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Item Ships From: Continental US
Fresh Dill Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Fresh Dill (Herb) Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 20X24)
...
Category
Early 2000s American Modern Continental US - Still-life Photography
Materials
C Print
Nymphalid
By Jo Whaley
Located in Sante Fe, NM
THE THEATER OF INSECTS
Insects depicted larger than life, approach a human scale. One can confront them face to face and wonder at their structure and designs. In these images, the...
Category
Early 2000s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
$2,000
Acrididae
By Jo Whaley
Located in Sante Fe, NM
THE THEATER OF INSECTS
Insects depicted larger than life, approach a human scale. One can confront them face to face and wonder at their structure and designs. In these images, the...
Category
Early 2000s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
$2,000
Tropea Luna
By Jo Whaley
Located in Sante Fe, NM
THE THEATER OF INSECTS
Insects depicted larger than life, approach a human scale. One can confront them face to face and wonder at their structure and designs. In these images, the...
Category
Early 2000s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
$2,000
Stage Stills (5)
By Jo Whaley
Located in Sante Fe, NM
Stage Stills
“With the portfolio of images entitled Stage Stills, I have returned to my roots as a scenic artist, but from a different perspective. Upon seeing the backstage of the...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Stage Stills (7)
By Jo Whaley
Located in Sante Fe, NM
Stage Stills
“With the portfolio of images entitled Stage Stills, I have returned to my roots as a scenic artist, but from a different perspective. Upon seeing the backstage of the...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Stage Stills (4)
By Jo Whaley
Located in Sante Fe, NM
Stage Stills
“With the portfolio of images entitled Stage Stills, I have returned to my roots as a scenic artist, but from a different perspective. Upon seeing the backstage of the...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Stage Stills (1)
By Jo Whaley
Located in Sante Fe, NM
Stage Stills
“With the portfolio of images entitled Stage Stills, I have returned to my roots as a scenic artist, but from a different perspective. Upon seeing the backstage of the...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Salton Sea Fish #1, Santa Fe, NM, 2010
By Brad Wilson
Located in Sante Fe, NM
Brad Wilson is a fine art photographer working in Santa Fe, New Mexico. Most known for his Affinity series, a collection of strikingly detailed animal studio portraits, Salton Sea Fi...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Ephemeral Moments (06 1751)
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Ephemeral Moments (06 7052)
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Ephemeral Moments (07 9975)
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled Flower # 86, Photography 2005, Printed After
By Chad Kleitsch
Located in Stamford, CT
Untitled Flower # 86
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled Flower #136, Photography 2009, Printed After
By Chad Kleitsch
Located in Stamford, CT
Untitled Flower # 115
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled # 118, Photography 2008, Printed After
By Chad Kleitsch
Located in Stamford, CT
Untitled Flower # 115
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled Flower # 103, Photography 2006, Printed After
By Chad Kleitsch
Located in Stamford, CT
Untitled Flower # 115
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled # 45, Photography 2002, Printed After
By Chad Kleitsch
Located in Stamford, CT
Untitled Flower # 115
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled # 42, Photography 2002, Printed After
By Chad Kleitsch
Located in Stamford, CT
Untitled Flower # 115
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled # 66, Photography 2005, Printed After
By Chad Kleitsch
Located in Stamford, CT
Untitled Flower # 115
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled # 46, Photography 2002, Printed After
By Chad Kleitsch
Located in Stamford, CT
Untitled Flower # 115
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Twilight, St Petersburg 1995
By Boris Smelov
Located in New York, NY
Vintage Gelatin Silver Print. 16 1/4 x11 3/4". Image Size: 10 1/2 x 10 1/4."
Signed and Dated by photographer on verso.
Boris Smelov 95, 7/15
Photographer Boris Smelov) was a li...
Category
1990s Contemporary Continental US - Still-life Photography
Materials
Photographic Paper
Homely
By Patty Carroll
Located in Sante Fe, NM
The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Lighty
By Patty Carroll
Located in Sante Fe, NM
The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Goldly
By Patty Carroll
Located in Sante Fe, NM
The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Planty
By Patty Carroll
Located in Sante Fe, NM
The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Hairly
By Patty Carroll
Located in Sante Fe, NM
The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Cozy
By Patty Carroll
Located in Sante Fe, NM
The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
$1,500
Scotty
By Patty Carroll
Located in Sante Fe, NM
The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Sweepy
By Patty Carroll
Located in Sante Fe, NM
The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
"Brides Magazine, Bethlehem", New York, NY, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
Early 2000s Contemporary Continental US - Still-life Photography
Materials
Photographic Paper
Floral Study 181: still life photograph w/ dried flowers on sky blue field, lg
Located in Bryn Mawr, PA
This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Flora" series, which is one of three...
