Continental Europe - Dining Room Tables

'Il Colonnato' oval dining table in white Carrara marble with evident gray veins by Mario Bellini for Cassina. The table features an...

Lovö” dining table by Axel Einar Hjorth, made from solid pine in a clean, rustic design. Beautiful woodgrain. “Lovö” is one of the series of furniture included in NK:s “Sporstugemöb...

Strato Italian Travertine Marble Dining Table Contemporary Design Modern Column Strato is a sculptural marble table that challenges the traditional image of a marble column. Designed by Joaquín Moll for Meddel, Strato is a contemporary piece that transforms a classic architectural element into a striking, modern centerpiece. Composed of two perfectly aligned travertine marble segments, the column splits midway, with the upper part subtly offset to create a bold and dynamic visual rhythm. Topped with a circular glass surface, Strato blends natural textures with modern design language. This marble table is not just furniture—it is a statement piece. Its flawless symmetry, precise proportions, and natural travertine finish showcase an expert understanding of materials and form. Strato is handmade in Meddel’s Segovia workshop and is currently available in stock. Its unique form and strategic use of marble reflect Moll’s signature approach: merging fine craftsmanship with artistic innovation. What makes Strato so special is how it brings a sculptural presence to any living space. The natural travertine marble adds timeless warmth and texture, while the clean geometry and glass surface introduce a refined, contemporary edge. This is a table that adds style, quality, texture, and luxury to any interior. Buyers should note that Strato is crafted as a single piece but delivered in two marble elements for easier handling. The glass top is detachable, and no special installation is required—just careful placement. Due to the weight of the natural stone, placement on solid flooring is recommended. Joaquín Moll, a Spanish designer known for his avant-garde interpretations of traditional materials, brings a fresh and sophisticated vision to marble in this piece. Strato fits perfectly within his new collection for Meddel, which features exclusive and unpublished designs that push the boundaries of functional sculpture. Strato marble table is more than a modern marble column...

Table designed by Ico Parisi in 1955, relaunched in 2020. Manufactured by Cassina in Italy. Designed in 1955, the design of this table – a piece of furniture considered by Ico Parisi to be a central element in the home - accompanies the Maestro’s career and evolves with different materials. The Olimpino table has a slender, bold and recognisable square section tubular metal frame made of two pairs of "Y" shaped uprights, whose upper inner arms converge to join under the top, while the outer arms diverge to block the rectangular plate of the top, in monolithic tempered glass, with a brass side stopper. The legs, thus paired, are strengthened with a double crossbar, also in metal, which opens near the sides and forms a double "V" shape. The solid wood arrow...

Atlante is a round dining table with essential lines and a strong inspiration. Completely fashioned in UHPC concrete mortar by a team of expert artisans, this table perfeclty emodie...

Large extendable dining table in solid pine wood from 1970's. Denmark. The table has two extensions of 50 cm. so it can be used closed (160 cm) with one extension (210 cm) or with tw...

Elm & Maple dining table, 1940s Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is needed (crates or boxes) for US and International Shipping, it...

Offered is this sturdy early 19th-century French dining table made of oak, featuring one drawer. This stunning antique French table has a bold, rustic look and fits effortlessly in...

Zeta dining table, design by Matteo Cibic, product by Scapin Collezioni ZETA DINING TABLE is a dining table that harmoniously combines volumes and materials. The top, made of extra-...

Maison Lecan presents this fairly light table given its size and its monastery spirit. It is solid pine lightened in certain places (under the top and the feet) to make it lighter. W...

A contemporary Belgian design, handcrafted in natural plaster with a textured, earthy character. The surface is stain-resistant, easy to maintain, and pleasantly soft to the touch, u...

Bringing lightness and elegance to its heavy materials and shapes. The Acer Table is a balancing act between its heavy solid volumes and light pointing legs featuring semi arched voi...

Striking pair of large architectural Italian table bases crafted from solid cherrywood, showcasing a charming geometric design with strong sculptural presence. This incredibly unique...

Triangel solid oak dining table in style of Pierre Chapo, France 1960's Two chairs can be placed on each side, or more spatially one on each side.

Technical ingenuity and mastery are indispensable and fuel each other to achieve equally sublime and atmospheric results in The Puydt furniture. This rare oak dining table is an exce...

