Continental Europe Inkwells

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Very precious Italian inkwell and signature pad with original paper. It's made with very rare portoro marble, particular for its black with brown and gold veins. Price is for the com...

Classic 1890s black forest Brienz wood carved inkwell in form of a Bear. Nice addition to your room or just for use it on your desk. Made of hand carved wood and glass eyes. Found at...

Empire Inkwell on Circular Base Origin: France Material: Gilt bronze (Ormolu) Date: Circa 1800–1810 Dimensions: H × D: approx. 16 × 19 cm Description: Classical-style inkwell in t...

A refined antique inkwell, with two inkwells made of bronze, including glass cups. The base is made of veneered marquetry wood with a diamond pattern, framed in a bronze rim, resting...

English Inkwell with Faceted Crystal Body Origin: United Kingdom, Birmingham Material: Cut crystal, sterling silver mount Date: 1905 Dimensions: H × Ø: 13 × 9 cm Description: This...

Cool Ink Well designed as a Godin iron stove from the late 19th Century. Made in France in cast iron and painted with a beautiful patina. Probably an advertising item...

Louis XV style inkstand with chinoiserie design, lacquered top. This rare and stylish inkstand is a work of the house Boin-Taburet, goldsmith in Paris. This impressive size inkstand...

Cut Crystal Inkwell with Faceted Hinged Lid Origin: likely Central Europe Material: colorless lead crystal, brass Date: circa 1900 Dimensions: H × W × D: 11 × 11 × 11 cm Descriptio...

Antique Art Deco Green Onyx Gold Champlevé Enamel Office Inkwell Ink Pen Stand Continental Onyx, metal, champlevé enamel c. 1920 Dimensions: H x W x D: 10.5cm x 16.5cm x 12.5cm T...

This figural traveling inkwell was made during the very early 1900s. It is made to look like a milk churn. We believe it is made of nickel plated brass; some of the plating has worn ...

Calamaio a forma di sarcofago in marmi pregiati, Roma, inizi del 19 secolo, epoca Grand Tour. I calamai a sarcofago del Grand Tour sono oggetti di lusso del XVIII e XIX secolo ispi...

Beautiful stamps box or utensils box made from bakelite. Bakelite is the original form of the plastic used now. Very good condition. .

A very elegant desk set in art deco probably from 1930s or earlier. The desk set is made of patinated brass and consists of two parts. An ink stand with pen stand and a rocker blotter...

Origin: Switzerland Material: Wood, glass Date: c. 1900 Dimensions: H × W × D: 6 × 8 × 5 cm Description: Small inkwell made of carved wood in the shape of a walnut. The lid is hinge...

A stunning green inkwell with dore bronze setting. The inkwell has a amazing bright green color and it is made out of green uranium glass. When you illum...

Classic early 1890s Black Forest Brienz wood carved inkwell in form of a walnut on a leaf. Nice addition to your room or just for use it on your desk. Made of hand carved wood and gl...

Silver inkwell with base obtained from a deer hoof. English manufacture of the late 19th century. Good condition, the ink bottle is missing. Measures: cm 6.5 x 10 H 8. Shipping is insured by Lloyd...

Stunning desk piece. This good size Art Nouveau ink-stand is signed by Andre Villien (see image 7). Villien was a French sculptor and decorator who work...

Exceptional antique Inkwell with rich bronze ornaments and three porcelain vessels. The ink jars are painted in a beautiful rich green and embellished with gold colour. France, 1839. On the lid is written "ENCRIER BOUQUET" "MEDAILLE D´ARGENT...

Beautiful antique inkwell, made from glass with brass. France, circa 1880.

Antique iridescent purple glass inkwell by Kralik in the "Pampas" decor, i.e. a Kralik decor shift on Loetz Pampas. Lobed square form with typical trailed...

French Inkwell with Sheaf of Grain Decoration, signed "Frecourt" France, circa 1900 Gilded metal, glass Dimensions: H × W × D: 5 × 12 × 11 cm Description: A compact French inkwell ...

