Continental Europe - Prints

Antique Engraving of Lima, Cathedral and Plaza Mayor, 1867 Detailed 19th-century engraving titled Lima, published in 1867. The view captures the grand Plaza Mayor of the Peruvian ca...

Introducing a rare and breathtaking piece of art that's sure to captivate you with its bold design and striking colors - a limited edition silkscreen print by George Ruyter, numbered...

François-Xavier Lalanne (1927-2008) The Mermaids (les Néréides), 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François...

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 Description: This beautifully preserved pair of early 19th-century botanical engravings exemplifies the arti...

Antique Hyena Hunt on the Nile Moonlight Scene from Maximilian, 1846 This atmospheric and dramatic 19th-century Orientalist engraving depicts a nocturnal hyena hunt along the banks ...

Selma Daffre (b. 1951), listed Brazilian artist. Collograph on paper. "Linhas". Numbered 8/9. Dated 1997. Visible dimensions: 25 x 20 cm. Total di...

Antique Arabian Engagement Ceremony Interior Scene, Maximilian Egypt 1846 Description: This refined 19th-century Orientalist interior scene depicts an Arabian engagement ceremony ta...

Etruscan Antiquity Plate with Warriors, Banquet and Dancers, Wasmuth c.1910 Description: This original early 20th-century plate presents a refined study of Etruscan antiquity, publi...

Antique Oriental Arms and Daggers Study from Maximilian in Bavaria, 1846 This exceptionally rich and visually striking 19th-century Orientalist engraving presents a comprehensive st...

Antique Islamic Lamps and Hookahs Object Study, Maximilian Egypt 1846 This highly detailed 19th-century Orientalist reference engraving presents a comprehensive visual inventory of ...

Antique Egyptian Infantry Guard Scene from Maximilian in Bavaria, 1846 This refined and historically rich 19th-century Orientalist engraving depicts an Egyptian infantry detachment ...

Antique Egyptian Regular Cavalry on the Nile from Maximilian in Bavaria, 1846 Description: This impressive 19th-century Orientalist engraving depicts...

Antique Egyptian Horsemen Javelin Game Scene from Maximilian, 1846 This vibrant and action-filled 19th-century Orientalist engraving depicts a traditional mounted javelin-throwing g...

Antique Oriental Jewelry & Adornment Study from Maximilian in Bavaria, 1846 This exceptionally refined 19th-century Orientalist engraving presents an extensive and highly detailed study of Middle Eastern jewelry...

Antique Camel & Caravan Equipment Studies from Maximilian in Bavaria, 1846 This exceptionally detailed 19th-century Orientalist engraving presents a comprehensive visual study of ca...

Antique Orientalist Caravan at Rest City Gate Scene from Maximilian, 1846 This richly detailed 19th-century Orientalist engraving portrays a caravan halted at the gate of an Eastern...

Antique Coronation of Mary Religious Chromolithograph with Gold Tones This richly colored antique religious chromolithograph depicts the Coronation of the Virgin Mary, one of the most important devotional themes in Catholic iconography. The composition shows Mary seated among heavenly clouds, modestly inclining her head as Christ gently places the golden crown upon her, while God the Father looks on from the opposite side. Above them, the Holy Spirit appears in the form of the descending dove, radiating divine light. Surrounding the scene, four cherubs float among soft clouds, holding floral garlands and lilies as symbols of purity and divine grace. The scene is executed in vibrant late-19th or early-20th century chromolithography, a technique prized for its intense color saturation and painterly softness. The gold halos, crown, and heavenly glow give the print a luminous presence that shifts beautifully with changing light. The palette combines warm golds, rich blues, soft flesh tones, and delicate pastels, making this one of the most visually striking devotional compositions of its type. This image was most likely published in Germany for the Catholic devotional market, where high-quality chromolithographs were produced for churches, schools, and private home altars. The multilingual caption along the lower margin, referencing the Coronation of Mary in several European languages, confirms its international devotional circulation. The Coronation of Mary is a theological subject derived from the belief in Mary’s assumption into heaven and her role as Queen of Heaven. This theme became especially popular in 19th-century Catholic visual culture as part of renewed Marian devotion. The imagery here directly reflects that revival, emphasizing gentleness, divine hierarchy, and celestial harmony. Because of its powerful religious symbolism, radiant gold accents, and exceptional color quality, this print works beautifully both as a devotional object and as a decorative statement piece in classical, ecclesiastical, or traditional interiors. It also fits exceptionally well within collections of Catholic imagery, Marian iconography, or antique chromolithographs. Condition Good to very good antique condition. Light overall age toning consistent with age. Minor edge wear and soft handling marks visible at the margins. Colors remain strong and vibrant. No major tears or losses observed. Plate mark not present, as expected for chromolithography. Framing Tips This piece frames beautifully in a classic gold leaf frame to enhance the gold halos and crown. A deep dark blue, ivory, or soft champagne mat adds contrast and visual depth. For a more dramatic presentation, a black frame with gold inner slip also works extremely well. Technique: Chromolithograph Maker: German devotional publisher, late 19th–early 20th century Keywords: Antique Catholic print...

