Trifari AlfredPhilippe 1948-1954 RhodiumPlated Tassel Chain FrenchClip Earrings

Hattie Carnegie (1886-1956)--one of the leading American entrepreneurs of made-to-order and ready-to-wear fashion for four decades--began producing costume-jewelry parures around WWI...

While making similar mid-century haute-couture costume jewelry for Christian Dior, designer Max Muller based near Kaufbeuren, Western Germany, created these dramatic clear-crystal si...

For Trifari by mid-century, its artistic director French-born Alfred Philippe designed this yellow-gold set including the seven-bar linked collar with central invisibly-set diamante,...

Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period. The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia dell' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...

A beautiful pair of tassel earrings from the Victorian (ca1880s) era! Crafted in 14k yellow and rose gold, these earrings begin with a three-dimensional ball surmount. The earrings t...

Elegant Nettie Rosenstein Sterling Vermeil Tassel Earrings with paste accents. Wonderful design with prong set pastes set on various styles of chai...

Christian Dior 1980s Vintage Medallion Double Tassel Rope Openwork Chunky Modernist Drop Clip Earrings, Gold Plated Very excellent condition. Marked 'Chr.Dior (C) '. Rare to find. 1...

1980's Authentic Vintage signed Napier Gold-tone Earrings in textured dome design with posts and 14k Yellow Gold Fill fanned backings. Multi-tone black seed beads & faceted Black Spi...