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Item Ships From: Belgium
Large 19th century Victorian oil landscape - Countryside Sunset - 1887
By George William Mote
Located in Aartselaar, BE
George William Mote (1832–1909) Landscape with Cattle on a Country Path, 1887 A luminous and richly detailed late-19th-century landscape by George William Mote, dated 1887, showcasi...
Category

19th Century Romantic Belgium - Landscape Paintings

Materials

Oil, Canvas

Hare in the Snow by Kurt Meyer-Eberhardt (Leipzig 1895 – 1977 Munich)
Located in Knokke, BE
Kurt Meyer-Eberhardt Leipzig 1895 – 1977 Munich German Painter 'Hare in the Snow' Signature: signed lower right 'Meyer/Eberhardt' Medium: oil on canvas Dimensions: image size 66 x ...
Category

Early 20th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

Moonlight on the Sea by Alfred Stevens ( Brussels 1823 – 1906 Paris )
By Alfred Stevens
Located in Knokke, BE
Alfred Stevens Brussels 1823 – 1906 Paris Belgian Painter 'Moonlight on the Sea' Signature: signed lower right and dated 1892 ‘A Stevens 92' Medium: oil on canvas Dimensions: image size 81 x 65 cm, frame size 97,5 x 81,5 cm Provenance: Collection M. Klein, 1900 Galerie Petit, Paris, 18 June 1926, no. 22 Private collection, Europe De Vuyst, Belgium, 1998 Galerie Kupperman, Amsterdam Private collection, The Netherlands Exhibitions: Exposition of the Works of Alfred Stevens, Palais des Beaux-Arts, Brussels, 1928 Retrospective Alfred Stevens, École des Beaux-Arts, Paris, 1900, no. 100 Literature: A. Stevens, Mercatorfonds, Brussels, p. 100 Alfred Stevens, François Boucher, Ed. Rieder, Paris, 1930, illustrated on p. 36 Documentation by Mrs. Christiane Lefebvre, 1998 Biography: Alfred Émile Léopold Stevens (11 May 1823 – 24 August 1906) was a prominent Belgian painter renowned for his depictions of elegant modern women. His works, characterized by a realistic style and meticulous attention to detail, reveal the influence of 17th-century Dutch genre painting. While he initially gained attention for his social realist portrayal of the hardships faced by impoverished vagrants, he later achieved great critical and popular success with his portrayals of upper-middle class Parisian life. Notably, he often used the same models repeatedly, with some of them being identified in the infamous Book of the Courtesans, a confidential surveillance file maintained by the Paris vice squad, as noted by author Summer Brennan. Stevens was born in Brussels, into a family deeply connected with the visual arts. His older brother Joseph (1816–1892) and his son Léopold (1866–1935) were both painters, while his other brother Arthur (1825–1899) was an art dealer and critic. His father, a veteran of the Napoleonic wars under the army of William I of the Netherlands, was an art collector with a notable collection of watercolors by Eugène Delacroix and other esteemed artists. Stevens’s upbringing was influenced by the environment of Café de l’Amitié, run by his maternal grandparents in Brussels, which served as a meeting place for prominent figures from the political, literary, and artistic spheres. Following the death of his father in 1837, Stevens left middle school to enroll at the Académie Royale des Beaux-Arts in Brussels. There, he came under the tutelage of François Navez, a Neo-Classical painter and former student of Jacques-Louis David, who was both the director of the academy and an old acquaintance of Stevens’s grandfather. Following a traditional curriculum, he initially drew from casts of classical sculptures and later transitioned to drawing from live models. In 1843, Stevens journeyed to Paris to join his already established brother, Joseph. He gained admission to the École des Beaux-Arts, the preeminent art school in Paris, although claims of him being a student of the director, Jean Auguste Dominique Ingres, are likely unfounded. One of his early works, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcased his mastery of a conventional naturalistic style influenced by 17th-century Dutch genre painting. Stevens’s work was first publicly exhibited in 1851, when three of his paintings were featured at the Brussels Salon. He received a third-class medal at the Paris Salon in 1853, followed by a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu’on appelle le vagabondage [What is called vagrancy] (Musée d’Orsay, Paris) garnered attention from Napoleon III, leading to a change in policy regarding the use of soldiers to remove the poor from the streets. Two other paintings displayed at the Salon in Antwerp in the same year, Chez soi or At Home and The Painter and his Model, introduced subjects from “la vie moderne” that became characteristic of his oeuvre: elegant young women dressed in contemporary fashion and artists in their studios. In 1857, Stevens made his first significant sale to a private collector when Consolation was purchased for a rumored 6,000 francs by the Berlin collector and dealer Ravéné. He and his brother also became part of the artistic milieu in Paris, frequenting salons hosted by Princess Mathilde and popular cafes, where they mingled with the likes of the Goncourt brothers, Théophile Gautier, and Alexandre Dumas. Stevens married Fanny Juliette Albertine Marie Hortense Blanc (1836-1891), a member of a wealthy Belgian family and a long-time acquaintance of the Stevens family, in 1858. The wedding was witnessed by the renowned painter Eugène Delacroix. The couple had four children: Leopold, Jean, Catherine, and Pierre. Stevens depicted his wife in numerous portraits, including Regrets and Memories. After her passing, he expressed enduring grief at her loss. During the 1860s, Stevens rose...
Category

