Antique Silver Afghani Torque

This unique and wonderful Cartier Paris Pendant-Watch necklace was manufactured ca. 1920 with the dial movement and case signed Cartier. The original guilloche dial has enamel roman numerals and fine enamel minute bars on the perimeter. The watch crystal is held within a fine gold ring...

The "Leather Whip Necklace" was designed in 1997 by Betony Vernon. The "body" of the whip is made of handwoven leather. The empowering unisex necklace is ...

Five agate intaglios of varying size and age have been mounted in 18 karat gold settings. The settings are connected by golden balls made out of 18karat . They are threaded on a foxt...

Ancient Greek Rosette Object D'Art which can be transformed into a Necklace, decorated with Red Coral beads in 18kt Gold and sterling Silver. "Roxanis's Neck" is an exceptional piece...

Ancient Greek Rosette Necklace which can be transformed into Object D'Art, decorated with Red Coral beads in 18kt Gold and sterling Silver. "Roxanis's...

This exquisite and rare black jade tablet dates to the Qing period. The Qing Dynasty period spanned the years 1636 -1912. Precisely dating jade artifacts...

Boucheron Paris 1940s Art Deco sterling, gold & ruby jeweled compact - necklace The exquisite Boucheron compact is designed with a beautiful gold pie...

The cameo at the center of this exceptional pendant is a stunning example of the art of gem engraving during the Renaissance. It likely dates to the early 17th century and features a sacrificial scene inspired by the Greco-Roman era. The central flaming altar is flanked by two figures preparing to sacrifice a ram, while a figure in a lion skin blowing horns stands in the left corner. The carver brilliantly uses the natural layers of the stone to achieve the illusion of shadow and musculature on the figures. A second, smaller cameo is set at the top of the pendant, while a myriad of multi-colored gems, pearls and enamel adorns the 18K gold setting. A large Baroque pearl suspended from an enamel dragon finishes the design, which embodies the opulence and theatricality of jewels from the Renaissance age. Cameos and intaglios were highly popular amongst wealthy connoisseurs in Renaissance Italy, and owning the finest pieces was the privilege of princes. Although they were often elaborately mounted for display alone, cameos were also frequently worn as pendants, surrounded by enameled and stone-set gold frames. Such pieces were particularly prized by the Medici and Lorraine families, many of which can now be seen at the National Archeological Museum in Florence. Very few Renaissance cameos...

This large 1860's Austro-Hungarian antique cross pendant is set with many turquoise and garnet gemstones. The four cabochon cut garnet stones on front of the cross are all set in rai...

Elegant, rare, and dating to the late Qing period (circa 1890s), this hand-carved nearly colorless white nephrite plaque has been etched on both sides. One one, the Chinese mythological figure known as Zhang Guo Lao is depicted riding a mule. On the opposite side, a magpie sits on a branch of cherry blossoms. The magpie is associated with intelligence. The carving is breathlessly simple and excellent; the work executed -of course- without the aid of electricity or modern tools. Measuring 42.54mm x 29.92mm, the plaque has a hole drilled through the center, which is original to the piece. A silver bail is threaded through the hole and a pair of beads -black jade and coral- reside at the bottom. The jade plaque hands from a 1920s silver chain that is 32" in length. Prior to the discovery of and appreciation for the very fine green jadeite from Burma, colorless, opaque, pure white nephrite jade from the Northern mountains of China was the most revered jade; the original "imperial jade, as only members of the royal court could wear or even touch it. Most of what is commercially sold today as "mutton fat...