Austria - Decorative Objects

Finest Bohemian Art Nouveau Glass Item: Mould blown, wide bowl on a stand ring, eightfold ribbed, outwardly curved wall with humped protuberances, tamed by a smooth, slightly outward...

Smoked glass clock face with nickel plated clock hands and indexing. Made in Germany by Junghans in the early 1960s. Fitted with a battery movement.

A painted and glazed ceramic life size German shepherd dog (german: Schäferhund) sculpture manufactured in Italy, circa 1960 (late 1950s or early 1960s). A gorgeous piece with great ...

Excellent original Viennese Art Nouveau centerpiece around 1900: A wide, round, trumpet-shaped silver pedestal, curved at the bottom, tapering upwards, on four lion's paw feet with f...

Completely handmade porcelain bowl with a hands-free naturalistic painted Easter rabbit in brown and white colors. The rabbit is sitting in the middle of...

Scandinavian modern wood vintage seven ( 7 ) animal figures from teak wood, 1960s Denmark. An amazing collection of different types of animals. This lovely collection show nice char...

Delicate Goldscheider Art Déco Ceramic Figurine of the 1930s: Posing young dancer with short dark hair in a green costume: a skimpy bustier and a short, high-slit flounced skirt with...

Vase with a three-pass floor plan, widening upwards, dented at the upper edge between the segment arches, outer edge ground at the top. Colorless glass with yellow-orange color powde...

Bronze vase in a shape of a tree stump made in Austria in the 1970s.

These candleholders are composed of minimalistic forms that are made in solid brass. They have been polished to a high sheen. The candleholders were made in the 1960s and were produ...

Delicate Goldscheider Art Déco Ceramic Figurine of the late 1930s: Gracefully posing dancer in dark red costume: polka-dot bustier and short skirt at the front with long, wide, slit ...

Large Italian ceramic floor vase from the 1960s.

Pair of candlesticks brass Franz Hagenauer Werkstatte Hagenauer Wien circa 1930 Austrian Art Franz and Karl Hagenauer won the gold medal at the 1930 Milan Triennale for their design...

Antique carved drinking horn, from the 19th century, with engraved snake and eagle, good original condition

Body made of steel and aluminum and also aluminum hands partialy black painter made by TN Telenorma in the late 1970s. Formerly an office or factory sl...

Hand-painted pheasant figure in beautiful bright colours. Handmade by Ens Germany. Ens porcelain is one of the most oldest manufactories for porcelain ...

Body made of plastic with plexiglas clock face made in Japan in the early 1970s. Fitted with a quartz movement with a battery. Delivery time 2-3 weeks.

Excellent and rare Art Nouveau ceramic piece from a series of the four seasons: Naked putto in a wide striding position, his blond head tilted to the left and holding a cascade of fl...

A rare, curved and large Art Deco storage box, jewelry box, or cigarette dispenser featuring a roll-top lid with a small brass handle, dating from the 1930s. This is an early design ...

Exquisite mantel clock made of fire-gilded and patinated bronze from the early 19th century: Structure in the form of a rectangular gilded base on four conical feet with chiselling, ...

Exquisite and rare genre group of the 19th century: Lady in elaborate, magnificent rococo clothing with a sweeping crinoline and an ermine-trimmed cape enthroned on a richly decorate...

Very rare Commedia dell'Arte figure group from the 19th century: Harlequin and Columbine with child dancing in a circle: Harlequin in green jacket with golden buttons and white ruff...

Two Candleholder around 1907 polished and stove enamelled

Very decorative star-shaped flower vase in a beautiful blue colour, made in the famous center of art glass, mouth-blown glass, Murano, Venice, Italy, made in the 1970s. The vase ha...

Exceptional, beautifully designed Art Nouveau object: Elaborately designed silver-plated mount in the form of artistically intertwined tendrils, forming four small feet near the base...

Colorful large mid-century Murano glass vase out of the famous glass art workshop Sommerso in Venetia/ Italy. Artfully made around 1960/70 this decorative, beautifully shaped glass v...

