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Continental US - Abstract Prints

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Item Ships From: Continental US
Cat, 2023
By Christopher Mudgett
Located in Los Angeles, CA
Cat, 2023 By Christopher Mudgett Rendered in Mudgett’s unmistakably powerful style, this striking black-and-white linocut distills the essence of a cat into a bold, abstracted form....
Category

2010s Contemporary Continental US - Abstract Prints

Materials

Ink, Archival Paper, Linocut

Convection, Braniff International Airways Flying Colors Collection
By Alexander Calder
Located in Fairfield, CT
Artist: Alexander Calder (1898-1976) Title: Convection, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inc...
Category

1970s Surrealist Continental US - Abstract Prints

Materials

Lithograph

"Parade Amoureuse"
By Francis Picabia
Located in Astoria, NY
Francis Picabia (French, 1879-1953), "Parade Amoureuse" [Love Parade], Serigraph in Colors, signed in print lower left, wood frame. Image: 27.75" H x 21.5" W; frame: 29.5" H x 23.75"...
Category

20th Century Surrealist Continental US - Abstract Prints

Materials

Screen

Akira Kito, Child, from Prints from the Mourlot Press, 1964
Located in Southampton, NY
This exquisite lithograph by Akira Kito (1909–1995), titled Enfant (Child), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by th...
Category

1960s Modern Continental US - Abstract Prints

Materials

Lithograph

Original "Spoleto 1974, Lulu Opera vintage poster
By Richard Lindner
Located in Spokane, WA
Original linen-backed 1974 Spoleto poster. Roman Polanski directed Alban Berg's opera LuLu at the Spoleto Festival, which was conducted by Christopher K...
Category

1970s Abstract Continental US - Abstract Prints

Materials

Lithograph

"Somber Planet"
By Manfred Schwartz
Located in Astoria, NY
Manfred Schwartz (American, b. Poland, 1909-1970), "Somber Planet", Lithograph on Paper, mid 20th century, numbered edition "13/90" lower left, signed in pencil lower right, with the...
Category

Mid-20th Century Modern Continental US - Abstract Prints

Materials

Paper, Lithograph

Magic Rainbow II, Limited Edition Signed Print
By Yaacov Agam
Located in San Rafael, CA
Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...
Category

Late 20th Century Abstract Geometric Continental US - Abstract Prints

Materials

Screen

Joan Miro, Figures, from Cardboards 1959–1965, 1965 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnages (Figures), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965), originates from...
Category

1960s Surrealist Continental US - Abstract Prints

Materials

Lithograph

Black/White/Black (A. 63)
By Ellsworth Kelly
Located in Calabasas, CA
Artist: Ellsworth Kelly Title: Black/White/Black (A. 63) Year: 1970 Medium: Lithograph on Special Arjomari paper Edition: 48/75; signed and numbered in pencil Sheet: 42 3/10 × 29 4/...
Category

1970s Contemporary Continental US - Abstract Prints

Materials

Lithograph

Jean Cocteau, Scene VIII, Romeo and Juliet, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene VIII, Romeo et Juliette (Scene VIII, Romeo and Juliet), originates from the 1957 album Jean Cocteau de l'Academie ...
Category

1950s Modern Continental US - Abstract Prints

Materials

Lithograph

Jean Cocteau, Scene VII, Romeo and Juliet, from Theatre, 1957
By Jean Cocteau
Located in Southampton, NY
This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene VII, Romeo et Juliette (Scene VII, Romeo and Juliet), originates from the 1957 album Jean Cocteau de l'Academie fr...
Category

1950s Modern Continental US - Abstract Prints

Materials

Lithograph

Information Lines (conceptual environmentalist Land Art lithograph)
By Dennis A. Oppenheim
Located in Wilton Manors, FL
Artist: Dennis Oppenheim, American (1938 - 2011) Title: Information Lines, 1981. Medium: Lithograph, signed and numbered in pencil A/P 1/30. Artist's Proof. Size: 41.25 in. x 29.7...
Category

