Continental US - Abstract Drawings and Watercolors

Tang-Wei Hsu (1980 born in Changhua, Taiwan) obtained a BA in Architecture at the Shih Chien University and finished an MFA in Visual Arts at the Tainan National University of the Ar...

Artist: Robert Kautz, Austrian Title: untitled - 3 Year: 2008 Medium: Acrylic and Mixed Media on Paper, signed verso Size: 23.5 in. x 19.5 in. (59.69 cm x...

Artist: Ben Hancocks Title: 28th March Year: 1982 Medium: Oil Pastel on Paper, signed and dated Paper Size: 34 x 15 inches [86.36 x 38.1 cm] Image Size: 27.5 x 6 in. [69.85 x 15.24 cm]

Luck is in your hand :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Lo...

This contemporary abstract acrylic painting on paper features intricate mark-making in linear formations in shades of blue. Currently available at Kathryn Markel Fine Arts in New Yor...

Maeve D’Arcy practice explores mark-making as language. In a contemplative process, her random thoughts are turned into dashes, x’s, dots and various sorts of repetitive marks. D'A...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Pencil drawing on paper from 1944. Signed and dated with cypher. Paper size 4 x 6" (10 x 15.1 cm). Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, was...

Verse L (Abstract painting) Oil on paper — Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical trad...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

This is a one of a kind original abstract graphite drawing on paper by Southern California artist, Daniel Ketelhut. Its dimensions are 24"x 18"x 1.5". It is framed. A certificate of ...

The Pinks and the Blues Watercolor, pen and ink on paper, 1954 Signed and dated in ink lower left, titled in pencil verso. Provenance: Gift of the Artist Privat...

Modern orange, brown, yellow, and black geometric abstract composition by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 35.5 in. x W 33.5 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

Destination (Abstract drawing) Pastel on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite,...

Canvas Sz: 21 5/8"H x 27 3/4"W Chrome Frame Sz: 22 1/4"H x 28 1/4"W Artist Info Celia D. Rumsey American, 1944 - 2012 Originally from the East Coast, Celia Rumsey moved to Santa Fe...

Diagonal lines in pink, pink, orange, and black make up the composition of this original drawing by Yaacov Agam. Signed above the printed text ’Agam’. Title: Beyond the Visible Medi...

Artist: Roberto Matta Title: Sans Titre 3 Medium: Original pastel/drawing on paper Signed: Hand Signed Measurements: 20" x 27" Framed: 28" x 35" Authentication: Kajsa Westling N...

The Architect 3 (Abstract painting) Oil on paper — Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mysti...

Adjacent 6 (Abstract drawing) Pencil and paint stick on paper. This piece is one of a group of works on paper made with paint sticks and pencil on paper that has been primed with g...

Artist: Karl Fred Dahmen Title: Tagebuch August Year: 1980 Medium: Drawing with Mixed Media on Paper, signed Size: 31 x 24.5 in. (78.74 x 62.23 cm)

Acrylic and mixed media on paper - Unframed Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from the...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

Anthony Thomas Triano (1928–1997) was an abstract expressionist painter, sculptor, illustrator and teacher. His works feature natural forms, espe...

Untitled Watercolor on paper, c. 1971 Unsigned From the collection of Ileana Sonnabend (1914-2007) Laddie John Dill, a Los Angeles artist, had his first solo exhibition in New York C...

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 12 ¼ x 15 ¼ inches Initialed and dated February 21, 1966 lower ri...

Miniature Abstract Totem. Signed with initials. Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John v...

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent ...

Artist: Chris Anderson Title: Small Clocks #68 Year: 2006 Medium: Acrylic and Pastel on Paper, Signed and titled in pencil Image Size: 24 x 25 inches Siz...

Watercolor on wove paper. Signed and dated in ink, lower right recto.

Covers 13-Black D (Abstract Drawing) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tap...

Sarah Brenneman’s intimate abstractions are layers of referents of play. Beginning with a central form, her compositions topple out sequentially, each shape building on the impression of the last. Brenneman sources her forms from objects in her periphery, often in her home, rendering her paintings almost autobiographical, and forging a sense of familiarity. Brenneman received her BFA from Columbus College of Art and Design in Columbus, OH, and her MFA from Virginia Commonwealth University in Richmond, VA. Her work has been exhibited throughout the Tristate area, as well as internationally in Busan, South Korea, Reims, France, and St. Petersburg, Russia. Brenneman’s work is included in the permanent collections at the Aspen Contemporary Art Collection, the Cleveland Clinic, the Sprint Collection, and The Progressive Corporation. The artist is based in West Orange...

