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Item Ships From: Belgium
Large 19th century Victorian oil landscape - Countryside Sunset - 1887
By George William Mote
Located in Aartselaar, BE
George William Mote (1832–1909)
Landscape with Cattle on a Country Path, 1887
A luminous and richly detailed late-19th-century landscape by George William Mote, dated 1887, showcasi...
Category
19th Century Romantic Belgium - Landscape Paintings
Materials
Oil, Canvas
Hare in the Snow
by Kurt Meyer-Eberhardt (Leipzig 1895 – 1977 Munich)
Located in Knokke, BE
Kurt Meyer-Eberhardt
Leipzig 1895 – 1977 Munich
German Painter
'Hare in the Snow'
Signature: signed lower right 'Meyer/Eberhardt'
Medium: oil on canvas
Dimensions: image size 66 x ...
Category
Early 20th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
Moonlight on the Sea
by Alfred Stevens ( Brussels 1823 – 1906 Paris )
By Alfred Stevens
Located in Knokke, BE
Alfred Stevens
Brussels 1823 – 1906 Paris
Belgian Painter
'Moonlight on the Sea'
Signature: signed lower right and dated 1892 ‘A Stevens 92'
Medium: oil on canvas
Dimensions: image size 81 x 65 cm, frame size 97,5 x 81,5 cm
Provenance:
Collection M. Klein, 1900
Galerie Petit, Paris, 18 June 1926, no. 22
Private collection, Europe
De Vuyst, Belgium, 1998
Galerie Kupperman, Amsterdam
Private collection, The Netherlands
Exhibitions:
Exposition of the Works of Alfred Stevens, Palais des Beaux-Arts, Brussels, 1928
Retrospective Alfred Stevens, École des Beaux-Arts, Paris, 1900, no. 100
Literature:
A. Stevens, Mercatorfonds, Brussels, p. 100
Alfred Stevens, François Boucher, Ed. Rieder, Paris, 1930, illustrated on p. 36
Documentation by Mrs. Christiane Lefebvre, 1998
Biography: Alfred Émile Léopold Stevens (11 May 1823 – 24 August 1906) was a prominent Belgian painter renowned for his depictions of elegant modern women. His works, characterized by a realistic style and meticulous attention to detail, reveal the influence of 17th-century Dutch genre painting. While he initially gained attention for his social realist portrayal of the hardships faced by impoverished vagrants, he later achieved great critical and popular success with his portrayals of upper-middle class Parisian life. Notably, he often used the same models repeatedly, with some of them being identified in the infamous Book of the Courtesans, a confidential surveillance file maintained by the Paris vice squad, as noted by author Summer Brennan.
Stevens was born in Brussels, into a family deeply connected with the visual arts. His older brother Joseph (1816–1892) and his son Léopold (1866–1935) were both painters, while his other brother Arthur (1825–1899) was an art dealer and critic. His father, a veteran of the Napoleonic wars under the army of William I of the Netherlands, was an art collector with a notable collection of watercolors by Eugène Delacroix and other esteemed artists. Stevens’s upbringing was influenced by the environment of Café de l’Amitié, run by his maternal grandparents in Brussels, which served as a meeting place for prominent figures from the political, literary, and artistic spheres. Following the death of his father in 1837, Stevens left middle school to enroll at the Académie Royale des Beaux-Arts in Brussels. There, he came under the tutelage of François Navez, a Neo-Classical painter and former student of Jacques-Louis David, who was both the director of the academy and an old acquaintance of Stevens’s grandfather. Following a traditional curriculum, he initially drew from casts of classical sculptures and later transitioned to drawing from live models. In 1843, Stevens journeyed to Paris to join his already established brother, Joseph. He gained admission to the École des Beaux-Arts, the preeminent art school in Paris, although claims of him being a student of the director, Jean Auguste Dominique Ingres, are likely unfounded. One of his early works, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcased his mastery of a conventional naturalistic style influenced by 17th-century Dutch genre painting.
Stevens’s work was first publicly exhibited in 1851, when three of his paintings were featured at the Brussels Salon. He received a third-class medal at the Paris Salon in 1853, followed by a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu’on appelle le vagabondage [What is called vagrancy] (Musée d’Orsay, Paris) garnered attention from Napoleon III, leading to a change in policy regarding the use of soldiers to remove the poor from the streets. Two other paintings displayed at the Salon in Antwerp in the same year, Chez soi or At Home and The Painter and his Model, introduced subjects from “la vie moderne” that became characteristic of his oeuvre: elegant young women dressed in contemporary fashion and artists in their studios. In 1857, Stevens made his first significant sale to a private collector when Consolation was purchased for a rumored 6,000 francs by the Berlin collector and dealer Ravéné. He and his brother also became part of the artistic milieu in Paris, frequenting salons hosted by Princess Mathilde and popular cafes, where they mingled with the likes of the Goncourt brothers, Théophile Gautier, and Alexandre Dumas. Stevens married Fanny Juliette Albertine Marie Hortense Blanc (1836-1891), a member of a wealthy Belgian family and a long-time acquaintance of the Stevens family, in 1858. The wedding was witnessed by the renowned painter Eugène Delacroix. The couple had four children: Leopold, Jean, Catherine, and Pierre. Stevens depicted his wife in numerous portraits, including Regrets and Memories. After her passing, he expressed enduring grief at her loss. During the 1860s, Stevens rose...
