Miriam Haskell 1930 Fringe Glass BrassBar Pendants ChainLink Art Deco Necklace

Gabrielle "Coco" Chanel commissioned French Maison Gripoix in the 1930s to fabricate this elegant handmade chain choker necklace for one of her couture clients. In the Mughal style t...

Most likely made in Germany during the Art Deco period, this vintage unsigned long heavy 12-pendant gold-gilt chain-link bib necklace features ball charms of gold-ringed emerald-green matte Bakelite. Hanging 13-inches from the back of the neck, the long necklace is constructed with elegant double-ring links, while it fastens with a large toggle and decorative bar. Each end of the toggle bar resembles stacked balls, recalling the oval-cartouche stacked-cannonball signature of German jewelry chain-specialist Jakob Bengel, who founded his business in Idar-Oberstein in 1873. Due to WWII, the Bengel factory, which is now a museum, permanently closed. His pre-1940 unsigned designs were largely overlooked until his factory catalogues were rediscovered decades later, which enabled 21st-Century books to be published about one of the leading manufacturers of Art Deco costume jewelry. Bengel pieces without the cartouche can be distinguished by thin metal chain links combined with single or bi-color Bakelite pendants in repeating geometric shapes like balls, semi-circles, rectangles, bars, rings or ribbed texture. As Germany was the first country to license Bakelite for factory production since the 1910s, during the next 20 years its costume-jewelry designers began to feature locally-produced colorful Bakelite instead of glass or early semi-synthetic plastics. Between the world wars during poor economic conditions in Germany, its jewelry producers who were manufacturing for export were not motivated to stamp their country on such products. The design of this Bakelite-charm necklace seems inspired by one-of-a-kind chunkier-chain charm necklaces commissioned for couture clothing ensembles by international fashion leader Parisian Gabrielle "Coco" Chanel. She only produced her trend-setting commissioned jewelry...

Acquired in The States and likely inspired by the American 1938-commissioned animated-feature movie, Pinocchio, that was produced for two years by Walt Disney based on an Italian children's story, this unsigned pre-WWII yellow-gold-gilt brass necklace with elegant draping chains features a three-inch-long playful kinetic multi-textured faux-carved-wood puppet-on-strings pendant with pointed hat, filigree-capped collar and waist, and flexible geometric-shaped limbs. Structured with three chains, notice the additional texture on the slightly larger links of the upper necklace. Unlike the movie, as the marionette on our necklace wears a lace-like collar resembling the original character illustrated by Enrico Mazzanti in the book by Tuscany-born Carlo Collodi, The Adventures of Pinocchio (1883), the necklace otherwise could date no earlier than the turn of the 19th Century when the spring-ring clasp was first in use. Since that time, Pinocchio became one of the most reimagined characters in literature based on multiple authors whose protagonist was a similar anthropomorphic puppet. To be conservative about its age as the necklace is in good condition, we suspect that Austrian-born Hattie Carnegie commissioned it to accessorize her "hat-to-hem" custom-made or ready-to-wear clothing that frequently featured amusing figural subjects with articulated parts, such as mythical creatures, fauna or clowns. Before her death at the age 69 in 1956, not all of the pieces in the costume-jewelry parures of her eponymous brand since 1919 were signed, while based on experience we assume that at least clip earrings accompanied this creative necklace...

Featuring 12 large patinated pearlescent charms distinctly handcrafted by Parisian Louis Rousselet--the master glass-and-metal-ornament parurier for French couture fashion houses since 1920--this heavy silver chain necklace is made in the unique chunky style of Gabrielle "Coco" Chanel that she introduced in the late 1920s as her alternative to pearls. Capping Rousselet's signature Art-Deco-period handmade beads, his intricate multi-texture metal tops for these balls resemble organic shapes like the stems of acorns or fruit. In a bib arrangement, the duotone reflective heavy spheres--in black glass, blue-gray enameled galalith, and silver metal--conform to the cleavage of the wearer. Aside from chain jewelry commissioned by Chanel, Rousselet-style jewelry was usually constructed with thin wires or braided string to enable his beads to attract the most attention. Notably, this necklace fastens with an enlarged spring-ring clasp that became associated with increasingly heavy Chanel costume jewelry. Like 1920s Chanel jewelry by Rousselet, the necklace is both unmarked for French origin and unsigned. In subsequent decades, variations of chunky-charm chain necklaces were reproduced by Chanel with her other paruriers using different materials in which they specialized, such as a similar Chanel-signed piece in the 1960s by bronze-maker Maison Denez...

This stunning and elegant vintage original Art deco multi tier and multi strand cerulean blue glass necklace is amazing on the neck. There are 4 gr...

This exceptionally rare necklace dates from the 1930s. Condition Report: Very Good - Some darkening to the gilded metal in some small areas. This is only visible upon very close in...

A classic Art Deco chrome and glass bead two row necklace, made from small chrome metal 'cups', fitting one inside another , to create a very fluid an...

The pendant consists of white and pool blue vintage German glass beads and is finished with an 18-inch gold-filled chain. The beads are new old stock vintage German glass beads tha...