Late 19th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

Plaines de la Midjeda Blida . Oil sketch on cardboard. Signed and titled.
By Jules Pierre van Biesbroeck
Located in Paris, FR
'Plaines de la Midjeda Blida'. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in pre...
Category

Mid-20th Century Post-Impressionist Belgium - Landscape Paintings

Materials

Oil

The Shepherd with his Flock by Cornelis Van Leemputten ( 1841 – 1902 )
By Cornelis van Leemputten
Located in Knokke, BE
Cornelis Van Leemputten Werchter 1841 – 1902 Schaerbeek Belgian Painter 'The Shepherd with his Flock – Le berger et son troupeau' Signature: signed lower right 'Corn. Van Leemputte...
Category

Late 19th Century Realist Belgium - Landscape Paintings

Materials

Oil, Panel

North Sea Dunes - Le Zwin by René Toussaint (1902 - Spa - 1972)
Located in Knokke, BE
René Toussaint 1902 – Spa – 1972 Belgian Painter 'Belgian Coast – Le Zwin' Signature: signed lower left ’R Toussaint’ Medium: oil on panel Dimensions: image size 50 x 60 cm, frame...
Category

Mid-20th Century Impressionist Belgium - Landscape Paintings

Materials

Oil, Wood Panel

Oil painting on canvas coastal scene "Nightfall on the North Sea " ca. 1880
Located in Gavere, BE
Additional information: Title: Coastal scene - Nightfall on the North Sea Medium: oil on canvas Signature: signed lower right Provenance: Private collection Brussels Canvas dimensio...
Category

1880s Impressionist Belgium - Landscape Paintings

Materials

Gold Leaf

Oil painting on canvas " Rough sea with coastline on the horizon " by Schubring
By Richard Schubring
Located in Gavere, BE
Schubring, Richard (1853-1902) Rough sea with coastline on the horizon Oil on canvas. Signed and dated lower right. “1895” Richard SCHUBRING is an artist born in 1853 and deceased...
Category

1890s Expressionist Belgium - Landscape Paintings

Materials

Gold Leaf

Coastal scene and fishing boats at moonlight, French Oil painting By G. Maroniez
Located in Gavere, BE
Maroniez is best known as an accomplished painter of the sea and the life of fishermen. He painted mainly in Brittany ( France ) Museums and galleries holdings : Boulogne: Mussel b...
Category

Early 1900s Impressionist Belgium - Landscape Paintings

Materials

Oil, Wood Panel

VAN BIESBROECK Jules. Woman in a garden. Oil sketch on cardboard.
By Jules Pierre van Biesbroeck
Located in Paris, FR
Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...
Category

Early 20th Century Impressionist Belgium - Landscape Paintings

Materials

Oil

Lucien Neuquelman, Paris 1909 – 1988, French, Old Harbor of Honfleur - Normandy
By Lucien Neuquelman
Located in Knokke, BE
Neuquelman Lucien Paris 1909 – 1988 French Painter 'Old Harbor of Honfleur - Normandy' Signature: Signed bottom right Medium: Oil on board Dimensions: Image size 50 x 65 cm, frame s...
Category