1980s Land Continental US - Abstract Prints

Materials

Lithograph

NATURAL BEAUTY Signed Lithograph Abstract Color Portrait Black Woman Flower Vase
By William Tolliver
Located in Union City, NJ
NATURAL BEAUTY by the self taught African American artist William Tolliver (b.1951-2000) is an original hand drawn limited edition lithograph printed in 25 colors on archival printma...
Category

1990s Contemporary Continental US - Abstract Prints

Materials

Lithograph

Georges Braque, Bird on Background of X, San Lazzaro et ses Amis, 1975 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Oiseau sur fond de X (Bird on Background of X), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), originates from the 1975 edition published by XXe siecle, Paris, and printed by Mourlot Freres, Paris, October 1975. Oiseau sur fond de X exemplifies Braque’s late-career mastery of poetic symbolism and formal harmony. The composition’s abstracted bird—one of Braque’s most enduring motifs—emerges from an intricate background of interlocking shapes and textures, expressing his lifelong fascination with balance, serenity, and the unity between nature and form. Executed as a lithograph on velin d'Arches paper, this work measures 10.5 x 14 inches (26.67 x 35.56 cm). Unsigned and unnumbered as issued. The edition reflects the exceptional craftsmanship of Mourlot Freres, the legendary Parisian atelier known for its collaborations with Braque, Picasso, Chagall, and Matisse. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseau sur fond de X (Bird on Background of X), from San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, 1975 Medium: Lithograph on velin d'Arches paper Dimensions: 10.5 x 14 inches (26.67 x 35.56 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: XXe siecle, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Vallier, Dora, et al. Braque, the Complete Graphics: Catalogue Raisonne. Translated by Robert Bononno, Gallery Books, 1988, illustration 122. Condition: Well preserved, consistent with age and medium Provenance: From the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, published by XXe siecle, Paris, October 1975 Notes: Excerpted from the folio (translated from French), Finished printing in Paris in October 1975. This album has been printed on velin d'Arches in DLXXV numbered examples. The LXXV original examples include a series of VIII original lithographs, signed and numbered by the artists. In addition, LV examples were printed for artists, authors, friends and collaborators of XXe siecle. The typography is from l'Imprimerie Union in Paris; the lithographs of Max Bill, Marc Chagall, Hans Hartung, Braque, Fontana, Magnelli, Picasso, Magritte and Poliakoff were printed by Fernand Mourlot in Paris; those of Alexander Calder and Joan Miro by l'imprimerie Arte in Paris; that of Max Ernst by Pierre Chave in Vence; that of Zao Wou-Ki by ateliers Bellini in Paris; and that of Henry Moore by the Curwen Studio in London. About the Publication: San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), published in 1975 by XXe siecle, Paris, was conceived as a landmark tribute to Gualtieri di San Lazzaro, the visionary founder of the celebrated art journal XXe Siecle. The folio unites original lithographs by leading masters of modern art—Braque, Picasso, Chagall, Miro, Calder, Hartung, Moore, and others—printed by premier Parisian ateliers including Mourlot, Arte, Bellini, and Curwen. Representing the creative spirit and internationalism of postwar modernism, this edition stands as one of the great artistic collaborations of the 20th century. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseau...
Category

1970s Cubist Continental US - Abstract Prints

Materials

Lithograph

The Show is Over - rare long discontinued limited edition Dallas Museum poster
By Christopher Wool
Located in New York, NY
Christopher Wool The Show is Over, 2000 Offset Lithograph poster 36 × 24 inches Limited Edition of approx 100 (unnumbered) Unframed This collectible offset lithograph poster was pu...
Category

Early 2000s Minimalist Continental US - Abstract Prints

Materials

Lithograph, Offset

Alex Katz Reflection 2
By Alex Katz
Located in New York, NY
Alex Katz (born 1927) Reflection 2 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 47 x 39.5 inches (119 x 100.3 cm) Edition of 81/100 With flat plane...
Category

