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Item Ships From: Canada
Confetti Hex
By Sam Gilliam
Located in Toronto, Ontario
Sam Gilliam (1933–2022) is beloved as one of the 20th century's most important abstract artists. He was a true innovator in the evolution of American abstraction. Several groundbreak...
Category
1970s Abstract Canada - Sculptures
Materials
Textile, Acrylic Polymer, Mixed Media
Pyramids
By Gord Smith
Located in Toronto, ON
Three identically-shaped bronze triangular prisms comprise this unique work by renowned Canadian sculptor, Gord Smith (1937-2023). The individual pieces are meant to be moved to crea...
Category
1990s Abstract Canada - Sculptures
Materials
Bronze
$20,000
Classic Cast Bronze Sculpture of a Horse
Located in Toronto, ON
A realistic sculpture of a standing horse in bronze on a black marble base. Bronze base is patinated in a different tone to imitate ground.
Siegfried (Siggy) Puchta was born in 1933...
Category
21st Century and Contemporary Realist Canada - Sculptures
Materials
Marble, Bronze
$1,650 Sale Price
25% Off
"Corrugation in White"
Located in Toronto, ON
Encaustic painting is an ancient art form and was practiced by artists as far back as the 5th century B.C. The word encaustic comes from Greek and means “to burn in”, which refers to...
Category
2010s Abstract Canada - Sculptures
Materials
Encaustic, Cardboard
La Pieta
By Jennifer Small
Located in Montreal, Quebec
For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea mar...
Category
2010s Contemporary Canada - Sculptures
Materials
Leather, Porcelain, Wood
Lid #10
By Zeke Moores
Located in Montreal, Quebec
“Man's profound gestural relationship to objects, which epitomizes his integration into the world, into social structures, can be a highly fulfilling one, and this fulfilment is discernible in the beauty - the 'style' - of the relationship in its reciprocity.”
-Jean Baudrillard, The System of Objects (1996)
The cliché that “one man’s trash...
Category
2010s Contemporary Canada - Sculptures
Materials
Bronze
$6,000
"Corrugation in Deep Blue"
Located in Toronto, ON
Encaustic painting is an ancient art form and was practiced by artists as far back as the 5th century B.C. The word encaustic comes from Greek and means “to burn in”, which refers to...
Category
2010s Abstract Canada - Sculptures
Materials
Encaustic, Cardboard
Untitled (10 Charm Bracelet, Mixed)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Canada - Sculptures
Materials
Silver
Untitled pendant (Fioricet)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Canada - Sculptures
Materials
Silver
Chariot Burial
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Adaptation VII
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
My father came over from England
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person
Text by Edwin Janzen
It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity.
Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Category
21st Century and Contemporary Contemporary Canada - Sculptures
Materials
Plaster, Wood
Extrapolation 7
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Paint, Resin
Xenolith VIII
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Cityblock Level 1-6
By David Umemoto
Located in Montreal, Quebec
The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, these miniature pieces evoke temporary buildings or monuments standi...
Category
2010s Contemporary Canada - Sculptures
Materials
Concrete
Untitled
By Eddy Firmin
Located in Montreal, Quebec
Our histories are written in and on our bodies. Our identities are inseparable from our physical experiences, which are in turn shaped by genetic, cultural, and epigenetic heritages ...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic
Untitled (diptych)
By Eddy Firmin
Located in Montreal, Quebec
The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...
Category
2010s Contemporary Canada - Sculptures
Materials
Metal
Mooseamour 26
By Charles Pachter
Located in Toronto, Ontario
Charles Pachter is one of the most collected and cherished Canadian artists.
His iconic, uplifting, and patriotic images have independently earned their place in the nation's museu...
Category
1990s Contemporary Canada - Sculptures
Materials
Enamel
The suitor
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Unnamed
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Interversion
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Wood
Garden Wall
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category
2010s Contemporary Canada - Sculptures
Materials
Concrete, Metal
Adaptation I
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Silicone, Pigment, Wood, Mixed Media
Grappling Hook
By Jennifer Small
Located in Montreal, Quebec
For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea market, objects are resurrected and given a second life. This is where Jennifer Small...
Category
2010s Contemporary Canada - Sculptures
Materials
Steel
Adaptation IX
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
signe émotionnel "égo", numéro 3
By Eddy Firmin
Located in Montreal, Quebec
Through his impactful self-portrait in thoughtfully ornamented ceramic, makes an uncomfortable connection between the slavery of the past and the slavery of today: overconsumption, a...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic
Colomb (bubblewrap)
By Brandon Vickerd
Located in Montreal, Quebec
I am interested in how we collectively construct history through artifacts such as monuments and portrait bust. These devices are tools for constructing dominant historical narrativ...
Category
2010s Contemporary Canada - Sculptures
Materials
Bronze
Accoutrements
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Untitled I
By Eddy Firmin
Located in Montreal, Quebec
The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic
Happy Meal
By Zeke Moores
Located in Montreal, Quebec
Text by Michelle Cantin-Reid
The common object reconstructed through skilful assembly and technique; casted, welded, and chased metal forms; almost perfect doppelgangers of the originals, this is how Zeke Moores’ work appears. Upon closer consideration, the materiality of these pieces comes to light. Deceivingly close to the real thing, they greatly diverge from the original.
From chromed steel Trashcans to the reconstructed Port-O-Potty made from cast aluminum and nickel-plated steel, Moores uses metalsmithing techniques to render his sculptures, usurping of the traditional modes of mass production as well as the disposable materiality that we associate with these objects. In his work, mechanised assembly line production and objects made to be thrown out or forgotten become a craftsman’s labour of love. As the disposable dejected everyday object is taken from the street and placed into the gallery, our use and imposition of a hierarchy on objects becomes apparent. However, it also speaks of the amount of work no longer done by people or often done by a series of anonymous workers in a repetitive but carefully choreographed dance with machines. We approach very differently a practical or a mass-produced object and one that is crafted.
These works also celebrate those objects designed for practical but not specifically aesthetic purposes. The imposition of a new materiality gives them durability and in the case of bronze casts or chrome plating a superficial prestige. Sitting in a gallery contemplated and beheld, the cast bronze Barrier is not unlike a monument or a statue. Though, these nobler materials are not wherein the beauty lies. Happy Meal...
Category
21st Century and Contemporary Post-Modern Canada - Sculptures
Materials
Steel
Is This The Place I
ve Been Dreaming Of
By Heidi Spector
Located in Montreal, Quebec
Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of nu...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Birch
Control of the Masses 20
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Big Hair Big Dreams
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Untitled (Branch)
By Karine Payette
Located in Montreal, Quebec
Karine Payette was born in 1983 in Montreal, Quebec, where she lives and works. Working primarily with sculpture and installation, she reproduces, for the most part, environments tha...
Category
2010s Contemporary Canada - Sculptures
Materials
Metal
Adaptation VI
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
The Lovers
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Adaptation II
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Prendre soin II
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Photographic Paper
Control of the Masses 14
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Control of the Masses 22
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Control of the Masses 16
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Untitled pendant
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Canada - Sculptures
Materials
Silver
Untitled (9 Charm Bracelet)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
21st Century and Contemporary Contemporary Canada - Sculptures
Materials
Silver
Xenolith I
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Extrapolation 6
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Xenolith II
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Untitled (11 charm necklace)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
21st Century and Contemporary Contemporary Canada - Sculptures
Materials
Silver
Mystérieuse pyramide
By Eric Lamontagne
Located in Montreal, Quebec
In recent years, Eric Lamontagne has been interested in questions like perception, illusion and our relation to the invisible, through the development of works that blur the boundari...
Category
2010s Contemporary Canada - Sculptures
Materials
Mirror, Wood, Glue, Mixed Media
Untitled (8 Prozac bracelet)
By Colleen Wolstenholme
Located in Montreal, Quebec
In the mid-1990s, Wolstenholme began casting anti-depressants and anti-anxiety medications, such as Zoloft, Paxil, Valium and Dexedrine, in sterling silver. These were made into pend...
Category
21st Century and Contemporary Contemporary Canada - Sculptures
Materials
Gold
Untitled pendant (Prozac)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Canada - Sculptures
Materials
Silver
Adaptation VIII
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Engine with blue flowers
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic
Ecofact 2
By Laurent Lamarche
Located in Montreal, Quebec
When Laurent Lamarche reflects on the concept of origin, he thinks in terms of traces. His vision goes at once forward and backward, knitting together yesterday and tomorrow – thus e...
Category
2010s Abstract Canada - Sculptures
Materials
Nylon
Mélange with intake
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic, Fabric, Wood
V-eight
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic, Glass
Little four banger
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic
Julia
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Untitled
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Paint, Resin
Untitled
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Espalier: Candelabrum
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category
2010s Contemporary Canada - Sculptures
Materials
Stone, Metal
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