Art Deco Candleholder Alpaca around 1920 polished

Art deco nut veneer Jewelry Boxes with inlay on the edge vienna around 1920s Hand polished

Writing accessoire with two inkwells, model no. 2216 - Mszas 2, Carl Witzmann & Josef Hoffmann, Wiener Werkstätte, 1917 marked "JH", rose mark, "WIENER/WERK /STÄTTE", "9", "1", "2" ...

Extremeley rare porcelain figurine around 1930: Elegant dancer striding to the side with her upper body turned forward, wearing a knee-length, shimmering gray-pink trouser dress with...

Vase in upright drum shape on an oval, flush stand, short neck piece raised at the top centre with slightly flared, raised rim, two handles fused onto the sides of the outer rim and ...

Very decorative mid century Murano Glass Vase out of the renown workshops on the small island of Murnano. this Vetro Artistico Veneziano glass vase was crafted in Italy in the period...

Cylindrical vase, colourless glass with flaky white, with cobalt blue powder inclusions in the lower section, highly etched exterior and delicately painted with coloured enamel, fuch...

Modern Italian opalescent colored Murano glass vase signed by Pino Signoretto. A transparent glass object made out of thick glass layers (total 2.5cm) shaped like eggs made in Sommerso Technique with two white circular color stripes. Hot glass technique in which differently colored layers of glass are applied, one on top of the other, in such a way that each color remains distinctly visible. Size and weight: Length 25cm x width 11.0cm x height 30cm / 11.5kg Biography Pino Signoretto Born September 28, 1944 in Favaro Veneto. 1954 He worked for a muranese glass chandelier souvenir manufacturer. 1959 Apprenticeship with master glassblower Alfredo Barbini and works with the master Livio Seguso, Ermanno Nason, and Angelo Seguso. 1960 He got the title of master glassblower. 1961-77 he worked in different factories, to get full technical knowledge of glass. 1978 Signoretto opens his own furnace showroom in Murano. 1978 – 84 He collaborates with artists and architects, Dalì, Licata, Dal Pezzo, Vitali, Pomodoro, Willson. 1985 Signoretto undertakes the first of a long series of trips to Japan. 1989 He participates in a demostration for the japanese imperial family. Exhibition at Museo dell'Arte Veneziana in Otaru Japan. Works for Dale Chihuly - Seattle U.S.A. Teaches at the Pilchuch School of Glass - Seattle U.S.A. 1990 Signoretto executes the trophies for various international sporting events, including the European Basketball - Paris France and for N.B.A. - U.S.A. Teaches at Tulane University - U.S.A. Teaches at Aomori Otaru - Giappone. Teaches at Toyama School of Glass - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1991 Excutes a series of pieces for Jeff Koons exhibition at Sonnabend Gallery New York - U.S.A. Teaches at Rochester Institute of Technology, Massachussetts College of Art - U.S.A Demonstration, G.A.S. Conference in Corning New York - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1992 Signoretto Executes a series of sculptures for Jan Vercruysse - exhibition at Castello di Rivoli Museo d'Arte Contemporanea Rivoli - Torino Italy. Works with Elisabeth Murray, Kiki Smih and Raimund Kummer. Teaches at Pilchuck School of Seattle U.S.A. 1993 He designs and executes a series of 12 fountains for Hotel American Gei Ken - Japan. Teaches at Experimental Glass Workshop - U.S.A. Demostrations Massachusetts College of Art - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1994 Conference at G.A.S. Conference Oakland - U.S.A. Teaches at New Orleans School of Glasswork - U.S.A. Exhibition at Gallerie Differences Parigi - Francia. Teaches at Pilchuck School of Glass Seattle - U.S.A. He exhibits at Sandra Ainsley Gallery Toronto - Canada. 