2010s Modern Continental US - Abstract Prints

Materials

Screen

Henri Matisse, Chromatic Symphony, from Verve, Revue Artistique, 1940
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph by Henri Matisse (1869–1954), titled Symphonie chromatique (Chromatic Symphony), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from...
Category

1940s Fauvist Continental US - Abstract Prints

Materials

Lithograph

Untitled #2
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category

2010s Abstract Continental US - Abstract Prints

Materials

Aquatint

"Piano, " Framed Limited Edition Giclee Print, 45" x 36"
By Sofie Swann
Located in Westport, CT
This limited edition abstract giclee print by Sofie Swann is an edition of 95. It features thin, imperfect vertical rectangular shapes which are half white and half deep red, and are...
Category

2010s Abstract Continental US - Abstract Prints

Materials

Digital, Giclée

ICARUS I Signed Lithograph, Abstract Male Figure, Greek Mythology, Black, Grey
By Marius Sznajderman
Located in Union City, NJ
ICARUS I is an original hand-drawn lithograph created in 1986 by the French American artist Marius Sznajderman, printed in neutral warm grays and intense black on archival Arches pap...
Category

1980s Abstract Continental US - Abstract Prints

Materials

Lithograph

"Black Gouache" lithograph
By (after) Sol LeWitt
Located in Henderson, NV
Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...
Category

1990s Abstract Continental US - Abstract Prints

Materials

Lithograph

Willem de Kooning, Untitled, from Poems, 1988
By Willem de Kooning
Located in Southampton, NY
This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...
Category

1980s Abstract Expressionist Continental US - Abstract Prints

Materials

Lithograph

Alexander Calder, To San Lazzaro, from San Lazzaro et ses Amis, 1975
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled A San Lazzaro (To San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle ...
Category

1970s Surrealist Continental US - Abstract Prints

Materials

Lithograph

Stones III (~22% OFF LIST PRICE)
Located in Kansas City, MO
Avraham Inlender Stones III Color Offset Lithograph Year: 2003 Size: 5.9 x 5.5 inches (15 x 14 cm) Signed in pencil COA provided Avraham Inlender (1932–2003) was a Polish-born arti...
Category

Early 2000s Abstract Continental US - Abstract Prints

Materials

Lithograph, Offset

Joan Miro, Lithograph I, from Lithographs II, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph I, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, Ne...
Category

1970s Surrealist Continental US - Abstract Prints

Materials

Lithograph

IV from La Magnanerie de la Ferrage, Abstract Linocut Print by Alberto Magnelli
By Alberto Magnelli
Located in Long Island City, NY
Artist: Alberto Magnelli, Italian (1888 - 1971) Title: IV from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size: ...
Category

1970s Abstract Geometric Continental US - Abstract Prints

Materials

Rice Paper, Linocut

Homage to the Square - P1, F19, I2 - Geometric Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
"Homage to the Square - Portfolio 1, Folder 19, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...
Category

1970s Abstract Geometric Continental US - Abstract Prints

Materials

Screen

Homage to the Square - P2, F8, I2 - Geometric Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
"Homage to the Square - P2, F8, I2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that ...
Category

1970s Abstract Geometric Continental US - Abstract Prints

Materials

Screen

Untitled
By Alexander Calder
Located in Fairlawn, OH
Untitled Color lithograph, 1959 Unsigned (as issued) From: Derriere Le Miroir, No. 113, 1959 Publisher: Editions Pierre a Feu Editor: A. Maeght Small edition as it appeared in the ma...
Category

