Continental Europe - Figurative Prints

Lithograph realized in 1980s. Hand signed in pencil lower left. Artist Proof. Very good condition.

Lithograph realized in 1983. Hand signed and numbered in pencil. Edition of 100.

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Arnaud D'HAUTERIVES The Dreamer Original lithograph Handsigned in pencil Numbered on /275 copies On vellum 56 x 76 cm (c. 22 x 29.9 in) Excellent condition

This handmade cyanotype monotype presents a striking interplay of geometric abstraction and atmospheric depth. Layered translucent forms in deep Prussian blue and soft white overlap ...

Morning Awakening by Alfons MUCHA (1860-1939) "Morning Awakening" from the series "The Times of the Day" Variant 1 Original lithograph Signed "Mucha" and dated "99" for 1899, at t...

Hibou is an Artwork realized in 1975, by the Artist Enrico Baj. Color lithograph lithograph, by the artist in 1975 for éditions XXe Siècle - Le Surrealisme . Excellent condition. P...

The Examination of the Herald is an original lithograph on paper realized by Aubrey Vincent Beardsley. Black and white lithograph. The artwork is the plate n. 7 from the portfoli...

Life as a Merry-Go-Round. What goes around, comes around, with all life’s ups and downs, and we are always on a Journey of exciting discovery, most important thing is having you with me along the way. "Merry-go-round" is an Illustration work on relationship - "less is more" is the signature style of Kin Choi Lam...

Tacita Dean (British, born 1965) La puerta del Diablo, 2021 Medium: Hand-printed photochemical colour photograph printed on Fuji flex paper, mounted on paper Dimensions: 40 x 37.5 cm...

Color lithograph on wove paper realized by Enrico Benaglia in 1980s. Edition of 99. Hand signed and numbered in pencil. This imaginative lithograph by Enrico Benaglia exudes both ...

Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Lithograph realized by Antonio Saliola in 2000s. Edition of 217/250. Hand signed and numbered in pencil. Excellent condition. Italian painter and printmaker Antonio Saliola is ce...

"VINYL MICKEY MOUSE" Plexiglass Print 39' x 39' in Ed. of 5 by Edyta Grzyb Fine art pigment print on Hahnemühle, 300 g under acrylic glass 2020 Each prin...

Color Lithograph realized by Daniela Romano. Hand signed and numbered in pencil. Edition of 90. Very good condition.

- handsigned on the lower right - dated and unreadable inscripted in the plate - from the Suite Vollard - plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm - edition of 260, unnumb...

André DERAIN Near Saint Paul de Vence Original lithograph in colors (printed in Atelier Lucien Detruit) Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) I...

Théo Tobiasse Title: Jerusalem roule le long de ma gorge Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

Color lithograph realized by Max Ernst in 1974. Not signed. as issued. Printed by  Atelier Pierre Chave in Vence, France. Excellent condition.  This lithograph was realized  by th...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

Etching hand colored. Hand signed and numbered. Edition of 100. Excellent condition.

Limoges porcelain in "Bleu de Sèvres" and gold. Artist: Salvador Dali Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968. "Silhouette de Faust" drawn by...

Enrico Baj - Original Lithograph Colorful Abstraction 1962 From the art revue XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued

Etching hand watercolored realized in 1980s. Hand signed in pencil. Artist proof. Very good condition.

Willibrord Haas (*1936 Schramberg), Rising, 1980. Etching, 35 cm x 22 cm (plate size), 53.5 cm x 38 cm (sheet size). Signed “Willibrord Haas” in pencil by the artist, dated “1980”, t...

Babies DJ. Funny and touching image composed by Spanish artist Pablo de Pinini as a reinterpretation of past masterpieces, in which contemporary or futuristic elements burst in in u...

Etching realized by Jules Jacques Veyrassat (1828-1893) after Rosa Bonheur (1822-1899). It depicts the bustling Paris horse market, showing vigorous movement as horses are led and s...

Screen print realized in 1980s. Hand signed. Artist proof. Very good condition.