Mid-20th Century Pointillist Belgium - Landscape Paintings

Materials

Oil, Board

Moonlight on the Sea by Alfred Stevens (Brussels 1823 – 1906 Paris) dated 1892
By Alfred Stevens
Located in Knokke, BE
Alfred Stevens Brussels 1823 – 1906 Paris Belgian Painter 'Moonlight on the Sea' Signature: signed lower right and dated 1892 ‘A Stevens 92' Medium: oil on canvas Dimensions: image size 81 x 65 cm, frame size 97,5 x 81,5 cm Biography: Alfred Stevens was born in Brussels, into a family deeply connected with the visual arts. His older brother Joseph (1816–1892) and his son Léopold (1866–1935) were both painters, while his other brother Arthur (1825–1899) was an art dealer and critic. His father, a veteran of the Napoleonic wars under the army of William I of the Netherlands, was an art collector with a notable collection of watercolors by Eugène Delacroix and other esteemed artists. Stevens’s upbringing was influenced by the environment of Café de l’Amitié, run by his maternal grandparents in Brussels, which served as a meeting place for prominent figures from the political, literary, and artistic spheres. Following the death of his father in 1837, Stevens left middle school to enroll at the Académie Royale des Beaux-Arts in Brussels. There, he came under the tutelage of François Navez, a Neo-Classical painter and former student of Jacques-Louis David, who was both the director of the academy and an old acquaintance of Stevens’s grandfather. Following a traditional curriculum, he initially drew from casts of classical sculptures and later transitioned to drawing from live models. In 1843, Stevens journeyed to Paris to join his already established brother, Joseph. He gained admission to the École des Beaux-Arts, the preeminent art school in Paris, although claims of him being a student of the director, Jean Auguste Dominique Ingres, are likely unfounded. One of his early works, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcased his mastery of a conventional naturalistic style influenced by 17th-century Dutch genre painting. Stevens’s work was first publicly exhibited in 1851, when three of his paintings were featured at the Brussels Salon. He received a third-class medal at the Paris Salon in 1853, followed by a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu’on appelle le vagabondage (Musée d’Orsay, Paris) garnered attention from Napoleon III, leading to a change in policy regarding the use of soldiers to remove the poor from the streets. Two other paintings displayed at the Salon in Antwerp in the same year, Chez soi or At Home and The Painter and his Model, introduced subjects from “la vie moderne” that became characteristic of his oeuvre: elegant young women dressed in contemporary fashion and artists in their studios. In 1857, Stevens made his first significant sale to a private collector when Consolation was purchased for a rumored 6,000 francs by the Berlin collector and dealer Ravéné. He and his brother also became part of the artistic milieu in Paris, frequenting salons hosted by Princess Mathilde and popular cafes, where they mingled with the likes of the Goncourt brothers, Théophile Gautier, and Alexandre Dumas. Stevens married Fanny Juliette Albertine Marie Hortense Blanc (1836-1891), a member of a wealthy Belgian family and a long-time acquaintance of the Stevens family, in 1858. The wedding was witnessed by the renowned painter Eugène Delacroix. The couple had four children: Leopold, Jean, Catherine, and Pierre. Stevens depicted his wife in numerous portraits, including Regrets and Memories. After her passing, he expressed enduring grief at her loss. During the 1860s, Stevens rose...
Category

Late 19th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

French oil painting on canvas " Vibrant harbor scene in Dieppe "
Located in Gavere, BE
French oil painting on canvas " Vibrant harbor scene in Dieppe " Additional information about the work: Title: Vibrant harbor scene in Dieppe Medium: oil on canvas Signature: signe...
Category

1920s Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

A Canal View of Bruges with White Swans – Beguinage Entrance, Charles Verbrugghe
By Charles Verbrugghe
Located in Knokke, BE
A Canal View of Bruges with White Swans – Beguinage Entrance Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter Signature: Signed bottom left Medium: Oil on panel Dimensions: Image size 38,50 x 64,50 cm, frame size 47 x 55 cm Biography: Verbrugghe Charles was born into Belgian aristocracy on June 15, 1877, in Bruges. He was an Impressionist painter of town views, landscapes, views of the sea and beaches, still lifes, flowers and portraits. He is well known for painting of the convents and city views of Bruges and Paris. In 1907, he went to Paris to study under the master teacher Flori Van Acker (1858 – 1940). There, he became friends with the artist Maurice Utrillo...
Category

Early 19th Century Impressionist Belgium - Landscape Paintings

Materials

Oil, Panel

Wintertime forest landscape oil painting on canvas by Louis Clesse 20Th c.
By Louis Clesse
Located in Gavere, BE
"Wintertime forest landscape" oil painting on canvas by Louis Clesse 20Th c. Wonderfull oil on canvas by Louis Clesse , Belgian School (1889 -1961 ). Clesse was a Belgian figurative...
Category

1920s Impressionist Belgium - Landscape Paintings

Materials

Gold Leaf

A View of Venice by Antoine Bouvard, Saint-Jean-de-Bournay 1870 – 1955, French
Located in Knokke, BE
Antoine Bouvard snr. Saint-Jean-de-Bournay, France 1870 – 1955 French Painter 'A View of Venice' Signature: Signed bottom right Dimensions: Image size 22,5 x 27,5 cm, frame size 44...
Category

Early 20th Century Romantic Belgium - Landscape Paintings

Materials

Canvas, Oil

17th century Flemish seascape - Stormy Sea with Merchant Vessels and dolphins
By Bonaventura Peeters the Elder
Located in Aartselaar, BE
Bonaventura Peeters the Elder (1614–1652) attr., Stormy Coastal Scene with Merchant Vessels, Galliot, and Dolphins Framed by rugged cliffs and illuminated under a dark, swirling sk...
Category

17th Century Old Masters Belgium - Landscape Paintings

Materials

Panel, Oil

French southern seascape oil painting on canvas By Michel Richard Putz
Located in Gavere, BE
French southern seascape oil painting on canvas By Michel Richard Putz Bio : Michel Richard-Putz was born in Ichitem, Belgium in 1868. He moved to Paris in the 1880's where he stud...
Category

