Continental US - Nude Drawings and Watercolors

Nude Matchstick and ink drawing heightened with conte crayon c. 1925 Signed with the Estate Stamp "B" Provenance: Joseph A. Erdelac (1914 -2005), Cleveland Acqu...

For the love and the Minotaur. Pencil Drawing on archival paper. Cuban Artist Jesus Nodarse 11 x 8 inches - Unframed

double-sided c.1950's drawing by Spanish artist, Federico Castellon (1914-1971). Ink on wove paper, sheet measures 10 x 13 inches; 21.5 x 24.5 inches in wood frame. Excellent condition with no restoration or damage. Signed with artist's chop in red ink seal that he used in Asia. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950. Birth place: Almeria, SpainDeath place: New York, NYAddresses: NYC (immigrated 1921; citizen, 1943)Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950. Member: NA; SAGAWork: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.). Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...

Soft pastel of seated nude on toned archival paper warm muted earth tones signed and dated on bottom left hand corner. . Suitable for framing under glass ABOUT Stephen Basso Stephe...

Richard MacDonald is an artist of unusual depth and complexity. Sculpture has become his primary means of expression, yet this ability was built upon the foundation of a rigorous tra...

Standing Female Nude Colored chalks on tan Strathmore paper, c. 1975 Signed in chalk upper right (see photo) Condition: Excellent Housed in an 8 play acid free rag matting S...

EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo Dominguez...

French women in a reclining position looking out at the viewer. The work is signed by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

The Bull II - expressive line drawing on 140lb paper. Part of the triptych. His artistic style is rather difficult to describe, it can be named as "expressive...

Watercolor, mixed media, using resists, meditation and yoga references. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sen...

Helen Slimp (1890 - 1995) San Antonio Artist Image Size: 24 x 17 Frame Size: 30 x 24 Medium: Pencil Drawing Date: 1932 "Seated" Nude Biography Helen Slimp (1890 - 1995) A Virginia native, Helen Ferne Slimp was a lifelong artist, who worked in oils, lithography, stained glass and china painting. She was a friend of Mount Rushmore sculptor Gutzam Borglum and art patron Marion Koogler McNay, painted alongside the Onderdonks and was a teacher to Porfirio Salinas. “She liked that modern stuff,” Slimp said of McNay in the Express-News in 1990, on her 100th birthday. “I never cared for it myself. I thought an apple should look like an apple.”Chester Slimp died in 1965, but Helen Slimp lived to be 105, dying Oct. 29, 2005. Helen Ferne Slimp's instructors were a "Who's Who" of American artists including Randall Davey, Ernest Lawson, Fremont Ellis, Gerald Cassidy, Harry Anthony De Young, and Jose Arpa. Please view my store front for other Great Vintage Texas Paintings...

Subject: Figures Medium: Other, Charcoal Surface: Paper Country: United States Dimensions w/Frame: 27 1/4" x 20 1/4" without frame 15.25" X22.75" EDUCATION New York Studio School of Painting , Drawing & Sculpture 1973 Empire State College, B.A., Painting and Curatorial Studies 1999 ONE PERSON EXHIBITIONS Mirrors, Gallery Schlesinger, New York, N.Y. 1999 Figures, Gallery Schlesinger, New York, N.Y. 1997 Sexual Monochromes, Gallery Schlesinger, New York, N.Y. 1992 "Paintings", 17th Street Gallery, New York, N.Y. 1976 SELECTED GROUP EXHIBITIONS Family Line- drawings and paintings by Anne Harvey, Jason Harvey and Steven Harvey, New York Studio School, New York, NY 2002 Steven Harvey- Paintings and Bruce Gagnier - Sculpture, Gallery Schlesinger, New York, NY 2000 Woman, Gallery Schlesinger, New York, N.Y. 1999 Water and Light, Mary Gearhart Gallery, New York, N.Y. 1997 Contemporary Figures, M B Modern Gallery 1997 On Air, St. Peterís Church, N.Y. 1997 People , Places and Things: An Exploration of the Portrait, 1996-97 New York Studio School Cafe El Maroc, Jamaica Arts Center 1994 Paintings, Schlesinger Gallery 1993 WFMU Benefit Auction, Germans Van Eck Gallery 1992 Night, Trenkmann Gallery 1991 ACT UP Benefit Auction, Paula Cooper Gallery 1990 Figuring Eros, Director's Annual, Snug Harbor Cultural Center, Staten Island, N.Y. 1990 Erotic America, Galerie Antoine Candeau, Paris, France 1989 Of Another Nature, Loughelton Gallery, N.Y.C. 1988 New Territories in Art: Europe/America, curated by Achille Bonito Oliva, Francavilla Al Mare, Italy 1987 Spatial FX, Annina Nosei Gallery 1987 Paint/Film, Bess Cutler Gallery 1987 Melancholy, Anne Plumb Gallery 1987 Group Invitational, Schlesinger Gallery 1986 Thought Objects, Cash/Newhouse Gallery 1985 Saloon/Salon, Bill Rice Gallery 1985 Steven Harvey has worked as an art advisor, art dealer, curator, and writer for over 25 years. He is the director of Steven Harvey Fine Art Projects in NYC, a gallery focused on contemporary painting, which he founded in 2007. SHFAP moved to the lower east side in 2011. It exhibits contemporary artists including Susanna Coffey, Kurt Knobelsdorf, Sangram Majumdar, Stuart Shils, Gideon Bok, Eleanor Ray...

