Pre Columbian Veraguas 22 Karat Gold Eagle Pendant, circa 10th-13th Century

An Etruscan Amber Head Pendant. Etruria, circa 5th century B.C. Measurements 5.1 × 3.6 × 2.4 cm. 9cm high on its bronze display stand. Provenance Anonymous sale; Sotheby’s L...

Ghost Yellow Gold 18k Pendant Charm. Three small diamonds. Circa 1990. Total height: 1.34 inch (3.40 centimeters) including bail. Total weight: 3.24 grams.

Leaf Yellow Gold 18k Pendant Charm. Egyptian revival. Total length: 0.79 inch (2.00 centimeters) including bail. Total weight: 1.26 grams.

Collectors item Vintage Wedding / Charm Bell open to see the two married miniature couple holding a diamond diamonds also on the outside all made from 14k yellow gold circa 1940's pr...

Circa 19th Century Mixed Metal Bracelet with Cobra from India An unusual and potent devotional Shiva bracelet likely worn by an ascetic holy man dedicated to Lord Shiva. Having alch...

A powerful and elegant eagle sculpture, hand-carved from natural green aventurine, celebrated for its soothing color and subtle shimmer. The artist captures the majesty of the eagle ...

This is a beautiful and one-of-a-kind rough Colombian emerald sculpture. Our national bird, the bald eagle. This majestic head sculpture contains medium-dark, rough Colombian emerald...

This stunning D’Argenta eagle sculpture from Mexico embodies the brand’s renowned artistry and craftsmanship. Measuring 11.75 inches tall, the majestic eagle is captured mid-descent,...

This Ancient Roman Military Bronze eagle and stag, dating from the 1st to 2nd century AD, stands at a modest yet captivating 3 1/8 inches in height. The finely cast bronze sculpture ...

Young British artist (YBA) Philippe Bradshaw (1965-2005) was represented by blue-chip international art galleries when he was the first to reimagine iconic-art images as tapestry-like metal-chain installations in evolving multimedia environments. He is best known for transforming hand-assembled colorful anodized-aluminum links into shimmering semi-transparent layered curtains, whose hanging metallic strands uniquely dispersed the light of his camcorder-video projections and the club-house music from records that he deejayed. In Bradshaw's first American exhibition "Disco Damage" in 2001 at New York City's legendary avant-garde art gallery, Deitch Projects, this jewelry-costume sculpture became part of the artist's live-in evolving studio installation. While later celebrating 15 years of art happenings that had occurred at that Soho exhibition space, its gallerist-cum-museum-director Jeffrey Deitch--who was physically scarred during this unforgettable chaotic several-month experience orchestrated by Bradshaw--recounted this show in his retrospective hardcover book "Live The Art". When Bradshaw drowned in the Parisian-river Seine in August 2005 while living the high life of his skyrocketing success in Europe, he left a small body of large installations that is mostly distributed among the world's top private art collections. Notably, the Museum of Contemporary Art in Los Angeles has acquired one of his multimedia works. More recently, another assembly of his chain curtains made a rare public appearance at new modern-art museum, Heidi Horten Collection, during its inaugural exhibition in Vienna. Since winning a major British visual-art prize in 2000 that marked Bradshaw's art-world ascent following fellow Goldsmiths-College YBAs who were close friends, this sculpture evolved from one of his most elaborate jewelry costumes that he created in London while seducing the American who became his girlfriend. Unlike other pieces of jewelry that he made as gifts to participating acquaintances while video taping...