Amsterdam - Still-life Drawings and Watercolors

Secret Garden 18, 2021 black ink on paper 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic observati...

Margot Glass focuses primarily on drawing, using traditional techniques and materials as the foundation for her work -- including silverpoint and 14k goldpoint, homemade organic inks...

Jeff Koons Original tulips in landscape drawing, 2011 Original drawing done in ink across the title pages of Gagosian Gallery monograph Signed, dated and warmly inscribed to Jennifer...

This Korean hanging scroll from the mid-20th century honors traditional calligraphy painting with delicate detail and a refined composition, thought to inspire clear and concise thinking. Expressing the beauty and resilience of nature’s flora, ink calligraphy artists traditionally select plants and flowers as the subjects of their works, each chosen for its auspicious meaning, literary resonance, or scholarly virtue. This particular example depicts a quiet natural landscape of three plants growing side-by-side along a rocky hill. Strong bamboo stalks sway above a branch of delicate prunus branches, while elegant orchids blossom in the foreground. Each painted by a different artist, these sacred plants represent the cycle of the seasons: the plum blossom for winter, the orchid for spring, and the bamboo for summer. Brushed with black ink for a monochromatic expression, the painting relies on value rather than color to convey depth and texture within this simple setting. The collaborative painting is contrasted by a beautiful blue silk brocade border woven with a repeating pattern of blossoms and vines. Each plant is signed individually in ink along with the artist’s seal. Painting has been remounted. Includes a wooden scroll...

These elegant graphite dandelion drawings belie the rigor of their process. Once the surface of the paper is prepared, Glass uses a stylus to carefully delineate the lacy quality of ...

Jehudith Sobel (1924-2012 ) Polish/Jewish artist (also known as Judyta Sobel) Judith Sobel was born in Lwow, Poland in 1924. After Word War II she attended the Academy of Fine Arts in Lodz, Poland from 1947-1950, where she studied with the famous Abstract Constructivist, Wladyslaw Strzeminski and Stefan Wegner from whom she learned the principles of Modern Art as per the European Cubists. She was also part of the First Exhibit of Modern Art in Krakow in 1948/1949. From Poland she emigrated to Israel, where she exhibited and was collected by the major art museums of Israel including the Museum of Modern Art at Haifa. In 1956, Sobel came to New York on a scholarship and before that she lived in France for two years. Same year she received the First Prize at the Exhibition in the Saks Gallery...

In "Firewood Series No. 2," David Morrison uses colored pencils to capture the finest details of a frayed and peeling piece of birch wood. With his careful and methodical handling of...

Ink and wash in black ink with pen in black ink on watermarked C & I Honig cream laid paper, 14 7/8 x 12 1/4 inches (378 x 311 mm), the full sheet. In very good condition with some m...

Evelyn De Morgan (British, 1855 – 1919) Study of a tree pencil on paper 19 x 11.3/4 in. (48.2 x 30 cm.) Provenance: The Clayton-Stamm Collection. Dom...

The drawings and paintings of David Edward Byrd are legendary. If you were producing a Broadway play or top Rock and Roll concert in the 1970's, David Byrd was the artist you wanted to create the imagery. He created for Broadway the classic art for, Godspell, Follies and Jesus Christ Superstar to mention only a few. For the Rock and Roll industry David created all of the iconic artwork for the Fillmore East including their classic and highly valued posters and programs. The Who's "Tommy" art was David's as was The Rolling Stones 1969 World tour artwork, and the 1969 Jimi Hendrix American concert tour, along with the very first version of the art for the original 1969 Woodstock Music Festival poster...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Memory of Leaves” beautifully illustrates the branching form of a mature birch tree. Loosely drawn with informal, sketch-like linework, the tree is shown in the middle of winter, bare of leaves and white with frost. Surdo’s skillful placement of shadow illustrates the forking branches with incredible texture and effortless realism. The intricate play of light and dark is accentuated by the stark white background, a negative space that isolates the tree in space and time. Restricting the composition to only a portion of the tree trunk, Surdo accentuates the tree’s abstract form, lingering on areas of unusual shape or texture. Seeking to convey the strong emotional response elicited by his initial encounter with the tree, Surdo focuses on the tree’s sculptural form, contrasting the strong trunk...

These elegant graphite dandelion drawings belie the rigor of their process. Once the surface of the paper is prepared, Glass uses a stylus to carefully delineate the lacy quality of ...