Category
2010s Abstract Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
Beach Through Screen, Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Beach Through Screen, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24)
Moody photos of a summer vacation house at the beach.
Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand.
In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections.
A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal.
Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine.
Group Exhibitions:
Hot Fun in the Summertime (Benrubi Gallery)
Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category
1990s American Modern Continental US - Still-life Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Muse [X] Editions.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy...
Category
1990s Conceptual Continental US - Still-life Photography
Materials
C Print
Woman in Bathrobe Large Format Flower Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Woman in Robe, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 20X24)
Moody photos of a summer vacation house at the beach.
Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand.
In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections.
A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal.
Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine.
Group Exhibitions:
Hot Fun in the Summertime (Benrubi Gallery)
Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category
Early 2000s American Modern Continental US - Still-life Photography
Materials
C Print
Calla Lily, Digital Photograph Print on Metal by Jonathan Singer
Located in Long Island City, NY
Artist: Jonathan Singer (American, b. 1949)
Title: Two Lilies
Year: circa 2010
Medium: Digital Photograph on Aluminum Panel
Image Size: 40 x 40 in. (101.6 x 101.6 cm)
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Digital
Last Light Nasturtiums, Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Last light nasturtiums, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 2...
Category
Early 2000s American Modern Continental US - Still-life Photography
Materials
C Print
A Bientot, Large Format Flower Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
A Bientot, Flower, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak profession...
Category
Early 2000s American Modern Continental US - Still-life Photography
Materials
C Print
Untitled (2155): still life photograph w/ antler, bone
abstract shadow pattern
Located in Bryn Mawr, PA
This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Table Top" ...
Category
2010s Abstract Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
Hand
Foot: black
white photograph w/ glove, leopard print
tree bark, feet
By Jenny Lynn
Located in Bryn Mawr, PA
"Hand & Foot" is a black & white framed silver gelatin print (photograph) studio still life with glove, leopard print fur, and tree bark textures from artist Jenny Lynn...
Category
Early 2000s Realist Continental US - Still-life Photography
Materials
Photographic Paper, Silver Gelatin
Floral Study 246: still life black
white photograph w/ abstract flowers, large
Located in Bryn Mawr, PA
This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Flora" series, which is one of three...
Category
2010s Abstract Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
Floral Study 13: still life color photograph w/ dried flowers on black field, lg
Located in Bryn Mawr, PA
This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Flora" series, which is one of three...
Category
2010s Realist Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
Relics 2 Elaborately Constructed Vintage Color Photograph Surrealist Image
By Jane Calvin
Located in Surfside, FL
Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10.
Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois.
Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China.
Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity."
She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography."
For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White.
This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...
Category
1980s Surrealist Continental US - Still-life Photography
Materials
C Print
Canna No. 6 (Abstracted Still Life Photograph of a Magenta Lily Flower on White)
By Jeri Eisenberg
Located in Hudson, NY
Abstract still life photograph of a magenta cana lily flower on a white sky background
Photograph printed on Japanese Kozo paper infused with encaustic
Edition 1/12, 36 x 22.5 inche...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Wax, Encaustic, Archival Paper, Mulberry Paper
Rising, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Rising, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24)
Moody photos of a summer vacation house at the beach.
Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand.
In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections.
A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT. Similar in feel and style to Joel Meyerowitz. Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal.
Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine.
Group Exhibitions:
Hot Fun in the Summertime (Benrubi Gallery)
Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category
Early 2000s American Modern Continental US - Still-life Photography
Materials
C Print
Untitled (2917): still life photograph w/ vases, cast hands
feet, and shadows
Located in Bryn Mawr, PA
This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the artist's "Still Life" series, which i...
Category
2010s Realist Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
Vintage Silver Gelatin Photograph Surrealist Fake Limb Prosthetic Factory Photo
By Shimon Attie
Located in Surfside, FL
These are vintage prints from the 1980's. The last photo shows a gallery or museum label from an accompanying piece (there were three sequence shots in this series) but is not on thi...
Category
1980s Conceptual Continental US - Still-life Photography
Materials
Silver Gelatin
Irons and Tomatoes: still life color photograph w/ abstract shadow patterns, lg
Located in Bryn Mawr, PA
This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Table Top" ...