1995 Signoretto exhibits at Chiristy Taylor Galleries Florida - U.S.A. He exhibits at Galleria San Nicolò - Venice - Italy. He participates at C.C.I.A.A. of Venice exhibition l'Art de verre a Murano au XXemme siecle Paris Passage de Retz - Francia. He partecipates in exhibition Maestri Maestri vetrai creatori di Murano del '900 Comacchio - Ferrara - Italy. He partecipates in exhibition for United Foundation for AIDS Godparent House Florida - U.S.A. Pino, during his teaching stage at Pilchuck School of Glass partecipates to built a house in glass. 1996 He designs and executes some door-handle, exhibitis at Pull of Beauty - Storefront for Art and Architecture New York - U.S.A. Signoretto works with Martin Bradley at the glass chess-set. He executes The boodygarden series of sculptures for Mariagrazia Rosin - Kunstmuseum Dùsseldorf im Ehrenhof - Germania. He Designs and executes some animal objects, exhibits at Portia Gallery di Chicago - U.S.A. Works with painter Eulisse and professor Gaspari. He designs and executes some insects exhibition at Korpus II nel Kremlino di Mosca - Russia. He works with Raimund Kummer e G. Kruft. He executes some sculpures for Jan Vercruysse exhibition at: - Brooke Alexander - New York - U.S.A. - Kunsthalle Bern - Berna - Svizzera. - Castello di Rivoli Museo d'Arte Contemporanea - Rivoli (TO). - Studio per l'Arte Contemporanea E. Di Grazia - Torre Pellice (TO). He executes a large chandelier with Dale Chihuly and Lino Tagliapietra. He executes some clear animals for Kiki Smith exhibition at La Pace Gallery - New York. He executes some sculptures with Marc Quinn, exhibition at Withe Cube - Londra. 1996 He designs and executes some animals with Portia Gallery - Chicago U.S.A., exhibition at Sofa- Miami 1997 He executes some sculptures with Marc Quinn. He works with Martin Bradley. He executes some fish in glass for Dale Chichuly. He works for Timo Sarpaneva. 1997 He designs and executes some animals with Portia Gallery Chicago - U.S.A.; exhibition at Sofa-Miami 1 Pino makes a Pantheon in glass done by eight pillars, two meters high, and fountain in the middle. Il Legno in Vetro (Wood in glass) with the collaboration of LIVIO DE MARCHI - Venice. Teaches at the Penland School of Crafts, Penland North Carolina - U.S.A. Completes the sculpture "OHM" for the Hindu Temple, Cincinnati - U.S.A. Creates a house completely in glass located amongst the woods of the Swiss Alps. Exhibits some sculptures at the exhibition Dalì & Murano Artists at the San Marco Museum - Venice. Continues the collaboration with the Portia Gallery Chicago - U.S.A. and with the artists CHIHULY, KUMMER and VERCRUYSSE. 2001 - Pino teaches at the Venice "Accademia delle Belle Arti". Creates 700 snowballs exhibited at the De Pury & Luxembourg Gallery, Zürich - Switzerland. Teaches at the Esashi Glass Work Shop - Japan. Teaches at the San Servolo International Glass Workshops on l'isola di S. Servolo Venice - Italy. Pino opens his new workshop in F.ta Serenella 3 Murano Venice - Italy. Creates some sculptures, for the furnishings industry OAK di Cantù - Italy, destined for a Saudi Palace. Continues collaborations with CHIHULY AND KUMMER. 2002 - two sculptures at the Habitat Gallery - U.S.A. Teaches for the second consecutive year at the Venice "Accademia delle Belle Arti". Participates at the Amsterdam GAS Conference - Netherlands. Teaches at the Esashi San Servolo International Glass Workshops - Japan. Receives the award "Gallo d'oro di Murano" as Muranese personality of the year. 2003 - Creates a clothes rack, inclusive of several items of clothing made entirely out of glass, displayed at the Housang Rachtian Gallery in Venice. Makes a pig out of glass and gold leaf, as the fourth place award at the 2003 Regata Storica di Venezia. Participates as a lecturer at the GAS Conference - Seattle U.S.A. Creates a series of chandeliers based on marine life, shown at the Caffè Florian in Venice, in collaboration with MARIA GRAZIA ROSIN. Creates a series of 100 "fantastic" shoes for the Japanese designer HIROKO UEKI, that were the subject of an exhibition tour throughout Japan. Continues to be the primary glass master and maker for the ideas of many artists including: DALE CHIHULY, ALDO MONDINO...