French cut-glass, Palisander and ormolu inkwell. Sneaks as handle and claw on ball feet. Original glass wells and two drawers.

Inkwell with Cloisonné Enamel Origin: France Material: Bronze with polychrome cloisonné enamel Date: Circa 1870–1890 Dimensions: H × W × D: 8 × 8 × 8 cm Description: This small in...

Very charming Travel Inkwell in leather with a Count`s Crown, probably early 18th Century. Nice patina with some wear. See pictures. Wear consistent with age and use.

Black and white glass ink well Brass nickel platend

An antique ink stand, made of polished brass, completely in Renaissance style, with richly pieced scroll motifs. The inkwell has two removable ink we...

Faithful copy of the writing service by the silversmith Pietro Rubini, Milan c.1775 The inkstand is composed of a shaped tray supported by 4 rocailles feet, modeled along the entire profile by finely embossed and chiselled volutes, leaves and shells. Above the tray are two ink holders and two pen holders with spiral workmanship and highly embossed vegetable decorations. A bell in the center of the object rests on a FASTIGIO pierced with flowering vines. By Fiorentini, Argenterie di Milano - Italy for ARVAL ARGENTI VALENZA Italian silverware...

Faceted Amethyst Glass Inkwell with Brass Lid Origin: France Material: glass, brass Date: circa 1900 Dimensions: H × D: approx. 6 × 12 c...

Elegant Empire-period inkwell featuring a rectangular base in griotte red marble, embellished with gilded bronzes. The main decoration, of great finesse, represents a winged figure i...

Inkwell in gilded bronze and crystal from the second half of the 19th century Original gilding in perfect condition 19th century, Napoleon III 8.2 x 10.6 cm, total height 8.2 cm

Inkwell with Enamel Decoration and Onyx Plate Origin: Probably France Material: Gilded metal, champlevé enamel, onyx Date: Circa 1870–1890 Dimensions: H × W × D: 9 × 12 ×13 cm Des...

Small famille verte porcelain inkwell decorated with enameled flowerpots, foliage, and stylized rinceaux. The inkwell is set on a gilt bronze b...

Art-Déco inkwell depicting globe mounted on polished Portoro marble base. Earth globe with the names of the continents and seas written in French, cast in aluminum with embossed con...

Beautiful Art Deco style hand-carved wooden inkwell or pen stand with a majestic owl figure with glass eyes. The stand features a tray for pens and accessories at the front. The head...

A 19th century French inkwell in Champlevé enamel and bronze, mounted on an integrated tray with pen holders, in the Napoleon III style. This elegant desk accessory showcases the cr...

19th Century small French antique engraved brass Inkwell in Louis XV style signed in the bottom in very good authentic condition.

Inkwell with Cloisonné Enamel and Onyx Base Origin: France, probably Paris Material: Gilt bronze, cloisonné enamel, onyx Date: Circa 1880 Description: Oval inkwell with a centrally...

Rare Chinese opium smoking tray in cloisonné bronze with black enamel. Divided into three compartments plus the wick deposit. 19th century.

A richly engraved gilded bronze inkwell decorated with cabochon polished malachite stones Fully engraved in Louis XIV style 19th century both glass inside inkholders missing 11.5 x ...

Classic early 1900s French metal inkwell. Nice addition to your room or just for use it on your desk. Made of cast iron and glass. Marked with a number and letters. Found at an estat...

Gorgeous most rare Swiss Black Forest 19th century Inkwell / desk accessory fully hand carved displaying a dog wearing a hat and monocle. Detailed carving by a master carver. Comes w...

Inkwell with Butterfly Finial Origin: Probably France Material: Gilded metal with floral engraving and enamel decoration Date: Circa 1870–1890 Dimensions: H × D: 11 x 15 cm Descri...

