Giovanni Luigi Pichler 1790 Oval Intaglio Carved In Amber Mounted in 18Kt Ring

An antique intaglio signet ring. This is a fabulous antique intaglio signet-ring created in America during the art-deco period, between the 1915 and 1920. The ring has been masterfu...

Victorian ring with carved operculum shell An extremely rare piece, created in England during the high Victorian era (1837-1901), back in the 1870. This is a very unusual memento carved cameo ring, carefully crafted with an oval shape in solid yellow and rose gold of 14 karats with polished finish. It is mount with a high relief cameo style masterfully carved with impeccable and precise details. Operculum Shell: Mount on top in a bezel setting, with 1 round cabochon cut (23 x 18 x 10 mm) of a natural operculum shell. It is carved in high relief, with the portrait of a bearded man facing to the left, Weight: 9.63 Grams, (6.17 Dwt). Size: 4.5 and may be resized on request. Measurements: 26 mm by 21 mm (1.02 x 0.83 Inches) and raise 10 mm over the finger. Hallmarks: No marks as usual. Was electronically tested for 14 karats gold. Victorian Jewelry This era was one of the most influenced and influential periods of antique jewelry. This period is defined by the British monarch, in this case, Alexandrina Victoria, the Queen of the United Kingdom of Great Britain and Ireland, as well as the Empress of India, years 1837-1901. There are 3 sub-periods within this era. First, the early, Romantic period, which is soaked in traditions, natural motifs in gold and silver, clear stones only being worn during the day and colored gems by night. The second being the Grand or mourning period, which coincides with the death of Queen Victoria's husband, Prince Albert the consort, who died in December of 1861. This period included large, dark, somber, dramatic jewelry, with a lot of black onyx, jet wood, amethyst, garnet and gold. This lasted until 1880's, when the aesthetic period of jewelry began. The Late or third stage of the Victorian period, use more complex and feminine motifs, returning to the natural, including many floral and celestial designs, with more decadent gemstones, lasting until the turn of the century. The Victorian era of jewelry includes many movements found in other countries, including revivals such as the Etruscan the Roman and the Egyptian as well as the Art Nouveau, Liberty style and Arts and Crafts design movements which lead into the beginning of the twentieth century. Operculum Shell Jewelry First of all these unusual black and brown shells have a cat’s-eye appearance and were common used in Victorian jewelry. Operculum is Latin for “lid” or “cover” and is a unique type of freshwater snail shell. Widely popular in the Victorian era, operculum jewelry...

A signet intaglio ring designed by Kieselstein-Cord. This is a massive oversized signet ring created in New York City at the jewelry atelier of Kieselstein-Cord, back in 1984. This ...

A highly important Austrian pendant-brooch in 19 Karats by Emil Biedermann (1830-1900). An exceptionally rare and gorgeous over sized presentation cameo piece, created in Vienna in 1867 by Emil Biedermann. The Biedermann jewelry house, was located in the number 13 of the popular aristocratic Graben street. They was granted in 1850, by the emperor Franz Joseph I (1830-1916), with the Austrian Imperial House Warrant, appointing the jewelry house as the purveyors to the court and "Kammerlieferant" (Chamber Jeweler). The company was founded by Michael Lazar Biedermann (born 1769 as Michael Lazar in Bratislava) who at fifteen, was apprenticed to an engraver in Vienna. He became a seal-engraver and adopted the name Biedermann in 1792. He was entrusted, with the engraving of the imperial seals and by 1800 was enabled to open a Jeweler's store in Vienna. In the last years of his company, Emil Biedermann was also purveyor to the royal Serbian court and to the grand ducal Saxon court. This piece feature a fabulous three-dimensional cameo piece, carved from a three layered of natural agate, with color's gradations; from translucent orange brown, opalescent gray, to frosted white. The quality of the carving is exceptional, with intricate thorough details. For example, the ear and the incised lines of the hair are magnificent. The carving depicts, the dressed portrait bust of the classical Greek-Roman goddess, Diana the huntress, facing to the right. Most probably the model used, was the ancient sculpture at the Albertina Museum. The fabulous mounting frame is crafted in solid rich yellow gold of 19 karats, with geometric Austrian elements. It is suited at the reverse, with a hinged horizontal pin to be wear as a brooch and a flexible removable discrete adapter to be used into a chain. This piece have a total weight of 72.9 grams and a measures of 77 mm by 80 mm by 28 mm (3.03 x 3.15 x 1.1 inches). The agate piece is signed at the reverse by the carver-cutter artist (unknown) and numbered 361. Is stamped with multiples Austrian hallmarks; twice with the mark for Vienna, the Austrian mark for the guaranty of the 19 kt gold...

Carved the profiles of the three sovereigns (Napoleon I, Alexander I and Frederick William III). French medal commemorating the peace treaties signed at ...

Antique 18th Century Carnelian Intaglio Ring Featuring Roman Emperor Septimus Severus Set in 18kt Yellow Gold Key Features: Stone: Carnelian Intaglio depicting Roman Emperor Septim...

14k gold ring. This attractive oval carnelian intaglio ring features a handsome figure of a Greco-Roman soldier, facing to the right and set with off by simple shoulders. Marks: None...

Signet intaglio Ring featuring natural Carnelian stone with naturalistic and symbolic intaglio of a middle aged Woman - Wife , Mother or Sister measuring 10 mm x 5 mm . The body of t...