Early 1900s Impressionist Belgium - Landscape Paintings

Materials

Oil, Canvas

Peaceful Landscape by Edmond Van Dooren ( 1896 – Antwerp – 1965 )
Located in Knokke, BE
Edmond Van Dooren 1896 – Antwerp – 1965 Belgian Painter 'Peaceful Landscape' Signature: signed lower left 'E. Van Dooren.' Medium: oil on canvas Dimensions: image size 90 x 105 cm ...
Category

Early 20th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

Oil painting on board "Rough sea with steamer on the horizon" by S.A.Vinogradoff
Located in Gavere, BE
Sergey VINOGRADOV ( 1869 - 1938 ) Rough sea with steamer on the horizon Sergei Arsenievich Vinogradov ( Russian: 1869–1938 ) was a Russian-Soviet Impressionist painter; known for l...
Category

1920s Expressionist Belgium - Landscape Paintings

Materials

Gold Leaf

"Le Rouge Cloitre sous la neige" oil painting on canvas by Louis Clesse 20Th c.
By Louis Clesse
Located in Gavere, BE
"Le Rouge Cloitre sous la neige" oil painting on canvas by Louis Clesse 20Th c. Wonderfull oil on canvas by Louis Clesse , Belgian School (1889 -1961 ). Clesse was a Belgian figurat...
Category

1920s Impressionist Belgium - Landscape Paintings

Materials

Gold Leaf

Spring 5623 Le sacre du printemps Impressionism - BELGIAN SCHOOL AUC
Located in Zofingen, AG
In this oil work, I sought to capture the vibrant essence of spring renewal. I let myself be guided by expressionism and impressionism to convey the pure emotions of nature reborn. The energy of life and the softness of the colors permeate the canvas, offering those who contemplate it a feeling of rebirth and hope. It will bring your interior a touch of vitality and a breath of spring freshness. 🟢 Technique: oil on canvas 🟢 Dimension: 50x60cm / 19,7x23,6 inch 🟢 READY TO HANG IN 🟢 Certificate of authenticity included 🟢 3-6 days from Belgium to USA 🟢 Safe packaging ----------------------------------------------------------------------------------------------------------- Pol Ledent...
Category

2010s Impressionist Belgium - Landscape Paintings

Materials

Oil

oil on canvas Historical Scene " The Surrender of Breda "after Diego Velasquez
Located in Gavere, BE
The Surrender of Breda, June 5, 1625, known as the Lances is an oil on canvas painted by the Spanish painter Diego Velázquez (1599, Seville - 1660, Madrid) during the years 1634-1635...
Category

1890s Baroque Belgium - Landscape Paintings

Materials

Gold Leaf

Diana, Goddess of the Chase by Artist 17th Century, French School, Circa 1660
Located in Knokke, BE
Artist 17th Century French School Circa 1660 'Diana, Goddess of the Chase' Signature: not signed Medium: tempera on paper applied to oak panel Dimensions: image size 23.5 x 18.5 cm...
Category

17th Century Baroque Belgium - Landscape Paintings

Materials

Paper, Egg Tempera, Wood Panel

The Hunting Dog by Carl Friedrich Deiker (Wetzlar 1836 – 1892 Dusseldorf)
Located in Knokke, BE
Carl Friedrich Deiker Wetzlar 1836 – 1892 Dusseldorf German Painter 'The Hunting Dog' Signature: signed lower right 'C.F. Deiker' Medium: oil on panel Dimensions: image size 29 x 2...
Category

19th Century Realist Belgium - Landscape Paintings

Materials

Oil, Wood Panel

Christian Haug, 1862 – 1953, Norwegian Painter, Oil on Canvas, Signed and Placed
Located in Knokke, BE
Haug Christian Soleur, Norway 1862 – 1953 Munich, Germany Norwegian Painter Deer in a Winter Landscape Signature: Signed bottom right and placed Mu...
Category

Early 20th Century Realist Belgium - Landscape Paintings

Materials

Canvas, Oil

Victor De Groux, Brussels 1895 – 1975, Belgian Painter, Landscape at the River
Located in Knokke, BE
De Groux Victor Brussels 1895 – 1975 Belgian Painter Landscape at the River Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 80,50 x 100,50 cm, frame size ...
Category

Early 20th Century Realist Belgium - Landscape Paintings

Materials

Canvas, Oil

Roaring Deer Stag, Carl Friedrich Deiker, Wetzlar 1836 – 1892 Düsseldorf, Signed
Located in Knokke, BE
Roaring Deer Stag Deiker Carl Friedrich Wetzlar, Germany 1836 – 1892 Dusseldorf, Germany German Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 58 x 81 cm, frame size 73 x 96 cm Biography: Deiker Carl Friedrich was born on April 3, 1836 in Wetzlar. He was a Prussian animal painter. Deiker was specialised in animal genres related to hunting and wildlife. He also illustrated magazines and books on hunting. Carl Friedrich Deiker was the son of Friedrich Deiker, a painter and drawing teacher at the high school. His older brother, Johannes Deiker, with whom he learned to draw after their father’s death in 1843, was a painter specialising in hunting scenes. Deiker attended the Hanau drawing Academy, where he was a pupil of the director Theodor Pélissier (1794-1863), and then studied at Johann Wilhelm Schirmer’s studio in Carlsruhe. In 1859, in the Reinhardswald forest, he collected studies for his large hunting paintings...
Category

