Vikki Carr Pearl Necklace Worn With Elvis Presley at Tropicana With Photos 9ft.

Vikki Carr and George Bush State Dinner White House worn Ciner Necklace and Earrings. Indulge in a piece of Presidential American History, American Music History, Mexican American H...

INDULGE IN THIS RARE ART DECO OPAL AND 14 KARAT GOLD NECKLACE. THE EXTRAORDINARY JEWEL HAS THE MOST STUNNING NATURAL MINED ROUND OPAL BEADS THAT ARE GRADUATED FROM 4MM TO 8MM. THE NECKLACE IS 31 INCHES LONG. IT HAS A MAGNIFICENT CLASP SET WITH A CENTRAL OPAL CABOCHON OF 9MM IN DIAMETER SURROUNDED BY A HALO OF 14 ROUND OPAL CABOCHONS IN 14 KARAT YELLOW GOLD. THE OPALS HAVE LOVELY BLUE, GREEN, ORANGE, RED AND YELLOW FIRE. We all treasure the antique opal necklaces...

Vintage Photo. Cary Grant with Samantha Eggar and Jim Hutton.

Monica Vitti and Franco Carraro is a vintage black and white photograph realized by Agenzia Giornalistica Italia S.p.A in the 1980s. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...