A pillow book was meant to teach a young bride about the art of lovemaking. This rare museum-quality 19th century example is composed of 12 masterfully pai...

Three Graces Pentel marker on paper, 1965 Signed and dated by the artist lower left (see photo) Part of a series of 100 drawings, this number 97 (annotated lower right corner) Condition: Excellent Sheet/Image size: 20 x 15 inches Provenance: Estate of the Artist Martha A. French Trust Ray H. French: The Evolution of an Artistic Innovator Printmaker, painter, and sculptor Ray H. French was born in Terre Haute, Indiana on May 16, 1919. Terre Haute was a cultural wasteland before the opening of the Sheldon Swope Art Museum in 1942. Thus, with a father as a coal miner and carpenter, art remained a luxury for Ray. Nevertheless, local art teachers Mabel Mikel Williams and Nola E. Williams helped to foster his creativity and unshakable drive to create things of beauty. After high school, Ray attended the John Herron School of Art in Indianapolis. His studies there were interrupted by the outbreak of World War II, during which he developed surveillance photographs for the Army Air Force. After the war, Ray transferred to the University of Iowa on the G.I. Bill, where he received both his BFA and MFA degrees. The University of Iowa during the 1940s was a cultural mecca with many major art historians and artists. While in Iowa, Ray played an important role in this culture by becoming a founding member of the Iowa Print...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of humor and spiritual depth s...

In his sculptures, drawings and paintings, Michael O’Keefe employs unpredictable processes as a means to discover content. He couples accident and chance with unconventional methods,...

Three Nudes in a Garden Graphite, c. 1928-1933 Initialed in pencil lower left (see photo) Illustrated: Elliott & Wooden, Aaron Bohrod: Figure Sketches, Fige 9, page 32 (see photo) A...

(Sorry for the reflections on the glass.) When I first saw this graphite-on-paper drawing I assumed it was a print of a Larry Rivers drawing (early Pop Artist and one of the great dr...

Dancing nude figurative study of a french woman. The work is signed by Thierry Andre thought to be a French who was influenced by Edgar Degas. The paper i...

Soft pastel on red toned paper signed and dated bottom left. Suitable for framing under glass

Nude on a Stool Ink on paper, c. 1970-80 Signed in red ink lower right Illustrated: Elliott & Wooden, page 232 A copy of this hardbound books accompanies purchase Condition: Excell...

Hash marks come together in this colored pen study of a flayed figure. The quick and loose style evoke studies done in preparation for a larger piece. They often appear unfinished yet in reality, the artist reached a point with the study has served its purpose and he can then move on to producing the main work. This particular study is a copy of one that is hanging in La Speccola Museo in Florence, Italy. This piece is matted but unframed. Please contact the gallery for framing options. Christopher Ganz Flayed Wax-Cast Figure colored pens 10h x 13.50w in 25.40h x 34.29w cm CG0020 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

Nude Reclining on a Mat Ink on paper, n.d. Signed in red ink lower right Same model used in Elliott & Wooden pages 198 and 199 Condition: Excellent Provenance: Estate of the Artist Warren Shaull, Dodge City, KS (collector's stamp verso) Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

Female Nude Study Graphite and crayon on wove paper, c. 1928 Signed with the Estate stamp "B" (see photo) Provenance: Estate of the Artist Edward Sommer (his so...

Antoine Calbet presents his works, mainly portraits and genre scenes, at the Salons of the Société des artistes français from 1881 until 1940, as well as at the international exhibit...

These recently re-discovered 1984 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

Antoine Calbet presents his works, mainly portraits and genre scenes, at the Salons of the Société des artistes français from 1881 until 1940, as well as at the international exhibit...

These recently discovered 1984 oversize nudes on mylar and/or archival papers were created working quickly, from a live model. The series shows the last existing observational drawi...

I bought this as part of a portfolio of sketches by an obviously talented artist, but don't know the artist's name. These might be studio sketches as exercises, or preparation sketch...

John Bowers Nude in Barn 1940s Charcoal on Paper 19"x25", unframed Came from a portfolio owned by artist John Bowers John was awarded a Master of Fine Arts degree by the University...

Preparatory drawing for Figure Composition, Carmel (CA) Graphite on paper, 1931 Signed with the artist's initial "W" lower right corner (see photo)...

This loose graphite sketch shows two women, one nude, one in various state of dress. The intertwined figures morph into one as the name suggests in this nude drawing by Eduardo Alvarado. The drawing is matted with a heavy mat. Contact the gallery for framing options. Eduardo Alvarado Metamorphosis charcoal on paper 11.75h x 9w in 29.84h x 22.86w cm EDA017 EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo...

Seated nude study of a woman looking towards the viewer. The work is signed by the artist and dated. The paper is not framed. Many others are available. Please inquire to buy the en...

