Connecticut - Art

"Road to Damascus" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) "The Road to Damascus" 16 x 20 inches Oil on panel Initialed and dated 63 lowe...

A native son of New England, Peter Poskas III—like many American artists before him—derives inspiration from the charming towns and tranquil landscapes of coastal Maine and Connectic...

Represented by George Billis Gallery. These recent paintings are my abstracted interpretations of the natural world. This is an ongoing reimagining of vegetation, flowers and the la...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Her oil on canvas images are photorealistic and gorgeous.

Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Republican art school by Taras Shevchenko,...

This professionally framed "Life History of Buddha" thangka is hand painted on canvas with 24K real gold. Shimmering gold brush strokes and dark color palette with illustrative work...

Available Sizes: 23" x 19" $5,000.00 Edition of 15 27" x 22" $6,000.00 Edition of 20 45" x 45" $10,000.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper...

Title: Witch's Hat Mushroom Medium: Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 24" x 24" 36" x 36" 48" x 48" 60" x 60" "Mushrooms are different ...

"Ol’ Jethro, what a character. Having been a show pig his whole life, Jethro is kind of a big deal in several parts of the world, but he sure was stubborn. We tried over and over to ...

Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 52" x 38" (1973) by Czech textile artist, Jan Jladik...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Eric Nash is a California artist working in oil and charcoal. Often highly realistic, his images are pared down to their idealized essence often conveying a film still or a memory. H...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.75 x 5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vo...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally uns...

Art Sz: 14 3/4"H x 10 1/2"W Frame Sz: 22 1/4"H x 17 3/4"W w/ Ascot grey matte & gilt wood frame 1930s British Horseman's Caricature in watercolour and ink caricature for "The Tatl...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Near Oakdale is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features diamond shapes c...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...

Available Sizes: 20" x 24" $6,000.00 Edition of 15 24" x 30" $7,000.00 Edition of 20 45" x 45" $11,000.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper. ...

A wonderful English watercolor painting depicting A Donkey, Lambs and a Robin in a stable the night before Christmas.. This piece was drawn ...

Fidelia is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features a grid of copper and ...

Gold Laugh (1980-85) metallic and acrylic thread, cotton. Gold, Metallic Woven Abstract Textile Sculpture. Textile artist, Micheline Beauchemin (1929-2009) was born in Longqueuil, Quebec, Canada. She has created a repertory of various works which includes theatre curtains, tapestries, wall hangings, embroidery murals, flexible walls, stained glass works, scale models, collages, toys, costumes and illustrations. Micheline Beauchemin began her career making stained-glass windows but early on turned to weaving and embroidering spectacular wall hangings in vibrant colors, including blues and greens. travelled and studied in Japan, China, India, North Africa, the Canadian Arctic and the Andes, adding depth and mystery to the love of light, water, wings and nets that is evident in her body of work. Beauchemin’s works are included in the collections of the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; the Musée du Québec; Pearson Airport, Toronto; the Canada Council, Ottawa; the Canadian Museum of Civilization, Gatineau; the Bibliothèque Centrale, Quebec; the Taxation Data Centre, Shawinigan; the Revenue Building, Québec; North York...

Available Sizes: 24" x 24" $3,000.00 Edition of 15 30" x 30" $4,000.00 Edition of 20 45" x 45" $8,500.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper. ...

A vibrant and yet romantic sailing scene which was a favorite series by Della-Volpe. His compelling colorist approach has made his works desirable as he was one of the few artists post-war to be representative in style like Milton Avery and Wolf Kahn. Head to Sea has the hallmark intense and lovely coloration for which Della-Volpe is known. He came out of Abstract Expressionism in the New York school but then pivoted, like Milton Avery to representational, colorist work. The frame is a silvered gold leaf float frame of quality and has a rubbed, antiqued surface...

This softly colored pastel of summer roses is superbly rendered by important French symbolistt artist De Scevola. He studied at the atelier Cormon and exhibited first with the Artist...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

Glad You Asked -Rich vibrant palette 60 X 60 Acrylic on canvas Neltje was born in New York City and raised in style on Long Island and a South Carolina plantation. At the age of 32, ...

Bavarian-born and raised Eva Mueller, made New York her home in 1990.Her previous studies and experience in graphic design and visual fine art, evolved into her career in photography...

In this contemporary painting in oil on canvas, lively abstract brushwork in bright pink, yellow, purple and lush green against a peach, pink, red, burgundy, white and gray backgroun...

Canvas Sz: 7 1/2"H x 9 1/2W Frame Sz: 10 1/2"H x 12 1/2"W A fine oleograph on stretched canvas "The Polo Pony" after the original painting by Alfred Munnings. The oleograph has a h...

Max Kalish was an important and highly collected American sculptor desired for his depictions of the working man. Here we see a miner taking a break. Kalish was adept at conveying ...

This handwoven contemporary textile sculpture, Rojo, was done by Chilean fiber artist, Carolina Yrarrázaval (b. 1960). Yrarrázaval explains her in...

American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art instruction at the Vespe...

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Roger de la Fresnay...

Jacquelyn Trone (American, 1941-2020, specialist in Colonial-style art) Art Sz: 11 3/8"H x 8 1/2"W Frame Sz: 15 5/8"H x 12 3/4"W Provenance: The Susie Hilfiger Collection From "P...

Available Sizes: 19" x 23" $5,000.00 Edition of 15 22" x 27" $6,000.00 Edition of 20 45" x 45" $10,000.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper....

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Contemporary wall-mounted sculpture by Tristan Fitch composed of pit-fired porcelain cubes on a hand-carved shelf made from locally sourced pine referencing architectural forms and a...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she take...

Artist: Peter Max (1937) Title: Tip Toe Floating I Year: 2001 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 6 x 4.75 inches Condition: Excellent Inscr...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

Represented by George Billis Gallery, NYC & LA -- Kiki Smith is one of the most widely recognized people in the art world today, and one of the most prolific artists of her generati...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. W...

Print Sz: 15 3/4"H x 20 5/8"W Frame Sz: 21 5/8"H x 27 1/8"W Page 37 M. Housley Custom framed and matted Monseigneur le Marquis estant à cheval, pour Mônsrer la vraije assiette d...

This expressive Head of a Woman which Cottavoz called "Portrait Jaune" - is very strongly in the tradition of both Picasso and some of the British artists like Frank Auerbach. It ha...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

nylon and stainless steel

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

A great early date for this artist where he was coming out of the origins of expressionist and fauve works of art. A unique composition depicting a woman setting out a table laden w...

B'Still Life, Anda Klancic, hand-controlled, machine-embroidered lace, cotton, synthetic, metal threads, 23" x 42", 1996-2020. "The tactility of the interweaving in the fibrous wor...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight paper create an undulating composition suggesting layers of the earth's crust and geological forma...

Patt Baldino is an artist passionate about capturing the beauty and complexity of the natural world through her award-winning oil paintings. Her work is rooted in a deep appreciation...

The Prince Of Wales By Alfred Munnings. A rare and signed Sir Alfred Munnings coloured offset lithograph of H.R.H The Prince Of Wales, sat astride his chestnut hunter, Forest Witch....

Saba's Garden, linen, sisal and wool, 84" x 92", 1978. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Szafranska (b. 1929, Warsa...

Represented by George Billis Gallery. Katie Riesco is a classically trained artist & painter who lives and works in Fairfield, Connecticut. With her contemporary artwork, Riesco str...

When I think about the conventions of painting -- a tradition I respect immensely -- I notice that my concern has always been with the interplay of light and structure" says artist S...