Continental US - Abstract Photography

Color, Women, Woman, Water, Swimming, Summer, ocean, ocean photography, photography, color photography, Victoria Goldman, archival pigment print, water, woman, swimming color photog...

Black and white, nature, trees, grainy, film, sky, nature, B&W, black and white photography, tree, Todd Burris, outdoors. Listing is for UNFRAMED print. Inquire within for framing. ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

An unconventional rendering of the classic Hollywood sign. Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the vis...

Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition. Edition 1 of 15. If the...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15. Price Range: $500.00 to $3500.00 Size Range: 8" x10", 11" x14", 16" x 20", 20" x 24", 30" x 40" If...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...

28x40" limited edition of 5, signed on reverse by the artist. A vertical line bisects the two sides of this landscape photograph, with an arid dry field on the left and on the right...

Photographer Mitchell Funk transforms a Miami street scene at night with glowing neon signs into a complex abstract pattern. A recurring element in Funk's iconography is secondary a...

This ia an early example of photo manipulation. Photographer put a match to the 35mm emulsion to the burned bubble effect and then sandwiched it with colored gels in a double exposur...

20"x30" limited edition of 5, signed. Tones of sienna, rust orange, tangerine and warm brown are captured in this an aerial view of a desert landscape photograph. Australian artist,...

40"x60" limited edition of 5, signed on reverse by the artist. This aerial landscape photograph depicts a view of an abandoned airstrip in Australia. The horizontal green stripes o...

Street Photographer Mithcell Funk captures the Chrysler Building as it stands between two neighbors. Compositional exactitude adds to the overall visual appeal of Funk's formal compo...

'9.11.15_3:20:17' 2017 by New York, contemporary camera artist Susan Wides. Chromogenic print, Ed. of 5, 30 x 20 in. / Frame: 30.75 x 20.75 in. This color photograph features an abst...

Perpendicular lines of white and yellow, rectangles of yellow, and white bands of equal proportion define this overhead Manhattan intersection. As an afterthought, it's a nod to Mo...

Large Scale Limited edition color vertical photograph, 60" x 40" depicting an abstract waterscape that has a painterly feel. In this photograph, a a large cresting wave is backlit by rose pink and golden yellow sky, the wave reflects the orange, coral and rose pinks amongst the cerulean and sapphire blues of the water. The photographer Danny Weiss...

Carvings 1-5 by Sterling Ruby is one work in five parts of images of tree carvings. Sold as a set of five only, each work is 36 x 36 inches framed size, framed by the artist in a deep mahogany finished wood. Paper size is 31.5 x 31.5 inches. Chromogenic print, Edition of 3 Exhibition: Cologne, Galerie Christian Nagel, Sterling Ruby: Supermax 2006, March 4-April 2 Provenance: Artist Hauser...

Street Photographer Mitchell Funk breaks with tradition and shoots street photography in color. Today in 2022, this does not seem like a big deal. But 52 years ago, in 1971, it was q...

Local color comes alive and becomes a living work of art in this stunning image. Signed dated and numbered lower right recto. Edition 3 of 15, printed late...

Large Scale Limited edition black and white photograph, 40"x60" depicting an abstract waterscape of a wave in motion that has a painterly feel. In this black and white photograph, the artist has captured rich, dark tones, of the water contrasted against the clouds and foaming rush of the waves. The photographer Danny Weiss...

28x40" limited edition of 5, signed on reverse by the artist. A minimalist composition in green and grey tones- a pattern of vertical lines meet rows of verdant green crop lines run...

Represented by George Billis Gallery, NYC & LA --In 2013, I first saw Carol Inez Charney’s striking semi-abstract photographs depicting details of modernist architecture partially ob...

28"x40" limited edition of 5, signed. Presented Framed. Tones of sienna, rust orange, tangerine and warm brown are captured in this an aerial view of a desert landscape photograph. ...

Wildfire #16, Witch Creek Fire, Rancho Bernardo, CA, 2007 (30"x40") Edition 9 + 3 artist prints, signed by the artist, Sasha Bezzubov. The photographs in the Wildfire series were made in California from 2003 to 2007. The work began as part of a larger project titled Things Fall Apart...

28x40" limited edition of 5, signed on reverse by the artist. This photograph captures an aerial view of the waterflow at Niagara Falls. Crested white waves of water contrast again...

