear crystals. Marked ...

Vintage Christian Lacroix Gold Tone with Red, Blue, And Crystal. Very Classic Lacroix. Enamel with the Red Cross design featuring a flower shape at the Top. Iconic Christian Lacroix...

JEAN PAUL GAULTIER vintage novelty antiqued silver toned dangling earrings (clip-on) featuring a resin inlaid lips print, stars and resin crystals. Ma...

Long Comma Sculpture Statement Earrings in satinated aluminium and polished outlines From the "Sous les Toits de Paris" collection, 2020 Unique Dimensions cm : L 2 x W 1 x H 12 i...

Vintage Atalante Gold Tone with Red Crystal Fan Earrings Circa 1980s. These are so special. Truly very different. Clip On. Atalante used to manufacture jewelry for Yves Saint Laur...

A lovely pair of large Chanel rose window style clip earrings with faux pearl pendants. The open work spiral design in a round framework references the rose windows characteristic of...

Maison Gripoix Vintage Faux Turquoise and White Layered Dangling Earrings. There are three layers to this, all wrapped in an offset gold tone and then a long, dangling piece. These are so stunning and look good with many colors. Clip On. These are proper statement earrings in that they are so well-made. These can also be worn in the winter against dark colors. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Designed by Eva Soussana, artist and founder of Hera-Jewellery, these elegant, refined and classic drop dangle earrings from the “Audrey” Collection were inspired by the famous "Dorm...

Designed by Eva Soussana, artist and founder of Hera-Jewellery, this exquisite "Luna" collection with all its roundness and sensuality, was inspired by the moon, with its round shapes and all its mysteries. These elegant and refined drop/ dangle earrings, very pleasant to wear casually every day and looks absolutely stunning when worn with an evening dress. A beautiful 18.61 carat Amethyst and a beautiful 17.90 Smoky Quartz, both are of Brazilian origin, in a flat cabochon...

An pair of iconic Audemars Piguet diamond drop earrings featuring the timeless Millenary design in 18k white gold adorned with the finest round brilliant cut diamonds in 18k white go...

Designed by Eva Soussana, artist and founder of Hera-Jewellery, these sensual, elegant and refined drop/dangle earrings from the "Eva" collection were inspired by the famous "Dormeus...

Chanel Rare Vintage Gold Plated CC 3 Red Enamel Flower Clip on Earrings *Marked 2261 and 4077 *Made in France -It is approximately 1.4" x 0.55". -Super cute and rare -In an excell...

Victory Sculpture Statement Earrings in satinated aluminium and polished outlines From the "Sous les Toits de Paris" collection, 2020 Unique Dimensions cm : L4 x W 4 x H 13 in : ...

Designed by Eva Soussana, artist and founder of Hera-Jewellery, these sensual, elegant and refined drop/dangle earrings from the "Eva" Collection were inspired by the famous "Dormeus...

Vintage Augustine Gripoix Pate De Verre Dangling Earrings Circa 2000s. These gorgeous Red and Diamante Pate de Verre look like creeping red flowers on a vine. They are made in two ...

Designed by Eva Soussana, artist and founder of Hera-Jewellery, this exquisite "Luna" collection with all its roundness and sensuality, was inspired by the moon, with its round shapes and all its mysteries. These elegant and refined drop/ dangle earrings, very pleasant to wear casually every day and looks absolutely stunning when worn with an evening dress. Two beautiful flat cabochon...

Augustine - Golden metal earrings with light blue glass paste. Additional information: Condition: Very good condition Dimensions: Length: 9 cm Selle...

These exquisite Vintage French Romantic Black Enamel & 18k Gold Plated Dangle Earrings embody elegance and sophistication, showcasing a strikin...

For pierced ears. Earrings in 18 karat yellow gold. Each antique earring is exquisitely crafted, featuring a round openwork hoop adorned with gold circles and edged with a small cord...

For pierced ears. Pair of earrings in 18 karat yellow gold. Highly original, each earring consists of a gold bead attached to a stem with a butterfly clasp. A green turquoise from Tu...