Bay Area

Designed in 1965 by Milo Baughman, newly manufactured by Thayer Coggin, this oversized swivel chair is a Mid-Century Modern classic. Includes on...

Brazilian bar cabinet designed by Guiseppi Scapinelli, 1960 Brazil. Crafted of caviuna wood with locking book-matched doors and interior lined with...

Dramatic glass top pedestal dining table or center table featuring a neoclassical Venetian grotto style triple dolphin motif base. Crafted from cast bronzed metal with three mytholog...

This artwork titled " Fallen Leaf III" 2015 is an oil painting on canvas depicting the Lake Tahoe area by noted American artist Andrew (Andy) Skaff, b.1945. It is signed at the lower...

The extra large concrete planter has endured the test of time and remains solid. Beautiful aging that appears to be more of an antiquity than a ...

Weathered French early 20th century art nouveau iron patio and garden dining or bistro table. The table features a rectangular shaped iron top supported by a gracefully curved iron b...

Handsome 19th century English victorian square dining table or center table crafted from oak. This extending dining table does not have any leaves available and was used as a display piece by artist Ira Yeager (American 1938-2022) in his Calistoga, CA art...

This artwork "California Coast" 1978 is an oil painting on hard board by noted California artist Robert Wee, 1927-2021. It is signed at the lower right corn...

This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

A pretty late 19th century Haviland Limoges hand painted fish platter fully signed and stamped on the back. The piece a charming depiction of swimming fish amidst colorful flora. The...

This artwork "American Indian, Navajo" is a offset lithograph on paper by noted Brazilan artist Ozz Franca, 1928-1991. The image size is 21 x 14.75 inches, framed size is 31.25 x 27 inches. Custom framed in a wooden brown/grey frame, with lith purple matting. It is in excellent condition. About the artist: Born October 2, 1928, França (pronounced FRON-suh) grew up in Sao Paulo, Brazil, and from an early age showed talent as an artist, as well as exceptional prowess as a competitive swimmer. At 14 he won first prize at the annual Spring Salon Art Competition. At 15, he qualified for the Brazilian Olympic Swimming Team. With two amazing talents, França was unsure what he should do with his life. Fate stepped in, and the Olympic Games were canceled the year França was to compete due to the outbreak of World War II. At that point, he decided to devote his life to art. He held his first one-man show at the age of 18. Following what he would later say was the best advice anyone ever gave him, França came to the U.S, to accept a scholarship in Utah. A year later, he moved to Hollywood and began doing movie illustration for Walt Disney. His projects included Lady and the Tramp and 20,000 Leagues Under the Sea. He moonlighted as a swimmer when movie parts were available. França painted many subjects, but he is best known for his esoteric images of Native American women. França's art enters the world of fantasy and dreams, where the spiritual meets the sensual. His works, with their floating imagery and airy, muted colors, evoke an aura of mystery. França said he always painted his subjects, which primarily were women, either in profile, looking toward the edge of the painting, or looking over her shoulder, "so that anyone could walk into it." Joan Lee, print marketing professional, said that Ozz saw the spirituality and quiet dignity of Native American men and women. "there's a romance surrounding Native Americans that people appreciate seeing," said Lee. Ozz França died in 1991. Ozz Franca’s work is held in the collections of numerous celebrity, including: Jacqueline Onassis Lyndon B. Johnson Patty Duke Jerry Lewis Kim Novak Burt Lancaster Gig Young Tom Bradley Sammy Davis, Jr. Ronald Reagan Red Skelton...

Year: 1994 Material: Denim Color: Black and White Measurements: Size Tag: None, fits approx 34-36 Bust Height: 11cm Underbust: 30cm Full Length: 23cm Condition Notes: Very Good.

Amazing nine-piece sectional sofa by Jorge Zalszupin for L'Atelier. Seven of the pieces are similar shaped, much like slipper chairs on their own and two are triangularly-shaped, ser...

Imposing country French provincial oak farmhouse trestle dining table featuring a parquetry top. The table features a massive 3 inch thick rectangular top with fascinating geometric ...

A fine example of Art Nouveau lighting. The bronze base is richly patinated and beautifully cast with an art nouveau design. The shade is a deep g...

In very good condition. Total weight is 5.2 grams. Totally is diamond 0.70 ct. The diamond is has F-G color and vvs-vs clarity. Ring size is US 6.75 We can make any size. Box is not...

Yves Saint Laurent Rive Gauche Silver Passementerie Bag, 1990's Deep silver-gray woven passementerie handbag from Yves Saint Laurent Rive Gauche, dating to the early 1990's. The str...

A hand-hammered silver centerpiece with undulating rim and fluted pedestal base. Marked "WIENER WERK STÄTTE", JH and WW.

Margot de Taxco Enamel and SIlver Necklace and Two Pair of Earrings The design is a stylized heart and ball. Design #5463. The necklace/earrings are champleve style confetti enamel o...