Category
Late 19th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
Plaines de la Midjeda Blida
. Oil sketch on cardboard. Signed and titled.
By Jules Pierre van Biesbroeck
Located in Paris, FR
'Plaines de la Midjeda Blida'. Oil sketch on cardboard. Signed and titled on the back.
This work will be recorded in the catalogue raisonné of the work of the artist currently in pre...
Category
Mid-20th Century Post-Impressionist Belgium - Landscape Paintings
Materials
Oil
The Shepherd with his Flock
by Cornelis Van Leemputten ( 1841 – 1902 )
By Cornelis van Leemputten
Located in Knokke, BE
Cornelis Van Leemputten
Werchter 1841 – 1902 Schaerbeek
Belgian Painter
'The Shepherd with his Flock – Le berger et son troupeau'
Signature: signed lower right 'Corn. Van Leemputte...
Category
Late 19th Century Realist Belgium - Landscape Paintings
Materials
Oil, Panel
North Sea Dunes - Le Zwin
by René Toussaint (1902 - Spa - 1972)
Located in Knokke, BE
René Toussaint
1902 – Spa – 1972
Belgian Painter
'Belgian Coast – Le Zwin'
Signature: signed lower left ’R Toussaint’
Medium: oil on panel
Dimensions: image size 50 x 60 cm, frame...
Category
Mid-20th Century Impressionist Belgium - Landscape Paintings
Materials
Oil, Wood Panel
Oil painting on canvas coastal scene "Nightfall on the North Sea " ca. 1880
Located in Gavere, BE
Additional information:
Title: Coastal scene - Nightfall on the North Sea
Medium: oil on canvas
Signature: signed lower right
Provenance: Private collection Brussels
Canvas dimensio...
Category
1880s Impressionist Belgium - Landscape Paintings
Materials
Gold Leaf
Oil painting on canvas " Rough sea with coastline on the horizon " by Schubring
By Richard Schubring
Located in Gavere, BE
Schubring, Richard (1853-1902)
Rough sea with coastline on the horizon
Oil on canvas. Signed and dated lower right. “1895”
Richard SCHUBRING is an artist born in 1853 and deceased...
Category
1890s Expressionist Belgium - Landscape Paintings
Materials
Gold Leaf
Coastal scene and fishing boats at moonlight, French Oil painting By G. Maroniez
Located in Gavere, BE
Maroniez is best known as an accomplished painter of the sea and the life of fishermen.
He painted mainly in Brittany ( France )
Museums and galleries holdings :
Boulogne: Mussel b...
Category
Early 1900s Impressionist Belgium - Landscape Paintings
Materials
Oil, Wood Panel
VAN BIESBROECK Jules. Woman in a garden. Oil sketch on cardboard.
By Jules Pierre van Biesbroeck
Located in Paris, FR
Woman in a garden. Oil sketch on cardboard. Unsigned.
This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation.
Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1]
After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...
Category
Early 20th Century Impressionist Belgium - Landscape Paintings
Materials
Oil
Lucien Neuquelman, Paris 1909 – 1988, French, Old Harbor of Honfleur - Normandy
By Lucien Neuquelman
Located in Knokke, BE
Neuquelman Lucien
Paris 1909 – 1988
French Painter
'Old Harbor of Honfleur - Normandy'
Signature: Signed bottom right
Medium: Oil on board
Dimensions: Image size 50 x 65 cm, frame s...
Category
Mid-20th Century Pointillist Belgium - Landscape Paintings
Materials
Oil, Board
Moonlight on the Sea
by Alfred Stevens (Brussels 1823 – 1906 Paris) dated 1892
By Alfred Stevens
Located in Knokke, BE
Alfred Stevens
Brussels 1823 – 1906 Paris
Belgian Painter
'Moonlight on the Sea'
Signature: signed lower right and dated 1892 ‘A Stevens 92'
Medium: oil on canvas
Dimensions: image size 81 x 65 cm, frame size 97,5 x 81,5 cm
Biography: Alfred Stevens was born in Brussels, into a family deeply connected with the visual arts. His older brother Joseph (1816–1892) and his son Léopold (1866–1935) were both painters, while his other brother Arthur (1825–1899) was an art dealer and critic. His father, a veteran of the Napoleonic wars under the army of William I of the Netherlands, was an art collector with a notable collection of watercolors by Eugène Delacroix and other esteemed artists.
