Continental US - Color Photography

Untitled Flower # 29 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

We present another series of new work highlighting the raw, natural beauty of Californian landscapes and nature, from various California based photographers. May be paired with other Californian Coast photography...

Brooklyn Bridge Sunset (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2572. Not mounted. ...

A couple walk on Caleta Beach holding hands, Acapulco, Mexico, 1968. Slim Aarons Caleta Beach, Acapulco 1968 C print (Printed later) Estate signature stamped and hand numbered edit...

Boccia (Beachshoot) - 2005 70x135cm installed, including gaps - 8 pieces, 30x30cm each, almost sold out Edition of 100 plus 3 Artist Proofs. Available 100/100, AP 1/3, AP 3/3. Arc...

Benno Thoma's color image of a Vietnamese woman on her bike was taken in Hanoi. It is a painterly image created through photographic technique. This impression is #1 of an edition of...

Type-C print Signed, titled, dated, and numbered, verso 20 x 20 inches (Edition of 10) 30 x 30 inches (Edition of 5) 40 x 40 inches (Edition of 5) This artwork is offered by Clam...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------------------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveller through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations , but which lend themselves to his own work. In a similar way he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypcal and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylised, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing, and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modelled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys; and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights and soldiers. In the case of monsters, mythical creatures and robots, it is more about creating visions of the future and parallel worlds. Certainly since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This of course can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

A rhythmic play of light and geometry, Checkers captures the subtle dialogue between reflection and structure. The alternating planes of glass and shadow evoke movement and depth, tr...

A party of skiers adjourn for drinks at the bar on top of peak KT-22, Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing ...

Fine art 20x24" print of rock band Queen, Freddie Mercury, Brian May, John Deacon and Roger Taylor, arriving by helicopter to Knebworth Park in the UK. Taken by acclaimed photographe...

“Eggplant”, is a photograph of a purple eggplant, ripening in the garden, which becomes transformed into a handcrafted glass bead. The 30 x 20 inch print on aluminum, part of photogr...

Archival Pigment Print Classic cubano style from 19th century All available sizes & editions for each size of this photograph: 60" X 50"- Edition of 5 + 2 Artist Proofs 90" X 70"- ...

Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on Cotton Paper. Mi...

Jimi Hendrix, London 1967 by Gered Mankowitz A portrait of Jimi looking serious while holding a cigarette in an embroidered jacket. "Shot during my first session with Jimi at my Stu...

Lures Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 32” x 64" 36” x 72” This photograph will be printed once payment has been received and will shi...

"Amas Luna Storm I" Nude Photography 36" x 24" in Ed. 1/7 by Aaron Mcpolin Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist Not framed. ...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

Bathers round a pool in Sotogrande, Spain, August 1975. Slim Aarons Poolside In Sotogrande 1975 C print (Printed later) Estate signature stamped and hand numbered edition of 150 wit...

Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I am fascinated with the quality of light and the spatial imm...

A stunning hand printed photograph. Sepia toned. Negatives 1995 & 2006 Signed and dated on verso and recto. Mint Condition FRAME NOT INCLUDED IN PRICE

"Trophies" Photography 30" x 30" inch Edition 2/7 by Brendan North Available sizes: Edition of 15: 18" x 18" inch Edition of 7: 30" x 30" inch Edition of 3: 40" x 40" inch Signed ...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

In a delicate smear of faded blues intermingled with the curves and lines of the pale colors of the skin, Alex Sher’s “Brushstroke” uncovers his phenomenal ability to capture the tr...

"THE MOONSHOT COLLECTION Emerging from a long evolution stretching back nearly 50 million years comes the horse, a wild beauty, grazing peacefully on the plains, and then suddenly br...

This large-scale Björn Persson art piece presents a contemplative vision of wildlife that transcends mere representation to engage with broader questions of presence, fragility, and ...

"The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod al...

Yanomami, Amazonia, Brazil, January 1995 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 2 of 9 Certificate of Origin Signed and Titled...

Archival Pigment Print All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist Proofs 50" X 60"...

