19th Century Archaeological Revival Gold Necklace

An archaeological revival coral and gold suite attributed to Luigi Casalta, the necklace consisted of a woven gold chain with fifteen drops, the...

An archaeological revival gold cross brooch/pendant, consisted of five square panels, each with a concave rosette, the central one set with a square-cut ruby, the other four set with...

A Victorian archaeological revival gold cross pendant brooch, the Greek cross composed of five square panels, each square bearing to the ce...

An archaeological-revival coral and gold Spartan diadem, in the form of a gold band with seven concave discs each set with a cabochon coral, alternating with eight floral motifs each set with a small cabochon coral, all with gold wirework decorations of Etruscan style, made in Naples circa 1840, bearing gold hallmarks N3 with the profile of Parthenope, gross weight 94 grams. A gorgeous and sumptuous Spartan diadem, made in the mid-nineteenth century in Italy. Beginning in the early nineteenth century, jewellery inspired by the Ancient World became very popular. This diadem is made from bright yellow gold in which is set seven glowing orange cabochon-cut coral stones within carved gold discs. Further gold wirework and smaller coral stones add to the beauty of this piece, which is simple and bold. By family repute, this diadem, purchased in England during the early part of the 20th century, was once owned by Empress Eugénie of France. Winterhalter's portrait of the Empress in 1864 depicts her wearing a gold diadem similar in design to this one. Eugénie loved jewels and as well as enjoying the sumptuous French crown jewels...