1950s Abstract Continental US - Abstract Prints

Materials

Lithograph

1975 Andrew Dasburg Color Lithograph, "Trees in Ranchitos II" Taos Modernist
By Andrew Michael Dasburg
Located in Denver, CO
"Trees in Ranchitos II" is a striking 1975 color lithograph by acclaimed modernist artist Andrew Michael Dasburg (1887–1979). This collectible artwork, initialed in the lower right, beautifully captures the serene landscapes of New Mexico, reflecting Dasburg’s signature fusion of Post-Impressionism and Cubist influences. The composition conveys the tranquil rhythm of trees and desert terrain, combining geometric abstraction with lyrical naturalism. The lithograph is presented in a custom frame measuring 30 ½ x 36 ¼ inches, with an image size of 16 ½ x 23 ¼ inches, making it a sophisticated and visually compelling addition to any collection of Taos Modernist art, American modernism, or Southwestern landscape prints. About Andrew Michael Dasburg (1887–1979): Born in Paris, France, Dasburg immigrated to New York City in 1892, where his early talent was recognized. He trained at the Art Students League of New York under notable instructors including Robert Henri, Kenyon Cox, and Birge Harrison. In 1908, he returned to Paris and encountered the works of Henri Matisse and Paul Cézanne, experiences that ignited his lifelong commitment to modernism. After settling in Woodstock, NY, Dasburg immersed himself in the avant-garde scene, collaborating with Morgan Russell...
Category

1970s American Impressionist Continental US - Abstract Prints

Materials

Lithograph

Henri Matisse, The Dance, from Verve, Revue Artistique, 1938
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph by Henri Matisse (1869–1954), titled La Danse (The Dance), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from the 1938 issue publish...
Category

1930s Fauvist Continental US - Abstract Prints

Materials

Lithograph

Impressions of Women, Suite of 5 Lithographs by Doo Shik Lee
By Doo Shik Lee
Located in Long Island City, NY
Artist: Doo Shik Lee, Korean (1947 - 2013) Title: Impressions of Women Year: 1993 Medium: Suite of Five Lithographs on Arches, Each signed and numbered in pencil Edition: 175 Size: ...
Category

1990s Abstract Expressionist Continental US - Abstract Prints

Materials

Lithograph

German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category

20th Century Continental US - Abstract Prints

Materials

Etching

II from the Aquarius Suite, Op Art Screenprint by Stanley William Hayter
By Stanley William Hayter
Located in Long Island City, NY
Artist: Stanley Hayter, British (1901 - 1988) Title: II from the Aquarius Suite Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XXX Paper Size: 27 x ...
Category

1970s Op Art Continental US - Abstract Prints

Materials

Screen

Claes Oldenburg, "Houseball with Fallen Toy Bear", Signed/N Pop Art Lithograph
By Claes Oldenburg
Located in New York, NY
Claes Oldenburg Houseball with Fallen Toy Bear, 2013 Color lithograph on Japanese watercolor paper Hand signed and numbered 21/50 by Claes Oldenburg on the front 38 3/5 × 44 inches U...
Category

2010s Pop Art Continental US - Abstract Prints

Materials

Lithograph

Discs and Spirals
By Alexander Calder
Located in Miami, FL
Alexander Calder (American, 1898-1976) Signed: Calder (Lower, Right) Discs and Spirals, 1970 Lithograph in Colors on Wove Paper Sheet Size: 26” x 38” Numbered: Numbered from an editi...
Category

1970s Continental US - Abstract Prints

Materials

Lithograph

Abstract Composition, Abstract Screenprint by Victor Rosado
By Victor Rosado
Located in Long Island City, NY
Victor Rosado, Puerto Rican (1938 - ) - Abstract Composition, Year: circa 1975, Medium: Screenprint, signed and numbered in pencil, Edition: 94/400, Image Size: 18.25 x 14.5 inch...
Category

1970s Abstract Continental US - Abstract Prints

Materials

Screen

Henri Matisse, Icarus, from Verve, Revue Artistique, 1945
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph by Henri Matisse (1869–1954), titled Icarus, from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the 1945 issue published by Editio...
Category

1940s Fauvist Continental US - Abstract Prints

Materials

Lithograph

Murakami print - Kansei : The Golden Age - Last One - Framed
By Takashi Murakami
Located in Los Angeles, CA
This is an offset print, limited edition 118 of 300, signed and numbered by Artist. It is beautiful, brand new, and framed using archival materials at a reputable framer in Los Angeles. Ready for installation or gifting. Last One Available. Enjoy video of the unwrapping of this brand new print at our Los Angeles framer! This print is now sold framed, in Los Angeles, CA. "Kansei : The Golden Age" 潤声 ゴールデンエイジ 4c offset w/cold stamp + spot varnishing オフセット印刷4色+箔+厚盛ニス Diameter: 710 mm / 28 in. Framed: approx 34 x 34 x 2 in. Edition 300 Signed and numbered: edition 118 of 300 Made in Japan Pristine condition, brand new, framed in Los Angeles, California Seller in Los Angeles...
Category