Stevens’s upbringing was influenced by the environment of Café de l’Amitié, run by his maternal grandparents in Brussels, which served as a meeting place for prominent figures from the political, literary, and artistic spheres. Following the death of his father in 1837, Stevens left middle school to enroll at the Académie Royale des Beaux-Arts in Brussels. There, he came under the tutelage of François Navez, a Neo-Classical painter and former student of Jacques-Louis David, who was both the director of the academy and an old acquaintance of Stevens’s grandfather. Following a traditional curriculum, he initially drew from casts of classical sculptures and later transitioned to drawing from live models. In 1843, Stevens journeyed to Paris to join his already established brother, Joseph. He gained admission to the École des Beaux-Arts, the preeminent art school in Paris, although claims of him being a student of the director, Jean Auguste Dominique Ingres, are likely unfounded. One of his early works, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcased his mastery of a conventional naturalistic style influenced by 17th-century Dutch genre painting.
Stevens’s work was first publicly exhibited in 1851, when three of his paintings were featured at the Brussels Salon. He received a third-class medal at the Paris Salon in 1853, followed by a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu’on appelle le vagabondage (Musée d’Orsay, Paris) garnered attention from Napoleon III, leading to a change in policy regarding the use of soldiers to remove the poor from the streets. Two other paintings displayed at the Salon in Antwerp in the same year, Chez soi or At Home and The Painter and his Model, introduced subjects from “la vie moderne” that became characteristic of his oeuvre: elegant young women dressed in contemporary fashion and artists in their studios. In 1857, Stevens made his first significant sale to a private collector when Consolation was purchased for a rumored 6,000 francs by the Berlin collector and dealer Ravéné. He and his brother also became part of the artistic milieu in Paris, frequenting salons hosted by Princess Mathilde and popular cafes, where they mingled with the likes of the Goncourt brothers, Théophile Gautier, and Alexandre Dumas. Stevens married Fanny Juliette Albertine Marie Hortense Blanc (1836-1891), a member of a wealthy Belgian family and a long-time acquaintance of the Stevens family, in 1858. The wedding was witnessed by the renowned painter Eugène Delacroix. The couple had four children: Leopold, Jean, Catherine, and Pierre. Stevens depicted his wife in numerous portraits, including Regrets and Memories. After her passing, he expressed enduring grief at her loss. During the 1860s, Stevens rose...
Category
Late 19th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
French oil painting on canvas " Vibrant harbor scene in Dieppe "
Located in Gavere, BE
French oil painting on canvas " Vibrant harbor scene in Dieppe "
Additional information about the work:
Title: Vibrant harbor scene in Dieppe
Medium: oil on canvas
Signature: signe...
Category
1920s Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
A Canal View of Bruges with White Swans – Beguinage Entrance, Charles Verbrugghe
By Charles Verbrugghe
Located in Knokke, BE
A Canal View of Bruges with White Swans – Beguinage Entrance
Verbrugghe Charles
Bruges 1877 – 1974 Paris
Belgian Painter
Signature: Signed bottom left
Medium: Oil on panel
Dimensions: Image size 38,50 x 64,50 cm, frame size 47 x 55 cm
Biography: Verbrugghe Charles was born into Belgian aristocracy on June 15, 1877, in Bruges. He was an Impressionist painter of town views, landscapes, views of the sea and beaches, still lifes, flowers and portraits. He is well known for painting of the convents and city views of Bruges and Paris.
In 1907, he went to Paris to study under the master teacher Flori Van Acker (1858 – 1940). There, he became friends with the artist Maurice Utrillo...
Category
Early 19th Century Impressionist Belgium - Landscape Paintings
Materials
Oil, Panel
Wintertime forest landscape oil painting on canvas by Louis Clesse 20Th c.
By Louis Clesse
Located in Gavere, BE
"Wintertime forest landscape" oil painting on canvas by Louis Clesse 20Th c.
Wonderfull oil on canvas by Louis Clesse , Belgian School (1889 -1961 ).
Clesse was a Belgian figurative...
Category
1920s Impressionist Belgium - Landscape Paintings
Materials
Gold Leaf
A View of Venice
by Antoine Bouvard, Saint-Jean-de-Bournay 1870 – 1955, French
Located in Knokke, BE
Antoine Bouvard snr.
Saint-Jean-de-Bournay, France 1870 – 1955
French Painter
'A View of Venice'
Signature: Signed bottom right
Dimensions: Image size 22,5 x 27,5 cm, frame size 44...
Category
Early 20th Century Romantic Belgium - Landscape Paintings
Materials
Canvas, Oil
17th century Flemish seascape - Stormy Sea with Merchant Vessels and dolphins
By Bonaventura Peeters the Elder
Located in Aartselaar, BE
Bonaventura Peeters the Elder (1614–1652) attr., Stormy Coastal Scene with Merchant Vessels, Galliot, and Dolphins
Framed by rugged cliffs and illuminated under a dark, swirling sk...
Category
17th Century Old Masters Belgium - Landscape Paintings
Materials
Panel, Oil
French southern seascape oil painting on canvas By Michel Richard Putz
Located in Gavere, BE
French southern seascape oil painting on canvas By Michel Richard Putz
Bio :
Michel Richard-Putz was born in Ichitem, Belgium in 1868.
He moved to Paris in the 1880's where he stud...
