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Item Ships From: Bay Area
Jonah on the Way
Located in San Francisco, CA
This artwork titled "Jonah on the Way" 1975, is an original colors wood block print on thin paper by noted Austrian artist Bernd Kroeber, b.1942. It is hans signed, titled, dated and...
Category
Late 20th Century Surrealist Bay Area - Landscape Prints
Materials
Woodcut
"Earl Sandwich Refusing to Leave His Ship": An 18th Century Etching/Engraving
By Robert Smirke
Located in Alamo, CA
An 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798.
The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition.
Edward Montagu, the 1st Earl of Sandwich...
Category
1790s Bay Area - Landscape Prints
Materials
Engraving, Etching
$460 Sale Price
20% Off
Solitary Madrone (hand-printed cyanotype, 18 x 12", ed. 2 of 10)
Located in Oakland, CA
Hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints made.
This is a hand-printed contact photograph using the antique cyanotype process...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Photogram, Paper, Archival Paper, Rag Paper
$144 Sale Price
20% Off
Roman Hills, Aqueducts and Roads: An Early 18th Century Map by Jan Goeree
Located in Alamo, CA
This richly engraved map of Rome and its environs entitled "Urbis Cum Vicis Seu Pagis Adiacentibus Dissertationi III De Aq et Aqueaed Veteris Promae Praemissa Authore Raph Fabretto G...
Category
Early 18th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving
Moths in Their Natural Landscape: Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...
Category
Mid-19th Century Realist Bay Area - Landscape Prints
Materials
Engraving
Landscape
By Carson Gladson
Located in San Francisco, CA
About the artist:
Bay Area artist, Carson Gladon's "transparent collages" combine the elements of nature with a mix of computer graphics and traditional painting using vivid and pastel colors. Seeming, "to infuse the techniques of the European impressionists with a hint of the delicacy of a Chinese or Japanese silk screen...
Category
21st Century and Contemporary American Impressionist Bay Area - Landscape Prints
Materials
Lithograph
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Bay Area - Landscape Prints
Materials
Engraving
Pines through Thistles (11 x 7.5 inch hand-printed cyanotype)
Located in Oakland, CA
Towering Monterey pines lean into the blue mist of the valley beyond. These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. The photograph is of the coastal redwood...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Native American Encampment in a Valley, Limited Edition Hartwig Signed Print
By Heine Hartwig
Located in Alamo, CA
This is a limited edition print from a painting by Heine Hartwig (1937- ) depicting a Native American encampment in a meadow at the base of majestic moun...
Category
Late 20th Century Romantic Bay Area - Landscape Prints
Materials
Other Medium
View of Venice, including Gondolas, 18th Century Hand Colored Engraving
By Pieter Van Der Aa
Located in Alamo, CA
An early 18th century hand colored engraving of a scene of the city of Venice, Italy entitled "Palazzo Lin, a. S. Samuele sopra il Canal Grande". It depicts Venetian architecture, wa...
Category
1720s Old Masters Bay Area - Landscape Prints
Materials
Engraving
Maroon Lake, Colorado
By Adolf Arthur Dehn
Located in San Francisco, CA
This artwork titled "Maroon Lake, Colorado" 1945 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed, dated, titled, numbered ...
Category
Mid-20th Century American Realist Bay Area - Landscape Prints
Materials
Lithograph
Butterflies
Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century Bay Area - Landscape Prints
Materials
Engraving
Untitled
Located in San Francisco, CA
This artwork "Untitled" 1982 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dat...
Category
Late 20th Century Surrealist Bay Area - Landscape Prints
Materials
Etching, Aquatint
Paysage de Normandie
By Maurice Levis
Located in San Francisco, CA
This artwork titled "Paysage de Normandie" c.1910 Is an original color aquatint by noted French artist Maurice Levis, 1860-1940. It is hand signed and numbered 245/350 in pencil by the artist. The plate mark (image) size is 17.5 x 24.85 inches, sheet size is 19.75 x 26.75 inches. It is in excellent condition, especially considering the age of the piece.
