Continental US - Abstract Prints

Etching Aquatint and Carborundum Signed to lower right Pencil Signed and Numbered 54/75 Sheet Size: 42" x 29" Frame Size: 61.5" x 46" Reference: Dupin 510

Peter Halley Jablonka Galerie, Köln (Hand Signed), 1990 Offset lithograph (Hand Signed by Peter Halley) 26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6) Signed by Peter Halley ...

Tracey Emin You Left Me Breathing (Hand signed and inscribed with a hand drawn heart flourish by Tracey Emin), 2008 Hardback monograph with no dust jacket as issued (Hand signed and ...

Artist: Larry Zox (1937-2006) Title: Three Square Composition Year: 1978 Edition: VII/LX; 200 Arabic Numeral, 60 Roman Numeral, plus proofs Medium: Silkscreen on Arches paper Size: 2...

Beautiful exhibition poster by Puerto rican artist, Rafael Tufino (1922-2008). Augusto Marin, Exposicion de Pinturas, 1965. Screen print on paper, 20 x 3...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Marine (Seascape), from the folio Vieira da Silva, Peintres d'aujour...

Mark Tobey, American (1890 - 1976) - Summer Joy, Year: 1971, Medium: Color Aquatint, signed, numbered and dated in pencil, Edition: 10/96, Image Size: 10.75 x 8.75 inches, Frame Si...

Artist: Nancy Genn, American (1929 - ) Title: Saratoga Year: circa 1978 Medium: Monoprint on hand-made paper, signed l.l. Size: 40 x 54 inches (101 x 137 cm)

This original lithographic poster was created to accompany an exhibition of works by Achille Perilli at the prestigious Marlborough Gallery in Rome. A striking example of mid-20th-ce...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

From his body of "Illustrated Set" work, this print by Terry Winters takes the printmaking process itself as subject. Winters became inspired by how his prints appeared before press,...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

Marcel Duchamp and by Takiguchi Rrose Sélavy (Marcel Duchamp) in Wilson-Lincoln System (Schwarz, 344), 1967 Lenticular print on thin white board. Hand signed by Marcel Duchamp. Date, title and number on label verso. 12 7/10 × 10 1/10 inches Edition 8/60 Hand-signed by artist, Hand signed by Marcel Duchamp in blue ink recto. Sticker label verso bears printed title, edition number, year and description. Printed by Shuzo Takiguchi, published in Tokyo. Catalogue Raisonne Reference: "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344 Provenance: This was part of the Deluxe Artist portfolio, "To and From Rrose Sélavy"; this will be the first time the work has been separated from the portfolio Please refer to the attached video to see this 3-D piece in person Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy (aka Marcel Duchamp)." The present work - Takiguchi's own piece, a lenticular double portrait - combines Rrose Sélavy's signature with Man Ray's 1930 profile of Duchamp. Its subject, Marcel Duchamp, then signed this work in pencil. Its title, "Rrose Sélavy in the Wilson-Lincoln System", refers to Duchamp's Green Box note describing a two-way, changeable portrait of presidents Abraham Lincoln and Woodrow Wilson. Rrose Selavy is, famously, Marcel Duchamp's pseudonym and alter ego. Duchamp died before Takiguchi's book was completed, so this print is one of the very last graphic works that has been hand signed by Marcel Duchamp. It was published in Japan, and is a very elusive work stateside. Another edition of this work is in the permanent collection of the Museum of Modern Art. The National Portrait Gallery and other major institutional collections. This work is fully referenced in the catalogue raisonne "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344, describing the work as follows: "Rrose Selavy in the Wilson Lincoln System (a double image plastic plate with, on the background, Man Ray's portrait of Duchamp, and superimposed,, Rrose Selavy's autograph signature repeated four times, signed lower right in blue ink: Marcel Duchamp, an original embossed print...." More about Marcel Duchamp: Henri-Robert-Marcel Duchamp was born July 28, 1887, near Blainville, France. In 1904, he joined his artist brothers, Jacques Villon and Raymond Duchamp-Villon, in Paris, where he studied painting at the Académie Julian until 1905. Duchamp’s early works were Post-Impressionist in style. He exhibited for the first time in 1909 at the Salon des Indépendants and the Salon d’Automne in Paris. His paintings of 1911 were directly related to Cubism but emphasized successive images of a single body in motion. In 1912, he painted the definitive version of Nude Descending a Staircase; this was shown at the Salon de la Section d’Or of that same year and subsequently created great controversy at the Armory Show in New York in 1913. Duchamp’s radical and iconoclastic ideas predated the founding of the Dada movement in Zurich in 1916. By 1913, he had abandoned traditional painting and drawing for various experimental forms, including mechanical drawings, studies, and notations that would be incorporated in a major work, The Bride Stripped Bare by Her Bachelors, Even (1915–23; also known as The Large Glass). In 1914, Duchamp introduced his readymades—common objects, sometimes altered, presented as works of art—which had a revolutionary impact upon many painters and sculptors. In 1915, Duchamp traveled to New York, where his circle included Katherine Dreier and Man Ray, with whom he founded the Société Anonyme in 1920, as well as Louise and Walter Arensberg, Francis Picabia, and other avant-garde figures. After playing chess avidly for nine months in Buenos Aires, Duchamp returned to France in the summer of 1919 and associated with the Dada group in Paris. In New York in 1920, he made his first motor-driven constructions and invented Rrose Sélavy, his feminine alter ego. Duchamp moved back to Paris in 1923 and seemed to have abandoned art...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

