Benelux - Decorative Objects

Stunning life-size bust of a gentleman with an Order of Knighthood from Belgium. Beautiful weathered patin, if you want the colors more deep you can wax the bronze. Marie Pierre ...

Ivan et Chantal Wolkoff. sculpture in lucite brass, metal and gemstone, quartz and pyrite. signed by the artist on the lucite and the metal.

Large ceramic sculpture of a figure in expressionist / brutalist style, This sculpture with its black glazing and rough textures emphasizes the strong abstract shapes of a human figu...

A crystal masterpiece of beautiful proportions, this candleholder crystallize the extraordinary know-how of the Baccarat craftsmen. The different cuts in the crystal produce a magic ...

Bunker Candleholder 2.0 by Arno Declercq Dimensions: W 32 x L 32 x H 52 cm Materials: Burned and waxed oak Arno Declercq Belgian designer and art dealer who makes bespoke objects w...

This brass grasshopper was created by the Belgian artist Daniel Dhaeseleer.It can be dated in the 1970s. It is a beautiful brutalist item. Wear consistent with age and use. Brutalist...

A set of 20 varietes of Antique silver mirrored glass candelabras. The interior of the candelabra's finished with a silver plating giving all a bright and sophisticated appearance. A...

One WMF Art Nouveau silver plated vase with decoration and original glass liners. There is only one left for sale so the price shown is not for the set but for a vase.

Vintage Porcelain Vase with Blue pattern by Schirnding Bavaria Germany. The vase is made of hand-painted porcelain in Germany in the 1970s. It has...

Acrobatic Man Bronze Sculpture By Pieter Florizoon (1937-2015) Sculpture - Decoration - Vintage Measures : 36cmx24cm H:42cm Wear consistent with age and use.

Art Deco bronze WMF Ikora wall plate by Paul Haustein, 1920s An Art Deco bronze patinated wall plate by Paul Haustein for WMF Ikora, Germany, late 1920s The plate has a small cut in...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Elegant antique wooden picture frame, dating from the 19th century (possibly late 18th). Crafted in solid wood with a rich dark brown patina and a finely carved ribbed moulding along...

Exceptional allegory of death in carved bone. Depiction of a leper wrapped in a stole. Southern Germany, Tyrol, 18th-19th century. Superb quality of carving, showing no signs of mech...

Two carved of oak columns or pedestals, each of a muscular male figure, representing Atlas or Hercules, the head inclined forward and supporting as well with the shoulders a square p...

Italian silver box raised on 4 feet, 1970s Italian silver box in curvy octagonal shape with repousse design of flowers and scrolls The purity de...

Tumbo Vase by Willem Van Hooff Core Vessel Series Dimensions: W 26 x D 10 x H 36 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes) Materia...

Large horse head made by Abraham Palatnik. The Brazilian artist Palatnik (1928) was the founder of the technological movement in Brazilian art and...

Small Crystal Vase from Val Saint Lambert (Belgium, since 1826) with an etched depiction of a steeple chase horse and rider.

Dimensions: 31cm H Condition: Mint Material: Glass, wood

Untitled No. 47 Vase by Marea Hildebrand Handmade Dimensions: D 38 x W 38 x H 32 cm Materials: Stoneware with slip. Marea Hildebrand (b. 1989) is a Zurich-based ceramic artist with...

A set of 3 silver plated pieces, all stamped Galia & Christofle including the "Viking" vase. All designed by L. Sabattini. France around 1970.

Rust-effect patinated metal cactus sculpture H:172cm Decoration - Indoor - Wabi Sabi Measures : 50x50cm H:172cm Material : Metal

'Life Future' is the œuvre of the South Korea sculptor In-Chul Hwang. As shown in the documents added, this unique piece has been made for a belgian couple in the 2000. Very good ...

This marble bowl designed by British architect John Pawson is created as a seamless hemisphere for When Objects Work. The dynamic base allows the bowl to rest on a curve creating t...

Art Deco bronze sculpture of a bird on a wheat stalk signed by the French artist Chatill. France 1930. Marked bronze. The sculpture has a green patina an...

Bronze crabe Padua, 18th century bronze 2 x 10 x 7 cm (One of the crab’s legs is missing its end) This finely cast bronze sculpture of a crab reflects the enduring interest in natur...

This ceramic decorative abstract crocodile sculpture, crafted by the renowned Italian artist Bruno Gambone in 1975, is a striking representation from his highly collected animal seri...

"Large Murano Glass Vase From The 1970s – Attributed To Avem – Rare Scale Decoration " Large 1970s Murano Studio Art Glass Vase – Attributed to AVEM – Rare Twisted-Trail “Scale” Patt...

Art Deco vases by Charles Catteau for Boch Frères, D781, 1920s Two oval vases, Art Deco of 27 cm high The vases are decorated with thin black lines interspersed with medallions ador...

The faiencerie of Nevers is a ceramic production company from Nevers in France, which developed strongly at the end of the 16th century. In the 17th and 18th centuries, the faience...

