Connecticut - Art

silk damask, silver leaf, screen print, impressed metal leaf

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

"These three brothers were knuckleheads on set and a welcomed source of entertainment. Watching them waddle around, bump into one another, fall off surfaces, and get lost was hilario...

"Albert Einstein once said that mystery is the source of all true art and science. As I found myself looking into the eyes of this incredible animal, I realized I was seeing both. My...

Artist: George Rodrigue (1944-2013) Title: Midnight Surprise (Blue Dog Series) Year: 2000 Edition: 62/150, plus proofs Medium: Silkscreen on archival paper Size: 22 x 17.5 inches Con...

Artist: Peter Max (1937) Title: Space Angels Year: 1999 Edition: 199/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 6.5 x 12 inches Condition: Excellent Inscripti...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

From his most desirable period, this restrained in color palette Fonseca is for a collector and room where sophistication is key. Long held that his works on heavy paper are the mos...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $6,250.00 60" x 48" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 47" x 39" - $7,750.00 67" x 5...

These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct example is in Alien Nation where i have a potter at a ...

Sz: 14 1/4"H x 21 7/8"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Snowman Ice Skating

"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...

This beautiful figurative female sculpture is by René Romero Schuler. This powerful female figure speaks to the complexities of the human condition and the spirit that connects all...

Utamaro Kitagawa – active ca. 1753-1806 Woodblock Print title : Awabi Diver with Shell date: Showa era edition size : oban, approx. 9.5 x 14.5 in...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

Claude Howard Stuart is an artist working in Europe and America. Watercolor, ink ,acrylic and and even cold wax and oil are the many different mediums that Claude uses on his varied and exciting works. His influences come from all the different places and experiences he has had throughout his life, as well as the varied different art styles he’s studied. Having lived in many different places around the world the styles of art, architecture, traditions and religions have all played into the art he makes.. He studies a period of art and then works with antique, vintage and original pieces to build his collage pictures making each one a unique study of a period, city or style. Claude works on his pieces to bring together a feeling of the period and art movement that is inspiring him. Sometimes Matisse and Picasso and other times old master drawings and abstracts. These set of collage...

This Modern painting by Abstract Expressionist Stanley Bate was made with oil on canvas circa 1960. It features a cool blue and grey palette along the perimeter, with warmer muted gr...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

This pair of male and female brass masks are emblematic of Hagenauer’s highly stylized Art Deco design. The artist’s reductionist approach together with a nod to African tribal shiel...

A contemporary painting in oil on canvas of a light and inviting interior scene with an arrangement of pale pink flowers in a clear glass vase next to canary yellow and green and whi...

Silk elements, oil and acrylic on linen create a dynamic surface in this contemporary geometric abstract painting in shades of dark blue from navy to deep cobalt. Variations of soft ...

In this contemporary artwork in graphite and acrylic on canvas with layered undulations in shades of gray on a white background, Margaret Neill investigates the properties of abstrac...

In this contemporary portrait of a woman in watercolor and graphite painting on a digital pigment print, an intricate depiction on the woman's skin delicately details a NYC subway ca...

A peaceful landscape scene is set in shades of blue with pale yellow and ivory in this oval encaustic (pigmented beeswax) painting with oil, pigments from Morocco and India, volcanic...

IAN HORNAK (1944–2002) Title: Last Song: Im Abendrot (In Evening’s Glow) Date: 1985–2001 Medium: Acrylic on Canvas, with Artist Painted Frame Dimensions: 47 x 59 inches (119....

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Framed in a clear UV acrylic shadowbox, Catherine Latson's contemporary wall-mounted fiber sculpture Specimen 25 reads as an artistic rendition of a beautiful sea specimen. Rich, jew...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Artist: Peter Max (1937) Title: Galaxy Lady Year: 1972 Edition: T.P.; 300, plus proofs Medium: Silkscreen on wove paper Size: 16 x 18.5 inches Condition: Good Inscription: Signed by ...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These works have been inspired by my walk...

This contemporary wall mounted fiber sculpture, Catherine Latson's Specimen 21 reads as an artistic rendition of a beautiful sea specimen. Rich, jewel-toned purple hand-dyed cotton t...

Artist: Peter Max (1937) Title: Liberty Head X Year: 2004 Edition: 679/700, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7 x 6.87 inches Condition: Excellent Inscripti...

IAN HORNAK (1944–2002) Title: Light from the Past, 1st version Date: 1985 Medium: Acrylic on double layered Masonite Dimensions: 21.5 x 18 inches (54.61 x 45.72 cm) Conditi...

This minimalist layered painting is by David Skillicorn. Hw began his career as a documentary filmmaker and is a self-taught artist. His process is one of applying paint liberally, c...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

This abstract painting by Tony Iadicicco features a light grey palette. The artist blends light shades of grey together to create an abstracted landscape composition, with a darker s...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size 8.5 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Garden Still Life with Flowers and Plants) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condi...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.625 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...

Watercolour depicting a polo player w/ upright mallet Signed, 'Wooster' (LL) Art Sz: 10-1/4"H x 6"W Frame Sz: 14-1/2"H x 10-1/2"W in coral mat w/ hunter green frame

Meeting Point by Caroline Bartlett, Mono-printed, stitched and manipulated linen, cotton threads 60” x 16.5,” 2020. UK fiber artist, Caroline Bartle...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size 6.24 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

Artist: Shimshon Holzman (1907-1986) Title: Untitled (Cafe Interior) Year: 1962 Medium: Watercolor and graphite on wove paper Size: 27.75 x 19.75 inches ...

20"H x 14"W 28 single plates 2 double-plates Stamped: Adolphe Legoupy 6, Boulevard de la Madeleine, Paris Georges Goursat (1863–1934), known as Sem, was a French caricaturist famo...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Artist: E.M. Zax Title: $100 Year: 2023 Medium: 3D Polymorph Mixed Media on Paper Size: 12 x 28 inches Condition: Excellent Inscription: Signed by the artist (E.M. ZAX) E.M. Zax is ...