Alan Shields Untitled mixed media geometric abstraction collage, ca. 1979 Etching and aquatint in colors with collage Pencil signed and numbered 15...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie D, var. 1 (Series D, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

MAN RAY Hands, 1966 Silkscreen on Plexiglass Published by Gemini GEL Measurements: Image: 20"h x 16"w sheet plexi: 25.5"h x 19.5"w overall (with frame): 26.75"h x 20.75"w. Edition ...

Indian View C, 1971 Screenprint in colors 22 4/5 × 30 7/10 in 58 × 78 cm Edition 1/75 + 1AP Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wood...

Louis Schanker : 1903-1981. Well, listed American abstract artist. He was well exhibited and is in the permanent collections of many important museums. This fabulous piece is a color...

Photogram from a frottage in black in white on photosensitive paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: A photogram was a...

Artist: Hirst, Damien Title: Liberty Series: In a Spin Volume 1 Date: 2002 Medium: Etching on 350gsm Hahnmuhle paper Unframed Dimensions: 35.875" x 28" Framed Dimensions: 43....

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

This Limited Edition abstract print, "Mighty Cupcakes," by Sofie Swann measures 30" x 30" and is an edition of 95. Printed on canvas, this giclee ships framed in a white floater fram...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif V, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm)...

This piece titled "J.P.'s Trip" is an original piece by Alexis Nutini and is made from a woodcut and and found object stencil monoprint mounted on panel ...

Artist: James Rosenquist (1933-2017) Title: Katonah Muse Year: 1993 Medium: Lithograph in colors on wove paper Edition: A.P. 6/20; 100 Size: 27.75 x 21.25 inches Inscription: Signed ...

Manfred Schwartz (American, b. Poland, 1909-1970), The Ring, Abstract Figural Composition, Lithograph on Paper, mid 20th century, two nude figures in dangling hoop, numbered edition ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 4 (Series L, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

An original French Surrealist lithograph in colors by Jean Cocteau (1889-1963), titled "Tete un Profil", 1950. This wonderful original lithograph by Jean Cocteau depicts a beautiful ...

This limited edition print is an abstract landscape by Elwood Howell. Below a high horizon line, a blend of earth colors are layered together with specks of colorful shapes throughou...