In very good condition. Total weight is 48.2 grams. Totally is diamond 0.60 ct. The diamond is has I color and vs-s1 clarity. Totally is ruby 1.50 ct. Box is not included. Please con...

A handmade mushroom shaped ottoman, upholstered in "Saffron" yellow wool fabric. Perfect for using as a footstool or extra occasional seating. A comfortable cushioned seat and sculpt...

Rare pair of opulent English Gothic revival style garden armchairs made in the manner of Coalbrookdale Foundry. The frames are heavy and solid featuring gothic tracery and quatrefoil...

Each 20 x 20 inch canvas is framed in a separate 2 inch deep solid wood floater frame, increasing the dimensions to 21. 5 x 21.5 inches. Total span together is 44 x 22". Hung with...

Here we are offering a fantastic mystery Ferris wheel bearing ball driven crystal regulator clock. Unlike traditional wind up or weight driven clock, this unique clock receive its wo...

Substantial country French provincial style farmhouse dining or harvest table featuring a bleached oak finish. The thick solid oak top measures 3 inches thick and is supported by a t...

Northcoast - The painting was created in 2025 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s ...

Stylish Cal king newly padded headboard redux featuring a soft striped blue and white linen style upholstery. The striped design is decorated with ind...

Greta M. Grossman designed the iconic Gräshoppa table lamp in 1947 and with its sophisticated yet playful design, it is still as relevant today. The distinctive, elongated conical sh...

In very good condition. Total weight is 6.6 grams. Totally is diamond 1 ct. The diamond is has H-I-J color and s1-s2 clarity. Total lenght is chain 42 cm. Please contact for any ques...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD14558 (She Disappeared into Complete Silence) 60" x 45" / 152cm x 114cm edition of 8 + 2AP 40" x 30" / 102cm x 76cm edition of 8 + 2AP limited edition photograph is printed under artist supervision and accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Works, Museum of Contemporary Art, Malaga, Spain 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII, Los Angeles Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY 2023 Mona Kuhn: Kings Road, Galerie XII, Paris, France Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany Mona Kuhn: Kings Road, Jackson Fine Art, Atlanta 2022 Mona Kuhn: 835 Kings Road, Art, Design & Architecture Museum, Santa Barbara 2021 Mona Kuhn: Works, Galerie XII, Paris Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art, Atlanta Mona Kuhn: Experimental, Fruit Factory, Durham Triangle, North Carolina 2018 Mona Kuhn: New Works, Part II, Galerie Catherine Hug, Paris, France 2017 Mona Kuhn: The First Chapter, Euqinom Projects, San Francisco, California 2016 Mona Kuhn: New Works, Galerie Catherine Hug, Paris, France Acido Dorado, Galeria Pilar Serra, Madrid, Spain Mona Kuhn: New Works, Euqinom Gallery, San Francisco, California 2015 Private, Ravestijn Gallery, Amsterdam, The Netherlands Private, Galerie Ernst Hilger, Vienna, Austria 2014 Acido Dorado, Edwynn Houk Gallery, New York Acido Dorado, Flowers Gallery, London, UK Private, Jackson Fine Art, Atlanta, Georgia 2012 Bordeaux Series, Galerie Particuliere, Paris, France Native, Galeria Pilar Serra, Madrid, Spain Bordeaux Series, Jackson Fine Art, Atlanta, Georgia Bordeaux, Flowers Gallery, New York Native, Brancolini Grimaldi, Florence, Italy 2011 Bordeaux, Flowers Gallery, London, UK 2010 Native, Flowers Gallery, London, UK Native, Flowers Gallery, New York 2009 Native, M+B Gallery, Los Angeles, California Native, Jackson Fine Art, Atlanta, Georgia 2008 Evidence, Jarach Gallery, Venice, Italy 2007 Evidence, Scott Nichols Gallery, San Francisco, California Evidence, Charles Cowles Gallery, New York Mona Kuhn, Estiarte Gallery, Madrid, Spain Evidence, Jackson Fine Art, Atlanta, Georgia Less Than Innocent, M+B Gallery, Los Angeles, California 2005 Mona Kuhn – Recent Color Work, Charles Cowles Gallery, New York Mona Kuhn-Close, Jackson Fine Art, Atlanta, Georgia Unbounded Youth, Fahey/Klein Gallery, Los Angeles, California 2004 Mona Kuhn-Color, Camerawork, Berlin, Germany New Work, G. Gibson Gallery, Seattle, Washington Corporeal Space, Galerie F5.6, Munique, Germany Mona Kuhn - Color Photographs, Scott Nichols Gallery, San Francisco, California Still Memory, PhotoEye...

Vintage Pal Kepenyes bronze/brass necklace, 20th century. This Hungarian born artist worked in Mexico for decades, known for free-form sculptural jewelry...

