California - Case Pieces and Storage Cabinets

James Mont inspired Asian-inspired three-tiered bamboo Corner Shelf featuring a blonde wood finish that enhances its light and airy aesthetic. This shelf showcases elegant lines and ...

A very fine and palatial French 19th century Louis XV style giltwood ornately carved two-door vitrine display cabinet of serpentine form with foliate and shell carvings, surrounding ...

A fine and rare Italian 19th century Baroque style carved oak figural single-door vitrine cabinet. The upper surmounted on each side with a figure of a young fisherman holding a fish...

C. 20th century 1940's style wrought iron magazine stand w/ heart design & hand painted clipper ships.

French Napoleon III Sideboard Cabinet in Blackened Wood Decorated with Gilded and Chiseled Bronzes with Silver Medallion and Bronze Plated Details. This Work is Representative of the...

Ultra luxe custom sideboard from the Modern Envy collection by On Madison. Goatskin covered sideboard with lacquer doors, bespoke resin handles ...

Rare 1970’s ‘Cole Porter Etagere’ or bookcase by Karl Springer. Constructed of metal with a polish gunmetal finish and black lacquered shelfs. It...

A striking vintage Neoclassical-style étagère, featuring a brass frame with decorative Greek key and circular motifs, paired with four glass shelves. The design blends elegance and s...

Designed by Ashley Yeates, 'The Modern Hepburn,' handcrafted in California using FSC-certified wood and non-toxic finishes. COM/COL When you find it difficult to choose between woo...

Be it in the gentleman’s corner of your apartment or centre stage in your living room, this contemporary Dry Bar in its simplicity, serves as a humble vessel for your most precious l...

Stunning, c. 1820, solid walnut, two-tier, fall-front scriviana from the Piedmont district of Northern Italy. The paneled doors in the upper cabinet bordered by relief carved acanthu...

Arthur Umanoff Iron & Rattan Wine Rack with Shelves A sculptural and highly functional piece by celebrated American designer Arthur Umanoff, this vintage wine rack showcases his sig...

Circa 1950 rattan drying rack featuring an arch-shaped stand with 18 bars for drying your clothing and linens. Restored to new for you. We only purchase and sell the best and fines...

This is a very good provincial period Regence carved walnut commode or chest of drawers. The commode features an oxbow form with shaped drawers and a central drop pendant. The feet h...

Vintage Mid Century Dresser, Spanish Revival, Carved Wood, c. 1970s, Lowboy, 9 Drawers, Olive Green, Unique, Bedroom, New Deco, Maximalist Measurements: 64" L x 18" D x 30.5" H Ma...

Charming vintage wooden armoire with a distressed whitewashed finish, showcasing bold geometric relief detailing on the double doors. The piece has a strong architectural presence, w...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A fine and rare Italian 19th century Baroque style oak-carved figural credenza cabinet. The upper part with a pair of colorful Vitreaux (Stained glass) panelled doors, surmounted on ...

This large 1940s rattan "Pumpkin Bar" features a mahogany top, interior shelves and a drawer. The unit becomes a unique barrel or pumpkin shaped accent tab...

This elegant mid-century Italian bar cart, dating from the 1950s, combines refined design with functionality. Crafted with a polished brass frame, it features two tiers of clear glas...

An elegant vintage leather desk designed by iconic designer Karl Springer in the United States in the 1970s. This desk stands out for its minimalist design. It has 2 large drawers that are great for storing documents and office supplies...

A 17th century Tuscan region Italian Renaissance style walnut credenza. Having two upper drawers, removable interior shelf, and functioning old period lock. In remarkable antique con...

This stunning mid century desk/cabinet was produced by Sutcliffe of Todmorden during the 1960s. The teak cabinet has a warm, rich coloring and quality construction making it a desira...

Elegant black marble "Loico" bookshelf by Angelo Mangiarotti for Skipper. Fully constructed out of Nero Marquina (Black Marble). Made with 4 cylindrical pillars and four hand-fitted ...

An impressive one-of-a-kind custom built sideboard featuring dramatic tusk shaped "legs" which pierce the top as they thrust upward. This shape is repeated in the hand hammered steel openwork on the center doors, as well as in the inlaid embellishments that appear at the top. These metal pieces are not just applied, they are inlaid into the wood surface. The pulls on the graduated sized drawers are also hand hammered. The sideboard is solid hardwood. The tusk shaped legs and the ends of the cabinet are lacquered black. An intriguing blend of Oriental, Arts and Crafts and Art Deco styles. This piece has had a recent professional refinishing. Sideboard measures 71" wide, 18" deep and 40.5" high from base to the middle of the back splash. Height to the top of sideboard...

“MAGGIORE” Credenza - The Italian Art & Handcraft of Fine Antique Reproduction “Maggiore” 2-door Credenza, with (or without) Renaissance dentil detail: Measures: 43”W x 35”H x 24”D...

Exceptional Louis XVI Style parlor cabinet with impeccable parquetry. The piece is adorned with quality bronze ormolu mounts all around. The colors on t...

A remarkably elegant 19th century Empire cabinet that features beautiful crotch mahogany veneer. A drawer above one door that encloses three stationary shelves as well as a drawer be...

Step into the epitome of vintage glamour with this remarkable postmodern Lucite etagere, attributed to the iconic American designer Charles Hollis Jones, renowned for his pioneering ...