Orientalist Title Page Print - Maximilian in Bavaria, Middle East - 19th Century Description: This highly decorative and visually powerful antique title page engraving introduces th...

Embrace the harmonious blend of traditional Japanese aesthetics and modern abstraction with this striking limited edition lithograph, "Balance" by the renowned artist Kumi Sugaï. Cre...

Elegant 1769 Morvant Ram Engraving – Hand-Coloured Buffon Dutch Edition This impressive hand-coloured 18th-century engraving of the Morvant ram, titled Le Morvant, comes from the rare Dutch edition of Buffon’s monumental Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate XXX in Tome XI, this striking portrait is one of the most distinctive and decorative sheep and goat engravings in the entire Buffon series. Drawn by Jacques de Sève, Buffon’s leading illustrator, and engraved with great refinement, the plate combines scientific accuracy with a strong visual presence, typical of the finest work in the quadruped volumes. The Morvant ram stands in full profile on a raised foreground bank, its powerful build, muscular legs, and long shaggy coat rendered with exquisite detail. De Sève’s elegant cross-hatching gives volume and texture to the thick wool and the dark mane that drapes down the animal’s chest. The curved horns, expressive eye, and firm stance emphasise both the strength and the calm dignity of the breed. The hand colouring, characteristic of the Amsterdam Schneider edition, enriches the engraving with warm brown tones, natural greens, and soft blues that bring the entire composition to life. Behind the ram, a landscape of minarets, domed buildings, and distant walls evokes the North African or Near Eastern setting associated with ancient regional breeds. The broad sky, shaded in subtle blue-grey washes, anchors the scene and provides an atmospheric backdrop that complements the earthy foreground tones. As a result, the plate balances scientific illustration and picturesque landscape in a way that remains highly desirable for collectors and decorators alike. Buffon’s Histoire Naturelle represented one of the most ambitious publishing achievements of the Enlightenment, combining zoological study with an artistic sensibility. The Morvant ram, a robust and historically important breed, was of particular interest for its adaptability, distinctive appearance, and long-standing role in agriculture and local culture. This engraving served as one of the earliest widely circulated visual records of the breed in Western Europe. More than 250 years old, this sheet remains bright, clean, and visually engaging. The strong plate mark, generous margins, and refined hand colouring make it an excellent standalone artwork or a perfect companion to related Buffon plates such as the Tunis ram, zebu, buffalo, or yak. Condition report: Very good for age. Minor toning and small foxing marks mostly confined to margins. Light handling marks typical of 18th-century paper. Strong impression with clearly visible plate mark. Hand colouring fresh and well preserved. No tears or repairs observed. Framing tips: Frame with an ivory, pale grey, or warm cream mat to complement the soft colouring of the wool and sky. A walnut or natural oak frame enhances the warm tones, while a slim black frame creates a more modern contrast. Floating the sheet is an excellent option to highlight the wide margins and plate mark. Keywords: Morvant ram engraving Buffon natural history Amsterdam 1769 Jacques de Sève hand coloured copper engraving antique sheep print...

