Late 20th Century Dangle Earrings

Gorgeous dangle earrings in 14 karat white gold structure mounted with an onyx with a diamond in the upper part. In the middle part,an aquamarine between two gold structure studded w...

It comes with the Gemological Appraisal by GIA GG/AJP All Gemstones are Natural 24 Amethysts = 4.12 Carats 294 Black Spinels = 1.62 Carats Metal: Rhodium Plated Sterling Silver Dimen...

These aesthetically absorbing versatile 'day & night' pendant earrings are crafted in solid 18K yellow gold, weigh 22.6 grams and measure 44 x 35 mm. Composed of 2 distinct, detachab...

Designed by Lagos from their signature Caviar collection. These earrings feature their Iconic fluted drop hearts along with carved ribbed Pink Tourmaline and square cut Chrome Tourm...

These stylish 18K gold long drop earrings are designed with an elegant linear drop that alternates between baguette and square-cut diamonds, culminating in a beautiful pear-cut diamo...

Vintage pair of oval shape hand painted Mother of Pearl measuring 28 mm x 40 mm, depicting a chinese fisherman walking near the river,suspended from a Gold bar with 2 oval Ruby cabs ...

Offered in good condition, white gold 18 KT heart earrings set with 2 pieces of heart cut amethyst in total approx. 2.00 ct and 24 pieces of brilliant cut diamonds in total estimated...

Exquisite Handcrafted 22ct Gold Earrings with 18ct Gold Hooks Earrings are stamped 916 on the inside of each main heart and the hooks have hallmarks for 18...

Flower shaped dangle earrings in 18k yellow gold mounted with paste tourquoise. Tot.Weight 4.90 gr R.F rih For any inquiries,please contact the seller through the message center.

Elegant 3 butterflies earrings in 18Kt white gold with little shiny emeralds and blue sapphires and diamonds on the wings. emeralds and blue sapphires (0.05Kt) diamonds (0.03Kt) T...

Dangle earrings in 18k yellow gold mounted with four stones each. Tot.Weight 5.20 gr Lenght 7 cm R.F +UHUA RK.AGCA80 For any inquiries,please contact the seller through the message ...

Details of dangling earrings, 14 kt white gold, with 0.11 ct diamonds, 21.84 ct garnet, white stones and a fantastic 6:20 grams jade. Total weight gr 15.60. Diamonds ct 0.11 Jade an...

For any problems related to some materials contained in the items that do not allow shipping, please contact the seller with a private message to solve the problem. We can ship every...

Iconic Tacori crescents accent the inner curves of every oval link in these lovely mixed metal dangles. The beaded edge inner line makes the crescents stand out even more! These mixe...

Amazing earrings, realized in 14K rose gold structure mounted with 10.95 ct of amethyst drops and bottons, 0.31 ct of little amethysts, and finally 0.95 g of pink secundum coral drop...

Green stone dangle earrings in 18kt white gold embellished with gold-carved leaves covered in diamonds and a onyx drop on the bottom. diamonds 0.63k tot weight 24.6gr r.f. uiga For...

These beautiful earrings are mounted in 18k yellow gold and embellished with pearls beads. tot weight 5.50gr R.f. +UIII RK.AGEA80 For any inquiries,please contact the seller through...

Dangle earrings in 14kt rose gold and silver structure mounted with diamonds, onyx and coral buttons. These earrings were totally handmade by Italian master goldsmiths and they are ...

Dangle earrings in 14k yellow gold mounted with diamonds emeralds blue sapphires and coral. Diamonds 0.74 Sapphires 1.48 kt Coral 3.30 gr Tot.Weight 9.10 gr R.F +FIFR RK.AFRG92 F...

Cool (and large) Celine Silver Chain Door Knocker Earrings with pave rhinestones from the late 1980's with curb chain fringe. Imposing scale and beautifully crafted for Celine in Ita...

