A.Jeschel Timeless and elegant Freshwater Pearl and vintage Cameo necklace.

Statement necklace featuring a large centrally set abalone shell on a multi-strand chain of art glass, glass, and quartz beads with 12K gold-filled a...

Hand-carved amethyst frog pendant hanging on a knotted amethyst, freshwater pearl, and gilt bead necklace by Les Bernard. Nanette-shaped clasp. Hang tag signed "Les Bernard."

Deco-style crystal necklace featuring carved dropped center section on a strand of frosted crystal beads with facetted actions with crystal rondels. The necklace terminates into a pu...

- Vintage item - 30" length - Mother of Pearl inlay rose measures 2.75" x 2.5" - Amethyst and pink rhodonite gemstone beads with gold tone accent beads - Gold filled fish hook clasp - Necklace is meant to be worn asymmetrically and has a brooch back on the rose to keep it in place - Attributed to Lee Sands...

- Vintage item - Collectible costume jewelry piece from the '90s - 21" total length, can be adjusted down using extender chain - Huge 7" pendant drop - Antique gold tone - Studd...

In the late 1920s during the Art-Deco period, this Miriam Haskell white mostly glass-beaded sautoir was created in New York City by her first designer Frank Hess. This uniquely hand-...

Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period. The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia dell' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...

Vintage Chinese cinnabar and silver pendant,with red cinnabar beads,black onyx and sterling silver beads comprise this one of a kind, handmade necklace ...

You won't find this rare Yves Saint Laurent statement necklace anywhere else. Lean into your bohemian side! Made of a beautiful green sea glass beading, chunky metal chain-link detailing, and a large...

Get your pearls, darling! Feel your best with freshwater pearls draped on your neck. Don't miss the great details of this necklace as it has a three-pearl pendant with four diamonds and delicate leaf detailing clip that is 14K white gold. Pair with your Christian Dior slingback heels...