19th Century Baroque Belgium - Landscape Paintings

Materials

Canvas, Oil

Canal View from the Meebrug, Bruges by André Hallet (1890 – 1959), dated 1921
By André Hallet
Located in Knokke, BE
André Hallet Liège, Belgium 1890 – 1959 Kisenyi, Rwanda Belgian Painter 'Canal View from the Meebrug, Bruges' Description: This evocative painting presents a serene canal view from...
Category

Early 20th Century Post-Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

View of Capri, Artist 20th century, European School
Located in Knokke, BE
Artist 20th century European School 20th century View of Capri Signature: Signed bottom left, illegible signature Medium: Oil on canvas Dimensions: Image size 30 x 40 cm, frame size...
Category

20th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

Lenin and Krupskaya in a Winter Landscape Petr Malyshev (1909 - Moskow - 1976)
Located in Knokke, BE
Malyshev Petr Nikolaevich - Пётр Николаевич Малышев 1909 – Moskow – 1976 Russia – Honoured Artist of the RSFSR 'Lenin and Krupskaya in a Winter Landscape' - Vladimir Ilyich Ulyano...
Category

Mid-20th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

A yellow tree Impressionism Landscape - BELGIAN SCHOOL AUC
Located in Zofingen, AG
"A yellow tree Impressionism Landscape" Vitality and ephemeral energy of autumn with expressive touches and bright colors. The oil technique brings rich textures, highlight the contrasts between light and dark colors. The vibrant yellow from the main tree creates a sense of renewal, a pure of moment of beauty. 🟢 Technique: oil on canvas 🟢 Dimension: 40x40cm / 15,7x15,7 inch 🟢 READY TO HANG IN 🟢 Certificate of authenticity included 🟢 3-6 days from Belgium to USA 🟢 Safe packaging ----------------------------------------------------------------------------------------------------------- Pol Ledent...
Category

2010s Impressionist Belgium - Landscape Paintings

Materials

Oil

View of Bou-Sada. Oil sketch on cardboard. Signed and titled.
By Jules Pierre van Biesbroeck
Located in Paris, FR
View of Bou°_Sada. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. J...
Category

1930s Post-Impressionist Belgium - Landscape Paintings

Materials

Oil

Grey House. Oil on canvas. Signed.
Located in Paris, FR
Raf Peeters is a Belgian artist represented by Boycott Gallery.
Category

Early 2000s Realist Belgium - Landscape Paintings

Materials

Oil

Cloudy landscape. Oil sketch on cardboard. Unsigned.
By Jules Pierre van Biesbroeck
Located in Paris, FR
Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...
Category

Early 20th Century Impressionist Belgium - Landscape Paintings

Materials

Oil

A view of Sebastopol in the Crimea.
Located in Paris, FR
A view of Sebastopol in the Crimea. Oil on canvas. In a 19th century gild wood and plaster frame. This painting can be dated around 1830/1840 given the dresses worn by the women i...
Category

1830s Realist Belgium - Landscape Paintings

Materials

Oil

Charles Verbrugghe, Bruges 1877 – 1974 Paris, Belgian Painter, A View of Damme
By Charles Verbrugghe
Located in Knokke, BE
Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter 'A View of Damme' Signature: Signed bottom right, on reverse placed "Damme" Medium: Oil on panel Dimensions: Image size 3...
Category

Mid-20th Century Impressionist Belgium - Landscape Paintings

Materials

Oil, Panel

Oil on panel by Wenglein Josef (1845 - 1919)+ Cows at the watering place
Located in Gent, VOV
Cows at the watering place. This exquisite and beautiful painting represents a rural scene on a beautiful summer day. The influence of the Barbizon school is clearly visible. This p...
Category

Late 19th Century Barbizon School Belgium - Landscape Paintings

Materials

Oil

Swans of Bruges – Beguinage Bridge Leo Mechelaere, Bruges 1880 – 1964 Erlangen
Located in Knokke, BE
Leo Mechelaere Bruges, Belgium 1880 – 1964 Erlangen, Germany Belgian Painter 'Swans of Bruges – Beguinage Bridge' Signature: Signed lower left Medium: Oil on canvas Dimensions: Image size 65 x 75 cm Provenance: Painting "Swans of Bruges" was exhibited at Salon des Artistes Indépendants Normands in Rouen, France on June 7th, 1956. Biography: Leo Mechelaere, or Leon Mechelaere as he was sometimes known, emerged from the cobblestone streets of Bruges, Belgium, in 1880, destined to leave an indelible mark on the canvas of art history. Born into a world of rich cultural heritage and artistic inspiration, Mechelaere’s passion for painting ignited early, fueling a lifelong journey of creative exploration. His formative years were steeped in the traditions of the Academy of Fine Arts in Bruges, where he honed his craft under the tutelage of esteemed masters. Among them, Edouard Van Hove (1851 – 1913) and Franz Courtens (1850 – 1943) imparted their wisdom, guiding Mechelaere’s hand as he navigated the intricacies of form, light, and color. Under the mentorship of Juliaan De Vriendt...
Category