four seasons Putti, Michael Powolny, Wiener Keramik, ca. 1906 Michael Powolny's renowned design is one of the most famous example of Jugendstil ceramics. They were produced by Wiene...

Wonderful huge plate designed by Olof Ahlberg in organic forms of the Art Nouveau, the design is datable to the year 1905. The pewter plate is masterfully ...

Ceramic vase vienna around 1960s Original condition Very nice colors

Mid Century Modern vintage hat case from leather 1950s, Austria. A great hat case from cognac brown leather with one snap-lock and two locks with a carrying s...

Baluster-shaped vase, on a round base set off by a nodus, widening in a trumpet shape and narrowing to a drawn-in rim, colorless glass with flaky yellow, orange-reddish, and violet p...

Completely handmade porcelain bowl with a hands-free naturalistic painted fox in brown colors. The fox is sitting in the middle of the bowl for decorating nuts or sweets around the fox figure...

Finest Bohemian Art Nouveau Glass Vase: Mould blown glass on a flat stand, gently widening conically and forming a steep shoulder, slight constriction to a wide opening with a ground...

Impressive set of two vases, so-called Imari, made in the Meiji period - late 19th century, originals from Japan. These vases are in impressive original condition. They have the typ...

Lovely mid century modern red/ amber colored Murano glass vase out of the renowned glass workshops of Sommerso on the little island of Murano/ Italy. Artfully made around the late 19...