Antique Engraving of Spiders, Centipede and Scorpion from Diderot’s Encyclopédie, ca. 1770 An original copperplate engraving from Denis Diderot and Jean le Rond d’Alembert’s *Encycl...

Vintage Hunting Dog Lithograph “Pointer and Mallard” by Paul Wood – New York, 1930s Description: This fine early 20th-century lithograph by American artist Paul Wood portrays a clas...

Title: Camp of Israel and the Ceremony of the Red Heifer – Hand-Colored Optical Print, ca. 1770 This vivid hand-colored copperplate engraving titled “Vue du Camp d’Israel et de la C...

Large original lithograph in colours by the painter Guillaume Cornelis van Beverloo (1922-2010). Born in Liège to Dutch parents, better known as Corneille, was one of the founders of...

Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitled "Le Pigeon" ("The Pigeon"), in perfect condition This rare lithograph is a va...

Moroccans – Antique Hand-Colored Ethnographic Engraving (c.1810) Elegant early 19th-century hand-colored copperplate engraving depicting two figures from Morocco in an opulent inter...

Title: "Curiosity Reflected" - Cats and Kittens by Henriette Ronner (1894) Description: "Curiosity Reflected" is a delightful print from the "Cats and Kittens" series by Henriette R...

Jesus Blessing the Children, Antique German Chromolithograph after Meithheuser c.1900 This exceptionally moving late 19th–early 20th century German chromolithograph depicts one of t...

Francois-Xavier Lalanne (1927-2008) Le Singe (The Monkey), 2002. Original print (etching) hand signed in pencil by François Xavier Lalanne, in perfect condition This rare print d...

Pair of antique engravings by Johannes Sadeler I (1550-1600) with hand painted Italian frames. Literary work: Guduvaldus - Venezia 1598. From the s...

Franzosen im Ruhrgebiet - Weimar Propaganda Portfolio A.M. Cay, 1923 This rare and complete 1923 propaganda portfolio documents the political and social tensions during the French o...

Holy Family in the Carpenter’s Workshop, Antique German Chromolithograph c.1900 This beautifully composed late nineteenth-century German chromolithograph portrays the Holy Family in an intimate domestic scene set in the carpenter’s workshop of Saint Joseph. Saint Joseph is shown at work with hand tools, shaping wood with calm concentration, while the young Christ stands beside him holding a carpenter’s mallet and plane, symbolically participating in the labor of His earthly father. The Virgin Mary sits quietly nearby, spinning or winding thread, watching over both with serene devotion. All three figures bear softly glowing halos, emphasizing their sacred presence within this everyday setting. The composition is rich in symbolic meaning. The carpenter’s tools and wooden beams reference Christ’s future Passion and the cross, while the youthful participation of Christ in Joseph’s trade underscores the themes of obedience, humility, and the sanctification of daily labor. The Madonna’s gesture toward her heart reflects maternal love and quiet contemplation. Through the open landscape beyond the wall, distant hills and buildings evoke the Holy Land and create depth and peace within the scene. This type of Holy Family imagery was especially popular in Catholic households at the turn of the century, intended as a model for family life rooted in faith, work, and devotion. The scene offered both spiritual instruction and emotional warmth, presenting the Holy Family not in glory, but in humble daily life. Such images were widely displayed in private homes, schools, convents, and parish buildings. The print was produced using traditional chromolithography, a complex multi-stone printing process that allowed for the rich, luminous colors and fine painterly detail visible in the drapery, skin tones, and landscape. The halos, floral elements, and wooden textures show exceptionally fine tonal control. This is a genuine period devotional chromolithograph and not a modern reproduction. The lower margin printing confirms German production for the Catholic devotional market. Large-format Holy Family scenes of this quality and color preservation are becoming increasingly scarce and are highly desirable to collectors of religious iconography and historic devotional prints. Condition report: Very good overall condition. Colors remain strong, fresh, and well saturated. Light age toning visible mainly in the margins. Minor handling wear consistent with age. No major tears, losses, or water damage observed. The image area itself is clean and visually striking. Framing tips: This print displays beautifully in a soft gilt or antique gold frame that complements the warm tones of the workshop setting. A light ivory or warm cream mat enhances the colors without overpowering the scene. Dark walnut or cherry wood frames also work exceptionally well for church, rectory, or classic interior settings. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 holy family carpenter workshop saint joseph carpenter print child jesus with tools virgin mary devotional art antique catholic chromolithograph holy family wall art german religious print christ child carpenter family devotion image religious home interior print antique christian wall art catholic household devotion sacred family scene turn of the century devotional saint joseph and child jesus holy family workshop scene printed in germany religious antique religious lithograph...