Rare bronze sculpture of a joyous boy from the early 1900s. The sculptor of this Fine work of art has managed to capture the pure innocence and joy of a young child. Kunsthistorisches Museum Vienna on Laughing Boy — The representation of children belongs among the most charming motifs revived by Renaissance art under the influence of Hellenism. Like a number of similar statuettes of equally unaffected charm, this one is probably the portrait of a child conceived as the infant Jesus. Such statuettes were commissioned to be set up in private chapels. The Laughing Boy is considered to be the last work of Desiderio da Settignano...

If you are looking for a truly beautiful box for yourself or maybe as a gift for that special someone in your life then this rare and all handcrafted gem could be perfect. An excep...

Pair of silver candlesticks Wear consistent with age and use. Table Art - Silver decoration Measures : Ø9cm H:18cm

Bamileke Old Anthropomorphic Trophy Head embroidered with European Glass Beads, Grasslands People, and Cameroon. Private collection Brussels Worn by chiefs and other notables on cer...

Beautiful crystal figurine or paperweight of a quail bird, made of frosted crystal. Marked on the bottom 'Lalique'. This figurine was issued in 1968. Nicely detailed design. The figu...

Group of altarpiece representing the life of a Saint, Saint Renualde? Engraved by the sign of Antwerp hand on the hat of the central character Carved oak, traces of polychromy Fir...

Renaissance Harpy bronze Italy, 16th century 15 x 12 x 5,5 cm This expressive bronze figure represents a harpy, a mythological creature with the body of a bird and the head and tor...

Bamileke Decorative Dance Crest, embroidered with European Glass Beads, Grasslands People, Cameroon. Private collection Brussels The raffia splint is covered with cloth and c...

A pair of late 19th century Grand Tour Obelisks. The mouldings in Carara, the plint in Sienna, the plaque in Lapis Lazuli and the obelisks themselves in onyx.

19th Century French bronze sculpture of children playing music 19th Century French bronze statue of a girl and a boy playing th...

Vintage Italian Empoli Green Glass Bottle, 1950s A beautiful deep green colored glass bottle from the 1950s. The bottle has a dramatic long neck a...

Large size, great condition and beautifully hand-crafted Italian white alabaster owl with lifelike glass eyes and beautifully black veined alabaster stone detail. This early 20th-ce...

A dynamic Brass bird in flight designed by "Curtis Jeré" is the shared pseudonym of two American artists and designers, Curtis Freiler and Jerry Fels. They are best known for their d...

Very sweet little French bronze candlestick dating from the 17th century. Measures: 15.5 cm high 8 x 8 cm base. Free shipping.

Pair of ostriches designed and made by Abraham Palatnik. Nice condition but one of them has some scratches when looked upon closely. The Brazilian artist Abraham Palatnik (1928) w...

Although the 18th century, the period of the Enlightenment in France, spawned thinkers who criticised the privileges of the clergy and the truthfulness of certain dogmas, the Roman Catholic faith was very much present in everyday life. Since king Louis XIV had issued the Edict of Fontainebleau in 1685, Protestantism was banned. This Madonna with child illustrates the daily practice of faith. Like many 18th-century Madonna statues...

An abstract beautiful, graphically designed, cup-shaped vase with a white glaze and a geometric design in black lines. The result is an almost architectural effect, characteristic of...

Sailboat by Dino Rosin Dino Rosin (°Italy °1948) is a Murano based artist. Big glass sculpture in calcedonia technique. Handcrafted and mouthblown. This unique item was created in...

Vintage pair of pheasant figurines, sculptures of a hen and a rooster with fine detailing, made of a zinc alloy that has been copper-plated, originating from France in the second hal...

Beautiful large ashtray in the shape of a sunflower, made of silvered bronze, signed S. Agudo, Spain, circa mid-20th century. A rare and original object. The petals can be removed a...

A crystal masterpiece of beautiful proportions, this candleholder crystallize the extraordinary know-how of the Baccarat craftsmen. The candelabra is made up of three sections: the ...

Emanuel Beranek, vase 1940s A vase with handles, designed by Emanuel Beránek ( 1899-1973) for Skrdlovice in Czechoslovakia in the 1940s Glass made ...

This pair of candlesticks is made of aluminium with a layer of green enamel. They are made by Emalox Norway and were sold by Quist Präsente which is also marked on the bottom.

Very much Mid-Century in soft yellow colour wall clock from Junghans Germany. Electric, battery operated.

Antique French wooden steer's head,used as the exterior sign of a butcher’s shop (in French they would call it a boucherie). The sign must be over a hundred years old,still has his o...

Pair of Art Deco vases with flowers and Art Deco pattern in silver and gold on a black shiny glaze by Boch Frères, La Louvière. With Boch Frères stamp. Model number D 1780. Belgium,...

An Natural Amethyst Geode Cluster from Brazil, beautiful deep color, correct shine and patina, mounted on an iron base

Very nice white porcelain vase with Chinese dragons in relief. Dated from mid 20th century with the Schumann, Arzberg Germany stamp. In very good condition. The factory was founded in 1881 by Christian Heinrich Schumann and a businessman Franz Ferdinand...

A beautiful blue glazed lava vase by the well-known artist Charles Cart. From the French Le Cyclope in Annecy, Charles Cart is designer of Emaux des Glacier.