Modern Italian opalescent Murano glass vase signed Pino Signoretto on the bottom. Straight lined transparent glass object with 8 round (Diameter 12cm) glass applications. Size and weight: Diameter 24cm x Height 42cm x Weight: 11.5kg Biography Pino Signoretto Born September 28, 1944 in Favaro Veneto. 1954 He worked for a muranese glass chandelier souvenir manufacturer. 1959 Apprenticeship with master glassblower Alfredo Barbini and works with the master Livio Seguso, Ermanno Nason, and Angelo Seguso. 1960 He got the title of master glassblower. 1961-77 he worked in different factories, to get full technical knowledge of glass. 1978 Signoretto opens his own furnace showroom in Murano. 1978 – 84 He collaborates with artists and architects, Dalì, Licata, Dal Pezzo, Vitali, Pomodoro, Willson. 1985 Signoretto undertakes the first of a long series of trips to Japan. 1989 He participates in a demostration for the japanese imperial family. Exhibition at Museo dell'Arte Veneziana in Otaru Japan. Works for Dale Chihuly - Seattle U.S.A. Teaches at the Pilchuch School of Glass - Seattle U.S.A. 1990 Signoretto executes the trophies for various international sporting events, including the European Basketball - Paris France and for N.B.A. - U.S.A. Teaches at Tulane University - U.S.A. Teaches at Aomori Otaru - Giappone. Teaches at Toyama School of Glass - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1991 Excutes a series of pieces for Jeff Koons exhibition at Sonnabend Gallery New York - U.S.A. Teaches at Rochester Institute of Technology, Massachussetts College of Art - U.S.A Demonstration, G.A.S. Conference in Corning New York - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1992 Signoretto Executes a series of sculptures for Jan Vercruysse - exhibition at Castello di Rivoli Museo d'Arte Contemporanea Rivoli - Torino Italy. Works with Elisabeth Murray, Kiki Smih and Raimund Kummer. Teaches at Pilchuck School of Seattle U.S.A. 1993 He designs and executes a series of 12 fountains for Hotel American Gei Ken - Japan. Teaches at Experimental Glass Workshop - U.S.A. Demostrations Massachusetts College of Art - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1994 Conference at G.A.S. Conference Oakland - U.S.A. Teaches at New Orleans School of Glasswork - U.S.A. Exhibition at Gallerie Differences Parigi - Francia. Teaches at Pilchuck School of Glass Seattle - U.S.A. He exhibits at Sandra Ainsley Gallery Toronto - Canada. 1995 Signoretto exhibits at Chiristy Taylor Galleries Florida - U.S.A. He exhibits at Galleria San Nicolò - Venice - Italy. He participates at C.C.I.A.A. of Venice exhibition l'Art de verre a Murano au XXemme siecle Paris Passage de Retz - Francia. He partecipates in exhibition Maestri Maestri vetrai creatori di Murano del '900 Comacchio - Ferrara - Italy. He partecipates in exhibition for United Foundation for AIDS Godparent House Florida - U.S.A. Pino, during his teaching stage at Pilchuck School of Glass partecipates to built a house in glass. 1996 He designs and executes some door-handle, exhibitis at Pull of Beauty - Storefront for Art and Architecture New York - U.S.A. Signoretto works with Martin Bradley at the glass chess-set. He executes The boodygarden series of sculptures for Mariagrazia Rosin - Kunstmuseum Dùsseldorf im Ehrenhof - Germania. He Designs and executes some animal objects, exhibits at Portia Gallery di Chicago - U.S.A. Works with painter Eulisse and professor Gaspari. He designs and executes some insects exhibition at Korpus II nel Kremlino di Mosca - Russia. He works with Raimund Kummer e G. Kruft. He executes some sculpures for Jan Vercruysse exhibition at: - Brooke Alexander - New York - U.S.A. - Kunsthalle Bern - Berna - Svizzera. - Castello di Rivoli Museo d'Arte Contemporanea - Rivoli (TO). - Studio per l'Arte Contemporanea E. Di Grazia - Torre Pellice (TO). He executes a large chandelier with Dale Chihuly and Lino Tagliapietra. He executes some clear animals for Kiki Smith exhibition at La Pace Gallery - New York. He executes some sculptures with Marc Quinn, exhibition at Withe Cube - Londra. 1996 He designs and executes some animals with Portia Gallery - Chicago U.S.A., exhibition at Sofa- Miami 1997 He executes some sculptures with Marc Quinn. He works with Martin Bradley. He executes some fish in glass for Dale Chichuly. He works for Timo Sarpaneva. 1997 He designs and executes some animals with Portia Gallery Chicago - U.S.A.; exhibition at Sofa-Miami 1 Pino makes a Pantheon in glass done by eight pillars, two meters high, and fountain in the middle. Il Legno in Vetro (Wood in glass) with the collaboration of LIVIO DE MARCHI - Venice. Teaches at the Penland School of Crafts, Penland North Carolina - U.S.A. Completes the sculpture "OHM" for the Hindu Temple, Cincinnati - U.S.A. Creates a house completely in glass located amongst the woods of the Swiss Alps. Exhibits some sculptures at the exhibition Dalì & Murano Artists at the San Marco Museum - Venice. Continues the collaboration with the Portia Gallery Chicago - U.S.A. and with the artists CHIHULY, KUMMER and VERCRUYSSE. 2001 - Pino teaches at the Venice "Accademia delle Belle Arti". Creates 700 snowballs exhibited at the De Pury & Luxembourg Gallery, Zürich - Switzerland. Teaches at the Esashi Glass Work Shop - Japan. Teaches at the San Servolo International Glass Workshops on l'isola di S. Servolo Venice - Italy. Pino opens his new workshop in F.ta Serenella 3 Murano Venice - Italy. Creates some sculptures, for the furnishings industry OAK di Cantù - Italy, destined for a Saudi Palace. Continues collaborations with CHIHULY AND KUMMER. 2002 - two sculptures at the Habitat Gallery - U.S.A. Teaches for the second consecutive year at the Venice "Accademia delle Belle Arti". Participates at the Amsterdam GAS Conference - Netherlands. Teaches at the Esashi San Servolo International Glass Workshops - Japan. Receives the award "Gallo d'oro di Murano" as Muranese personality of the year. 2003 - Creates a clothes rack, inclusive of several items of clothing made entirely out of glass, displayed at the Housang Rachtian Gallery in Venice. Makes a pig out of glass and gold leaf, as the fourth place award at the 2003 Regata Storica di Venezia. Participates as a lecturer at the GAS Conference - Seattle U.S.A. Creates a series of chandeliers based on marine life, shown at the Caffè Florian in Venice, in collaboration with MARIA GRAZIA ROSIN. Creates a series of 100 "fantastic" shoes for the Japanese designer HIROKO UEKI, that were the subject of an exhibition tour throughout Japan. Continues to be the primary glass master and maker for the ideas of many artists including: DALE CHIHULY, ALDO MONDINO...