About the artist:
Born in Paris on 11 November1860, Maurice Levis was an accomplished landscape and genre painter for nearly sixty years. His career spanned not only the early years of modernism, but also the twentieth century developments of cubism and surrealism. Levis' artistic education began in the late 1870s at the Académie Julian where he studied with Jules Lefebvre. He also studied with Henri Harpignies and with Pierre Billet...
Category
Early 20th Century Impressionist Bay Area - Landscape Prints
Materials
Aquatint
Femme en Rouge (Woman in Red)
By Emile Bellet
Located in San Francisco, CA
This artwork titled "Femme en Rouge" (Woman in Red) is a original color lithograph on B.F.K Rives paper by French artist Emile Bellet, born 1941 It is hand signed and numbered E.A 5...
Category
21st Century and Contemporary Modern Bay Area - Landscape Prints
Materials
Lithograph
Morning Mist (24 x 16" cyanotype, ed. 1 of 5)
Located in Oakland, CA
These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The paths are crowded with towering eucalyptus, bay laurel and madrone tr...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Landscape with Pond
By Roger Hebbelinck
Located in San Francisco, CA
Artist: Roger Hebbelinck (Belgian, born 1912)
Title: Landscape with Pond
Year: Circa 1960
Medium: Color etching with aquatint
Edition: Numbered 43/3...
Category
Mid-20th Century Realist Bay Area - Landscape Prints
Materials
Aquatint
Captain Cook
s Exploration of Tahiti: 18th C. Hand-colored Map by Bellin
By Jacques-Nicolas Bellin
Located in Alamo, CA
This beautiful 18th century hand-colored copper plate engraved map is entitled "Carte de l'Isle de Taiti, par le Lieutenant J. Cook" was created by Jacques Nicolas Bellin and publish...
Category
Late 18th Century Bay Area - Landscape Prints
Materials
Engraving
"Dam Construction" Rare large colors etching.
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Dam Construction" c.1920 is a very rare large original colors etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed and numbered 27/100 in pencil by the...
Category
Early 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Los Banos
By Virgil Trasher
Located in San Francisco, CA
This artwork titled "Los Banos" 1969 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated and titled in pe...
Category
Late 20th Century American Modern Bay Area - Landscape Prints
Materials
Screen
Femme a l
ombrelle
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Bay Area - Landscape Prints
Materials
Lithograph
Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category
Early 18th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Somme, Coucher de Soleil
By Roger Hebbelinck
Located in San Francisco, CA
Artist: Roger Hebbelinck (Belgian, born 1912)
Title: Somme, Coucher De Soleil
Year: Circa 1965
Medium: Color Etching
Edition: Numbered 109/300 i...
Category
Mid-20th Century Realist Bay Area - Landscape Prints
Materials
Aquatint
"Family Reunion" Large original color serigraph
By Don Hatfield
Located in San Francisco, CA
This artwork titled "Family Reunion" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947....
Category
Late 20th Century American Impressionist Bay Area - Landscape Prints
Materials
Screen
Elizabeth
s Cone II
Located in Burlingame, CA
'Elizabeth's Cone II', Hand Colored Aquatint Etching with the plate (image itself) 15 x 22 inches. On a larger piece of archival paper . An iconic still life image featuring the “tragedy” of a dropped ice cream cone. The artist came to see dropped cones as fleeting promises of joy; offering refreshing coolness, a mixture of favorite flavors, soft ice cream gushiness, and crunch of cake cone. Whether devoured or dropped, their existence is short lived. Beside the alluring visual attributes, dropped cones represent a metaphor for the temporal nature of life, itself. And was an important sub-series for James Torlakson...
Category
21st Century and Contemporary American Realist Bay Area - Landscape Prints
Materials
Watercolor, Etching, Aquatint
Process Landscape
By Tom Marioni
Located in San Francisco, CA
Artist: Tom Marioni – American (1937- )
Title: Process Landscape 1998
Year: 1998
Medium: Color spit bite aquatint
Image size: 15.75 x 10 inches.
Paper size: 20 x 16 inches
Framed size: 21.75 x 17.75 inches
Signature: Signed, dated lower right
Edition: 50. This one: 24/50.
