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Couture 1920s Chanel Rousselet Hearts Camellia Metallic Glass Bracelet Sautoir

$15,780per set
£11,921.21per set
€13,671.04per set
CA$22,017.98per set
A$23,962.32per set
CHF 12,702.41per set
MX$288,285.07per set
NOK 161,107.30per set
SEK 147,401.90per set
DKK 102,133.02per set

About the Item

Gabrielle "Coco" Chanel's earliest fashion motifs of camellias, hearts, and topaz are combined in this Art-Deco period tightly silk-strung metallic-glass couture set of a mixed-bead sautoir necklace and a woven bracelet. In addition to the topaz-color glass hearts in the amusing necklace, its copper-color filigree hearts depict camellias like the carved-galalith button fastener of the bracelet. The intricate filigree or glass strung-bead assembly, as well as the heart motif, are similar to pieces made around 1930 by Chanel-parurier Lina Baretti--some of which were acquired by her niece and authenticated as Chanel costume jewelry when auctioned in France in 2022. Chanel used camellias and hearts to ornament her feminine accessories since 1910 when she opened a hat boutique as the first of her business enterprises. Aside from the her famous "little black dresses" of 1926 that made the somber color as chic as Ford Model-T cars, the designer was associated with a golden-orange color like the perfume in her 1920s black-and-whilte packaged Chanel No5. Personally, she was almost always photographed wearing a topaz ring as one of her most important gifted pieces of jewelry, which she reportedly considered a talisman. While Chanel garnered international fame for her couture house in the 1920s, she custom designed unabashedly fake jewels to fully accessorize clothing commissioned by her clients. The materials of this set are handcrafted in the distinct style of one of Chanel's primary Parisian jewelry fabricator, Louis Rousselet (1892-1980), who opened his business in 1920 that catered to couture houses. For exclusive materials, the bead specialist was often commissioned by her for intricately decorative or enameled metal, carved galalith, and lampwork or faux-pearl glass. In Chanel's typical fashion-forward approach around 1930, the necklace features an anti-ArtDeco metallic combination of gold, copper and brass, along with silver. So the motifs, unique materials, construction and fashionable juxtaposition of metallic colors align for linking Chanel, Baretti and Rousselet to this set by the late 1920s before the couturier began to rely mostly on Maison Gripoix for fabrication of glass-decorated costume jewelry. The symmetrical contrasting-texture beaded necklace features 15 copper-infused poured glass hearts bracketed by copper-enameled galalith spacers, which are accented by 14 smaller copper hearts in filigree with miniature petaled flowers. For tiny-toggle fastening, the ends are knotted to intricately twisted brass hardware, in a way found on other Chanel-Rousselet jewelry. The hanging central glass heart is attached with Rousselet's delicate wire, whose fastening loop is visible on the bottom. The symmetrical seed-bead bracelet is woven into undulating rows that widen and mount into 6 three-dimensional domes via 3 kinds of differently sized and colored clear glass. Their metallic reflections and shadows contribute to the appearance of depth. Whereby, the interior of the largest beads are injected with yellow gold, the micro beads are injected with copper, and the medium beads that link them are injected with silver. The ends fasten with a decorative beaded loop and a round metallic button that appears carved into miniature petaled flowers. The beaded set are in very good condition consistent with age and minimal wear. As the nearly century-old necklace can be easily pulled over the head, we recommend that the buyer not make frequent use of its toggle for fastening to avoid stressing the knotted ends. The bracelet when unfastened and laying flat measures in inches: 8L x 1 1/4W x 1/4D. Only the necklace dimensions are noted in the Measurement Units section of this listing.

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