Austrian Jugendstil glass vase "Cytisus Lemon Yellow" decoration Johann Loetz Witwe yellow green blue circa 1902 The “Cytisus” decoration is certainly one of the most exquisite decor variations created by the Loetz glassworks. With its shimmering gold particles, it reflects the secessionist ornamentation of turn-of-the-century Vienna. In this way, Max Ritter von Spaun and his collaborators proved that they had their finger on the artistic and aesthetic pulse of the times. Executed in the form of a reduced flower calyx with five indentations in the wall and a five-pass distorted mouth, this vase fits into the style of production around 1902. The fused crumbled dots seem to float on the vase like lightweight gold particles. The complex decoration as well as the technically elaborate glass body are evidence of the great mastery of the glassblowers in Klostermühle and show why the Johann Loetz Witwe glass manufactory was one of the leading producers of precious luxury glass in Vienna 1900. Bib.: J. Lnenickova, “Loetz – Series II Paper Patterns for Glass from 1900...

Completely handmade and hands-free painted large oval porcelain plate for decoration. Two natural moulded porcelain figures wild boars are sittin...

Brutalist candelabra in hand-cast brass by Austrian artist Heinz Goll, created in the 1960s. This rare, sculptural piece features 1 candle holder rising from a textured base, evoking...

Exceptionally rare sea lion / seal animal figurine, made by the well-known Danish porcelain maker Royal Copenhagen, an original from the 1930s, from the Ar...

One of a kind, absolutely amazing looking Murano glass vase from the late mid 20th century around 1960/70 in Italy. This superb Murano glass vase shows a unique designed, amber-color...

A beautiful and minimalistic vintage Mid-Century Modern wastepaper basket / paper bin on a tripod brass base from the 1950s. Model 3890, designed by Carl Auböck II and manufactured b...

Admirable Art Nouveau Figurine by Rosenthal: Frightened faun standing on a broken piece of ruins with Egyptian inscriptions, holding a pan flute in his right hand, at his feet a croc...