Category
2010s Abstract Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
Carrots, against wall
By David Halliday
Located in New York, NY
Ed. 6/25
David Halliday has been making and exhibiting his photographs since the late 1980’s. He first gained attention for his sepia-toned silver prints of elegant, meticulously-co...
Category
Early 2000s Continental US - Still-life Photography
Materials
Archival Pigment
Stepping Stones, NYC (Limited Edition of 25), 24" x 36" - Street Photography
By Viet Chu
Located in New York, NY
New York City based wildlife and street photographer Viet Chu, shot this black and white image of people walking on century old cobblestone in New York City. With monochrome color he...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Homage to Wilson A. Bentley #19
By Yuji Obata
Located in New York, NY
Listing includes framing, free shipping and 14-day returns.
Yuji Obata
Homage to Wilson A. Bentley #4, 2005 - 2006
19 x 13 inch archival pigment print
Edition 3 of 10
Signed and editioned on verso
Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami.
In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes.
Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today.
Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow.
His most recent book "Wintertale" gathers his photographs of winter...
Category
Early 2000s Continental US - Still-life Photography
Materials
Photographic Paper, Digital, Pigment, Archival Pigment, Digital Pigment
No. 21 (Framed Still Life Photograph of a Pastel Orange Rose Flower on White)
By Chad Kleitsch
Located in Hudson, NY
Framed still life photograph of a pastel orange and pink rose flower on a crisp white background
“Untitled 21” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper
No. 69 (Framed Still Life Photograph of a Bright Orange Poppy Flower on White)
By Chad Kleitsch
Located in Hudson, NY
Framed still life photograph of a bright orange Poppy flower on a crisp white background
“Untitled 69” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” series be...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper
Pop Art Color Photograph Dye Transfer Print Audrey Flack Rolls Royce Lady Photo
By Audrey Flack
Located in Surfside, FL
Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...
Category
1980s Photorealist Continental US - Still-life Photography
Materials
Photographic Paper, C Print, Dye Transfer
Los Insectos Eternos (The Eternal Insects)
Located in Brooklyn, NY
In the tondo photograph, Los Insectos Eternos, Fidel Santos conjures a fragile world of beauty and disintegration. At the heart of the composition lies a delicate web of fine thread,...
Category
21st Century and Contemporary Renaissance Continental US - Still-life Photography
Materials
Plexiglass, Archival Ink, Mixed Media
Great Dahlias, Large Format Flowers Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Great Dahlias, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional p...
Category
Early 2000s American Modern Continental US - Still-life Photography
Materials
C Print
RED ROSE II (After Georgia O
Keeffe) photograph on plexiglass
Located in Brooklyn, NY
Max Grant's floral macro photography series, aptly titled "(Floral)," serves as a mesmerizing exploration of botanical beauty reminiscent of the legendary artist Georgia O'Keeffe. Th...
Category
21st Century and Contemporary American Modern Continental US - Still-life Photography
Materials
Plexiglass, Photographic Paper
Untitled- Number 74: Still Life Photograph of White Flower
Pink Orange Center
By Chad Kleitsch
Located in Hudson, NY
Contemporary still life photograph of white flower with light pink, orange center
Untitled- Number 74 (White) by Chad Kleitsch
Archival pigment print on Hahnemuhle photo rag matte pa...
Category
2010s Modern Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper
Untitled Flower 147 (White): Still Life Photograph of Dandelion Flowers on White
By Chad Kleitsch
Located in Hudson, NY
Contemporary still life photograph of dandelion flowers on a white background
Untitled- Flower 147 (White) by Chad Kleitsch
Archival pigment print on Hahnemuhle photo rag matte paper...
Category
2010s Modern Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper
Untitled- Number 74: Still Life Photograph of White Flower
Pink Orange Center
By Chad Kleitsch
Located in Hudson, NY
Contemporary still life photograph of white flower with light pink, orange center
Untitled- Number 74 (White) by Chad Kleitsch
Archival pigment print on Hahnemuhle photo rag matte pa...
Category
2010s Modern Continental US - Still-life Photography
Materials
Archival Ink, Archival Paper
Walking Grapes: Figurative Still Life Photograph of Grapes
Branches
By David Halliday
Located in Hudson, NY
Color still life photograph of purple grapes with green vines on figurative olive branches against a white and beige background
'Walking Grapes', by David Halliday, 2017
archival pig...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
