California - Cabinets

TRESTLES CREDENZA - Modern Ebony Walnut Cabinet with Metallic Lacquer Metal Base The Trestles Credenza is a beautifully crafted piece of furniture t...

Hand Carved Wood Walnut Panettiere Cupboard Wall mount Cabinet Rustic Bread Box . High End Chateau 18th century exquisite Louis XV Panettiere Originally used to store French baguette...

Mid-century Danish entry cabinet and mirror crafted of rosewood with copper, one small drawers for storage and raised on sqaured legs. Cabinet Measurem...

Handsome pair of Dunbar nightstands. Original medium walnut finish with leather wrapped bases. Green Dunbar tag on inside drawer of each unit. One ni...

A French Ormolu Mounted Tulip-Wood Vitrine by Francois Linke Circa 1890 Origin: Paris Height: 66.5" (168cm) Width: 34.5" (87cm) Depth: 17" (43cm) Good condition Ind...

Asian Style 12 drawer cabinet with marble inlaid top and side panels Late 19th Century 20 x 8 x 22

A French 19th-20th century Baroque Revival carved oak Bombé figural vitrine. The single front-door display cabinet with bowed front and side beveled glass panels, with two interior g...

This two-door cabinet features a natural wood body topped with a refined plaster-treated surface that adds soft texture and visual interest. Inside, ample storage and integrated shel...

“FIRENZE” Credenza - The Italian Art Handcraft of Fine Antique Reproduction This Mediterranean Style hand-crafted credenza features rustic aged Italian poplar hardwoods with C...

Stunning Dresser with Mirror by La Permanente Mobili Cantù , Italy 1950 The dresser features a figured wood front with sculptural drawer pulls, tapered brass legs, and a floating gl...

17th Century style Italian small commode in rustic old chestnut, to order and available in custom sizes by quote; 3-4 week production. Expedited shipping options by quote. Introduc...

Monumental all original bird's-eye maple armoire from France. Original finish is in excellent condition. Heavy, sturdy piece with quality construction. Metal elements are all nickel plated brass. Mirrors feature reverse painted art...

Mailtand Smith tessellated stone veneer box on stand with brass accents. Interior finished in mahogany with Maitland Smith logo. Stand is of tessellated stone veneer as well.

Our “Roma” Credenza - The Italian Art & Handcraft of Fine Antique Reproduction. This handsome Mediterranean style credenza features finely handcrafted aged solid Italian walnut wit...

Elegant Louis XVI cherrywood secrétaire cabinet.

Vintage mahogany lecturn with side drawer and three shelves by Baker Furniture Company, circa 1980s. Avery attractive and functional piece! #1271.

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

A fine pair of French 19th century Louis XV style tulipwood and gilt bronze mounted two-Door Meuble D'Appui (Side-Cabinets) with a Brêche d'Alep marble top. The slender cabinets...

A French antique ormolu-mounted two-piece marble-top cabinet in the Empire style. Crafted in solid mahogany with fabulous bronze mounts reminiscent of the Empire style using Egypt...

This vintage pair of display cabinet were produced in England during the 1970s by Nathan Furniture.  Made from teak they have a single drawer in each and glass sliding doors bel...

Restored Post War Mahogany Cabinet with Rattan Accents featuring a rattan trim with single shelf cubby space and a 2-door cabinet underneath which opens to two fixed shelves. 1940, ...

Antique Chinese Wooden Bedside Cabinet with Intricately Carved Chinese Scenery. Beyond The Decorative Carvings The Carvings Can Therefore Be Enjoyed At Their Face Value For The Skill...

A handsome and rare American midcentury walnut dressing cabinet by John Widdicomb; how fantastic is this dressing cabinet/chest?; flip-up top with interior mirror and fitted compartm...

the shaped faux marble top above a bombe-form case fitted with 2 drawers over 2 doors all raised on cabriole legs; the whole painted with foliate vines and floral garlands on a muted...

A very fine and palatial French 19th century Louis XV style giltwood ornately carved two-door vitrine display cabinet of serpentine form with foliate and shell carvings, surrounding ...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

“MAGGIORE” Credenza - The Italian Art & Handcraft of Fine Antique Reproduction “Maggiore” 2-door Credenza, with (or without) Renaissance dentil detail: Measures: 43”W x 35”H x 24”D...

Exceptional Louis XVI Style parlor cabinet with impeccable parquetry. The piece is adorned with quality bronze ormolu mounts all around. The colors on t...

A remarkably elegant 19th century Empire cabinet that features beautiful crotch mahogany veneer. A drawer above one door that encloses three stationary shelves as well as a drawer be...

Our 17th century style “AREZZO Grande” credenza - The Italian Art & Handcraft of Fine Antique Reproduction The Arezzo Grande Old Chestnut credenza features 2 doors + 2 drawers, hand...

