Antique French Art Deco Diamond Ring Platinum Old Cut Unusual Engagement

This stunning antique cluster ring was made in France and dates to around the mid 19th century, circa 1860. In the centre rests a smooth banded agate in an open back setting, encircled by a halo of rose cut diamonds in closed-back, cutdown silver settings with a combined approximate weight of 0.15 carats. The ring has a decorative pierced gallery in the form of crescents and a solid semi-circular shank. The shoulders are decorated with two applied fleur-de-lis, each set with rose cut diamonds in silver settings. The main colour of the milky agate is a creamy-brown hue with a darker brown band on one side. The diamonds are rose cut, the triangular facets of these cuts were very popular during the Georgian and Victorian periods as they glistened more beautifully in candlelight than any other cut. This elegant ring sits flat on the finger, the stones are secure in their settings and the ring is in superb condition despite its significant age, a truly rare find! UK size U / US size 10, 5.44g, French ’tête...

An outstandingly rare mid-19th century royal Siam diamond cluster ring, made by the royal goldsmiths of the court of Bangkok. This is an extremely fine example of the jewellery commissioned and subsequently bestowed by the Kings of Siam, principally to be worn by participants in royal and aristocratic life-cycle ceremonies in the courts of Bangkok. In the mid-19th century, King Mongkut (Rama IV) of Siam also commissioned the courtly jewellers to create a number of faithful replicas of these ceremonial jewels to be offered as gifts to diplomatic families, important visitors and to Heads of State across the world when re-establishing diplomatic relationships. One such example (which is remarkably similar to the present ring) resides in the museum of the Château de Fontainebleau (item F1518C) where it was given as a gift from King Mongkut to Napoléon-III on the important ambassadorial visit of 1861 (see photos for a side by side comparison). Ceremonial Use: During the 19th century, many rings were made every year by the royal jewellers for ceremonial use. Examples of these lavish cluster rings being worn for these life-cycle ceremonies can be seen on old photos and paintings of the Royal Tonsure Ceremony, also known as ‘the cutting of the top-knot’ ceremony, which marked the transition from childhood into adulthood for all of the (many!) sons and daughters of the Siam royal family. The huge expansion in the number of royals in 19th century Siam stemmed from Kings Mongkut (Rama IV) and Chulalongkorn (Rama V) being highly polygamous. They had a joint total of 124 wives and 159 royal children, each requiring their own ceremonial regalia and princely jewels. As a result, Bangkok became home to some incredibly skilled goldsmiths in this period. The Tonsure ceremony was performed by the King, and lasted three days and three nights. All of the royal children would be dressed in the most splendid costumes and adorned with a vast amount of jewels on several parts of the body. Their costumes and jewels differed according to their title and rank. Diamonds for instance, would be bestowed to the highest ranking noble children. The royal children were allowed to keep their regalia and jewels as a present on entering adulthood to indicate their social status among society. Over the years, these royal jewels have been dispersed across the many noble families, with currently only a few important pieces remaining in the royal collection. Today, the number of royals in Thailand is contracting as the country follows the Chinese nobility system whereby with each generation the noble rank of a family decreases by one ranking so that eventually the majority of descendants will lose their noble status completely. This loss of royal privilege, coupled with the dilution of wealth has meant that items such as this ring become available on the open market. Following the end of the absolute monarchy in Thailand in 1932, many members of the royal family relocated to Europe and as a consequence, princely Thai items can occasionally be found in the European art market. Gift Exchange: In Siam culture, great importance is placed on the ancestral process of gift-exchange. During the reign of King Mongkut, close relationships with some powerful countries were cultivated in order to hold the balance of power and to save Siam from being colonised. The King used gift-exchange to establish diplomatic relations with other heads of state around the world, as well as with other kings, princes and sultans closer to home. He sent troupes of ambassadors to England (1857) and France (1861) with seemingly endless amounts of trunks filled with lavish gifts in order to dazzle the heads of state with the extraordinary quality and variety of Siam craftsmanship. These gifts consisted of faithful replicas of the Royal Regalia and objects belonging to the King himself; items and jewellery worn by him on his Tonsure ceremony and on his coronation day. Enormous time and effort was required by the Siam court to assemble these numerous gifts, as they emanated from the very same royal goldsmiths and courtly craftsman who had made the original ceremonial items. The most famous of these ceremonies took place at the Chateau de Fontainebleau in 1861. The painting by Jean-Léon Gérôme that immortalised the event prominently features the most spectacular of these gifts. Among the 150 gifts presented to Napoléon-III by the Siam ambassadors were two diamond-set rings, both of which are on display in the Musée du Chateau de Fontainebleau (item no. F1518C and F1519C). One of these rings is a rose cut diamond cluster and bears a striking resemblance to the ring we are offering. According to Bruley (2011), this ring, presented to Napoleon-III, was a faithful replica of the ring worn by King Mongkut on his own coronation day in 1851, which now resides in the Pavilion of Royal Regalia in Thailand. The Ring: From whichever angle the present ring is viewed, it is a masterpiece of design and a testament to the ingenuity and craftsmanship of the Siam royal goldsmiths. The bezel head is composed of two layers, the uppermost, containing the large triangle shaped table-cut diamond, is riveted to the main body of the ring. The second layer of the cluster is set with a further eight rose cut diamonds and this section allows for small rotation, typical of Siam jewellery...