Early 20th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

‘Peasant Children walking the Donkeys’ by Edgar Bundy (1862 – 1922), dated 1885
Located in Knokke, BE
Edgar Bundy Brighton 1862 – 1922 London British Painter ‘Peasant Children walking the Donkeys’ Signature: signed lower right and dated ‘Edgar Bundy 1885'
Medium: oil on canvas
 Dim...
Category

Late 19th Century Romantic Belgium - Landscape Paintings

Materials

Canvas, Oil

Along the Lake, Adolphe Keller, Brussels 1880 – 1968, Belgian Painter, Signed
By Adolphe Keller
Located in Knokke, BE
Along the Lake Keller Adolphe Brussels 1880 – 1968 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 51 x 61 cm Biography: Keller Adolphe was born on June 21 in 1880 in Brussels. He was a post-Impressionist painter of genre scenes and flower still lifes, but with a preference for landscapes. He was also draughtsman, watercolourist and pastelist. He studied at the Academies of Fine Arts in Brussels and Sint-Joost-Ten-Node with master teachers P. Braeke and H. Ottevaere. In 1910 he took part in the great Brussels Exhibition. He often paints around the Red Cloister (Auderghem) on the edge of the Sonian Forest, where he settled in 1934. He also painted in the South of France, in Saint-Tropez. Keller was a chairman of the Alfred Bastien...
Category

20th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

Victor Gilsoul, Brussels 1867 – 1943, Belgian Painter, A View of Diksmuide, 1900
By Victor Gilsoul
Located in Knokke, BE
Gilsoul Victor Brussels 1867 – 1943 Belgian Painter A View of Diksmuide Signature: Signed bottom left, placed Dicsmuide and dated 1900 Medium: Oil on canvas Dimensions: Image size 55,50 x 71 cm, frame size 68,50 x 84 cm Biography: Gilsoul Victor Olivier was born in Brussels on September 10, in 1867. He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist. Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 – 1895) and Louis Artan (1837 – 1890). In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890). Gilsoul was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians. The painter stayed from 1911 in Paris, where he often painted the Versailles region, also worked and lived for some time in Brittany. He had several exhibitions in France. He was a teacher at the Antwerp Higher Institute of Fine Arts (1924-1930) and a member and honorary member of La Gravure Originale Belge (1928). Gilsoul painted at the Belgian coast...
Category

19th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

River scene at sunset with figures gathering reeds
By Hermann Corrodi
Located in Gent, VOV
LEGNAIOLI SUL TEVERE - RIVER SCENE WITH FIGURE GATHERING REEDS Oil on canvas: 30 1/2 x 38 1/2 in., 36 x 44 1/2 in. (framed) Framed; lower right signed and dated: H. Corrodi, 1892
Category

1890s Italian School Belgium - Landscape Paintings

Materials

Oil

Spring Ploughing with Two Horses by Johan Scherrewitz (1868 – 1951)
Located in Knokke, BE
Johan Frederik Cornelis Scherrewitz Amsterdam 1868 – 1951 Hilversum Dutch Painter 'Spring Ploughing with Two Horses' Signature: signed lower right 'J. Scherrewitz' Medium: oil on c...
Category

Early 19th Century Romantic Belgium - Landscape Paintings

Materials

Canvas, Oil

Deer in a Mountain Landscape, Karl-Heinz Wenzel, 20th Century, German Painter
Located in Knokke, BE
Deer in a Mountain Landscape Wenzel Karl-Heinz 1932 – ? 20th Century German Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Im...
Category

20th Century Naturalistic Belgium - Landscape Paintings

Materials

Canvas, Oil

French coastal scene of Étretat at moonlight by Karl Heilmayer dated 1898
Located in Gavere, BE
French coastal scene of Étretat at moonlight by Karl Heilmayer dated 1898 " SOLD WITHOUT FRAME " A born Munich native, Karl Heilmayer, son of court act...
Category