A 1930s Art Deco icon is interpreted in the frenetic technique that recalls the Abstract Expressionist painters of the 1950s. As if he were painting with light, visionary photographe...

32"x48" edition of 3 signed by the artist (fine art color photograph) This aerial landscape photograph depicts the sediments and water interacting at a tailing dam. Intense red, crim...

20"x30" photograph, edition of 5 archival pigment print signed on reverse The beauty of Zoe Wetherall's work is in the structured geometry of natural and man-made forms. This serie...

In this color photograph, Zoe Wetherall has composed the geometry of nature and landscape to create this beautifully visually balanced photograph. A light green grazing field create...

This minimalist landscape photograph is meticulously composed with a central form of a black circle, surrounded by white and a halo of verdant green. Light lines seem as if they are ...

A transformative photograph with emotive color emerges from the lens of Photographer Mitchell Funk. For him, it's about capturing extreme light as it strikes form. In the present i...

40"x60" limited edition photograph, signed by the artist. (unframed) Please inquire about framing options. This aerial photograph appears as a modernist abstract painting, yet is a ...

18"x24", signed, editioned color photograph. The rose pink textured wall of the distressed background in this photograph complements pinkish reds of the road depicted in the rural town landscape painting, which was selected and placed by the artist to have this interaction. The red tones in horizontal stripes of the exposed wood lathing strips on the wall that the painting is hung, add to the visual texture with the white paint under the peeling pink paint. Time and age have created an image of beautiful decay with the cracked and peeling paint, which creates an amazing visual backdrop to the painting. The pairing of the two in this photograph compliment each other on a sensory level and bring out thoughts of nostalgia and longing. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. He is arguably the first to coin the neologism “modern ruins”. His photographs published in “Woody Guthrie’s Wardy Forty,” have won numerous awards, documenting the singer/songwriter/activist’s life at Greystone Park Psychiatric. He received his BA at Rutgers University and his MFA in photography at School of Visual Arts. Phillip Buehler has been featured in Art in America, The New York Times, Art News, The Art Newspaper, Wall Street Journal, American Photo Magazine, The Huffington Post, Hyperallergic, Gothamist, Art F City, The Sun, ABC, CNN, and numerous other publications. Phillip Buehler Church Dome...

18"x24", signed, editioned color photograph. In this conceptual photograph, the artist has paired a painting of watermill, in a rural landscape with a highly distress wall. The bab...

This photograph depicts an aerial view of a mountain in red orange and grey tones. Printed on aluminum, this photograph is mounted with a metal cleat, and is presentation ready. 16"x24" photograph, edition of 5 (dye sublimated...

"Diver In Water" 40"x60" photograph - edition 1/5 (unframed) Please inquire about additional editions and availability This iconic photograph is from the artist's series: "Brace F...

"Diver in Icy Water" 40"x60" photograph - edition 1/5 (unframed) Please inquire about additional editions and availability This iconic photograph is from the artist's series: "Bra...

"Balance" 30"x45" photograph - edition 1/5 (unframed) Please inquire about additional editions and availability This iconic photograph is from the artist's series: "Brace For Impa...

Historic Downtown Las Vegas was famous for Illuminating the night with glowing neon. Photographer Mithcell Funk has captured the essence of old Freemont's street. The Mint, Binion'...

40"x50" photograph edition of 5, signed on the reverse. Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart, The Searchers, Albedo Zone, Facts on the Ground and most recently, Republic of Dust. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney Fine Arts published Facts on the Ground (introduction by Lucy Lippard) to accompany the exhibition. His work is in permanent collections of the Metropolitan Museum of Art, the Museum of the City of New York, and the Joy of Giving Something Foundation. Bezzubov’s work has appeared in the New York Times Magazine, Harper’s, The Telegraph Magazine, Esquire, Newsweek, Time, Art & Auction, and Details; and has received critical acclaim in The New Yorker, Freeze, The Village Voice, The Brooklyn Rail and Print. In 2012, The Sylvia Bongo Foundation invited Sasha Bezzubov to Gabon, Central Africa. Republic of Dust, the series of photographs that resulted from this experience was exhibited at Front Room Gallery ( 48 Hester Street...