Sam Gilliam Offset Lithograph Warmly Inscribed to Renowned African American Arts Educator, 1988 Offset Lithograph Card Hand written, signed and inscribed card with a warm personal message from the artist Frame Included Hand written, signed and inscribed offset lithograph card with a warm personal message from Sam Gilliam to Lindsay Waldorf Patterson. Measurements: Frame: 14 7/8 x 12 x 1/2 inches Card: 8 x 5 inches The inscription reads: To Lindsay: With Warmest Regards Sam Gilliam Lindsay Waldorf Patterson was an American English literature educator and author as well as a MacDowell Colony fellow (3 awards); Edward Albee Foundation fellow (2 awards); recipient award National Foundation on Arts Humanities. Hand signed on the front Provenance: From the estate of Lindsay Waldorf Patterson. Lindsay Waldorf Patterson was an American English literature educator and author as well as an MacDowell Colony fellow (3 awards); Edward Albee Foundation fellow (2 awards); recipient award National Foundation on Arts Humanities. Formerly an account executive, Harrison Advertising Agency, New York City, 1964; feature writer and columnist assistant to Langston Hughes, Associated Negro Press, 1965; special feature writer (film) Uptight,, Paramount Pictures, 1968; co-host Celebrity Hour program, Station WRVR-FM, New York City, 1974-1977; co-host Black Conversations program, Station WPIX-television, New York City, 1976-1979; assistant Professor of English, Queens College, Flushing, New York, since 1990. Adjunct Professor Afro-American Caribbean literature, black theater...

Set of four screenprints by Mel Bochner, Barry LeVa, Sol LeWitt, and Robert Mangold. Sol Lewitt's tight crosshatching over teal, Mel Bochner's tessellated blue houses, Barry Le Va's...

Artist: Donald Sultan Title: Mimosa, April 12, 2023 Year: 2023 Medium: Archival pigment ink print on 315 gsm fine art paper Edition: 50; signed, titled, dated and numbered in pencil ...

This colorful lithograph is part of my private collection. It is a limited edition , 1 print available, signed and numbered 25/150. It is in very good condition. Vibrant and colorful.

Shusaku Arakawa Double Point Blank, 1979 Lithograph on paper with deckled edges Hand signed, numbered 13/45 and titled with publisher's and printer's blind stamp on lower front and p...

This exquisite lithograph after Henri Matisse (1869–1954), titled Auguste Pellerin, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954 ...

Prizma VI Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Robert Indiana 0, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 (unsigned) Frame included: Elegantly matted and fra...

Brice Marden Lana 2 1966 Screenprint on paper 20 x 24 inches; 51 x 61 cm Edition of 11 Signed, titled, and numbered in graphite (lower recto) This silkscreen was printed by Brice...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Ilya Ehrenbourg, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954...

Aijiro Wakita, Japanese (1942 - 2006) - Continuation 20, Year: circa 1970, Medium: Screenprint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 29.75 x 37....

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant III" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited ed...

This exquisite lithograph by Alexander Calder (1898–1976), titled Les folles de Sache (The Madwomen of Sache), originates from the historic 1975 folio Derriere le Miroir, No. 212. Pu...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

A very good impression of this color lithograph on Waterleaf white wove paper. One of 25 Roman numeral impressions, aside from the Arabic numeral edition of 100. Signed and numbered ...

**FALL SUPER SALE UNTIL OCTOBER 13TH** Celebrating the universe with this colorful and beautiful piece by Mauro Oliveira **IMPORTANT: THIS IS a Limited edition of 30 museum quality...

Two Warped Corners Herbert Bayer, Austrian (1900–1985) Date: 1973 Screenprint, signed and numbered in pencil Edition of 5/50 Image Size: 29.75 x 29.75 inches Size: 32 in. x 32 in. (8...

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Couple d'oiseaux (Pair of Birds), originates from the 1967 album Bernard Buffet, Lithographs 1952-1966, published by T...

Robert Kushner Paris Review, 1982 Lithograph with Deckled Edges. Hand signed and numbered 142/200 by the artist on the front 30 × 44 inches Unframed This work was part of a series o...

Namiko Prado Arai (Mexico, 1963) 'La regadera', 2003 silkscreen on paper Guarro Super Alpha 250g. 39.4 x 27.6 in. (100 x 70 cm.) Edition of 50 ID: PRA-301 Unframed

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Formulaire rouge (Red Form), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeght...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), originates from the 1972 album Calder autobiographie. Published by Maeght Editeur, Paris, and...

A large, pastel colored monotype print on cast paper pulp by American Abstract artist, Friedel Dzubas. It is signed and dated lower right. Friedel Dzubas, German/American (1915–1994...