Untitled Pastel on paper, 1922 Signed with the artist's initials in pencil Provenance: Estate of the artist Francis M. Nauman (label) Private collection, NY A very early abstract/cubist work by Kelly. Created while the artist was studying with Arthur Carles in Philadelphia. Leon Kelly (October 21, 1901 – June 28, 1982) was an American artist born in Philadelphia, PA. He is most well known for his contributions to American Surrealism, but his work also encompassed styles such as Cubism, Social Realism, and Abstraction. Reclusive by nature, a character trait that became more exaggerated in the 1940s and later, Kelly's work reflects his determination not to be limited by the trends of his time. His large output of paintings is complemented by a prolific number of drawings that span his career of 50 years. Some of the collections where his work is represented are: The Metropolitan Museum in New York, The Whitney Museum of American Art, the Museum of Modern Art, the Philadelphia Museum of Art, and Boston Public Library. Biography Kelly was born in 1901 at home at 1533 Newkirk Street, Philadelphia, PA. He was the only child of Elizabeth (née Stevenson) and Pantaleon L. Kelly. The family resided in Philadelphia where Pantaleon and two of his cousins owned Kelly Brothers, a successful tailoring business. The prosperity of the firm enabled his father to purchase a 144-acre farm in Bucks County PA in 1902, which he named "Rural Retreat" It was here that Pantaleon took Leon to spend every weekend away from the pressures of business and from the disappointments in his failing marriage. Idyllic and peaceful memories of the farm stayed with Leon and embued his work with a love of nature that emerged later in the Lunar Series, in Return and Departure, and in the insect imagery of his Surrealist work. "If anything," he once said,"I am a Pantheist and see a spirit in everything, the grass, the rocks, everything." At thirteen, Leon left school and began private painting lessons with Albert Jean Adolphe, a teacher at the School of Industrial Art (now the University of the Arts) in Philadelphia. He learned technique by copying the works of the old masters and visiting the Philadelphia Zoo, where he would draw animals. Drawings done in 1916 and 1917 of elephants, snakes and antelope, as well as copies of old master paintings by Holbein and Michelangelo, heralded an impressive emerging talent. In 1917, he studied sculpture with Alexander Portnoff but his studies came to an abrupt halt with the start of World War I. Being too young to enlist, he joined the Quartermaster Corp at the Army Depot in Philadelphia, where he served for more than a year loading ships with supplies and, along with other artists, working on drawings for camouflage. By 1920, the family's fortunes drastically changed. His father's business had failed due to the introduction of ready made clothing and his marriage, unhappy from the beginning, dissolved. Broken by circumstance Pantaleon left Philadelphia to begin a wandering existence looking for work leaving Leon to support his mother and grandmother. He found a job in 1920 at the Freihofer Baking Company where he worked nights for the next four years. Under these circumstances Leon continued to develop his skills in drawing and painting and learned of the revolutionary developments in art that were taking place in Paris. During the day he was granted permission to study anatomy at the Philadelphia School of Osteopathy where he dissected a cadaver and perfected his knowledge of the human figure. He also met and studied etching with Earl Horter, a well known illustrator, who had amassed a significant collection of modern art which included work by Brancusi, Matisse, and Cubist works by Picasso and Braque. Among the artists around Horter was Arthur Carles, a charismatic and controversial painter who taught at the Pennsylvania Academy of Fine Arts. Leon enrolled in the Academy in 1922, becoming what Carles described as, "his best student". In the next three years Leon work ranged from academic studies of plaster casts, to pointillism, to landscapes of Fairmount Park in Philadelphia, as well as a series of pastels showing influences from Matisse to Picasso. Clearly influenced by Earl Horter's collection and Arthur Carles he mastered analytical cubism in works such as The Three Pears, 1923 and 1925 experimented with Purism in Moon Behind the Italian House. In 1925 Kelly was awarded a Cresson Scholarship and on June 14 he left for Europe. Paris The first trip to Europe lasted for approximately three and a half months and introduced Kelly to a culture and place where he felt he belonged. Though he returned to the Academy in the Fall, he left for Europe again a few months later to begin a four-year stay in Paris. He moved into an apartment at 19 rue Daguerre in Paris and began an existence intellectually rich but in creature comforts, very poor. "I kept a cinderblock over the drain in the kitchen sink to keep the rats out of the apartment" he once explained. He frequented the cafes making acquaintances with Henry Miller, James Joyce and the critic Félix Fénéon as well as others. His days were split between copying old master paintings in the Louvre and pursuing modernist ideas that were swirling through the work of all the artists around him. The Lake, 1926 and Interior of the Studio, 1927, now in the Newark Museum. Patrons during this time were the police official Leon Zamaran, a collector of Courbets, Lautrecs and others, who began collecting Kelly's work. Another was Alfred Barnes of the Barnes Collection in Philadelphia. In 1929 Kelly married a young French woman, Henriette D'Erfurth. She appears frequently in paintings and drawings done between 1928 and the early 1930s. Philadelphia The stock market crash of 1929 made it impossible to continue living in Paris and Kelly and Henriette returned to Philadelphia in 1930. He rented a studio on Thompson Street and began working and participating in shows in the city's galleries. Work from 1930 to 1940 showed continuing influences and experimentation with the themes and techniques acquired in Paris as well as a brief foray into Social Realism. The Little Gallery of Contemporary Art purchased the Absinthe Drinker...