Published by: Crown Point Press
Printed by: Paul Mullowney
Condition: Excellent
Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches.
Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world.
In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco.
He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco.
Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City.
Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974.
Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...
Category
1990s Abstract Impressionist Bay Area - Landscape Prints
Materials
Paper, Aquatint
Winter Woods, edition 1 of 10 (hand-printed cyanotype, 30 x 18 inches)
Located in Oakland, CA
The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
$320 Sale Price
20% Off
Happy Sisters
By Ming Wai
Located in San Francisco, CA
This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches, framed size is 42.25 x 31 inches. Custom framed in a wooden gold leaf rubbed, scratched style frame, with off white matting. It is in excellent condition, the colors are fresh and bright.
About the artist:
Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category
Late 20th Century Realist Bay Area - Landscape Prints
Materials
Lithograph
Himmelstrasse, Austria
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...
Category
Early 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Thistles and Pines (Hand-printed cyanotype, 12 x 16 inches)
Located in Oakland, CA
Scotch thistles bloom in the foreground while from the fog emerge towering Monterey pines behind them. These are the woods across the bay from San Francisco in early summer when this...
Category
2010s Realist Bay Area - Landscape Prints
Materials
Photogram
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category
Early 17th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Arcadia
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Arcadia" c.1990, is an original colors etching with aquatint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered ...
Category
Late 20th Century Abstract Expressionist Bay Area - Landscape Prints
Materials
Etching, Aquatint
Daniel Marot
s The Siege of the Dutch Fortified City of Ypres by Louis XIV
By Daniel Marot
Located in Alamo, CA
"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops.
The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition.
Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s.
Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...
Category
Late 17th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving, Etching
$1,020 Sale Price
20% Off
Pines through Thistles, edition 1 of 10 (hand-printed cyanotype, 17 x 12 inches)
Located in Oakland, CA
This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog and wildflowers are in the woods across the bay fr...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Manor Arena
Located in San Francisco, CA
This artwork "Manor Arena c.1980 is an original etching on Japan paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand ...
Category
Late 20th Century Abstract Expressionist Bay Area - Landscape Prints
Materials
Etching
Canada Pouched Rat: An Original 19th Century Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canada Pouched Rat", No. 9, Plate XLIV from John James Audubon's Quadrupeds of North America, published in Ph...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Colossal Statues of Ramses: David Roberts
19th Century Hand Colored Lithograph
By David Roberts
Located in Alamo, CA
"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a 19th century half-folio sized duo-tone lithograph from the "The Holy Land, Syria, Idumea, Arabia, Eg...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Heart Spotted Woodpeckers: A 19th C. Gould Hand-colored Lithograph
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Hemicircus Cordatus" (Heart Spotted Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Blue Flight / monoprint
By Kim Frohsin
Located in Burlingame, CA
Monotype ev edition 3/4 with heavy hand coloring. The plate is 28 x 28 inches and the overall paper size is 33 1/2 x 32 inches. Signed, titled and dated. Kim Frohsin spend 12 years w...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Gouache, Mixed Media, Monotype, Pastel
The Port Of Bordeaux, France In Winter: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), etched by Phillip Gilbert Hamerton after a drawing by Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray.
This etching is an excellent impression printed on thick chain-linked, laid, deckle-edge paper with wide margins, watermarked with a 2 in the lower left corner. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. The sheet measures 8.75" high by 12" wide. The print is in excellent condition. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C.
François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century.
Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...
Category
Mid-19th Century Bay Area - Landscape Prints
Materials
Etching
$460 Sale Price
20% Off
West Africa: 18th Century Hand-colored Homann Map Entitled "Guinea Propria"
By Johann Baptist Homann
Located in Alamo, CA
This is a scarce richly hand colored copper plate engraved map of Africa entitled "Guinea Propria, nec non Nigritiae vel Terrae Nigrorum Maxima Pars" by Johann Baptist Homann (1664-1...
Category
1740s Other Art Style Bay Area - Landscape Prints
Materials
Engraving
"Katu-Belluren": A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a vine spinach plant entitled "Katu-Belluren" by Hendrik van Rheede tot Drakenstein, plate 46 from his 'Hortus Indicus M...