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Lithograph realized in 1990s. Hand signed and numbered. Edition of 130.

Serge MENDJISKY (1929-2017) Gallop at Longchamp Collection " The races " Circa 1970 Original lithograph Signed in pencil Numbered /300 copies On wove paper 45.5 x 59.5 cm 190 euros

Etching realized by Antonio Saliola in 1990s. Titled and hand signed. Very good condition.

Salvador DALI Les chevaliers du roi Arthur ("The cavaliers of King Arthur") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 x 32.5 cm This etching ...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

NICK SMITH - FAME Date of creation: 2022 Medium: Giclée and screen printed varnish on paper Edition: 66 Size: 62 x 60 cm Condition: Brand new, in mint conditions and never framed De...

Alfredo Pina’s Young Faun is a remarkable bronze bust that encapsulates the vitality and mischievous charm of its mythological subject. Sometimes misidentified as Young Bacchus, this...

Lithograph on paper realized in 1970s. Hand signed in pencil. Artist proof our of an edition of 175. Very good condition.

Marc Chagall (1887-1985) - The Angel Original Lithograph from 1956. Dimensions of work: 35 x 26 cm. Publisher: Tériade, Paris. Reference: Mourlot 120. On the reverse: blank, as i...

Nude of Woman is a Lithograph realized by Carlo Marcantonio in 1970s. This original print is hand signed. This is an edition of 50 prints plus some artist's proofs. Prints are the ...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

Original Vintage Poster by the Austrian artist Ferdinand Ludwig Graf, a member of the Hagenbund. This Viennese artist association moved as soon a...

Lithograph hand retouched. Hand signed and numbered in pencil. Edition of 50. Very good condition, with some minor foxing.

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

Etching realized in 1974. Hand signed and numbered in pencil. Edition of 12.

Etching realized by Antonio Saliola in 1990s. Titled and hand signed. Very good condition.

Screen print on paper realized by Antonio Saliola in 1990s. Hand signed and titled. Artist proof. Diffused foxing, otherwise very good condition.

Etching realized in the early 1980s. Hand signed and numbered. Edition of 30. Very good condition.

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Colored lithograph on wove paper realized by Enrico Benaglia in 1980s. Edition of 130. Hand signed and numbered in pencil. Very good condition. This expressive lithograph by Enri...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original lith...

Pierre Bonnard - The Sun Original Lithograph Dimensions: 32 x 24 cm Verve . Revue Artistique et Litteraire. Vol. V, Nos 17 et 18. Signed in the plate Unumbered as issued

Salvador Dali - Cup of Chocolate - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Marcel Dzama (Canadian, b. 1974) Midnights Moon Light, 2023 Medium: Lithograph on Velin d’ Arches paper Dimensions: 100 × 68 cm (39 2/5 × 26 4/5 in) Edition of 70 + 7 AP: Hand-signed...

Portrait is a screenprint on paper engraved by  Nani Tedeschi (1938-2017) . Signed on plate, on the lower right. The state of preservation of the artwork is good. Nani Tedeschi (...

Anne Imhof (German, b. 1978) YOUTH, 2023 Medium: Complete set of 4 giclèe prints with screenprinted elements Dimensions: Each 25.4 × 30.46 cm (10 x 12 in) Edition of 250: Each signed...

Pierre-Jean COUARRAZE Golf : Birdy Original lithograph Handsigned in pencil Limited /275 copies On vellum 76 x 54 cm (c. 30 x 21.25 in) Excellent condition

Etching on wove paper. Engraved by James Heath, Historical Engraver to His Majesty, published by J. J. Boydell, London, March 1, 1803. This fine 19th-century engraving by Jam...

Original Lithograph by Jean Cocteau Title: He ! He! Toro 1961 Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de Diffusion Artistiq...

Color lithograph on wove paper, realized in 1968. Image dimension: 70.5x55; Sheet dimension 94.3x76 cm. Hand signed and dated in pencil lower right "J. Johns / 68". Edition of 6/7...