"Portal" 20"x30" photograph - edition 3/10 (unframed) Please inquire about additional editions and availability This iconic photograph is from the artist's series: "Brace For Impa...

28"x40" limited edition of 5, signed on reverse by the artist, unframed. This aerial photograph is taken from the view out of a hot air balloon. It's horizontal composition depicts...

This is a new series of photography of landscapes depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lan...

An abstract composition of copper bobbins, this is from Stephen Mallon's series, "American Reclamation" which captures the abstract beauty within details of Industrial Recycling in t...

C-print of an abstracted Park Avenue, in NYC by contemporary photographer Susan Wides in blue, orange, gold. From the Bubbles series, Ed of 7. NY photographer, Susan Wides, is best...

30"x40" edition 5, signed on the reverse This photograph was taken in India at the Ashram where the Beatles stayed and wrote many famous songs. The abstract composition in this photograph captures the texture of dripped white paint over earth tone surface of sepias and browns. Many of Sasha Bezzubov's thoughtful series have featured ruins: "Things Fall Apart," a series of photographs of destruction caused by natural disasters in India, the US, Indonesia and Thailand; "Facts on the Ground" (in collaboration with Jessica Sucher) which documents recent ruins throughout Israel and Palestine. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney...

This photograph is of old Last Vegas - The Fremont Sign, Las Vegas, 1974 The work is signed, dated number lower right 4/15. It's printed later, unframed and other sizes are available. Printed on Hahnemühle Fine Art paper Before one of America's most iconic streets was desecrated into a mall, Fremont street was a wonderland of classic casino signs...

Robert Farber Deterioration Series 133 1979-2013 (printed later) Archival pigment print 60 x 40 inches signed and numbered edition of 5 on the verso This image is part of Robert Fa...

Robert Farber Deterioration Series 130 1979-2013 (printed later) Archival pigment print 60 x 40 inches signed and numbered edition of 5 on the verso This image is part of Robert Fa...

Robert Farber Deterioration Series 117 1979-2013 (printed later) Archival pigment print 60 x 40 inches signed and numbered edition of 5 on the verso This image is part of Robert Fa...

Robert Farber Deterioration Series 126 1979-2013 (printed later) Archival pigment print 60 x 40 inches signed and numbered edition of 5 on the verso This image is part of Robert Fa...

Robert Farber Deterioration Series 004 1979-2013 (printed later) Archival pigment print 60 x 40 inches edition of 5 This image is part of Robert Farber’s Deterioration Series which...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

"Replica" Photography 56" x 40" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. Available sizes...

"Glass Eyes" Photography 56" x 40" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA Available sizes: Edition of 24: 2...

Old Las Vegas is captured with glowing neon signs set against a dramatic desert sunset.. Signed, dated numbered on the lower right, 2/15 , Printed later, another size available, unf...

28"x40" limited edition of 5 (1/5) color photograph, signed on reverse. Diagonal parallel lines of crops, create a striped field pf alternating green and earth tone. A straight hori...