Rebecca Skinner’s “Graffiti Yard” is part of her "End of the Line" series taking us back to the days of riding the rails. The 20 x 30 inch color photo is of an abandoned, rusty, graf...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Archival Pigment Print All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist Proofs 50" X 60"...

Color Photograph of Abandoned Gas Station Architecture Lake Havasu is a large reservoir formed by Parker Dam on the Colorado River, on the border between San Bernardino County, Cali...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Secret Lives of Buildings" This ...

Untitled Flower # 48 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Photographer Art Shay was able to get up close and personal in this intimate portrait of John F. Kennedy. Being devoid of any background interference adds to the power of this portrait. It is matted and framed in a black metal frame measuring 18h x 13.75w x 1.25d inches. Art Shay JFK in Profile, 1960 archival pigment print 14h x 11w in 35.56h x 27.94w cm ASY15013 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart...

"Ranunculus Perfect Pink", from the Ranunculus series. Limited edition flex chromogenic photograph, printed in 2016. Signed, titled, dated, and inscribed "From the Ranunculus series / Edition 2" on verso. Dimensions: (Frame) H 31.5" x W 31.5" x D 2" ; (Photograph) H 30" x W 30" Condition: Very good. Presents beautifully overall. After studying photography at the renowned Rhode Island School of Design, Christopher Beane moved to NYC, where he currently resides. In the mid-1990s, Beane stumbled across and became seduced by the early morning alchemy of the 28th street flower market - he found his unforeseen muse. Imports of both local and foreign became the artist's subject matter for the next several decades. He began by first documenting. Then he slowly started to formulate his own unique fingerprint in the fine art world. Noted curator and art historian, Anthony F. Janson proclaims Beane to be "the love child...

A woman sunbathing in a motorboat as it tows a waterskiier, in the sea off the Hotel du Cap Eden-Roc in Antibes on the French Riviera, August 1969. Leisure in Antibes...

C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 20 x 24 inches Signed and numbered edition of 10 with certificate of authenticity Steve McCurry (American, b.1950) is ...

Untitled Flower #15 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x ...

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

An underwater photograph of a red dress repeating the shape of the woman's body. Original gallery quality print signed by the artist. Digital archival pigment print on archival pap...

Let it be (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #...

Rebecca Skinner’s “Rough Terrain” is part of a her texture series taking an up-close look rusted and/or weathered metal. This abstract image is mostly earth tones with a touch of blu...

Archival Pigment Print All available sizes & editions for each size of this photograph: 50" X 40"- Edition of 5 + 2 Artist Proofs 60" X 50"- Edition of 5 + 2 Artist Proofs 90" X 70"-...

A contemporary photograph of 2Pacs iconic "All eyez on me" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic ta...

Reinhard Görner Sainte Geneviève II Library Paris, France 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm...

Biblioteca Ortopedica Bologna, Italy 2022 A view of the main table and globe of the main scientific library in the Istituto Ortopedico Rizzoli, named for Italian King Umberto I. The vista is framed between echoing frescoed arched ceilings, cases of scientific volumes, and geometric floor. These sixteenth-century rooms, where the books of the Olivetani Monks were kept, are located in the ancient complex of San Michele in Bosco. They were transformed into an orthopaedic hospital at the end of the nineteenth century. The library holds an important scientific collection...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Skiers on the slopes at the Sugarbush Resort, Vermont, USA, April 1960. Slim Aarons Skiers At Sugarbush 1960 C print (Printed later) Estate signature stamped and hand numbered editi...

"Belly Of the Dragon" Nude Photography 36" x 24" in Ed. 1/7 by Aaron Mcpolin Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist Not framed...

Film star Britt Ekland (Britt-Marie Eklund) in Porto Ercole, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stampe...

Skiers on the slopes at the Sugarbush Resort, Vermont, USA, April 1960. Slim Aarons Skiers At Sugarbush 1960 C print (Printed later) Estate signature stamped and hand numbered editi...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 40 inches edition of 7 60 x 60 inches edition of 7

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7 Certificate of Authenticity, Signed by the Artis...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Guests relax by the swimming pool at John Young's villa 'Plantana', Ocho Rios, Jamaica, March 1971. Slim Aarons Ocho Rios, Jamaica 1971 C print (Printed later) Estate signature sta...