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Item Ships From: Bay Area
Topiary I - x large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott 59.5 x 59.5 inches (1...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment

Seascape XVI - large format photograph of monochrome water surface and clouds
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Church of the Holy Sepulchre: A 19th C. Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
"Stone of Unction, Church of the Holy Sepulchre" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category

1840s Realist Bay Area - Landscape Prints

Materials

Lithograph

Seascape XVIII - large format photograph of monochrome water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Cowboy TV (framed) - large photograph of iconic movie in Western landscape
By Frank Schott
Located in San Francisco, CA
Large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott 30 x 40 inches (76 x 102cm) signed edi...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Plexiglass, Archival Ink, Archival...

YES - large format photograph of conceptual motivational sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...
Category

21st Century and Contemporary Conceptual Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Red Jet - iconic vintage private jet plane on desert airport tarmac (26 x 40")
By Frank Schott
Located in San Francisco, CA
Large format photograph of iconic cherry red vintage private airplane on airport runway tarmac in the California desert - available in two edition s...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée

Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Stardust - large format photograph of Marfa Sign and Horizon
By Frank Schott
Located in San Francisco, CA
Stardust by Frank Schott 40 x 40 inches / 102cm x 102cm signed edition of 25 48 x 48 inches / 122cm x 122cm signed edition of 7 archival quality fine art pigment print limited a...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

White Eye-browed Partridges: Hand-colored Folio-sized Bird Lithograph by Gould
By John Gould
Located in Alamo, CA
This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background. This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page. John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy. As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...
Category

1840s Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Seascape XVIII - large format photograph of monochrome water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Scolopaceous Courlan: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Sugar Cane Day, Hawaii
By Guy Buffet
Located in San Francisco, CA
This artwork titled "Sugar Cane Day, Hawaii" c.1985, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered 404/425 in ...
Category

Late 20th Century Modern Bay Area - Landscape Prints

Materials

Lithograph

Peacock Butterfly, Moth Botanical: An 18th C. Hand-colored M. Harris Engraving
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...
Category

Mid-18th Century Bay Area - Landscape Prints

Materials

Engraving

Planetary And Scatologic Vision
By Salvador Dalí­
Located in San Francisco, CA
Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Planetary and Scatologic Vision Year: 1974 Medium: Engraving with embossing and color lithograph Edition: Numbered...
Category

Late 20th Century Surrealist Bay Area - Landscape Prints

Materials

Engraving, Lithograph

"Tierra Roja" from the "Mexican suite"
By David Alfaro Siqueiros
Located in San Francisco, CA
This artwork titled "Tierra Roja" from "The Mexican Suite" is an original colors lithograph on Arches paper by renown Mexican artist David Alfaro Siqueiros...
Category

Mid-20th Century Modern Bay Area - Landscape Prints

Materials

Lithograph

The Great Sphinx Pyramids, Giza, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Sphinx, Pyramids of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publ...
Category

1840s Realist Bay Area - Landscape Prints

Materials

Lithograph

Male Whooping Crane: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

1870 View of Proposed Brooklyn Bridge and New York City
By Theodore R. Davis
Located in Alamo, CA
This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870. The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition. This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...
Category

Late 19th Century Naturalistic Bay Area - Landscape Prints

Materials

Woodcut

Cityscape
Located in San Francisco, CA
This artwork titled "Cityscape" c.1930 is an original color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist. The image (plate mark) size is 12.75 x 9.15 inches, framed size is 19.35 x 15.25 inches. Custom framed in a silver with brown patina frame, with light grey matting and green and red filet. It is in excellent condition, About the artist: Tanna Kasimir...
Category

Mid-20th Century Realist Bay Area - Landscape Prints

Materials

Etching

Engraving of a British Fox Hunting Scene "The Pink Of Condition"
By George Wright
Located in Alamo, CA
The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...
Category

Early 1900s Naturalistic Bay Area - Landscape Prints

Materials

Engraving

TODAY - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph of a billboard against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs and billboards in landsc...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

The Windmill
By Rembrandt van Rijn
Located in San Francisco, CA
This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...
Category

17th Century Realist Bay Area - Landscape Prints

Materials

Etching

The Great Hall at Karnak, Luxor, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category

1840s Realist Bay Area - Landscape Prints

Materials

Lithograph

Night Heron Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...
Category

Late 19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Cloud Study II - large format photograph of dramatic mood cloudscape horizon sky
By Frank Schott
Located in San Francisco, CA
large-scale original art photography from a series of dramatic cloud atlas observations and abstract monochromatic skyscapes above the Mediterranean Sea C...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Archival Paper, Giclée, Black and ...

Nizza - large format photograph of summer beach scene in South of France
By Frank Schott
Located in San Francisco, CA
observation of a Mediterranean beach scene in Nice, France, on a hazy summer day Nizza by Frank Schott 48 x 75.5 inches (122 x 192cm) signed edition of 7 44 x 69 inches (122 x 17...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Archival Paper, Giclée, Archival Ink

"Skating on Ladies Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Category

1870s American Impressionist Bay Area - Landscape Prints

Materials

Engraving, Woodcut

Approach of the Simoon, Giza, Egypt: Original 19th C. Lithograph by D. Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...
Category

1840s Realist Bay Area - Landscape Prints

Materials

Lithograph

Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana signs in landscape of the American West BACK IN ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink

Four Framed Hogarth Engravings "Four Times of the Day"
By William Hogarth
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category

Mid-18th Century Old Masters Bay Area - Landscape Prints

Materials

Engraving, Etching

Topiary III - large format photograph of ornamental shaped tree in urban setting
By Frank Schott
Located in San Francisco, CA
From a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism TOPIARY III by Frank Schott 40 x 32 inches (102 x...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Archival Pigment, Photographic Paper, Archival Ink