Gorgeous most rare Swiss Black Forest 19th century Inkwell / desk accessory fully hand carved displaying a cat in a boot. The cat is very detailed with glass eyes, a perfect charm lo...

Chinese Porcelain Desk Vessel with Gilt Bronze Mount Origin: China, made for the European export market Material: Porcelain, overglaze decoration, glass liner, gilt bronze Date: Lat...

This Late 19th Century Victorian inkwell set exemplifies intricate craftsmanship and luxurious design. It features a silver-plated tray with ornate detailing, including embossed flor...

Inkwell Calamelli workshop (attr.). Faenza, second half of the 16th century Height 4.33 in; length 8.07 in; depth 2.95 in (11 cm; 20.5 cm; 7.5 cm) Weight: 0.800 lb (363 g) State of conservation: some chipping to the top of the mask around the mouth. Handle glued, without any restorations; minor chips in some raised areas. This object has the shape of a foot wearing Greek-style footwear, as can be seen in some raised areas. The foot is anatomically modeled with bare toes, while the ankle is partially covered by the footwear. On the heel, there is a small circular handle to support the object. The mouth of the container is shaped like a mask. The interior, completely enameled, suggests that the piece was intended to be used as an inkwell or to contain some other liquid. The base, however, is not enamelled. The painted decoration, scant and brief, consists of rapid cobalt blue shading between the toes of the foot, with more precise emphasis on the nails. It is accompanied by yellow citrine accents to enhance the forms. The mask is painted with the tip of the brush, to accentuate the tense nature of the eyes and to accentuate their outline. Thin strokes of yellow-orange line the interior of the mouth. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. This artwork finds parallels in similar objects all characterized by this refined style and produced in the city of Faenza and other Italian centers starting from the mid-16th century. The closest comparable example in majolica is a foot acquired by the British Museum in 2011 (inv. 2011, 8008.1). This was previously published by Carmen Ravanelli Guidotti in 1996 and later by Dora Thornton in 2016 during the conference on Renaissance ceramics...

Thanks to 3D engineering and high precision manufacturing, the pen is assembled without using a single drop of glue. Transparency allows one not only to see the pen's mechanism but a...

Inkwell in red Griotte marble and gilt bronze representing an allegory of writing by Henri Chapu (1833-1891). This old 19th century inkstand is ...

Beautiful Black Forest style hand-carved linden wood inkwell with a realistic dog figure with glass eyes. The stand includes a designated rest for pens and accessories in the front, ...

This exquisite antique inkwell is a stunning example of Art Nouveau design, shaped like a grotto shell and inscribed with "Souvenir du Croisir," capturing the romantic essence of a b...

Exceptionally beautiful inkwell from the French Art Nouveau period. Great workmanship of Art Nouveau decor with maple and vine motifs on the bottom of the pen tray, the ink cup holde...

Inkwell with Beetle Relief Origin: France Material: clear pressed glass, silver-plated metal lid Date: circa 1900 Dimensions: H × W × D: 11 × 8 × 8 cm Description: Square inkwell ...

Maritime Inkwell with Anchor Mount France, circa 1880 H × W × D: 12 × 10 × 8 cm Description: A rare maritime-themed inkwell featuring a prominent sculptural anchor motif. The dark...

Beautiful Inkstand in leather in the shape of a heart for your love letters. Made in France during the late 19th Century. Richly decorated with gilded leather and brass. Wear consi...

English Silver Capstan Inkwell by Cohen & Charles, Chester, 1908 Silver capstan inkwell with pen holder in front English silver Hall marked, Chester, ...

A very fine Russian giltbronze mounted malachite veneered inkstand from the first quarter of the 19th century. Of rectangular form with an acanthus leave decorated border on round fe...

Inkwell made from crystal glass. The lid is silver-plated.

Antique French Rococo style gilt pewter and porcelain inkwell from circa 1900, marked "Chatelain". This beautifully shaped gilt pewter inkwell is adorned with flowers in the center ...