A fantastic French 19th century Neorenaissance silver intaglio ring, in the manner of Jules Wièse and Froment-Meurice, circa 1840. The milky blue ...

A rare 19th century princely gold cluster ring made in Siam (Thailand), circa 1860.This gorgeous ruby and diamond ring was intricately crafted in high-karat gold, by the goldsmiths of the royal Siam court in the 19th century. It is a fine example of the lavish adornment worn by participants in royal and aristocratic life-cycle ceremonies in the courts of Bangkok. Aside from ceremonial use, they were also occasionally given as gifts to important visitors or other aristocratic families. There was a huge expansion in the number of royals in 19th century Siam which stemmed from Kings Mongkut (Rama IV) and Chulalongkorn (Rama V) being highly polygamous. They had a joint total of 124 wives and 159 royal children, each requiring their own ceremonial regalia and princely jewels. As a result, Bangkok became home to some incredibly skilled goldsmiths in this period and the sheer number of jewellery required has meant that today princely jewels like this one can very occasionally be found in the open market, particularly in Europe following the relocation of the Thai royal family to Switzerland and France in the 1930’s and 1940’s. The ring features a row of cabochon rubies horizontally aligned, surrounded by a sea of rose cut diamonds. All of the stones are in rubover settings within a web of hexagonal honeycomb frames. The band is decorated with pierced and deeply chased scrollwork motifs, typical of Siam jewellery...

We are loving this unique vintage beauty!! She truly unique with the rose cut diamond accents. Ring Details Material: Platinum Era: Art Deco 1920 - 1940 Head Width: 11.7mm Head Heig...

Ring in 18 karat white gold, eagle head hallmark, and platinum, dog head hallmark. Following perfectly the curve of the finger, this feminine Art Deco ring is formed of a lozenge-shaped openwork setting and decorated with rose-cut diamonds. In the center, a larger antique brilliant-cut diamond is set in a closed setting. Weight of the main diamond : 0.10 carat approximately. Weight of the other diamonds : 0.10 carat approximately. Height : 14.1 mm, width : 15.7 mm approximately., thickness : 2 mm approximately, width of the ring at the base : 1.9 mm. Total weight of the jewel : 2,7 g approximately. US Size : 4,5 ; Free resize, please contact us. Authentic Art Deco jewel - French work from the 1920s. Our opinion : This antique diamond ring perfectly illustrates the transition between the Belle Epoque and the Art Deco antique jewelry.

Ring Size: 4.25 Metal Type: Platinum [Hallmarked, and Tested] Weight: 2.5 grams Diamond Details: Weight: .45ct, total weight Cut: Old European brilliant Color: G-H Clarity: VS Pea...

An incredible Antique Art Deco Platinum Old European French Cut Engagement Ring. It features an approximate .70 ct diamond in the center with old french cut diamonds...