Sengu Low Table designed by Patricia Urquiola. Manufactured by Cassina (Italy). DESIGN LOW TABLES A collection of three designer low tables by Patricia Urquiola in combination with ...

Dining table, solid elm, France, 1970s/80s This French dining table from the 1970s-80s expresses a naturalistic character. A thick free form shaped wooden slab is characterized by ...

Solid pine wood dining table in the style of Charlotte Perriand. Made in Belgium in the early 60's. The tables are handmade in solid pine gives them their rustic character with a bea...

This wonderful antique french dining table is a timeless piece of furniture that can easily be placed in nearly any interior. Not only is it a treat for the eyes, but it also feature...

A contemporary Belgian design, handcrafted in natural plaster with a textured, earthy character. The surface is stain-resistant, easy to maintain, and pleasantly soft to the touch, u...

Italian Travertine Dining Table with Conical Pedestals, Made to Order An elegant oval dining table in honed travertine, handcrafted in Brescia—an area of northern Italy with a centu...

Contemporary Rectangular Dining Table 'Tangent' designed by Anne Boysen for DK3 Handmade in Denmark Dimensions: - H.72 x 240 x 110 cm - Big leg: 60 x 24,3 cm / Small leg: 54,8 x 11...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Large 1970s Dining Table Attributed to Axel Enthoven - Sculptural Bamboo and Rattan Design with Glass Top This exceptional large dining table from the 1970s, attributed to the renown...

They can be sold separately 1930s Art Deco majestic room furniture sets in burl walnut attributed Atelier Gaetano Borsani, Varedo, polished to wax. Two tulip-shaped sideboards with b...

The Brut table takes cues from Brutalism and Amsterdam School architecture. A balance of raw materiality and subdued forms with geometrically expressive detailing. Designed by Aad B...

Table designed by Willem Hendrik Gispen. In original condition, with minor wear consistent with age and use, preserving a beautiful patina.

Table à manger octogonale vintage en travertin type marbre des années 70 80, plateau à 8 facettes, pied octogonale, très bon état général avec quelques micro-rayures d’usage de surfa...

An eye-catching dining table that enhances any dining room with its modern aesthetic. The asymmetrical legs provide a unique structural element, giving the table a contemporary edge....

Magnificent Geometric Table Attributed to Architect Tito Pinori - Italian Design, 1970s-1980s A stunning example of sculptural Italian design, this geometric table attributed to arch...

Dimensions 135 / 195 x 90 x 74 cm Elegant dining table designed by H.W. Klein and manufactured out of oak wood in Denmark by Bramin. This table has beautiful highlighted corners, wo...

Round dining/center table, solid wood base structure, veneered wood top. Structural connections made of bronze. Custom-made, production time ca. 10 weeks

Design table in wood and polished brass "Arbre" Made in wood and polished brass, this upscale dining table incorporates richest nature-inspired design, industrious welding techniques and a manually engraved top that emulates the outlines of log rings...

Early edition ‘Sawbuck’ or ‘AT 303’ dining table by Hans Wegner for Andreas Tuck, Denmark 1950’s. This cross-legged dining table features a top made out of teak, a frame made out of ...

Sarzamin is where earth meets ceremony. It is a dining table that feels ancient and eternal, like a sacred altar for gathering, grounded in the raw poetry of stone. Named after the P...

Linteloo Bagutta by Henk Vos , 2000 This beautiful design table is a unique creation by Henk Vos and produced by Linteloo. The model, called "Bagutta" exudes timeless elegance and h...

Born from the juxtaposition of slender and massive volumes, the Lluis collection features contemporary furnitures boasting harmonious geometries. Each piece is distinctive for its clean lines, with a dynamic interaction between sinuous and rigorous shapes resulting in a unique, magnetic charm, enhanced by the use of natural materials such as leather and wood: living materials able to maintain their uncontaminated appeal over time. A series of iconic pieces by the Belgian designer Glenn Sestig.

Chained Up Dining Table by Barberini & Gunnell Limited Edition of 15 Dimensions: D 120 x W 320 x H 76 cm. Materials: Solid wood. The inspiration for this table came from observing t...

RARE RENAISSANCE TABLE WITH FIXED TOP ORIGIN: FRANCE PERIOD : SECOND HALF OF THE 16th CENTURY, c. 1560-1580 Height: 87 cm Length: 158 cm Width: 78 cm Walnut wood Good condition...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

COD-2087 Italian Modern Extension Dining Table in walnut designed by Silvio Coppola. The square top with extension leaves over a base with X-form stretcher fully restored superb con...

