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Gripoix ElsaSchiaparelli ShockingPinkGlass HandKnottedDoubleStrand Beaded Choker

$10,250
£7,820.50
€8,903.02
CA$14,406.49
A$15,836.24
CHF 8,313.95
MX$188,304.28
NOK 106,770.03
SEK 97,255.95
DKK 66,519.83

About the Item

When fuchsia Burmese rubies were some of the most expensive gems in the 1930s, Elsa Schiaparelli began to embrace the "shocking pink" color while designing French-couture clothing and coordinating commissions with Parisian paruriers for mostly unsigned handcrafted costume jewelry. In this pre-WWII double-strand necklace that fastens with a textural gilt-bronze hook, the fuchsia beads are distinct poured glass made by Maison Gripoix, along with its faux-pearl-or-onyx beads, plus gilt-bronze rondelles handset with tiered multi-sized clear-glass crystals. Like other Gripoix hand-knotted glass-bead multi-strand necklaces from the 1930s, the silk cord matches one of the colors instead of white that was the standard for pearls. Notice in our closeup photos of the fuchsia beads that the handmade enamel layers of pate de verre produce a paler pink mottled reflection, while comparatively manufactured glass beads would appear transparent and merely reveal the black cord. In 1937, Schiaparelli debuted her hit perfume, "Shocking", whose glass-enclosed pink bottle in the shape of a female torso was designed to rest on a fuchsia base. The print advertisements that initially marketed the perfume worldwide were heavily illustrated in this brilliant magenta. Given that French and U.S. museums have exhibited a Jean Schlumberger-designed harlequin brooch--featuring only a fuchsia-and-black enamel pattern and yellow-gold-gilt metal decorated with clear crystals--for Schiaparelli's Spring 1939 themed collection "Commedia dell 'Arte", our French necklace in the same colors and Gripoix glass was most likely designed by another of the multiple paruriers who were commissioned for one-off pieces for that fashion show. A relatively recent Parisian major retrospective at the Musee des Arts Decrotifs of the Italian designer's work and collaborations, titled "Shocking! The Surreal World of Elsa Schiaparelli", included unsigned couture jewelry from the time that this necklace was created.

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Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period. The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia dell' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...
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