"Storm 64" STORM series 30" x 22.5" Archival Pigment Print on Moab Rag fine art paper Ed. #2/20 signed and dated by artist Selected Finalist: Camera USA® 2017: National Photography Exhibition The von Liebig Art Center, Naples, FL Artist's Statement: glitch noun 1. a defect or malfunction in a machine or plan. 2. Computers. any error, malfunction, or problem. 3. a brief or sudden interruption or surge in voltage in an electric circuit. STORM is almost the antithesis of what we think of as photography, because the end result does not accurately depict what was viewed from the other side of the lens. Taken with an old BlackBerry Storm smartphone, these images were created from what appeared to be a corruption within the device's operating system. After attempting to take more photos and getting the same results, I frustratingly downloaded hundreds of files only to discover frenetic, vibrant, undulating images. The photographs represented are the last of 28 images that still exist today -- the remaining files having degraded to the point where there is no useful color information left. Making a photograph is a painstaking process occasionally made easier with modern photo editing software. But despite our best efforts, sometimes technology just slips up and has its own way, and in this case an unexplainable computer glitch produced a surprisingly delightful result -- if only for a fleeting moment. From the gallerist: I proudly exhibited Les Schmidt's award-winning photography at my New Orleans gallery for years. His work is in notable collections around the world and his exhibitions are always well received by collectors and the press alike. Over the coming months, I will be listing limited edition prints from his diverse portfolio. (PLEASE NOTE: As with many photographic editions, prices rise as prints sell in each edition) BIO Les Schmidt (b. 1960 New Brunswick, NJ) attended the New Orleans Academy of Fine Arts from 2003-2004. He has exhibited extensively in the US including Atlanta, GA; Los Angeles, CA; Naples, FL; New Orleans, LA and Cooperstown, NY and internationally in Budapest, Hungary and Crete, Greece. He’s been a twice selected finalist for Naples Art Association's Camera USA® National Photography Award (2016, 2017) as well as being curated into recent national exhibits held at the Huntsville Museum of Art, Masur Museum of Art and Attleboro Arts Museum Les Schmidt works and resides in New Orleans, LA. EXHIBITIONS 2019 Choice 2019 Atlanta Photography Group Gallery, Atlanta, GA 2018 Snap to Grid Los Angeles Center for Digital Art, Los Angeles, CA Chania International Photo Festival Grand Arsenali, Crete, Greece St Tammany Art Association: 53rd National Juried Exhibition Miriam Baranger Gallery, Covington, LA Monochrome: Juried International Photography Exhibition PH21 Gallery, Budapest, Hungary Urban Landscapes 1650 Gallery, Los Angeles, CA Still Life A Smith Gallery, Johnson City, TX 2017 Snap to Grid Los Angeles Center for Digital Art, Los Angeles, CA I'll Be Your Mirror: The Portrait 1650 Gallery, Los Angeles, CA STORM Guy Lyman Fine Art, New Orleans, LA Solo Exhibition Atlanta Celebrates Photography: Photo Buckhead Buckhead Library, Atlanta, GA Someone/Someplace: Figures, Portraits & Landscapes Western Bureau Arts, San Jose, CA Street Photography: Juried International Photography Exhibition PH 21 Gallery, Budapest, Hungary Cooperstown Art Association: 82nd Annual National Exhibition CAA Village Building, Cooperstown, NY The Red Clay Survey: 2017 Exhibition of Contemporary Southern Art Huntsville Museum of Art, Huntsville, AL St Tammany Art Association: 52nd National Juried Exhibition STAA Art House, Covington, LA RECOLLECTIONS: A Community Photography Project New Orleans Photo Alliance, New Orleans, LA It's a Sign: The Medium is the Message 1650 Gallery, Los Angeles, CA Camera USA® 2017: National Photography Exhibition The von Liebig Art Center, Naples, FL Line - 2017 National Juried Exhibition Attleboro Arts Museum, Attleboro, MA Masur Museum of Art: 54th Annual Juried Competition Masur Museum of Art, Monroe, LA 2016 New Beginnings: Insight Photography Show Rail Yard Studios, Nashville, TN Highway 90: Beyond the Rigolets Guy Lyman Fine Art, New Orleans, LA Solo Exhibition Abstracted Mpls Photo Center, Minneapolis, MN Portraiture: Photography Now Black Box Gallery, Portland, OR THINGS: a still life show 5 Press Gallery, New Orleans, LA ARTifact Darkroom Gallery, Essex Junction, VT Fishing for Iconography 2 A Smith Gallery, Johnson City, TX Camera USA® USA 2016: National Photography Exhibition The von Liebig Art Center, Naples, FL 2015 Dorothy Jean Guy Lyman Fine Art, New Orleans, LA Solo Exhibition 2012 A New Landscape: The 10th Annual Grand Isle Juried Exhibition Grand Isle Community Center, Grand Isle, LA 2011 The Windsor Court Art Showcase Series Windsor Court Hotel, New Orleans, LA Solo Exhibition Embleme Eustis Studios, Cape Girardeau, MO Solo Exhibition 2009 PhotoNOLA 2009 Soren Christensen Gallery, New Orleans, LA Salon d'Automne Arthur Silverman Studio, New Orleans, LA 2006 New Works Soren Christensen Gallery, New Orleans, LA Souvenir Grand Contemporary, Lafayette, LA 2005 Souvenir Soren Christensen Gallery, New Orleans, LA 2004 Leaf Shadows Soren Christensen Gallery, New Orleans, LA 2003 Jack...