Extendable Filicudi Dining Table, a masterpiece of design and functionality from the renowned Italian furniture brand, Zanotta. Designed by the legendary Ettore Sottsass in 1992, t...

Handmade Outdoor Rocc Dining Table by Philippe Colette Dimensions: W 280 x D 130 x H 76 cm Materials: Mineral lime plaster. All shapes / sizes can be customized. Wide range of color...

This dining table takes its inspiration from the Art Deco designs of Jacques-Emile Ruhlmann. It combines the use of mahogany woods with gold detailing. The elegant shape and proporti...

Scroll down and click "view all from Seller" to see more than 500 other unique products. (2) Royal, dining table in glass or ceramic top. The top can be rectangle or tonneau shape. ...

Characterized by sculptural shapes, the pieces of furniture of the Shinto line combine the essence of classic style with a contemporary allure. The pieces are distinguished by an ori...

Very rare dining room table in solid wood sleek and sober designed by Jac Van den Bosch for 't Binnenhuis Amsterdamse School, 1909. The furniture is signed with a branding stamp of '...

French coffee dining table with large extensions made in the 20th mid-century period. The table's meticulous finishes include : - the diamond-finish top thanks to meticulous marquetr...

One-of-a-kind dining table. Born in Romania in 1986, Mircea Anghel is a self-taught designer based in Portugal and the founder of Cabana Studio. From a young age, growing up in Buch...

Burned Oak Wood Oka Dining Table by Eichkorn Dimensions: W 380 x D 115 x H 75 cm Materials: burned cherry wood, brushed surface. OKA is reduction in its most powerful form. A dining...

This very nice large wheat sheaf dinning table is made of a bamboo base with an oval beveled glass on top. This is a work by American designer Elinor Mc Guire. Circa 1970

Bringing lightness and elegance to its heavy materials and shapes. The Acer Table is a balancing act between its heavy solid volumes and light pointing legs featuring semi arched voi...

Pair of wooden trestles with original patina Czechoslovakia Cleaned and sealed with a special oil. In original condition.

The table's design is a "tribute" to the influential German architect, illustrator, and furniture designer Bruno Paul, who is recognized for his Typenmöbel, standardized furniture th...

A contemporary Belgian design, handcrafted in natural plaster with a textured, earthy character. The surface is stain-resistant, easy to maintain, and pleasantly soft to the touch, u...

Round Dining Table Brown Marble, Eco Shagreen Decor Handmade in Italy by Cupioli. In Aurelio round table the scagliola shagreen meets the elegance of the Brown Emperador marble and the refined accents of the polished brass. The purpose is to show to our valued customers a new concept of the scagliola art technique where the scagliola meets and marry contemporary design and materials. Aurelio in his perfect elegance, can be customized with a wide range of colors and different marbles. The " Scagliola Shagreen " consists in the reproduction of the stingray skin, used in the past to cover furniture and furnishings, in the wake of a French tradition that originated in the early 1900s, in the deco period. With our technique it is possible to obtain the same effect as the finest and prestigious leathers, thanks to a meticulous study and a refined methodology, in full respect of nature, without using real animal skins...

Hand-Crafted Isola Dining Table II in Cappuccino Limestone by Paloma Editions Dimensions: D 130 x W 130 x H 75 cm. Materials: Cappuccino Limestone. The Isola Dining Table features a...

A contemporary Belgian design, handcrafted in natural plaster with a textured, earthy character. The surface is stain-resistant, easy to maintain, and pleasantly soft to the touch, u...

Designed with the aim to find the perfect balance between clean lines and warm texture. Consisting of 5 rounded, 50 mm thick slats with bird’s eye maple veneer, the dining or coffee ...

The clean-cut and sleek profile of this captivating table boasts contemporary inspiration that pairs a sleek body with gracefully angled legs. The base is made of lacquered wood with a velvet-like, black finish upon which rests an imposing, rectangular top with rounded corners. The asymmetrical pattern of the inlaid veneered top becomes a focal point of this multi-functional piece that can also be used as a large desk. Paired with the Eclipse dining chairs and armchairs, this piece will add style and functionality to any contemporary dining room.