Cool (and large) Celine Gold Chain Door Knocker Earrings with pave rhinestones from the late 1980's with curb chain fringe. Imposing scale and beautifully crafted for Celine in Italy...

Fashioned in 18k yellow gold, these handsome earrings are set with two 9.5mm cultured pearls adorned with high quality brilliant cut diamonds. Total diamond weight is 1.91ct of overa...

Vintage Isaky Paris Art Deco Silver Tone Resin Earrings Circa 1990s. These Art Deco Glass Resin Pink and Yellow On Silver Tone Drop Earrings are just spect...

For any problems related to some materials contained in the items that do not allow shipping, please contact the seller with a private message to solve the problem. We can ship every...

Stylish pink tourmaline cluster earrings crafted in 14k yellow gold (circa 1980s). Pink tourmalines measure approx. 3.5mm each. Note: color variance to the tourmalines. Set in c...

These gorgeous vintage Stephen Dweck runway earrings feature a brilliant combination of sterling silver, carved turquoise, jade, and amethyst in a dramatic dangle style. These clip-on earrings have a dramatic, long large to small graduated center dangle suspended from the sterling silver top. The bold sterling silver top has a shell and scroll look to it and holds a soft pink coral bead that is capped on the top and bottom by a sterling silver pierced accent that echoes the design of the earring’s top. Beneath it hangs a Chinoiserie influenced carved blue-green turquoise bead...

Vintage Ungaro Gold Dangling Butterfly Earrings Circa 1980s. These are double earrings of a smaller and then larger butterfly. They are so chic and will make any outfit look polishe...

For any problems related to some materials contained in the items that do not allow shipping and require specific documents that require a particular period, please contact the selle...

Earrings Specifications: ​ ​Designer: LANA Metal: 14K Yellow Gold Total Weight: 4.6 Grams Earring Length: ~2.5" Earring Width: ~1.9" Stamped: "14K" "LANA JEWELRY...

Pair of dangle earrings designed by Roberto Legnazzi. This is a fabulous pair of dangles drop earrings, created in Italy at the jewelry atelier of Roberto Legnazzi, back in the 1970...

In very good condition. Total weight is 6.6 grams. Totally is diamond1 ct. The diamond is has brown color and s2-s3-Pique 1-2 clarity. Box is not included. Please contact for any que...

Multi-stone and sterling silver dangle earrings. Fifteen stones total per earring, including stones of turquoise, lapis, coral, and onyx. Three stone cluster at top with large link-a...

Simple and Chic Art Déco Style Earrings, Blue hand enameled with the antique champslevé technique featuring six Round Rubies(0.73kt), four Iolites (0.46kt), White Diamond(0.35kt) in ...

Maison Gripoix Vintage Red and Green Flower Dangling Earrings Set in Gold Tone. These are some of the most stunning earrings in my collection. The colors, of course, and the way they are made. They are just exceptional. They will always be relevant. They are well-made and make a statement. They are just classy and chic. Clip On. Always In Style. Clip on. I also have them in blue. Acquired in Paris. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated, but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband who lacks any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and setting them in the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery, loss, or for unusual pieces to be used in their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous Byzantine style of Chanel jewelry was brought to life, featuring golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix . Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created exceptional, irregularly shaped pearls from glass for Chanel, imitating the baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls .. As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House continues to craft jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

It comes with the Gemological Appraisal by GIA GG/AJP All Gemstones are Natural 24 Amethysts = 4.12 Carats 294 Black Spinels = 1.62 Carats Metal: Rhodium Plated Sterling Silver Dimen...

14k white gold diamond pendant and earring set with blue and white diamonds. Stamped 14k and weigh 10.1 grams gross weight. The pendant and earrings have heat treated blue diamonds i...

Chanel Vintage Gold Plated CC Heart Pearl Tear Drop Dangle Clip on Large Earrings *Marked 95 *Made in France -It is approximately 2.75" x 1.1". -Very pretty and classic -In a very ...