1890s Belgium - Landscape Paintings

Materials

Canvas, Oil

A Forest in Winter by Hendrik Barend Koekkoek (Amsterdam 1849 – 1909 London)
Located in Knokke, BE
Hendrik Barend Koekkoek Amsterdam 1849 – 1909 London Dutch Painter 'Figures Strolling through a Forest in Winter' Signature: signed lower right 'H B Koekkoek', c. 1882-1900 Medium: oil on canvas Dimensions: image size 76,5 x 64 cm, frame size 103 x 89,5 cm Biography: Hendrik Barend Koekkoek, often signing as Hendrik Barend (H.B.) Koekkoek, in the realm of 19th-century art, emerges as a captivating painter born in Amsterdam on November 23, 1849. A scion of the esteemed Koekkoek family, he gained renown for his landscapes and woodland scenes, following in the artistic footsteps of his father, marine painter Hermanus Koekkoek. Barend Hendrik Koekkoek’s life unfolds with a certain mystery, his artistic journey shaped by training from his father and, likely, his uncle Marinus Adrianus. In 1878, he tied the knot with Carolina Allardina Cornelia Pierson and ventured into the artistic scenes of Hilversum and Brussels, simultaneously opening an art dealership in Amsterdam. Around 1882, the call of London beckoned, echoing the path paved by his brother Hermanus Koekkoek the Younger. In England, he painted landscapes near Guildford, akin to his cousin Pieter Hendrik Koekkoek. The latter part of his life remains shrouded in obscurity. Barend Hendrik Koekkoek’s artistic style, steeped in the romantic tradition of the Koekkoek family, adorned canvases with landscapes, woodlands, and marine scenes. His London sojourn witnessed the creation of winter landscapes with towering trees, showcased in exhibitions across Dutch cities. He breathed his last in London before 1909. His artistic legacy lives on in institutions like the Paul Tétar van...
Category

Late 19th Century Romantic Belgium - Landscape Paintings

Materials

Canvas, Oil

Julien Celos, Antwerp 1884 – 1953, Belgian Painter, A Canal View of Bruges
By Julien Celos
Located in Knokke, BE
Julien Celos Antwerp 1884 – 1953 Belgian Painter 'A Canal View of Bruges - Groenerei' In "A Canal View of Bruges," Julien's brush unveils the serene beauty of Bruges' canals, showc...
Category

Early 20th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

André Plumot, 1829 – 1906, Shepherds Couple with Herd in a River Landscape
Located in Knokke, BE
Plumot André Antwerp, Belgium 1829 – 1906 Belgian Painter Shepherds Couple with Herd in a River Landscape Signature: Signed bottom left and dated 1877 Medium: Oil on canvas Dimensions: Image size 58,50 x 104,50 cm Biography: Plumot André (Plumot Andre) was born on February 10, 1829 in Antwerp, Belgium. He was a painter of genre scenes, interiors, animals, children and figures. In general, he painted interiors in 16th-17th century style. He was a student at the Academy of Fine Arts of Antwerp under master teacher and artist H. Van der Poorten. For a short time, he worked in N. de Keyser...
Category

Late 19th Century Romantic Belgium - Landscape Paintings

Materials

Canvas, Oil

Paris – Montmartre, Charles Verbrugghe, Bruges 1877 – 1974 Paris, Signed
Located in Knokke, BE
Paris – Montmartre Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter Signature: Signed bottom left and placed Paris Dimensions: Image si...
Category

20th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil, Panel

DERICKX Louis. Children fishing in a landscape. Oil on panel.
Located in Paris, FR
Children fishing in a landscape. Original ,title 'Le Vesdre à Chaudfontaine' Oil on mahogany panel. Signed and dated 1876 lower left.
Category

Late 19th Century Realist Belgium - Landscape Paintings

Materials

Oil

The Little Donkey by Eugène Joseph Verboeckhoven (1798 – 1881), dated 1856
By Eugène Joseph Verboeckhoven
Located in Knokke, BE
Eugène Joseph Verboeckhoven Waasten 1798 – 1881 Schaarbeek Belgian Painter 'The Little Donkey' Signature: signed lower left and dated 'Eugene Verboeckhoven 1856' Medium: oil on pan...
Category

Mid-19th Century Romantic Belgium - Landscape Paintings

Materials

Canvas, Oil, Wood Panel

Frans Wouters, Adoration of The Herders, Christmas Scene, Christ, Flemish School
Located in Greven, DE
Frans Wouters was a Flemish Baroque painter who mainly created smaller cabinet pieces. He was initially apprenticed to Pieter van Avont in Antwerp, but then moved to Rubens‘ worksho...
Category

17th Century Baroque Belgium - Landscape Paintings

Materials

Oak, Oil

Along the River, Victor Gilsoul, Brussels 1867 – 1943, Belgian Painter
Located in Knokke, BE
Along the River Gilsoul Victor Brussels 1867 – 1943 Belgian Painter Signature: Signed bottom left Medium: Oil on panel Dimensions: Image size 40 x 28,50 cm, frame size 52 x 41 cm Biography: Gilsoul Victor was born in Brussels on September 10, in 1867. He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist. Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 - 1895) and Louis Artan (1837 - 1890). In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890). Gilsoul  was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians...
Category