21st Century and Contemporary Contemporary Continental US - Abstract Prints

Materials

Offset

COMPOSITION (UNIQUE 1/1)
By Paul Jenkins
Located in Aventura, FL
Unique monotype in colors. Hand signed, dated and numbered '1/1' lower left by Paul Jenkins. Frame size approx 27 x 34.5 inches. Additional images are available upon request. Cer...
Category

1980s Abstract Continental US - Abstract Prints

Materials

Paper, Monotype

Braque, Composition, Derrière le miroir (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern Continental US - Abstract Prints

Materials

Lithograph

Cubist Composition, Lithograph by Jean Helion
By Jean Hélion
Located in Long Island City, NY
Jean Hélion was a French painter (1904 - 1987) whose abstract work of the 1930's established him as a leading modernist. His mid-career rejection of abstraction was followed by nearl...
Category

1930s Cubist Continental US - Abstract Prints

Materials

Lithograph

Frankenthaler, Solar Imp 2001, Lincoln Center New York City Ballet
By Helen Frankenthaler
Located in Fairfield, CT
Artist: After Helen Frankenthaler (1928-2011) Title: Solar Imp (Lincoln Center Salute’s the New York City Ballet) Year: 2001 Medium: Silkscreen poster on extra thick Somerset paper E...
Category

Early 2000s Abstract Expressionist Continental US - Abstract Prints

Materials

Screen

Paul Klee, Winter Sleep, from Verve, Revue Artistique, 1938
By Paul Klee
Located in Southampton, NY
This exquisite lithograph by Paul Klee (1879–1940), titled Sommeil d’hiver (Winter Sleep), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, originates from the 1938 issue p...
Category

1930s Modern Continental US - Abstract Prints

Materials

Lithograph

"Insignia" #1 Hand Made Paper Aquatint Abstract
Located in Soquel, CA
"Insignia" #1 Hand Made Paper Aquatint Abstract Tactile Abstract on handmade paper by David Dodsworth (English, b-1952) David’s work is typified by his...
Category

1980s Abstract Expressionist Continental US - Abstract Prints

Materials

Gold Leaf

Henri Matisse, The Pompadour, from Portraits by Henri Matisse, 1954
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph by Henri Matisse (1869–1954), titled La Pompadour (The Pompadour), from the album Portraits par Henri Matisse, originates from the 1954 edition published by...
Category

1950s Fauvist Continental US - Abstract Prints

Materials

Lithograph

John Baldessari Sonnabend Gallery 1981 (announcement)
By John Baldessari
Located in NEW YORK, NY
John Baldessari, Sonnabend Gallery New York 1981: Rare early 1980s John Baldessari exhibition announcement published on the occasion of: "Shape Derived from Subject (Snake): Used as ...
Category

1980s Surrealist Continental US - Abstract Prints

Materials

Lithograph, Offset

Modica - large format photograph of Brutalist architecture
By Frank Schott
Located in San Francisco, CA
Large format photograph of Brutalist architecture in south of Italy ( Sicily ) Modica (2020) by Frank Schott 72 x 48 inches / 182cm x 122cm...
Category

21st Century and Contemporary Contemporary Continental US - Abstract Prints

Materials

Photographic Paper, Giclée, Archival Pigment, Archival Ink, Archival Paper

Alexander Calder, Mama Citron, from Derriere le Miroir, 1975
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Mama Citron, originates from the historic 1975 folio Derriere le Miroir, No. 212. Published by Maeght Editeur, Paris...
Category