Vintage Vendome Gold Tone Dangling Double Lion Earrings Circa 1970s. These have the most divine look on. Clip on. These double lions are regal-looking and make a striking statement....

Citrine and diamond dangle clip post earrings. 4 fantasy cut triangular yellow citrines set in 18k white gold with 32 round brilliant cut accent diamonds. 4 Triangular yellow citri...

Another amazing pair of new, never worn Stephen Dweck Sterling Silver Smokey Quartz earrings *Dangle Clip On Earrings *Smokey Quartz stone *2 to...

These authentic Chanel Bird Cage Pearl LA PAUSA CC Earrings are in excellent condition from the 1980’s. Pouch or box included. PBF 12552

For any problems related to some materials contained in the items that do not allow shipping, please contact the seller with a private message to solve the problem. We can ship every...

Add a touch of timeless charm to your look with these Vintage Boho Drop Shell Earrings. Inspired by free-spirited bohemian style, these earrings feature natural shell pendants that s...

Cellini designed sweet 18 karat yellow gold hanging heart earrings. The hearts are set with alternating round diamonds and emeralds. The hearts hang from...

It comes with the Gemological Appraisal by GIA GG/AJP All Gemstones are Natural 22 Amethysts = 9.50 Carats 268 Black Spinels = 2.95 Carats Metal: Rhodium Plated Sterling Silver Dimen...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Dangling Textured Earrings. Clip on. One of those that becomes magical when you see it on you. These are the types of earring...

Vintage sterling silver geometric dangle earrings. Solid silver circles accompanied by large triangles with circular cut out motifs are complimented by the tear drops dangling as the...

This wonderful whimsical combination of gilded gold vermeil hardware accented with tangerine enamel earrings measures 1 5/8 inches in height, width measures 1 inch, depth is 6/...

These large teardrop-shaped earrings are crafted from sterling silver, each featuring a smooth horn plaque that forms the central element, flanked by two vibrant chrysoprase beads on...

Detailed coral and red enamel as well as gold vermeil hardware earrings hang at 4 1/4" in length, width is 3/4" and 1/2" in depth.

Earrings Specifications: Designer: Ming's Metal: 14K Yellow Gold Total Weight: 7.4 Grams Jade: White Jade Stamped: "Mings" "14K" Condition: Preowned 100% Authentic. Please ask...

Vintage Claire Deve Long Gold Tone Earrings. Baroque Looking Dangling Clip-on Earrings Circa 1980s Unsigned but confirmed to be Claire Deve! When you ...

Vintage Christian Lacroix Gold Tone Dangling Ball Earring with 2 Bars of Metal that can be Manipulated with Ball attached at the End. So Lacroix!...

One-of-a-kind sand cast sterling silver Pueblo/Santa Domingo dangle earrings. Double cross and crescent moon form with single sawtooth bezel set cor...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic, and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery or loss or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Alexis Lahellec Gold Honeycomb Faux Pearl Dangling Earrings Circa 1980s. Each little piece of the honeycomb is at a different level ...

Vintage Gripoix Translucent Earrings with Pieces Of Gold. Dangling Earrings With Pieces of Gold and Stones. Long Necklace/Sautoir on Site to Match. So Gorgeous! Clip On. Guy de Maupassant wrote a famous story about a necklace. The story revolves around a young, attractive, and intelligent woman who struggles with the limitations of living with a husband who lacks exceptional qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began making replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses, and Princesses queued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Fashion snowman earrings in 9 kt rose gold and silver structure mounted with a pearl as head and body, two rubies as eyes and a scarf studded with diamonds. These earrings were total...

Vintage St John Diamante Silver Tone Dangling Earrings Circa 1980s. These are so special. They are prong-set and made on both the front and the back. ...

Sculpted dangle earrings designed by Patricia Von Musulin. Beautiful pair of dangle clips-on earrings, created by Patricia Von Musulin during the modernist period, back in the late ...