Category
Early 1900s Impressionist Belgium - Landscape Paintings
Materials
Oil, Canvas
Peaceful Landscape
by Edmond Van Dooren ( 1896 – Antwerp – 1965 )
Located in Knokke, BE
Edmond Van Dooren
1896 – Antwerp – 1965
Belgian Painter
'Peaceful Landscape'
Signature: signed lower left 'E. Van Dooren.'
Medium: oil on canvas
Dimensions: image size 90 x 105 cm
...
Category
Early 20th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
Oil painting on board "Rough sea with steamer on the horizon" by S.A.Vinogradoff
Located in Gavere, BE
Sergey VINOGRADOV ( 1869 - 1938 )
Rough sea with steamer on the horizon
Sergei Arsenievich Vinogradov ( Russian: 1869–1938 ) was a Russian-Soviet Impressionist painter; known for l...
Category
1920s Expressionist Belgium - Landscape Paintings
Materials
Gold Leaf
"Le Rouge Cloitre sous la neige" oil painting on canvas by Louis Clesse 20Th c.
By Louis Clesse
Located in Gavere, BE
"Le Rouge Cloitre sous la neige" oil painting on canvas by Louis Clesse 20Th c.
Wonderfull oil on canvas by Louis Clesse , Belgian School (1889 -1961 ).
Clesse was a Belgian figurat...
Category
1920s Impressionist Belgium - Landscape Paintings
Materials
Gold Leaf
Spring 5623 Le sacre du printemps Impressionism - BELGIAN SCHOOL AUC
Located in Zofingen, AG
In this oil work, I sought to capture the vibrant essence of spring renewal. I let myself be guided by expressionism and impressionism to convey the pure emotions of nature reborn. The energy of life and the softness of the colors permeate the canvas, offering those who contemplate it a feeling of rebirth and hope. It will bring your interior a touch of vitality and a breath of spring freshness.
🟢 Technique: oil on canvas
🟢 Dimension: 50x60cm / 19,7x23,6 inch
🟢 READY TO HANG IN
🟢 Certificate of authenticity included
🟢 3-6 days from Belgium to USA
🟢 Safe packaging
-----------------------------------------------------------------------------------------------------------
Pol Ledent...
Category
2010s Impressionist Belgium - Landscape Paintings
Materials
Oil
$1,563 Sale Price
56% Off
oil on canvas Historical Scene " The Surrender of Breda "after Diego Velasquez
Located in Gavere, BE
The Surrender of Breda, June 5, 1625, known as the Lances is an oil on canvas painted by the Spanish painter Diego Velázquez (1599, Seville - 1660, Madrid) during the years 1634-1635...
Category
1890s Baroque Belgium - Landscape Paintings
Materials
Gold Leaf
$13,278 Sale Price
20% Off
Diana, Goddess of the Chase
by Artist 17th Century, French School, Circa 1660
Located in Knokke, BE
Artist 17th Century
French School
Circa 1660
'Diana, Goddess of the Chase'
Signature: not signed
Medium: tempera on paper applied to oak panel
Dimensions: image size 23.5 x 18.5 cm...
Category
17th Century Baroque Belgium - Landscape Paintings
Materials
Paper, Egg Tempera, Wood Panel
The Hunting Dog
by Carl Friedrich Deiker (Wetzlar 1836 – 1892 Dusseldorf)
Located in Knokke, BE
Carl Friedrich Deiker
Wetzlar 1836 – 1892 Dusseldorf
German Painter
'The Hunting Dog'
Signature: signed lower right 'C.F. Deiker'
Medium: oil on panel
Dimensions: image size 29 x 2...
Category
19th Century Realist Belgium - Landscape Paintings
Materials
Oil, Wood Panel
Christian Haug, 1862 – 1953, Norwegian Painter, Oil on Canvas, Signed and Placed
Located in Knokke, BE
Haug Christian
Soleur, Norway 1862 – 1953 Munich, Germany
Norwegian Painter
Deer in a Winter Landscape
Signature: Signed bottom right and placed Mu...
Category
Early 20th Century Realist Belgium - Landscape Paintings
Materials
Canvas, Oil
Victor De Groux, Brussels 1895 – 1975, Belgian Painter, Landscape at the River
Located in Knokke, BE
De Groux Victor
Brussels 1895 – 1975
Belgian Painter
Landscape at the River
Signature: Signed bottom right
Medium: Oil on canvas
Dimensions: Image size 80,50 x 100,50 cm, frame size ...
Category
Early 20th Century Realist Belgium - Landscape Paintings
Materials
Canvas, Oil
Roaring Deer Stag, Carl Friedrich Deiker, Wetzlar 1836 – 1892 Düsseldorf, Signed
Located in Knokke, BE
Roaring Deer Stag
Deiker Carl Friedrich
Wetzlar, Germany 1836 – 1892 Dusseldorf, Germany
German Painter
Signature: Signed bottom right
Medium: Oil on canvas
Dimensions: Image size 58 x 81 cm, frame size 73 x 96 cm
Biography: Deiker Carl Friedrich was born on April 3, 1836 in Wetzlar. He was a Prussian animal painter. Deiker was specialised in animal genres related to hunting and wildlife. He also illustrated magazines and books on hunting.