19th Century Impressionist Belgium - Landscape Paintings

Materials

Oil, Panel

A Norwegian Fjord, Karl Kaufmann, Neuplachowitz 1843 – 1905 Vienna, Austrian
Located in Knokke, BE
A Norwegian Fjord Kaufmann Karl Neuplachowitz 1843 – 1905 Vienna Austrian Painter Signature: Signed bottom right with pseudonym J. Holmstedt Medium: Oi...
Category

19th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

Swans in the Park, Hans Volcker, Pyrzyce, Poland 1865 – 1944 Wiesbaden, Germany
Located in Knokke, BE
Swans in the Park Volcker Hans Pyrzyce, Poland 1865 – 1944 Wiesbaden, Germany German Painter Signature: Signed bottom left and dated 98 Medium: Oil on canvas Dimensions: Image size 72 x 111,50 cm, frame size 84 x 120 cm Biography: Volcker Hans was born on October 12, 1865 in Pyrzyce, Poland. Hans was the son of a pastor, orphaned at a young age and raised by his grandfather. Hans Volcker was a painter of landscapes, seascapes, still lives and portraits. He also painted in watercolour and fresco techniques. In 1885, Volcker was a student of famed Norwegian realist painter Hans Fredrik Gude (1825 – 1903) at the Berlin Academy. His teacher encouraged him to travel to Scandinavia. During his study trips, he made landscape paintings of Scandinavian mountain and lakes, that brought him later great recognition. In 1891, he led his own plein air painting school. The most famous pupils were german sculptor and painter Margarethe Haeffner (1884 – 1977) and the painter Oskar Moll (1875 – 1947). With his Berlin friend painter Walter Leistikow (1865 – 1908), who was also a pupil of Gude, he shared an admiration for Max Liebermann (1847 – 1935). His acquaintance with Liebermann’s paintings furthered his stylistic development to an Impressionism. In 1894 he lived in Munich and moved to Wiesbaden in 1899, where he was active as a contemporary artist and as a member of the Art Societies, presenting Max Liebermann, Fritz Overbeck or Lovis Corinth, among others. Today, particular importance is attached to the “Dutch Secession” exhibition, featuring paintings by Vincent van Gogh and Jan Toorop. In 1912, the society showed paintings by Alexei Jawlensky...
Category

Late 19th Century Impressionist Belgium - Landscape Paintings

Materials

Canvas, Oil

Ketty Gilsoul-Hoppe, Düsseldorf 1868 – 1939 Ixelles, A View of Bruges
Located in Knokke, BE
Ketty Gilsoul-Hoppe Düsseldorf 1868 – 1939 Ixelles Belgian Painter 'A View of Bruges' Signature: Signed bottom right Medium: Aquarelle Dimensions: Image size 58 x 75 cm, frame size 71,50 x 88,50 cm Biography: Gilsoul-Hoppe Ketty, a distinguished Belgian painter renowned for her exquisite watercolor works, was born in Düsseldorf in 1868. She inherited a passion for the arts from her father, Edouard Hoppe, an accomplished engraver. Her artistic journey began at the Bisschoffsheim school in Brussels, where she honed her skills and developed a keen eye for capturing the nuances of light and color. In 1894, Ketty Gilsoul-Hoppe entered a lifelong partnership with the painter Victor Gilsoul...
Category

Early 20th Century Impressionist Belgium - Landscape Paintings

Materials

Watercolor

‘Landscape with Cows by Louis Thysebaert (1879 - Sint-Niklaas - 1962)
Located in Knokke, BE
Louis Thysebaert 1879 - Sint-Niklaas - 1962 Belgian Painter ‘Landscape with Cows’ Signature: signed lower right ‘L.Thysebaert’
 Medium: oil on canvas
 Dimensions: Image size 95,5 c...
Category

Early 20th Century Realist Belgium - Landscape Paintings

Materials

Canvas, Oil

White Cliffs of Dover by Johan Jacob Bennetter (1822 - 1904) Norwegian
Located in Knokke, BE
Johan Jacob Bennetter Oslo, Norway 1822 -1904 Norwegian Painter 'White Cliffs of Dover' Signature: signed lower right Medium: oil on canvas Dimensions: image size 41,50 x 63 cm, f...
Category

Late 19th Century Realist Belgium - Landscape Paintings

Materials

Canvas, Oil

Isidorus Van Mens, 1890 – 1985, Dutch, Ghardaia – The Capital of M’Zab, Algeria
Located in Knokke, BE
Isidorus Van Mens Berlicum 1890 – 1985 Oosterhout Dutch Painter 'Ghardaia – The Capital of M’Zab, Algeria' Signature: Signed bottom right and dated 1957, placed and signed on revers...
Category

Mid-19th Century Impressionist Belgium - Landscape Paintings

Materials

Oil, Board

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