French Provincial style mahogany 3-drawer chest in a very nice silhouette. Made by John Hall Designs, Los Angeles, 1995. Please note scratch on side. Drawers: 22" W x 16" D x 6" H

Horizontally stacked rattan sideboard with a mahogany top. It contains five pull-out drawers and 3 side swing door cabinets each with rattan pole pulls. 1950, United States We only...

A Fine and Rare French 19th-20th Century Louis XVI Style Gilt-Bronze-Mounted Mahogany and Satiné Parquetry Vitrine Commode-Server, attributed to Maison Forest. The rectangular body s...

Our 17th century style “AREZZO Grande” credenza - The Italian Art & Handcraft of Fine Antique Reproduction The Arezzo Grande Old Chestnut credenza features 2 doors + 2 drawers, hand...

A rare Italian 19th-20th century polychrome painted and floral decorated carved wood console and mirror, the serpentine bombé form console decorated with parcel-gilt and colorful flo...

English Venezian Red Mini Kneehole Desk with raised Chinoiserie. Hand painted and crafted by Kipper himself in our shop; truly making this vibrant desk a one of a kind. He was inspir...

A rare pair of Italian walnut, marble inset commodes. Unusual in form and hard to find. They retain their original backings. Can fit in a modern home as the lines are very clean.

Four drawers with English inspired handles, resting on an Asian inspired support.

TUSCAN ALPI 4-Door + 2-Drawer Credenza in solid Old Chestnut with Dolomiti finish, includes 2 adjustable, finished interior shelves, locks & keys, with hardware options. Our exclusiv...

The rectangular top above a frieze drawer inlaid with elegant scrolling rinceau centering a lined keyhole, over two long drawers fitted with wreath form brass pulls; raised on short ...

This Italian vitrine from 1852 is actually four separate parts, it towers over you at ten feet high, and is absolutely majestic. It features a dove in flight on top of a cameo of foliage and garlands that rest upon the upper cabinet. This upper section is adorned with a large rams head in the center of the upper band. The front has two glazed door with etched glass flanked by Acanthus scrollwork and two corner shelves. Two gorgeous hand carved grotesques in the form of Wolfhounds support the upper case. The base cabinet has two hand-scalloped drawers separated by a large bull-calf’s head...

Wonderful Antique French buffet/hutch made of solid oak wood with marble top. The base has two drawers and three doors with a single shelf inside. The drawers have brass handles and ...

Florence knoll credenza in oak and marble, USA, 1961.

Rare and primitive Sumatran Two Drawer Bird Cabinet. Bird Carvings on all Four Sides. Teak and Bamboo. 1900. Indonesian.

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

Walnut Directoire-Style Commode with three pull-out drawers. Starburst hardware with hardwood inlay design. Each drawer with metal plaque keyhole.

Painted hope chest with stylized "Tree of Life," dated 1874. The style of this chest is typical of the late 1700s, so it is likely that it was passed down through generations and rec...

“ALPI” - Exclusive custom handcrafted Mediterranean style credenza line featuring our solid Italian Old Chestnut with a brushed finish we’ve named Dolomiti, after the famous limeston...

Our "Venezia" 3-door Credenza and Media Cabinet in old walnut! A lovely combination of Venetian carved details adorn this stylized yet simple credenza which offers custom sizing and ...

Opulent commode, dresser, or chest of drawers featuring a handsome organic modern raffia grasscloth wrapped or clad case. Made in the fabulous style ...

A Country French 19th/20th Century Louis XV Provençal Style Carved Walnut Vanity Dressing Table with Drawers. The large commode cabinet wi...

Pair of Swedish mid-century sideboards by Westberg's Möbler, crafted in teak with contrasting oak trim. Each stands on black metal feet capped with teak, combining robust utility wit...

Solid Walnut Folding Door Credenza

Circular rattan wall self featuring a unique two-strand "Skeleton" design with cut-out sections that hold two glass shelves. Measurements: 27" diameter x 8" deep. 1950, United Stat...

We recently acquired a set of George Nelson Rosewood Thin Edge chests out of an estate. They are vintage 1970’s and still each retain the Herman Miller Label. Please see our other li...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Pine chest of drawers by Charlotte Perriand for Les Arcs. 4 pull out drawers. Made of solid pine, circa 1960. Good original condition. Fun piece of collectible design from the popula...

Stunning Danish Brazilian rosewood credenza designed by Niels O. Moller for J.L. Møller Møbelfabrik, circa 1950s. This rare credenza corresponds to model #20 from a unique collection by designer Niels O. Møller, highlighting the design and fine materials used for its construction. Sitting on solid rosewood tapered legs, the casing features two sliding door panels with exotic Brazilian rosewood book-matched grain. There is one large adjustable shelf on the left interior, and on the right, there are four dovetailed trays plus one shelf. A well-crafted raised lip...

Wendell Castle's "Bird of Paradise," created in 1996, is a significant piece that falls within the realm of contemporary art and furniture design. Experience the artistic brilliance...

Antique tiger bamboo pedestal side table with rice mat top with flip open lid storage and a secondary bottom shelf. Restored to new for you. All ...

Antique tiger bamboo pedestal side table with rice mat top with flip-open lid storage and a secondary bottom shelf. 1950, United States We only purchase and sell the best and fine...