1970s Surrealist Continental US - Abstract Prints

Materials

Lithograph

Apple, Lt Ed St. Louis Art museum print Signed dated by Roy Lichtenstein Frame
By Roy Lichtenstein
Located in New York, NY
Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, H...
Category

1980s Pop Art Continental US - Abstract Prints

Materials

Ink, Lithograph, Offset, Pencil, Graphite

"Black Gouache" lithograph
By (after) Sol LeWitt
Located in Henderson, NV
Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...
Category

1990s Abstract Continental US - Abstract Prints

Materials

Lithograph

Physichromie Panam 87 2012
Located in Miami, FL
Carlos Cruz Diez Physichromie Panam 87, 2012 Chronographic on Aluminum and Plastic EDA 2 of 2 19 x 19 in Provenance: Private Collection, Miami.
Category

21st Century and Contemporary Kinetic Continental US - Abstract Prints

Materials

Metal

Judy Rifka Abstract Expressionist Contemporary Lithograph Hebrew 10 Commandment
By Judy Rifka
Located in Surfside, FL
Judy Rifka (American, b. 1945) 44/84 Lithograph on paper titled "Thou Shalt Not Bear False Witness against Thy Neighbor"; Depicting an abstract composition in blue, green, red and black tones with Hebrew script. Judaica interest. (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...
Category

1980s Pop Art Continental US - Abstract Prints

Materials

Lithograph, Screen

Spanish 1996 Las Segovias signed limited edition original art print silkscreen
By Antoni Tàpies
Located in Miami, FL
Antoni Tapies (Spain, 1923-2012) 'Las segovias', 1996 silkscreen on paper 14.2 x 10.2 in. (36 x 26 cm.) Edition of 150 Ref: TAP1205-005-150 Hand-signed by author ____________________...
Category

1990s Contemporary Continental US - Abstract Prints

Materials

Screen, Ink

Jasha Green, Abstract 9 Lithograph, circa 1976
By Jasha Green
Located in Long Island City, NY
This lithograph was created by American artist Jasha Green (1923-2006). Known for his abstract expressionist vision, some of his prints also show his appreciation for op art and surrealism...
Category

1970s Abstract Expressionist Continental US - Abstract Prints

Materials

Lithograph

Maria Helena Vieira da Silva, The City, from XXe Siecle, 1966
By Maria Helena Vieira da Silva
Located in Southampton, NY
This exquisite lithograph by Maria Helena Vieira da Silva (1908–1992), titled La ville (The City), from the album XXe Siecle, Nouvelle serie, XXVIIIe Annee N°26, Mai 1966, originates...
Category

1960s Modern Continental US - Abstract Prints

Materials

Lithograph

FORTH OF JULY I (FRAMED Limited Edition Of Only 30 Prints)
By Mauro Oliveira
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* The "FORTH OF JULY" series is making history in the a...
Category

21st Century and Contemporary Abstract Continental US - Abstract Prints

Materials

Plexiglass, Wood, Paper

Hyde Park III, Abstract Expressionist Screenprint by Dan Christensen
By Dan Christensen
Located in Long Island City, NY
Dan Christensen, American (1942 - 2007) - Hyde Park III, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 133/175, Image Size: 40 x 26.5 inc...
Category

1980s Abstract Expressionist Continental US - Abstract Prints

Materials

Screen

Sajippe Kraka Joujesh
By Kenny Scharf
Located in Hollywood, FL
Artist: Kenny Scharf Title: Sajippe Kraka Joujesh Medium: Silkscreen Signed: Hand Signed Measurements: 39" x 46" Edition Number: 26/150 PRINTER: Fine Art Printing Ltd, NYC PUBLIS...
Category

1990s Pop Art Continental US - Abstract Prints

Materials

Screen

Spanish Artist signed limited edition original art print intagio monotype n63
By Luis Feito López
Located in Miami, FL
Luis Feito (Spain, 1929-2021) 'Guadarrama V', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-063 Hand-signed by author
Category

Early 2000s Abstract Continental US - Abstract Prints

Materials

Paper, Intaglio, Monotype

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