Aspen Study III - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study III by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

A View of Kauai, Hawaii Discovered by Captain Cook: Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"View of A Morai or Burial Place of Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the a...
Category

1780s Bay Area - Landscape Prints

Materials

Engraving

Mexican Marmot Squirrel: Original 19th Cent. Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mexican Marmot Squirrel, No. 22, Plate CIX", from John James Audubon's Quadrupeds of North America, published...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Great North Diver Bird: Original 19th C. 1st Ed. Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and extremely collectible first edition John James Audubon hand-colored royal octavo lithograph entitled "Great North Diver or Loon", No. 96, Plate 476, from...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

Venice: 18th Century View of the Basilica of S. Pietro di Castello by Lovisa
By Domenico Lovisa
Located in Alamo, CA
This is an 18th century etching of the Patriarchal Church or Basilica of S. Pietro di Castello in Venice entitled "Chiesa Patriarcale di S. Pietro di Castello" by Domenico Lovisa, fi...
Category

Early 18th Century Bay Area - Landscape Prints

Materials

Etching

Next Sign - large format landscape photograph with conceptual road sign
By Frank Schott
Located in San Francisco, CA
Next Sign (2010) by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale p...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Petit Luberon II (Little Luberon II)
By Marcel Mouly
Located in San Francisco, CA
Artist: Marcel Mouly – French (1918 - 2008) Title: Petit Luberon II (Little Luberon II) Year: 2003 Medium: Lithograph Image Size: 27.5 x 19.25 inches Sheet Size: 30.5 x 22.25 inches ...
Category

Early 2000s Impressionist Bay Area - Landscape Prints

Materials

Paper, Lithograph

La Cote d Azur
Located in San Francisco, CA
This artwork titled "La Cote d'Azur" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Jean Claude Picot, 1933-2020. It is hand signed and ...
Category

Late 20th Century Impressionist Bay Area - Landscape Prints

Materials

Lithograph

Redwoods Study II - large format observation panorama of green redwoods forest
By Erik Pawassar
Located in San Francisco, CA
A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
Category

1760s Naturalistic Bay Area - Landscape Prints

Materials

Engraving

Cowboy TV - large format photograph of iconic Western scene American landscape
By Frank Schott
Located in San Francisco, CA
Cowboy TV by Frank Schott 58 x 77.25 inches ( 147 x 196cm ) signed edition of 7 48 x 64 inches (122 x 162cm) signed edition of 7 30 x 40 inches (76 x 102cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on certificate label _____________________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat. The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category

Mid-19th Century Romantic Bay Area - Landscape Prints

Materials

Engraving

Next Sign - large format landscape photograph with conceptual road sign
By Frank Schott
Located in San Francisco, CA
Next Sign by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale print s...
Category

21st Century and Contemporary Conceptual Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category

Mid-19th Century Realist Bay Area - Landscape Prints

Materials

Lithograph

Sunlight on the Meadow (8.5 x 11 inch hand-printed cyanotype)
Located in Oakland, CA
A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...
Category

2010s Contemporary Bay Area - Landscape Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

California Mono - large photograph of infinite monochromatic desert landscape
By Frank Schott
Located in San Francisco, CA
From a series of photographs capturing the Golden State's vast monochromatic desert landscapes on a moody autumn day in the American West 40 x 40 inches ( 102 x 102cm) edition of 7...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Pau Hana
By Guy Buffet
Located in San Francisco, CA
This artwork titled "Pau Hana" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered H.C. 1/10 in pencil by the...
Category

Late 20th Century Modern Bay Area - Landscape Prints

Materials

Lithograph

"Christian Church of St. George": A Framed 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by Davi...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

David Roberts Entrance to the Caves: A 19th Century Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
"Entrance To The Caves Of Beni Hasan" is a 19th century half-folio sized tinted duo-tone lithograph from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David R...
Category

1840s Realist Bay Area - Landscape Prints

Materials

Lithograph

Hoer Dachstein, Austria
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Hoer Dachstein, Austria" c. 1960 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate ...
Category

Mid-20th Century Realist Bay Area - Landscape Prints

Materials

Etching

Seascape XVI - large format photograph of monochrome water surface and Clouds
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Bay Area - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

The Fifth Hole (Kapalua Resort Hawaii)
By Guy Buffet
Located in San Francisco, CA
This artwork titled "The Fifth Hole (Kapalua Resort Hawaii)" c.1985, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numb...
Category

Late 20th Century Modern Bay Area - Landscape Prints

Materials

Lithograph

A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
Category

1780s Bay Area - Landscape Prints

Materials

Engraving

Colossal Statue of Ramses: 19th Century Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a framed 19th century hand-colored lithograph by David Roberts from volume I of his monumental 6 volum...
Category

1840s Realist Bay Area - Landscape Prints

Materials

Lithograph

Interior of the Temple Abu Simbel, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...
Category

1840s Realist Bay Area - Landscape Prints

Materials

Lithograph

Migratory Squirrel: An Original 19th Century Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Migratory Squirrel, No. 7, Plate XXXV", from John James Audubon's Quadrupeds of North America, published in P...
Category

Mid-19th Century Naturalistic Bay Area - Landscape Prints

Materials

Lithograph

“Shadow of Dawn” A Calming Abstract by Gary Smith
Located in San Francisco, CA
Suggestive of the misty cool colors and contours of the Pacific Northwest, this scenic framed lithograph is numbered #5 of 40. Let it inspire a restful palette for the bedroom. Sign...
Category

1980s Abstract Bay Area - Landscape Prints

Materials

Lithograph

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