This mixed media drawing on toned archival sanded heavyweight paper is the second in a recent series if pastels depicting the artist and Model subject which had been done extensively...

Monotype Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Seated nude woman that is looking down. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inqui...

This study in human contortion represents and impossible pose. By capturing twists and poses of the figure which could not be performed in real life, the artists tests his knowledge ...

"Descriptions I have heard or read of my work, most of which either delight or offend me, are: allegorical, apocalyptic, provocative, prophetic, dream-like, surreal, fantastic, weird, frightening, disturbing, demanding, despairing, disgusting, irrelevant, inspiring, old, new-old, fascinating, morbid, medieval, bizarre, cathartic, mystery-plays (I like that), and well drawn." - David Becker David Becker Day of the Painter graphite on paper 22h x 34w in 55.88h x 86.36w cm DB0017 David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on request Arkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconsin-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennessee – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shoemaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

Study of a nude woman laying on a bed with her leg up on the bed. She is facing away from the viewer. The work is signed and dated by the artist. The paper is not framed. Many other...

This work was intentionally torn and mended. It predates the artist's full immersion, years later into torn and re-pasted collages, using ripped previous drawings and paper-based materials from media. These recently discovered 1984 oversize drawings on archival papers were created working quickly, from a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...

Signed in ink: Ingebrand Drawings by the artist are in the collections of the Swope Art Museum, Terre Haute, IN and the Minnesota Museum of American Art...

Manfred Schwartz (American, b. Poland, 1909-1970), Seated Nude Woman, Charcoal on Paper, woman holding ball, with the artist's signature stamped lower left, unframed. 20" H x 14.25" ...

These recently re-discovered 1984 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing observational drawings prior to the artists switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...

This artwork titled "The Potter's House, Jeremiah 18: 1-6" c.1990 is a colored pencil drawing on paper by noted African American artist Roger Rice, b.1958. ...

Reclining nude woman covering her face from the viewer. The work is signed by the artist. The paper is not framed. Many others are available. Ple...

Figurative seated nude study of a woman draping fabric around herself. The work is signed by Thierry Andre thought to be a French who was influenced by Edgar Degas. The paper is not ...

Seated nude women study in a naturalistic style. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Nude woman study sitting on the end of a bed. She is looking out at the viewer. The work is signed and dated by the artist. The paper is not framed. Ma...

A naturalistic study of a nude woman standing with her back to the viewer. She appears to be gripping the corner of something. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Helen Slimp (1890 - 1995) San Antonio Artist Image Size: 24 x 17 Frame Size: 30 x 24 Medium: Pencil Drawing 1931 "Bather" Nude Biography Helen Slimp (1890 - 1995) A Virginia native, Helen Ferne Slimp was a lifelong artist, who worked in oils, lithography, stained glass and china painting. She was a friend of Mount Rushmore sculptor Gutzam Borglum and art patron Marion Koogler McNay, painted alongside the Onderdonks and was a teacher to Porfirio Salinas. “She liked that modern stuff,” Slimp said of McNay in the Express-News in 1990, on her 100th birthday. “I never cared for it myself. I thought an apple should look like an apple.”Chester Slimp died in 1965, but Helen Slimp lived to be 105, dying Oct. 29, 2005. Helen Ferne Slimp's instructors were a "Who's Who" of American artists including Randall Davey, Ernest Lawson, Fremont Ellis, Gerald Cassidy, Harry Anthony De Young, and Jose Arpa. Please view my store front for other Great Vintage Texas Paintings...

Raphael Soyer (Russian/American, 1899-1987), Bathing Female Figures, Pastel on Paper, signed lower right, giltwood frame. Image: 22" H x 16" W; frame: 31" H x 24" W x 1" D. Provena...

Artist: Justin Liam O'Brien Title: Seated Nude and Landscape Medium: Graphite on Paper Size: 10 x 7 Inches Year: 2021 Notes: Hand Signed, Titled and Date...

Charcoal drawing of a bust of a nude man by Otis Huband in 1972. Signed and dated by artist. Artist Biography: Otis Huband was born in Fredericksburg, Virginia in 1933. He began st...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man with a bandana in tones of brown and a...

Beautiful original gouache paintings on Arches watercolour paper by Ellen Von Wiegand are float mounted and framed in white, all archival materials, and ready to hang. "The Sun Dazzl...

BALTASAR LOBO Abstract Seated Nude Female Figure 1946 Gouache & Ink on Paper Provenance: Ivan Boesky Collection, La Jolla, California Signed & Dated "Lobo '46 Bruxelles" Baltasar...

The female figure in Oliver Benson's "Maid of Agora" is drawn in exquisite detail. On the reverse side, the artist has drawn another female figure. The artwork is not framed. Ple...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact...

New Orleans/Washington State artist Lue Isaac shows off her remarkable draftsmanship with this classical nude figure drawing. Note that this is from her ske...

This is a masterfully observed and rendered black make nude by an academician and fine artist. John R. Grabach has a long and distinguished career depicting gritty, social realism works depicting the urban working-class. His fundamental skills come as a result of his studying at the Art Students League with Frank V. DuMond, and George Bridgman. This work "black male nude...