Category
Late 17th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Aztec
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Aztec" 1983 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 71/150 in pencil by ...
Category
Mid-20th Century Op Art Bay Area - Landscape Prints
Materials
Screen
The Purple Mountain’s Majestic
Located in San Francisco, CA
This artwork titled " The Purple Mountain's Majestic" 1973 is a color lithograph after artist Hall Drake Diteman, 1925-2009. It is hand signed at the l...
Category
Late 20th Century American Realist Bay Area - Landscape Prints
Materials
Lithograph
Sweden and Adjacent Portions of Scandinavia: A Hand-colored 18th C. Homann Map
By Johann Baptist Homann
Located in Alamo, CA
This hand-colored copper-plate map of Sweden and adjacent portions of Scandinavia entitled "Regni Sueciae in Omnes suas Subjacentes Provincias accurate divisi Tabula Generalis" was c...
Category
Early 18th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
California: 18th Century Hand-colored Map by de Vaugondy
By Didier Robert de Vaugondy
Located in Alamo, CA
This is an 18th century hand-colored map of the western portions of North America entitled "Carte de la Californie et des Pays Nord-Ouest separés de l'Asie par le détroit d'Anian, ex...
Category
1770s Bay Area - Landscape Prints
Materials
Engraving
$700 Sale Price
20% Off
Burgtheater, Vienna
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Burgtheater, Vienna" c. 1970 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The p...
Category
Late 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
A Hand Colored 18th Century Framed Map of South America by Thomas Jefferys
Located in Alamo, CA
This detailed hand colored map of South America by Thomas Jefferys was published in London in 1750. The map shows countries, early colonial possessions, towns, rivers, mountains, and...
Category
Mid-18th Century Other Art Style Bay Area - Landscape Prints
Materials
Engraving
David Roberts
19th Century Hand Colored Lithograph, "Fortress of Ibrim, Nubia"
By David Roberts
Located in Alamo, CA
"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition.
The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left.
There are four additional listings of David Roberts engravings of Egypt...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Trellis
By Robert Kushner
Located in San Francisco, CA
Artist: Robert Kushner - American (1949- )
Title: Trellis
Date: 1981
Media: Lithograph
Dimensions: Diptych – Each sheet and image: 28 x 20 inches (56 x 20 inches total)
Publisher: Barbara Gladstone...
Category
1980s Contemporary Bay Area - Landscape Prints
Materials
Paper, Lithograph
Three Chairs
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Three Chairs
Year: 1978
Medium: Original color lithograph
Edition: Numbered 61/185 in pencil
Paper: ...
Category
Late 20th Century American Impressionist Bay Area - Landscape Prints
Materials
Lithograph
Dockside
By Gordon Hope Grant
Located in San Francisco, CA
This artwork titled "Dockside" 1950, is an original lithograph on paper by noted naval American artist Gordon Hope Grant, 1875-1962. It is hand signed in pencil by the artist. The a...
Category
Mid-20th Century American Realist Bay Area - Landscape Prints
Materials
Lithograph
Common Scaup Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Common Scaup Duck, 1. Male, 2. Female", No. 100, Plate 498 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts male and female Scaup ducks sitting on a mound, looking to the right at water. A lighthouse is seen on a point of land in the background on the right.
This original hand-colored Common Scaup Duck lithograph...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
By George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time.
The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
Category
Early 19th Century Bay Area - Landscape Prints
Materials
Engraving
Klosterneuburg, Vienna, Austria
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Klosterneuburg, Vienna, Austria" c.1930 is a color etching on watermarked B.F.K Rives paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. Published by Graphic International, printed by the artist's son Robert Kasimir The plate mark (image) size is 9.25 x 9.15 inches, the sheet size is 16.85 x 14.25 inches. With full margin. it is in excellent condition, colors are fresh and bright, has never been framed.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
By William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
1820s Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Golden Gate, San Francisco, California
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Golden Gate, San Francisco, California" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand sig...
Category
Early 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
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