Medieval European Warriors Plate 800–1300, Antique Hand-Colored Print This impressive antique costume plate presents a richly detailed study of European warriors and military equipm...

Antique print titled 'Penrhyn Castle'. Color printed woodblock of Penrhyn Castle, a country house in Llandygai, Bangor, Gwynedd, North Wales, in the form of a Norman castle. This pri...

Rare illustrations under glass depicting young ladies and a girl in fashionable silk dresses of 1873. Prints and wall paintings A Century of French Fashion Illustration. After the...

St Mary Protectress of Innocents, Antique German Chromolithograph c.1900 This exceptionally tender and beautifully composed late 19th–early 20th century German chromolithograph depi...

Claude Lalanne (1925-2019), Lit Bou, heliogravure on paper This original print by Claude Lalanne is from a rare and unsigned edition of 350. It depicts her famous bed, one of the most beautiful furniture of the artist. Technique : heliogravure on Rivoli paper Dimensions of the paper : 34 x 27 cm (13,4 x 10,6 inches) With Francois Xavier Lalanne (1908-2008), Claude Lalanne is the most famous French sculptor of the second half of the twentieth century. Her work is characterized by the flower and animal imagery. He studied art at the Académie Julian in Paris. She was introduced to many Surrealist and Modernist figures, such as Man Ray, Max Ernst, Marcel Duchamp, Niki de Saint Phalle, Jean Tinguely, and Constantin Brancusi. Supported by gallerists like Alexandre Iolas, Leo Castelli, Paul Kasmin...

English antique coloured etching, part of a series published in 1705 by T.Macklin, taken from paintings by John de Laporte. With a simple briar frame, but finished with the Florentine paper from Il...

Title: Italy circa 1500, Antique Hand-Colored Renaissance Costume Print Description: This striking hand-colored costume plate presents a vivid and engaging view of Italian dress aro...

Charles Dana Gibson (1867-1944), American illustrator. Art Deco lithography. Two ladies and a dog, 1930s. # 318/750. In very good condition. Si...

Polynesian and Maori Figures – Inhabitants of Nuku Hiva and New Zealand Canoe, c.1845 This beautifully hand-colored lithograph, titled “Océanie – Polynésie,” originates from Le Mond...

Antique Moth Pair Plusia Moneta Sepp Brants 1905 Handcolored Diptych This elegant matching pair of antique moth engravings originates from Parts 7–8 of t...

Medieval Floor Tile Patterns – Middle Ages Decorative Motifs, Plate XLV, c.1869 This richly detailed chromolithograph from L'Ornement Polychrome (Plate XLV) presents a remarkable as...

Description: Antique map titled 'Antverpia; Gallis Anvers. Vernacule Antwerpen.' A very nicely coloured plan of Antwerp in Flanders, Belgium. West-oriented, with the river Scheld...

Islamic Ritual Print Whirling Dervishes Ceremony Scene V, 1863 Dutch Lithograph This expressive lithograph titled “De Dans der Derwîsjen (Vijfde tooneel)” or “The Dance of the Dervi...

Fortress Assault Triptych – 1894 Japanese Meiji War Woodblock by Gekko This powerful Meiji-era woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic assault on a Chines...

Constantinopel Ottoman Street Scene Antique Dutch Engraving c1870 This atmospheric 19th-century engraving depicts a street scene in Constantinople, present-day Istanbul, centered ar...

Selma Daffre (b. 1951), listed Brazilian artist. Collograph on paper. "Linhas". Numbered 6/9. Dated 1997. Measures: Visible dimensions: 25 x 20 cm...

Mater Dolorosa, 1899 German Chromolithograph of the Sorrowful Mother, Dresden This exquisite late-19th-century chromolithograph of the Mater Dolorosa—“Sorrowful Mother”—was printed ...