A museum piece of French Art Nouveau glass art: Lamp with baluster-shaped foot on a stepped, flat, round stand raised in the centre, hemispherical shade, slightly heat-stretched and pressed upwards on four sides, made of multi-layered glass with coloured powder fusions, predominantly in yellow-orange, red, brown, green and blue-violet tones, with highly etched vine leaves and grapevine decoration, two fully sculpted snails on the foot as a special accent, Cameo signature ‘DAUM NANCY’ with Lorraine cross on the foot in the lower area, and on the shade, which rests on a patinated metal mount, which also carries the threads for the light sources, one at the top and one inside the foot. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels were already being made in antiquity; cameo glass vessels were already being made in ancient times, and at the end of the 19th century this glass art was further developed, especially in Nancy. Manufactory: Daum Frères / Nancy, Lorraine, France Dating: Circa 1905 Dimensions: Height: 53,5 cm / 21.06 in Diameter: 32,0 cm / 12.59 in Bibliography: Carolus Hartmann, Glasmarken-Lexikon / Encyclopedia of Glass Marks, Stuttgart / Germany 1997, Signature number 2984 on page 148, and page 561: Daum Frères Cie, Verreries de Nancy Condition: Very good The electrification is functional, but should be renewed for safety reasons. About the design: The development of Art Nouveau glass art coincides with a revolution in lighting, the significance of which we can no longer fully appreciate today in the 21st century. Around 1880-1890, oil lamps and paraffin lamps were still almost unrivalled in every household. It was not until the beginning of the 20th century that the ‘electricity fairy’ emerged as a remarkable advance and gradually found its way into the daily lives of all social classes. The glassmakers at the Ecole de Nancy were true pioneers and eagerly seized the opportunity to use electricity to illuminate the colours applied to the glass. Colour was one of the main concerns of the master glassmakers at the Ecole de Nancy. Emile and Antonin Daum returned to the colours that had made the stained glass of the Middle Ages so splendid and extended the palette of colours in the glass mass as they needed it for the floral motifs and exact representations of nature. But the modulation of the colours, their arrangement in juxtaposed patches, the technique that the Impressionist painters practised on their canvases at the same time, was difficult to achieve due to the nature of the glass melted in a large mass. To achieve this richness of expression, around 1900 Daum developed ‘the process of applying glass powder and enamel to the outside of the vases to create coloured backgrounds or decorative spots’, according to the report of the jury of the 1900 World Exhibition. The field of naturalistic, contrasting and shimmering colours was one in which Antonin Daum excelled. This new technical process made it possible to create the symphonies of colour that we find on the ‘Vignes et escargots’ lamp...

Austrian Jugendstil, floral glass vase, manufactured by Johann Loetz Witwe, red, green, orange, gold, circa 1902, "Cytisus Neuroth" decoration, bohemian glass, Austria The "Cytisu...

Meissen stunning figurine group: The Deal with Goose Model 720 Measures: height 6.69 inches (17.0 cm) width 6.69 inches (17.0 cm) depth 4.72 inches (12.0 cm) Manufactory: Meissen Hallmarked: Blue Meissen Sword Mark (glazed bottom) model number 720 / former's number 6 / painter's number 71 First quality  Dating: 19th century / made circa 1850-1860 Material: porcelain, glossy finish, multicolored painted Technique: handmade porcelain Style: Rococo Modelled by: Johann Joachim Kaendler...

Bulbous shoulder vase on a flush stand, short neck piece of colourless glass with white powder meltings, overlay in blue-violet and green, meadow flower decoration etched in various stages, matt etched inside and outside, Cameo signature 'Gallé' with star on the wall between the plants.. Mounted with later silver mouth in a smooth, slightly flared design, decorated on the outside with two sculptural branch and cone bundles. Silver mount hallmarked 'Minerve casquée' for 950 silver, France, and master's mark. Hand-made Cameo Glass: Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels were already being made in antiquity; at the end of the 19th century, Émile Gallé further developed this glass art, created Art Nouveau designs and employed a large factory in Nancy...

Two festive Biedermeier silver candlesticks on a four-pass, cambered stand with a curved and pointed rim, rose decoration in relief and chased between narrow folds on the foot and ba...

Extremely decorative, fully sculptural representation of an Art Nouveau beauty in a softly falling robe, tilted forward to throw a golden ball, with the left forearm holding the back...

A stunning antique early 20th-century Austrian Art Nouveau bronze portrait figurine / sculpture depicting the renowned golfer Harry Vardon, titled "Joueur au Golf". This piece is dat...

Large, mold-blown, baluster-shaped body on a separate stand, bulbous after the constriction and slowly narrowing again, wide mouth rim with metal mount, drawn silver thread decoratio...

A beautiful round wall clock, executed in the 1970s by Junghans, Germany, in the style of Gaetano Sciolari or Palwa. The clocksface is made of mirror ...