Carl Friedrich Deiker was the son of Friedrich Deiker, a painter and drawing teacher at the high school. His older brother, Johannes Deiker, with whom he learned to draw after their father’s death in 1843, was a painter specialising in hunting scenes.
Deiker attended the Hanau drawing Academy, where he was a pupil of the director Theodor Pélissier (1794-1863), and then studied at Johann Wilhelm Schirmer’s studio in Carlsruhe.
In 1859, in the Reinhardswald forest, he collected studies for his large hunting paintings...
Category
19th Century Baroque Belgium - Landscape Paintings
Materials
Canvas, Oil
Canal View from the Meebrug, Bruges
by André Hallet (1890 – 1959), dated 1921
By André Hallet
Located in Knokke, BE
André Hallet
Liège, Belgium 1890 – 1959 Kisenyi, Rwanda
Belgian Painter
'Canal View from the Meebrug, Bruges'
Description: This evocative painting presents a serene canal view from...
Category
Early 20th Century Post-Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
View of Capri, Artist 20th century, European School
Located in Knokke, BE
Artist 20th century
European School
20th century
View of Capri
Signature: Signed bottom left, illegible signature
Medium: Oil on canvas
Dimensions: Image size 30 x 40 cm, frame size...
Category
20th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
Lenin and Krupskaya in a Winter Landscape
Petr Malyshev (1909 - Moskow - 1976)
Located in Knokke, BE
Malyshev Petr Nikolaevich - Пётр Николаевич Малышев
1909 – Moskow – 1976
Russia – Honoured Artist of the RSFSR
'Lenin and Krupskaya in a Winter Landscape'
- Vladimir Ilyich Ulyano...
Category
Mid-20th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
A yellow tree Impressionism Landscape - BELGIAN SCHOOL AUC
Located in Zofingen, AG
"A yellow tree Impressionism Landscape"
Vitality and ephemeral energy of autumn with expressive touches and bright colors. The oil technique brings rich textures, highlight the contrasts between light and dark colors. The vibrant yellow from the main tree creates a sense of renewal, a pure of moment of beauty.
🟢 Technique: oil on canvas
🟢 Dimension: 40x40cm / 15,7x15,7 inch
🟢 READY TO HANG IN
🟢 Certificate of authenticity included
🟢 3-6 days from Belgium to USA
🟢 Safe packaging
-----------------------------------------------------------------------------------------------------------
Pol Ledent...
Category
2010s Impressionist Belgium - Landscape Paintings
Materials
Oil
$721 Sale Price
80% Off
View of Bou-Sada. Oil sketch on cardboard. Signed and titled.
By Jules Pierre van Biesbroeck
Located in Paris, FR
View of Bou°_Sada. Oil sketch on cardboard. Signed and titled on the back.
This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation.
J...
Category
1930s Post-Impressionist Belgium - Landscape Paintings
Materials
Oil
Grey House. Oil on canvas. Signed.
Located in Paris, FR
Raf Peeters is a Belgian artist represented by Boycott Gallery.
Category
Early 2000s Realist Belgium - Landscape Paintings
Materials
Oil
Cloudy landscape. Oil sketch on cardboard. Unsigned.
By Jules Pierre van Biesbroeck
Located in Paris, FR
Cloudy landscape. Oil sketch on cardboard. Unsigned.
This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation.
Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1]
After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...
Category
Early 20th Century Impressionist Belgium - Landscape Paintings
Materials
Oil
A view of Sebastopol in the Crimea.
Located in Paris, FR
A view of Sebastopol in the Crimea.
Oil on canvas.
In a 19th century gild wood and plaster frame.
This painting can be dated around 1830/1840 given the dresses worn by the women i...
Category
1830s Realist Belgium - Landscape Paintings
Materials
Oil
Charles Verbrugghe, Bruges 1877 – 1974 Paris, Belgian Painter,
A View of Damme
By Charles Verbrugghe
Located in Knokke, BE
Verbrugghe Charles
Bruges 1877 – 1974 Paris
Belgian Painter
'A View of Damme'
Signature: Signed bottom right, on reverse placed "Damme"
Medium: Oil on panel
Dimensions: Image size 3...
Category
Mid-20th Century Impressionist Belgium - Landscape Paintings
Materials
Oil, Panel
Oil on panel by Wenglein Josef (1845 - 1919)+ Cows at the watering place
Located in Gent, VOV
Cows at the watering place.
This exquisite and beautiful painting represents a rural scene on a beautiful summer day. The influence of the Barbizon school is clearly visible. This p...
Category
Late 19th Century Barbizon School Belgium - Landscape Paintings
Materials
Oil
Swans of Bruges – Beguinage Bridge
Leo Mechelaere, Bruges 1880 – 1964 Erlangen
Located in Knokke, BE
Leo Mechelaere
Bruges, Belgium 1880 – 1964 Erlangen, Germany
Belgian Painter
'Swans of Bruges – Beguinage Bridge'
Signature: Signed lower left
Medium: Oil on canvas
Dimensions: Image size 65 x 75 cm
Provenance: Painting "Swans of Bruges" was exhibited at Salon des Artistes Indépendants Normands in Rouen, France on June 7th, 1956.