Antique print titled 'Moraï d'Honaunau'. Original print of the Hale o Keawe of Hawaii. Hale o Keawe was an ancient Hawaiian heiau originally built in ap...

Antique Engraving of a Flying Squirrel (Sciurus aërobates Linn.), engraved by Johann Nußbiegel, circa 1800 This fine zoological engraving depicts the flying squirrel (Sciurus aëroba...

Title: 1632 Decorative Map of the Holy Land with Insets of Jerusalem and Biblical Artefacts Description: This richly detailed map of the Holy Land, published in 1632, offers a fa...

The Good Shepherd, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents one of the most iconic and comforting Christian images: Christ as the Good Shepherd. Produced around 1900 by a major German devotional press, the print exemplifies the luminous colour layering, soft modelling, and serene atmosphere characteristic of high-quality chromolithography from this period. These works were widely distributed throughout Europe and the Americas and became treasured objects in Catholic homes, chapels, and pastoral settings. Christ stands barefoot in a verdant landscape, gently holding a lamb to his chest while a flock gathers around him. The rich red cloak, delicate golden halo, and pastoral backdrop are rendered with exceptional detail and depth, achieved through multiple stone plates typical of fine chromolithographic production. The artwork conveys both theological symbolism and emotional warmth: the shepherd guiding and protecting his flock, the gentle lamb symbolising innocence, and the tranquil landscape offering a sense of peace and reassurance. The lower margin features multilingual titles identifying the subject for international Catholic distribution: “Der Gute Hirt. The Good Shepherd. Le Bon Pasteur. Il Buon Pastore. El Divino Pastor.” This multilingual caption format is typical of German devotional publishers active from the late 19th into the early 20th century. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms that the image was officially approved for devotional use by the Catholic Church. The imprint “Printed in Germany” situates the work within one of the major German chromolithographic centres, likely Munich or Cologne, renowned for their beautifully saturated and technically refined religious images. This is unquestionably an original chromolithograph, not a modern reproduction. The velvety colour fields, warm matte lithographic paper, subtle stippling, and natural toning all align with authentic early 20th-century stone-based printing. The crisp border text and preserved pigments further confirm its originality. The Good Shepherd was among the most cherished devotional themes of the period, and examples in this level of condition are increasingly rare and desirable among collectors of sacred art. Condition Report: Very good condition. Colours bright and unfaded. Minor age toning and small, expected handling marks at the outer margins. No tears, creases, losses, or repairs. The plate text and imprimatur are sharp and fully legible. Tips for Framing: Ideal for framing in a warm walnut or gilded frame to enhance the halo and red cloak. A cream or ivory mat complements the pastoral greens and highlights the central figure. A clean black frame with a wide mat offers a more contemporary presentation while keeping the devotional character intact. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 the good shepherd christ the shepherd jesus with lamb pastoral christ catholic art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy shepherd pastoral scene sacred art early 20th century religious print fine chromolitho religious ephemera christian iconography christ among the sheep antique christian art...

Cavalo de Troia (The Trojan Horse) - The drawing is a representation of the wooden horse, developed by Odysseus, which the Greeks used during the Trojan War to enter the city of Troy. The Trojans pulled the horse into their city as a victory trophy, not knowing there was a selected force of men hiding inside, who came out after reaching the city. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Thomas Rowladson Satirical Billiards Escene Framed Engraving Print An antique English hand colored framed print titled "Billiards" by Thomas Rowlandson, Gentlemen playing billiard s...

Title: "Kaart van 't Eyland Groot Java: Antique Map of Java, Indonesia" Description: This antique map, titled "Kaart van 't Eyland Groot Java," offers a rare and valuable depiction ...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

Meiji-Era Triptych of the Battle of Pyongyang in the Sino-Japanese War, 1894 This striking 1894 woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic Battle of Pyongyan...