TUSCAN ALPI 4-Door + 2-Drawer Credenza in solid Old Chestnut with Dolomiti finish, includes 2 adjustable, finished interior shelves, locks & keys, with hardware options. Our exclusiv...

Rare and primitive Sumatran Two Drawer Bird Cabinet. Bird Carvings on all Four Sides. Teak and Bamboo. 1900. Indonesian.

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

“ALPI” - Exclusive custom handcrafted Mediterranean style credenza line featuring our solid Italian Old Chestnut with a brushed finish we’ve named Dolomiti, after the famous limeston...

Circular rattan wall self featuring a unique two-strand "Skeleton" design with cut-out sections that hold two glass shelves. Measurements: 27" diameter x 8" deep. 1950, United Stat...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Wendell Castle's "Bird of Paradise," created in 1996, is a significant piece that falls within the realm of contemporary art and furniture design. Experience the artistic brilliance...

Finely inlaid cabinet. Excellent condition.

The Noor nightstand is a one-of-a-kind piece designed specifically for modern and contemporary bedrooms. What sets it apart is the unique wave design on the nightstand, which adds a ...

A striking contemporary four-door cabinet crafted in rich dark ebony wood veneer, hand-polished to a soft matte gloss finish. The sleek design features touch-latch doors that open an...

A pair of richly colored, hand carved, polychrome, Italian, clipped-corner, two door cabinets. Each with faux marbled tops and bases. Decorated with vignettes of birds and urns amids...

Designed by Ashley Yeates, 'The Modern Hepburn,' handcrafted in California using FSC-certified wood and non-toxic finishes. COM/COL Exquisitely crafted, the Leah Cabinet will effor...

These beautifully crafted transitional two door cabinets are a handsome addition to any interior setting. Elegant foliate motif marquetry is featured throughout and is an exquisite e...

Amazing 17th Century secretary or desk with imbedded painted panel. Unique and special piece. The cornice lifts to expose a hidden compartment. ...

Wonderful mid century modern dresser designed by T.H Robsjohn-Gibbings and manufactured for Widdicomb, ( it has the label in a drawer). Original piece from the 1950’s. This dresser i...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

Gigantic sideboard manufactured by Galleria Mobili d'Arte in Cantù, Italy, during the 1950s. Constructed of teak wood, metal with brass - Original label All 5 doors open to reveal ...

A traditional English Frieze cabinet made in the 19th Century, made of rich walnut and consisting of two cabinet drawers with tortoiseshell panels; it i...

Likely from Peru, this South American cabinet is made of mahogany, with bookmatched front doors opening to reveal a single open space without shelves above 2 short and 2 long drawers...

Terrific illuminated bar with marble mosaic doors. The design was inspired by St.Marks Basilica Floor. Interior Led Lighting : 120 Volt

CHLOE CABINET - Modern Cabinet in Bleached Oak with Geometric Latitce Design The Chloe cabinet is a stunning piece of furniture that boasts a unique mod...

Rare 17th C. Tuscan Baroque Credenza Console Cabinet Italian Sideboard LA CA . A good late 17th century-early 18th century Tuscan baroque polychrome decorated credenza cabinet 2 door...

SIMONE CABINET - Modern Oak Armoire with Authentic Snakeskin The Simone Cabinet is a modern and stylish armoire that is sure to make a statement in any room. It features a bleached ...

Louis XV style walnut dough bin from provence. circa 1880.

A stunning and unusual French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet. The serpentine front door vitrine wi...

GAULTIER CREDENZA - Modern geometric cabinet in white lacquer finish The Gaultier Buffet is a stylish and contemporary buffet cabinet designed to add a touch of elegance to any space. It is expertly crafted and made to order in California, ensuring high-quality craftsmanship and attention to detail. One of the standout features of the Gaultier Buffet is its sleek, lacquered finish. The lacquer not only adds a luxurious sheen to the surface but also provides a protective layer, enhancing the durability of the cabinet. The lacquer finish also makes cleaning and maintaining the buffet easier, ensuring its long-lasting beauty. The Gaultier Buffet offers ample storage space to organize and display your belongings. It features multiple compartments and shelves behind its doors, allowing you to store various items such as dinnerware, glassware, and other essentials. The interior configuration can be customized based on your specific needs and preferences, making it a highly versatile piece of furniture. With its modern design and attention to detail, the Gaultier Buffet serves...

An 18th-century Rosewood Dutch Colonial cabinet of exceptional quality, with brass inlays gracing the top section, side columns, door panels, and turned feet base. It has beautiful r...

Exceptional pair of French 19 century mother of pearl and brass inlaid ebonized two door cabinets with Carrara marble tops. Late 19 century. The carrara marble tops over a frieze wit...

Very large French Oak Trough Container. Great wear and patina to it. Rustic and modern. Can be used in the garden or inside. Has two tops that open up to a massive storage within. V...

One of a kind piece. All hand-forged metal most beautifully suitable for an exterior logia piece and plants to interior. Piece is from Rome. All the glass is hand-blown to fit the ...