Biography: Leo Mechelaere, or Leon Mechelaere as he was sometimes known, emerged from the cobblestone streets of Bruges, Belgium, in 1880, destined to leave an indelible mark on the canvas of art history. Born into a world of rich cultural heritage and artistic inspiration, Mechelaere’s passion for painting ignited early, fueling a lifelong journey of creative exploration.
His formative years were steeped in the traditions of the Academy of Fine Arts in Bruges, where he honed his craft under the tutelage of esteemed masters. Among them, Edouard Van Hove (1851 – 1913) and Franz Courtens (1850 – 1943) imparted their wisdom, guiding Mechelaere’s hand as he navigated the intricacies of form, light, and color. Under the mentorship of Juliaan De Vriendt...
Category
Early 20th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
‘Peasant Children walking the Donkeys’ by Edgar Bundy (1862 – 1922), dated 1885
Located in Knokke, BE
Edgar Bundy
Brighton 1862 – 1922 London
British Painter
‘Peasant Children walking the Donkeys’
Signature: signed lower right and dated ‘Edgar Bundy 1885'
Medium: oil on canvas
Dim...
Category
Late 19th Century Romantic Belgium - Landscape Paintings
Materials
Canvas, Oil
Along the Lake, Adolphe Keller, Brussels 1880 – 1968, Belgian Painter, Signed
By Adolphe Keller
Located in Knokke, BE
Along the Lake
Keller Adolphe
Brussels 1880 – 1968
Belgian Painter
Signature: Signed bottom right
Medium: Oil on canvas
Dimensions: Image size 51 x 61 cm
Biography: Keller Adolphe was born on June 21 in 1880 in Brussels. He was a post-Impressionist painter of genre scenes and flower still lifes, but with a preference for landscapes. He was also draughtsman, watercolourist and pastelist.
He studied at the Academies of Fine Arts in Brussels and Sint-Joost-Ten-Node with master teachers P. Braeke and H. Ottevaere.
In 1910 he took part in the great Brussels Exhibition.
He often paints around the Red Cloister (Auderghem) on the edge of the Sonian Forest, where he settled in 1934. He also painted in the South of France, in Saint-Tropez.
Keller was a chairman of the Alfred Bastien...
Category
20th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
Victor Gilsoul, Brussels 1867 – 1943, Belgian Painter, A View of Diksmuide, 1900
By Victor Gilsoul
Located in Knokke, BE
Gilsoul Victor
Brussels 1867 – 1943
Belgian Painter
A View of Diksmuide
Signature: Signed bottom left, placed Dicsmuide and dated 1900
Medium: Oil on canvas
Dimensions: Image size 55,50 x 71 cm, frame size 68,50 x 84 cm
Biography: Gilsoul Victor Olivier was born in Brussels on September 10, in 1867.
He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist.
Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 – 1895) and Louis Artan (1837 – 1890).
In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890).
Gilsoul was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians.
The painter stayed from 1911 in Paris, where he often painted the Versailles region, also worked and lived for some time in Brittany. He had several exhibitions in France.
He was a teacher at the Antwerp Higher Institute of Fine Arts (1924-1930) and a member and honorary member of La Gravure Originale Belge (1928).
Gilsoul painted at the Belgian coast...
Category
19th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
River scene at sunset with figures gathering reeds
By Hermann Corrodi
Located in Gent, VOV
LEGNAIOLI SUL TEVERE - RIVER SCENE WITH FIGURE GATHERING REEDS
Oil on canvas: 30 1/2 x 38 1/2 in., 36 x 44 1/2 in. (framed)
Framed; lower right signed and dated: H. Corrodi, 1892
Category
1890s Italian School Belgium - Landscape Paintings
Materials
Oil
Spring Ploughing with Two Horses
by Johan Scherrewitz (1868 – 1951)
Located in Knokke, BE
Johan Frederik Cornelis Scherrewitz
Amsterdam 1868 – 1951 Hilversum
Dutch Painter
'Spring Ploughing with Two Horses'
Signature: signed lower right 'J. Scherrewitz'
Medium: oil on c...
Category
Early 19th Century Romantic Belgium - Landscape Paintings
Materials
Canvas, Oil
Deer in a Mountain Landscape, Karl-Heinz Wenzel, 20th Century, German Painter
Located in Knokke, BE
Deer in a Mountain Landscape
Wenzel Karl-Heinz
1932 – ?
20th Century
German Painter
Signature: Signed bottom left
Medium: Oil on canvas
Dimensions: Im...
Category
20th Century Naturalistic Belgium - Landscape Paintings
Materials
Canvas, Oil
French coastal scene of Étretat at moonlight by Karl Heilmayer dated 1898
Located in Gavere, BE
French coastal scene of Étretat at moonlight by Karl Heilmayer dated 1898 " SOLD WITHOUT FRAME "
A born Munich native, Karl Heilmayer, son of court act...