Kumi Sugaï, “Crossing 4”, 1978 — Signed & Numbered Silkscreen Printed by Ryoichi Ishida Studio Offered here is a striking limited edition silkscreen by renowned Japanese-French artist Kumi Sugaï (1919–1996), titled “Crossing 4”, created in 1978. Known for his refined visual language merging Zen philosophy, Japanese calligraphy, and European modernism, Sugaï’s work resonates with clarity, movement, and meditative strength. This particular work was printed by the prestigious Ryoichi Ishida printing company in Tokyo, a studio celebrated for its collaborations with contemporary masters including Andy Warhol. The print is hand-signed and numbered by the artist in pencil, marked 237/250, and was originally sold by Sarani Gallery in Tokyo in 1978 or 1979. Title: Crossing 4 Date: 1978 Medium: Silkscreen on paper Edition: 237/250, signed and numbered in pencil Printer: Ryoichi Ishida Studio, Tokyo Provenance: Sarani Gallery, Tokyo Sheet size (unframed): 18 x 18 cm / 7.1 x 7.1 in Condition: Excellent vintage condition, vibrant colors and sharp impression Sugaï’s works are part of major international collections, including MoMA (New York), the Centre Pompidou (Paris), and The National Museum of Modern Art (Tokyo). His “Crossing” series is particularly admired for its rhythmic balance of form and color—embodying motion, intersection, and harmony. This is a rare opportunity to acquire a signed print by a postwar master who bridged Eastern minimalism and Western abstraction, produced by one of the most respected printing studios of the 20th century. Price includes frame. The Art will be shipped insured overseas in a custom made wooden case. Transport to the US, Euro 275, is case included. Kumi Sugaï, one of the most internationally acclaimed Japanese painters of the twentieth century. Colors may slightly vary due to photographic lighting sources or your monitor settings. KUMI SUGAÏ, JAPAN (1919 - 1996) Kumi Sugaï was a painter, sculptor and print maker born in 1919 in Kobe, Japan. Sugaï first experimented with oil painting at age nine and became a student at the Osaka School of Fine Arts in 1933 when he was fourteen. He met with the Gutai Art Association founder, Jiro Yoshihara which had a huge impact on his further artistic development and experimentalism. He was part of the first generation of 20th-century Japanese artists to become acquainted with Western painting techniques (under the instructions of Yoshihara), but he also explored both typography and Japanese calligraphy, important in his subsequent work. Sugaï left art school prematurely to work in commercial advertising for Hankyu electric rail company from 1937 to 1945. These formative years of practicing Western and traditional Japanese mediums gave a dual foundation to his future work. He dedicated himself to painting and moved to Paris in 1952, enrolling at the Académie de la grand chaumière, being one of the first generation of the post-war Japanese artists to join the international avant-garde art scene. Sugai was immediately noticed in Paris for his delicate touch and use of abstract gestures resembling primitive forms. He had his first solo show at Galerie Craven in 1954. In 1955 he made his first work in edition (Diable Rouge, a lithograph) and decided that from now on print work (lithographs, etchings and later silkscreens) was going to be an important part of his oeuvre. One of the reasons was to make his work more accessible. Between 1955 and 1996 Sugaï produced a little under 400 works in edition. Considered part of the École de Paris (School of Paris) and the Nouveau Réalisme (New Realism) movements, in 1962 he began to move from calligraphic, mainly monochromatic, organic motifs to more hard-edge geometric forms painted with clear colors. This aesthetic was more often than not influenced by speeding the curves of the freeways surrounding Paris in his beloved Porsche. He was possessed with speed and in a lot of his work we find abstracted roads (The S shape) details of roadsigns, parkings and in general an abstract visual language inspired by what he would see through his window moving at great speed. City and rural Landscapes transformed into simple colored compositions. Sugaï found great joy in the act of repetition and some iconic shapes have been appearing in his work throughout his whole career, first loosely and soft in his early etchings, paintings and lithographs, later hard edged and straight in his silkscreens. Sugai died in Kobe in 1996. His artworks were shown in numerous exhibitions around the world and most of his paintings are in the collections of well-known museums (Such as MOMA, the Guggenheim and Centre Pompidou) and important collectors. Vintage Objects...

Moon Baby by Kiki Kogelnik - Viennese painter made it in 1968 inspired by Pop Art. Silkscreen on paper. 100/70 cm.