A rare work of art by an female modernist artist from the 1930s, by Janet Todd Young. Janet Todd Young is a very interesting artist. She was born in Illinois in 1908, and earned a bachelor's degree in languages from Oberlin College, specializing in French, Italian and German.  After graduating, Janet travelled to Europe to put her language skills to use, working for her father. While living in Berlin in the early 1930s she met and married Beckford Young, an American artist from Petaluma, California who had recently been working with Hans Hofmann at UC Berkeley.  Hofmann, widely considered to be one of the most influential abstract artists of the time, was returning to Germany and convinced Beckford to travel with him so the two could be closer the the cutting edge of emerging modern art in Europe. Through Beckford and Hofmann, Janet, a midwesterner, and the daughter of a congregational minister, was introduced to cutting edge ideas in the modern art world.  Soon after their marriage, Janet and Beckford travelled to Positano, Italy where Vaclav Vytlacil, a leading modern American artist, was teaching at an art colony.  In 1937, the unrest in Europe forced the Youngs to leave Europe for California. While living in California, Janet exhibited her work in New York City with the American Abstract Artists, which had been recently created by leading American abstract artists with the sole purpose of exposing the American public to American abstract art. In California Janet exhibited her work at the San Francisco Museum of Art in 1938, the Golden Gate International Exposition in 1939, and with the San Francisco Art Association in 1956. Janet, who had already been making and exhibiting Russian constructivist inspired constructions, was introduced to furniture making by her husband, and made constructivist furniture...

"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance Arthur Dove (1880-1946) "Barns" 5 x 7 inches Watercolor on paper, 19...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Artist: Karl Fred Dahmen Title: Untitled 2 Year: 1980 Medium: Drawing with Mixed Media on Paper, signed verso Size: 33 x 41.5 in. (83.82 x 105.41 cm)

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Original drawing on paper. Hand signed three times on front by Purvis Young. Paper size: 13.75 x 11 inches. Frame size: 16.75 x 14.25 inches. Artwork is in excellent condition. C...

Shape 33 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Deep purple...

Shape 19 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Orange on white. Min...

Original drawing on paper. Hand signed and dated on front by Purvis Young. Paper size: 9.62 x 7.25 inches. Frame size: 15.25 x 12.25 inches. Artwork is in excellent condition. ...

Kurt Kranz, German (1910 - 1997) - untitled, Year: circa 1970, Medium: Watercolor on Arches Paper, Size: 22 x 30 in. (55.88 x 76.2 cm), Frame Size: 28.5 x 37 inches, Description:...

Interior design paintings. The artwork were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The work are 12 by 16.5 inches in size, framed (black...

I paint landscapes mostly from imagination. This watercolor comes with a white mat ready for framing. :: Painting :: Abstract :: This piece comes with an official certificate of auth...

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a white painted wood shadowbox frame. Orga...

Hand drawn op art painting by contemporary artist Austin Magruder. The work features abstract, geometric tessellations that create a mesmerizing pattern. Signed and dated in the front lower right corner. Currently hung in a white floating frame. Dimensions Without Frame: H 24 in. x W 17.88 in. Artist Biography: After discovering his ability and passion for geometric art, Austin constantly challenges himself to expand the boundaries of geometric pattern. His use of vibrant colors intertwined with never ending paths results in a 3 dimensional surprise to the naked eye. Austin had some schooling at Glassell School of Art, but is self taught in the realm of geometric art. He has always been creative and interested in arts as a means of escape. Over the past several years Austin started dedicating more of his time to his passion for creating art. Austin started coloring geometric patterns, primarily mandala drawings during Dialysis treatments in 2016. Eventually becoming inspired to learn to draw with a compass and ruler. One thing lead to another and now he has discovered over 120 tessellatons. During late 2018 to Spring 2020, Austin was a tenant at Sawyer Yards and attended several classes Glassell School of Art from 2019 to early 2020. Since this time, he worked for a commercial screen...

Sandy Litchfield brings her magical abstracted landscapes to a new medium in her recent colored pencil drawings. Loose, delicate lines scramble over one another, bringing a diffuse, ...

Black and yellow abstract charcoal drawing by Houston artist Paul Forsythe. The piece features an abstract, organic shape floating against a white background. Currently hung in a lig...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

Juan Sebastian Barbera (Mexico, 1964) 'Untitled', 2013 acrylic on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Unframed ID: BAR-120 Hand-signe...

Covers 13-Red Yellow (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses...

"Escape to Mexico City" is an original watercolor and ink drawing by David Barnett. The artist signed the piece lower left. This piece features stamps of cows, footprints, and the st...

An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted (1934-2011) was a painter and sculptor. He was born in Buffalo, New York, and was a distant relative Frederick Law Olmsted...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

Black & Gold Glyphs II by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / G...

This Lovely Modernist Lithograph Originates from the Israeli born artist Yaakov Agam (made in Paris, France Circa 1980). This Lithograph is an Artist's Proof and a member of Agam's "...

Accomplish (To Accomplish * Goals & Task) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction /...