Cologne - Still-life Photography

'White Andalusian Horse' by Baldur Tryggvason A beautiful close up image of a white Andalusian horse dramatically silhouetted against a black backgro...

An iconic image. Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Getty Images...

Black and white still life photograph of a white shell on a simple white background "Shell", photographed by David Halliday in 2003 Sepia toned silv...

Sepia toned silver gelatin print, edition 4 of 25 Custom black stained wood molding with visible grain 8-ply antique white mat with AR non glare glass. 4.5 x 4.5 inches unframed, 17 x 17 inches framed This square sepia toned silver gelatin print of a Victorian spiraling staircase...

Formalist sepia toned still life photograph of white lily flowers and brown plantains on a tabletop Lilies and Plantains, by David Halliday, printed in 2003 Sepia toned silver gelati...

Mauretania - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Additional I...

This vintage silver gelatin print is signed in pencil on the front of the mount.

Edition 3/10 Signed, dated, titled, and numbered in pencil on print verso. Gelatin silver print 11 1/4 x 11 1/4 in.

This early silver gelatin contact print with margins bears the photographer's numerical exposure notes in pencil on the back of the print.

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Sweet Peas, 1907 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches Frame size: 22.5 x 17.5 x 2 Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

Framed still life photograph of single magnolia leaf Sepia toned silver gelatin print, vintage uneditioned print Custom black stained wood molding with visible grain 8-ply antique w...

Vintage style still life photograph of antique white bowl, framed Sepia toned silver gelatin print, vintage uneditioned print Custom black stained wood molding with visible grain 8-...