Grand organic modern sofa crafted from a pole rattan frame and covered with woven wicker. Inspired by the organic modern design of the "Jennifer" sofa by Michael Taylor. Retailed by ...

large format abstract photograph of water color clouds and horizon from a series of photographic works capturing the sea blue color palette of the ocean SEASCAPE XVIII Diptych by F...

1980s Bob Mackie black evening gown featuring an abstract floral motif in glass bugle beading, sequin, and rhinestone. The bodice has a sweetheart neckline, narrow velvet and sequin ...

These wicker cabinets are in very good condition, can be utilized in a variety of ways and are perfect for today's style makers. The pieces are framed in whole-core woven rattan, are...

American singer and actor Frank Sinatra (1915 - 1998) gestures with his hands while singing into a microphone during a recording session in a studio at Capitol Records, early 1950s. ...

This is an 18th century etching of the Patriarchal Church or Basilica of S. Pietro di Castello in Venice entitled "Chiesa Patriarcale di S. Pietro di Castello" by Domenico Lovisa, fi...

Organic modern set of four pole rattan lacquered bar height stools with swivel seats. The stools feature a gracefully curved bent rattan back inset with leather rawhide laces in a ge...

The Yam is a soft, modular sofa. We started with how we wanted a living room to feel - relaxed, squishy, soft, and cozy - then worked our way towards a piece that manifested those se...

This rare and collectible Chanel octagon-shaped minaudière is crafted from glossy black plexiglass and features the iconic silver-tone CC logo on the front. It has a structured silho...

a highly detailed still life photograph of the performer's iconic blue and gold sequin and rhinestone crystal glove Blue Glove ( Michael Jackson ) by T...

Chic California modern woven cane top dining table designed by Danny Ho Fong for Tropi-cal. Rare white finish with an iron frame that holds the w...

Rare silk batik quilted jacket from Yves Saint Laurent’s Spring/Summer 1977 ready-to-wear collection, “Les Espagnoles et les Romantiques,” exactly as seen on the runway. Designed in ...

This is an original rare and extremely collectible first edition John James Audubon hand-colored royal octavo lithograph entitled "Great North Diver or Loon", No. 96, Plate 476, from...

Magnificent Chinese export six panel folding coromandel screen featuring hand-carved soapstone and hardstone decoration. The lacquered panels have recessed windows showcasing hand-ca...

This artwork "Mother and Child" c.1970 is an oil painting on canvas by German/American artist Eva Sikorski, 1917-1990. It is signed at the lower left corner by the artist. The canvas...

ABOUT Price per piece. Sold as a set only. A pair of mid-century modern dressers designed and manufactured by E.W. Bach in Denmark, circa 1950s featuring six drawers with dovetail...

Gianni Versace 1994 "Barocco" patterned silk shirt. The color are vibrant with no fading. Button down collar. Hidden button placket. Fabric is s...

Cerused walnut 6 drawer low dresser by Kent Coffey. Circa. 1950's. Features 6 large drawers. Fine craftsmanship. Solid oak interior woods with dovetail construction. Dust panels and ...

Absolutely stunning tapered turned studio clay vessel with a beautifully sculpted lid. Amazing glaze work with cascading puffy drips. Really a handsome piece. Signed by maker.

Mind-boggling construction on this corner shelf- the artist used slats of camphor wood vertically and horizontally to create the necessary surface area. This irreverent approach also...

A lovely glass pendant light from the early 20th century. The brass canopy and glass holder have a coppery finish and are accented by a bottom finial. The milk glass is molded with a...

Black structured jacket with amazing bronze 'anchor' chain toggle buttons designed by Jean Paul Gaultier dating to fall of 2006. Similar pieces seen on the runway. Jacket has an amaz...

ABOUT An original Art Deco silver plated cigarette box monogrammed "WCC" with a Sandalwood insert. Stamped "Napier". CREATOR The Napier Co. DATE OF MANUFACTURE c.1930-1940...

In very good condition. Total weight is 6 grams. Totally is diamond 0.35 ct. The diamond is has G-H color and vs-s1 clarity. Ring size is US 8 We can make any size. Acid tested to b...

Classic Art Deco AM radio by United American Bosch (Magnito Corporation) Springfield Mass. circa. 1935. Restored to original working condition.

Large French bistro table or patio and garden dining table that would also make a great console. The table features a long variegated thick m...

Elevate Your Space with Timeless Elegance! Discover the allure of our Chinese Ming-style Antique Chair, a true gem that effortlessly blends history with sophistication. This exquis...

This artwork titled "Baden Baden, Casino" 1988 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered 261/375 in pencil by the artist. The image size is 36 x 42 inches, sheet size is 42 x 48 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, three small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

Hand printed by artist. Dry mounted on acid free board. Natural beauty! Can be printed larger to order. Edition 1/15