Category
1890s Belgium - Landscape Paintings
Materials
Canvas, Oil
A Forest in Winter
by Hendrik Barend Koekkoek (Amsterdam 1849 – 1909 London)
Located in Knokke, BE
Hendrik Barend Koekkoek
Amsterdam 1849 – 1909 London
Dutch Painter
'Figures Strolling through a Forest in Winter'
Signature: signed lower right 'H B Koekkoek', c. 1882-1900
Medium: oil on canvas
Dimensions: image size 76,5 x 64 cm, frame size 103 x 89,5 cm
Biography: Hendrik Barend Koekkoek, often signing as Hendrik Barend (H.B.) Koekkoek, in the realm of 19th-century art, emerges as a captivating painter born in Amsterdam on November 23, 1849. A scion of the esteemed Koekkoek family, he gained renown for his landscapes and woodland scenes, following in the artistic footsteps of his father, marine painter Hermanus Koekkoek.
Barend Hendrik Koekkoek’s life unfolds with a certain mystery, his artistic journey shaped by training from his father and, likely, his uncle Marinus Adrianus. In 1878, he tied the knot with Carolina Allardina Cornelia Pierson and ventured into the artistic scenes of Hilversum and Brussels, simultaneously opening an art dealership in Amsterdam.
Around 1882, the call of London beckoned, echoing the path paved by his brother Hermanus Koekkoek the Younger. In England, he painted landscapes near Guildford, akin to his cousin Pieter Hendrik Koekkoek. The latter part of his life remains shrouded in obscurity.
Barend Hendrik Koekkoek’s artistic style, steeped in the romantic tradition of the Koekkoek family, adorned canvases with landscapes, woodlands, and marine scenes. His London sojourn witnessed the creation of winter landscapes with towering trees, showcased in exhibitions across Dutch cities. He breathed his last in London before 1909.
His artistic legacy lives on in institutions like the Paul Tétar van...
Category
Late 19th Century Romantic Belgium - Landscape Paintings
Materials
Canvas, Oil
Julien Celos, Antwerp 1884 – 1953, Belgian Painter,
A Canal View of Bruges
By Julien Celos
Located in Knokke, BE
Julien Celos
Antwerp 1884 – 1953
Belgian Painter
'A Canal View of Bruges - Groenerei'
In "A Canal View of Bruges," Julien's brush unveils the serene beauty of Bruges' canals, showc...
Category
Early 20th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
André Plumot, 1829 – 1906, Shepherds Couple with Herd in a River Landscape
Located in Knokke, BE
Plumot André
Antwerp, Belgium 1829 – 1906
Belgian Painter
Shepherds Couple with Herd in a River Landscape
Signature: Signed bottom left and dated 1877
Medium: Oil on canvas
Dimensions: Image size 58,50 x 104,50 cm
Biography: Plumot André (Plumot Andre) was born on February 10, 1829 in Antwerp, Belgium.
He was a painter of genre scenes, interiors, animals, children and figures. In general, he painted interiors in 16th-17th century style.
He was a student at the Academy of Fine Arts of Antwerp under master teacher and artist H. Van der Poorten.
For a short time, he worked in N. de Keyser...
Category
Late 19th Century Romantic Belgium - Landscape Paintings
Materials
Canvas, Oil
Paris – Montmartre, Charles Verbrugghe, Bruges 1877 – 1974 Paris, Signed
Located in Knokke, BE
Paris – Montmartre
Verbrugghe Charles
Bruges 1877 – 1974 Paris
Belgian Painter
Signature: Signed bottom left and placed Paris
Dimensions: Image si...
Category
20th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil, Panel
DERICKX Louis. Children fishing in a landscape. Oil on panel.
Located in Paris, FR
Children fishing in a landscape. Original ,title 'Le Vesdre à Chaudfontaine'
Oil on mahogany panel.
Signed and dated 1876 lower left.
Category
Late 19th Century Realist Belgium - Landscape Paintings
Materials
Oil
The Little Donkey
by Eugène Joseph Verboeckhoven (1798 – 1881), dated 1856
By Eugène Joseph Verboeckhoven
Located in Knokke, BE
Eugène Joseph Verboeckhoven
Waasten 1798 – 1881 Schaarbeek
Belgian Painter
'The Little Donkey'
Signature: signed lower left and dated 'Eugene Verboeckhoven 1856'
Medium: oil on pan...
Category
Mid-19th Century Romantic Belgium - Landscape Paintings
Materials
Canvas, Oil, Wood Panel
Frans Wouters, Adoration of The Herders, Christmas Scene, Christ, Flemish School
Located in Greven, DE
Frans Wouters was a Flemish Baroque painter who mainly created smaller cabinet pieces.
He was initially apprenticed to Pieter van Avont in Antwerp, but then moved to Rubens‘ worksho...
Category
17th Century Baroque Belgium - Landscape Paintings
Materials
Oak, Oil
Along the River, Victor Gilsoul, Brussels 1867 – 1943, Belgian Painter
Located in Knokke, BE
Along the River
Gilsoul Victor
Brussels 1867 – 1943
Belgian Painter
Signature: Signed bottom left
Medium: Oil on panel
Dimensions: Image size 40 x 28,50 cm, frame size 52 x 41 cm
Biography: Gilsoul Victor was born in Brussels on September 10, in 1867.
He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist.
Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 - 1895) and Louis Artan (1837 - 1890).
In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890).
Gilsoul was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians...
Category
19th Century Impressionist Belgium - Landscape Paintings
Materials
Oil, Panel
A Norwegian Fjord, Karl Kaufmann, Neuplachowitz 1843 – 1905 Vienna, Austrian
Located in Knokke, BE
A Norwegian Fjord
Kaufmann Karl
Neuplachowitz 1843 – 1905 Vienna
Austrian Painter
Signature: Signed bottom right with pseudonym J. Holmstedt
Medium: Oi...
Category
19th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
Swans in the Park, Hans Volcker, Pyrzyce, Poland 1865 – 1944 Wiesbaden, Germany
Located in Knokke, BE
Swans in the Park
Volcker Hans
Pyrzyce, Poland 1865 – 1944 Wiesbaden, Germany
German Painter
Signature: Signed bottom left and dated 98
Medium: Oil on canvas
Dimensions: Image size 72 x 111,50 cm, frame size 84 x 120 cm
Biography: Volcker Hans was born on October 12, 1865 in Pyrzyce, Poland. Hans was the son of a pastor, orphaned at a young age and raised by his grandfather.
Hans Volcker was a painter of landscapes, seascapes, still lives and portraits. He also painted in watercolour and fresco techniques.
In 1885, Volcker was a student of famed Norwegian realist painter Hans Fredrik Gude (1825 – 1903) at the Berlin Academy. His teacher encouraged him to travel to Scandinavia. During his study trips, he made landscape paintings of Scandinavian mountain and lakes, that brought him later great recognition.
In 1891, he led his own plein air painting school. The most famous pupils were german sculptor and painter Margarethe Haeffner (1884 – 1977) and the painter Oskar Moll (1875 – 1947).
With his Berlin friend painter Walter Leistikow (1865 – 1908), who was also a pupil of Gude, he shared an admiration for Max Liebermann (1847 – 1935). His acquaintance with Liebermann’s paintings furthered his stylistic development to an Impressionism.
In 1894 he lived in Munich and moved to Wiesbaden in 1899, where he was active as a contemporary artist and as a member of the Art Societies, presenting Max Liebermann, Fritz Overbeck or Lovis Corinth, among others.
Today, particular importance is attached to the “Dutch Secession” exhibition, featuring paintings by Vincent van Gogh and Jan Toorop. In 1912, the society showed paintings by Alexei Jawlensky...
Category
Late 19th Century Impressionist Belgium - Landscape Paintings
Materials
Canvas, Oil
Ketty Gilsoul-Hoppe, Düsseldorf 1868 – 1939 Ixelles,
A View of Bruges
Located in Knokke, BE
Ketty Gilsoul-Hoppe
Düsseldorf 1868 – 1939 Ixelles
Belgian Painter
'A View of Bruges'
Signature: Signed bottom right
Medium: Aquarelle
Dimensions: Image size 58 x 75 cm, frame size 71,50 x 88,50 cm
Biography: Gilsoul-Hoppe Ketty, a distinguished Belgian painter renowned for her exquisite watercolor works, was born in Düsseldorf in 1868. She inherited a passion for the arts from her father, Edouard Hoppe, an accomplished engraver. Her artistic journey began at the Bisschoffsheim school in Brussels, where she honed her skills and developed a keen eye for capturing the nuances of light and color.
In 1894, Ketty Gilsoul-Hoppe entered a lifelong partnership with the painter Victor Gilsoul...
Category
Early 20th Century Impressionist Belgium - Landscape Paintings
Materials
Watercolor
‘Landscape with Cows
by Louis Thysebaert (1879 - Sint-Niklaas - 1962)
Located in Knokke, BE
Louis Thysebaert
1879 - Sint-Niklaas - 1962
Belgian Painter
‘Landscape with Cows’
Signature: signed lower right ‘L.Thysebaert’
Medium: oil on canvas
Dimensions: Image size 95,5 c...
Category
Early 20th Century Realist Belgium - Landscape Paintings
Materials
Canvas, Oil
White Cliffs of Dover
by Johan Jacob Bennetter (1822 - 1904) Norwegian
Located in Knokke, BE
Johan Jacob Bennetter
Oslo, Norway 1822 -1904
Norwegian Painter
'White Cliffs of Dover'
Signature: signed lower right
Medium: oil on canvas
Dimensions: image size 41,50 x 63 cm, f...
Category
Late 19th Century Realist Belgium - Landscape Paintings
Materials
Canvas, Oil
Isidorus Van Mens, 1890 – 1985, Dutch, Ghardaia – The Capital of M’Zab, Algeria
Located in Knokke, BE
Isidorus Van Mens
Berlicum 1890 – 1985 Oosterhout
Dutch Painter
'Ghardaia – The Capital of M’Zab, Algeria'
Signature: Signed bottom right and dated 1957, placed and signed on revers...
Category
Mid-19th Century Impressionist Belgium - Landscape Paintings
Materials
Oil, Board
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